Pinoy BL Series
Thailand
This review may contain spoilers
Sakristan (2020): All Bark But Not Much Bite
I can understand why a number of my My Drama List (MDL) and Twitter contacts wanted me to stop watching “Sakristan.” Their opinions about the controversial director Darryl Yap [accused of sexual exploitation of children, perpetuating misconceptions about rape, and shading other Filipino (Pinoy) boys’ love (BL) series, among others] are valid and I respect their principled position to boycott this series. But I really felt bad for the efforts given by the actors, so I wanted to judge this series based on its artistic merits. It wouldn’t be fair if I dismiss the series outright without even watching it.
Unfortunately, in terms of artistry, “Sakristan” was found wanting. While I admired Sakristan's efforts to confront the Philippine Catholic Church’s bigotry and hypocrisy on the issue of gays within its community, such plot/storyline did not really move forward on this series. Indeed, it was all bark but not much bite. The entire series was also replete with gender and sexual stereotypes that don’t advance lesbian-gay-bisexual-transgender-queer+ (LGBTQ+) representation. Not even the introduction of Christian's gay father and the tokenistic opening reminder (LGBT) can hide the series’ superficial understanding of the day-to-day issues confronted by the LGBTQ+ community in the Philippines.
A lot of times, screenplay was corny and cringy. It was also soapy (akin to soap operas) for most of the series. There were awkward dialogues intended as jokes that weren't really funny. There were also lines that were a bit long and preachy. I would argue that the best scenes from this series were those without dialogues and with only the soundtracks and the sceneries. By and large, cinematography blended pretty well with the soundtracks.
While the acting performance of both lead actors and the chemistry between them improved throughout the series, Clifford and Henry, fell victims to the lack of proper acting direction. The VinCentiments style of acting failed to grasp the difference between stage and screen acting. Because of the perspective and proximity of the audience, acting on stage on the whole is bigger and exaggerated to be able to reach the people at the very back of the theatre. This means making vocal, physical, and emotional choices in acting that are oftentimes unnatural and unrealistic. The problem with the VinCentiments style of acting, it's as if the actors were still on stage! The lead actors and especially the support actors were overacting most of the time. It’s not as though the actors don’t have potential, they do, but since they weren’t given suitable acting direction, their style of acting always looked bad on screen. It's a pity because I really liked Clifford and Henry on this series. They may not be as good-looking compared to the lead actors of other Pinoy BL series but they have Pinoy features and vibes that I genuinely appreciate. Clifford was sexy and a sight for sore eyes and his intimate scenes with Henry, mostly without dialogues, were generally done tastefully.
Production design and editing were up and down throughout the series while the music (especially the soundtracks) was consistently good.
All in all, I would only recommend “Sakristan” for posterity, for those who are interested in watching one of the pioneers of Pinoy BL series, mindful of course of the fact that there are much better representations of the genre, namely, “Gameboys” and “Hello Stranger.”
Unfortunately, in terms of artistry, “Sakristan” was found wanting. While I admired Sakristan's efforts to confront the Philippine Catholic Church’s bigotry and hypocrisy on the issue of gays within its community, such plot/storyline did not really move forward on this series. Indeed, it was all bark but not much bite. The entire series was also replete with gender and sexual stereotypes that don’t advance lesbian-gay-bisexual-transgender-queer+ (LGBTQ+) representation. Not even the introduction of Christian's gay father and the tokenistic opening reminder (LGBT) can hide the series’ superficial understanding of the day-to-day issues confronted by the LGBTQ+ community in the Philippines.
A lot of times, screenplay was corny and cringy. It was also soapy (akin to soap operas) for most of the series. There were awkward dialogues intended as jokes that weren't really funny. There were also lines that were a bit long and preachy. I would argue that the best scenes from this series were those without dialogues and with only the soundtracks and the sceneries. By and large, cinematography blended pretty well with the soundtracks.
While the acting performance of both lead actors and the chemistry between them improved throughout the series, Clifford and Henry, fell victims to the lack of proper acting direction. The VinCentiments style of acting failed to grasp the difference between stage and screen acting. Because of the perspective and proximity of the audience, acting on stage on the whole is bigger and exaggerated to be able to reach the people at the very back of the theatre. This means making vocal, physical, and emotional choices in acting that are oftentimes unnatural and unrealistic. The problem with the VinCentiments style of acting, it's as if the actors were still on stage! The lead actors and especially the support actors were overacting most of the time. It’s not as though the actors don’t have potential, they do, but since they weren’t given suitable acting direction, their style of acting always looked bad on screen. It's a pity because I really liked Clifford and Henry on this series. They may not be as good-looking compared to the lead actors of other Pinoy BL series but they have Pinoy features and vibes that I genuinely appreciate. Clifford was sexy and a sight for sore eyes and his intimate scenes with Henry, mostly without dialogues, were generally done tastefully.
Production design and editing were up and down throughout the series while the music (especially the soundtracks) was consistently good.
All in all, I would only recommend “Sakristan” for posterity, for those who are interested in watching one of the pioneers of Pinoy BL series, mindful of course of the fact that there are much better representations of the genre, namely, “Gameboys” and “Hello Stranger.”
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