DanTheMan2150AD

A sequel from an entirely different genre and taking the gritty bleakness of the series into overdrive, Long Arm of the Law IV is cut from a completely different cloth, abandoning the robbery-centred plots of earlier instalments and instead acting as a highly incendiary response to the Tiananmen Square massacre. There's a reason this hasn't seen a re-release since its VCD, one I ultimately imagine is down to a narrative based on Operation Yellowbird, the extremely bold use of footage of the Tiananmen Square protests, and it's far from subtle recreations of the events with a horrifically high body count to boot. Rather than thriving on momentum and carefully orchestrated chaos, Director Michael Mak instead goes for restless, messy but ultimately ambitious storytelling, and I respect him for that. It's an exceptionally bold piece of filmmaking, even if it feels as if they've had to make a compromise to avoid the Category III rating. There's a genuine sense of displacement and uncertainty, portraying characters caught between political realities and the false promise of escape. Hong Kong is no longer the glamorous refuge it might appear to be from across the border; it's another hostile landscape where survival comes at a cost. The action scenes are effective, though they're not the main attraction. What lingers is the atmosphere, the paranoia, the exhaustion and the sense that every character is running toward a future that may not exist. Bolstered by some outstanding performances and Joseph Chan's incredible music, Long Arm of the Law IV remains a highly compelling action thriller, not because it delivers bigger action or higher stakes than its predecessors, but because it captures fear, hope and disillusionment with a brutal honesty, ending the saga on a deeply pessimistic note.