A Midway Drop Due to Lack of Interest
This review is based on episodes 1-44 (roughly half the series).
I have such a soft spot for Wu Tianhao. I tend to give his dramas a chance, especially when he’s in a lead role, since much of his work has been in supporting or guest appearances. I’ve watched him in My Lady General, Only Love You, Supervisor Husband, Secrets of the Shadow Sect, The Legend of Shen Li, Hard to Find, Lovesickness, and The Princess Royal—though, to be honest, I don’t remember his role in the last one. Unfortunately, I decided to let this one go for no other reason than the fact that the storyline just didn’t excite me. With so many dramas already on my watchlist, I have to be mindful of how I spend my time—I can’t watch dramas all day, every day.
This is a vertical drama that follows the short-content formula, so it feels a bit choppy, and the narrative isn’t especially complex or highly produced. The storyline is a familiar palace revenge and power struggle, presented in the usual microdrama fashion—very soap opera–like. The script isn’t new, and if you’ve watched enough vertical or microdramas, the characters and tropes will feel instantly recognizable.
I have such a soft spot for Wu Tianhao. I tend to give his dramas a chance, especially when he’s in a lead role, since much of his work has been in supporting or guest appearances. I’ve watched him in My Lady General, Only Love You, Supervisor Husband, Secrets of the Shadow Sect, The Legend of Shen Li, Hard to Find, Lovesickness, and The Princess Royal—though, to be honest, I don’t remember his role in the last one. Unfortunately, I decided to let this one go for no other reason than the fact that the storyline just didn’t excite me. With so many dramas already on my watchlist, I have to be mindful of how I spend my time—I can’t watch dramas all day, every day.
This is a vertical drama that follows the short-content formula, so it feels a bit choppy, and the narrative isn’t especially complex or highly produced. The storyline is a familiar palace revenge and power struggle, presented in the usual microdrama fashion—very soap opera–like. The script isn’t new, and if you’ve watched enough vertical or microdramas, the characters and tropes will feel instantly recognizable.
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