Somewhere in the depths of the internet is a video where, amongst a panel of speakers, an amiable seeming fellow is airing the usual nice guy grievance that women should be more interested in him and other men like him as they have a lot to offer. A woman on the panel quickly interrupts him and rather succinctly shuts him down (although badly prefacing it by stating that she does not intend to offend him), that despite his belief that he has a lot to offer, he does not. Nice guy is aghast at this affront. End of video. The whole exchange can be viewed in less than a minute. Although not exposited, clearly, a torrid dating affair is not about to ensue for said nice guy.

“Again My Life” is a 16 hour affair that can be rather comprehensively summed up in the same way. The fancy marketing images might seem like it will be a pleasing and interesting show on the surface. Timeloop! [lasers flash] Revenge! [fireworks] Justice served!!! [THUNDERING EXPLOSIONS]

It might seem like it has these many things to offer.

It does not.

In fact, the most memorable moment of the entire series by a country mile happens early. Cha Joo Young triggers the whole timeloop by appearing as a grim reaper that sends Lee Joon Gi’s Prosecutor Kim Hee Woo back to his teen years. It’s over quickly but there's some spectacle here highlighted by some terrific wardrobe for Cha Joo Young.

The next few episodes follow Hee Woo’s initial steps at setting up his revenge against Lee Kyung Young’s Assemblyman Cho Tae Seob, the power-hungry kingmaker in Korean politics. It’s a fairly lengthy setup as there’s no shortage of supporting characters that need to be networked to Hee Woo - mentors, female friends/allies, classmates, family members, pugilists and fellow prosecutors.

Then the revenge actually starts. Or so it would appear. There’s some meetings. And phone calls. And conversations over food. News gets announced on television. A couple guys get dragged in to be interrogated. The good guy pretends that he’s not in his second go-round through a timeloop so, even when he’s telling his friends and colleagues exactly what is about to transpire, he [checks notes] acts normal. How does he know these things? His friends and colleagues question him. He shrugs and offhandedly says he must be lucky or something. And his friends and colleagues buy it, shrug and move on. That’s the excitement quotient on the good guy end. This is practically two-headed, four-armed purple mutants riding flying motorcycles shooting flaming rockets compared to the action on the bad guy side. The bad guy is a graying middle aged man whose evildoings revolve around him having conversations in a living room mostly with other graying middle aged men. The bad guy sports some seriously frightening [checks notes again] cardigan sweaters. In the super suspenseful moments of these scenes, the bad guy will quietly grunt and NOD HIS HEAD EVER SO SLIGHTLY. Not exactly grab a giant tub of popcorn stuff.

As for other issues…

The amount of characters is ridiculous. There’s as many cast members as a zombie apocalypse but each of them are supposed to be ones with names and unique personalities and some sort of reason why the good guy or bad guy has them involved in all of this and why they have some affinity for Hee Woo. But it's all drowned in the sheer numbers of them. There isn’t just one hired muscle guy. There’s one for the good guy and one for the bad guy and one for the good guy’s bff chaebol heiress. There isn’t just one elder mentor. There’s one for the good guy on the private business side and another one for the good guy on the law side and one for the good guy’s bff chaebol heiress. She also has two useless brothers because apparently one useless brother made no sense? There isn’t just one prosecutor underling type. There’s the assistant from the countryside and the good guy’s classmate from law school and the good guy’s female classmate from law school has one too and that’s not counting the one that’s under the middle management prosecutor who is working for the next-level-up but still middle management prosecutor. They all end up faceless and barely distinguishable from each other. Slap some fake blood and gray makeup on them and it might as well be a zombie horde.

Lee Joon Gi is a fine enough actor to be a male lead, but not this male lead. Hee Woo isn’t just a prosecutor. He’s a prosecutor that likes to be on the front line and occasionally mixing it up martial arts style with bad guys. Athletically, Lee Joon Gi can get by. But it’s impossible to hide that he’s at least two weight classes smaller than every other actor on set.

There’s a brief snippet or two of internal dialogue in Hee Woo’s head of pondering what the butterfly effect will be by him altering the course of events. This show needed a heavy, heavy dose of this but opted instead for boring bad guy and his boring wannabes mumbling at each other. Or recycling another scene where Hee Woo and his crew sit and talk. Or they talk on the phone. Or two characters have a conversation where they decide that one of them will summon another character and ask them to do something. And then the other character will be summoned and the dialogue from the earlier meeting will be repeated. And the other character will be asked to do the thing. And the other character will say “OK”. End of scene.

As for character growth and development, Hee Woo is the same in episode two and episode four and episode ten and episode fourteen. Bad guy? Same. Female bff chaebol heiress? She actually says out loud that she is going to leave behind her normal life but does her personality change? Not even a little bit. Any of the not-zombies-but-might-as-well-be horde? Absolutely not.

Moreover, Kim Ji Eun seems about as natural an actress for a rom-com as a production could find. Why she and her management seem bent on appearing in spy and legal thriller genre pieces is mystifying. She's just not going to generate the emotional intensity that playing this kind of character requires.

Late, very late, the show attempts to generate action and move some of the supporting characters in to more of a spotlight. But it's difficult to get emotionally invested in a character that's been on the periphery and barely on camera for the past ten-plus episodes.

OST? Nothing out of the ordinary.

Interesting scenery? No.

Romance? Barely a hint of it.

Sex? Nope.

Gore? Zero.

Humor? None.

Tension? Intrigue? Suspense? Zip.

Most damning is that there is no element of “Again My Life” that can be raised as a “Yes but…” Something that when this laundry list of flaws is recited, could be brought forth as a counterargument. Something that when a critic would raise, for instance, how lackluster a villain is present here, a fan could reply “Yes, but look at This Thing. it also has This Wonderful Quality that makes it worth watching.” It has nothing of the sort. It excels at nothing. It’s not even interesting at being bad at so many things. It was meant to breathe life back into a hero and bring a horrible villain to justice. Only there’s no breath and no life in any of it.

Ok fine. It has Cha Joo Young in a killer, bright red pantsuit on top of a skyscraper for a few minutes.

If timeloops do exist, someone should take one back to the production meeting where this got pitched and stop it from ever happening. Obviously not recommended.

[author's note: Contrary to the headline, it's really not that nice guys aren't boyfriend material. It's that anyone that claims to be a nice guy is almost certainly not.]