The political machinations of the yakuza world provide bloody, non-stop thrills in this deliriously anarchic sequel that is never less than fascinating for its attention to personal details and vivid pictorial exploration of a criminal, country-wide hornet's nest. Deadly Fight in Hiroshima may take a more linear direction than that of its predecessor due to its basis having not been finished at the time of filming, the screenplay by Kazuo Kasahara cleverly weaves an adaptation of real-life gangster Mitsuji Yamagami, whilst continuing to build upon the themes of the first Battle. Fukasaku's direction continues to impress, unveiling an eye for breathing space in the middle of the blood-flowing whirlpool; the action sequences are brutal and unforgiving with the camera work by Sadaji Yoshida, at times, mesmerising, especially in the film's final twenty minutes, where Yamanaka is hunted in the rainy laneways of Hiroshima, those are exceptionally beautiful. Despite Sonny Chiba's impressive performance as the ultra-psychotic Katsutoshi, whose manic, psychotic body language jerking movements are used by Chiba to hold Katsutoshi as a ticking time bomb keeping everyone on edge; Bunta Sugawara's weighty presence, despite taking a back seat in this episode, the film truly belongs to Kinya Kitaoji and, the lone voice of feminine voice within the first two films, Meiko Kaji. Their chemistry is fantastic; you get a real feel for these two forbidden lovers' plight, a testament to Fukasaku's handling of the romance, which is deft and touching without becoming cloying. Backed by another spidery score from Toshiaki Tsushima (who even includes a playful nod to Seijun Suzuki's Tokyo Drifter), Deadly Fight in Hiroshima might be a more commercial film than it's predecessor, but just as worthwhile, one that's magnificently vicious and brutally exhilarating.