DanTheMan2150AD

Fighting fire with fire, although it never quite escapes the shadow of the original, Long Arm of the Law II is a slicker but no less brutal follow-up that's just as tense, cynical and morally corrosive. It's dog-eat-dog, where violence is simply a routine fact of survival, self-preservation takes precedence when you're in over your head, stuck in increasingly dangerous limbo, where neither fully criminals nor fully accepted by the authorities they serve. It all feels like a decidedly glossier affair, losing the raw unpredictability but retaining the dirty, pessimistic attitudes; it feels lived-in and authentic, aided by some wonderful location shooting and a visual style that often resembles reportage more than conventional genre filmmaking, but with Michael Mak taking over directing duties, it doesn't stop the film from being almost as breathtaking as its predecessor. Shootouts are messy, brutal affairs; panic and desperation are the de facto settings when everything goes wrong. Yes, it does occasionally rely on overly familiar undercover-cop conventions, with the storyline getting a little muddled in the middle due to a surfeit of subplots, but the film delivers absolutely thrilling firepower amid all its barbarity, even stopping for a karaoke number. The cast, led by Alex Man, Elvis Tsui and Ben Lam, gives the film much of its emotional weight, teaching us the ultimate lesson when it comes to being an undercover cop: it sucks, it contributes wonderfully to the film's sense of realism and desperation. Their characters, fish out of water introduced into a capitalist society, this time with a touch more levity, are not idealised heroes but trapped men trying to navigate systems that view them as expendable. Complimented by the usual Hong Kong lax standards when it comes to stunt safety and a fantastic musical score, Long Arm of the Law II is a gritty, unsentimental and relentlessly tense concoction of bombastic firepower and fallout that's certainly not for the fainthearted.