31
96
7
The Butterfly
This review may contain spoilers
"If you keep on believing, the dream that you dream will come true." -Cinderella
Two of my favorite Chinese actresses, Zhou Dong Yu and Zanilia Zhao starred in The Palace. More Cinderella fairytale than actual historical tale but entertaining nonetheless.
Chen Xiang and Liu Li came to the palace as 13 year-old girls to serve as maids and became fast friends. Chen Xiang lost her earring in an abandoned garden on her first day, think Chekov's gun or Cinderella's slipper. Quickly fast forwarded 7 years, the two turned into Dong Yu and Zanilia, now twenty-year-olds still prone to giggling and screaming. Each had their dreams of winding up with a handsome prince no matter how remote the possibility. But in fairytales even remote possibilities can become reality. Chen Xiang met the 13th Prince once again in the abandoned garden only this time she wore a scarf over her face as they had a chaste memorable time. Liu Li, uh, banged into the nefarious 9th Prince. Before you could say mistaken identity the 13th Prince and Liu Li were to be married. Chen Xiang found herself becoming her friend's servant while Liu Li turned into a wicked stepsister to keep their secret.
Chen Xiang was the childlike, virginal, self-sacrificing heroine complete with a repertoire of giggles and screams. Liu Li with her lusty desires for sex and power went from fast friend to Fast Times at Ridgemont High turning evil at the drop of her clothes. There was never much of a reason for Chen Xiang to keep her secret other than to be the traditional martyr and long suffering heroine. I wasn't crazy about the portrayal of the young women. In this fairytale all women were considered pretty much alike and were designed to please men in order to have any security, which given the times probably wasn't too far off the mark. There was no shortage of examples of what happened to maids or concubines who failed to please. The fact that the 13th Prince couldn't tell them apart reinforced their interchangeable nature.
The costumes and sets were luxurious, with mood fitting lighting and exquisite cinematography. Every shot was beautifully framed. No pumpkin coach or mice, but there was a stunning CGI dragon and lots of luminescent butterflies. The actors were cornered into stereotypical roles but still managed to bring their characters to life.
Once the movie got past the giggling, so much giggling, it became more enjoyable for me, even when it dipped into melodrama and political intrigue. Being a fairytale all that mattered was the romance and Chen Xiang winning the Prince's heart through her kind and selfless acts. But it was a Chinese fairytale so that meant being able to avoid being beheaded, beaten to death or exiled in the process.
9/5/22
Chen Xiang and Liu Li came to the palace as 13 year-old girls to serve as maids and became fast friends. Chen Xiang lost her earring in an abandoned garden on her first day, think Chekov's gun or Cinderella's slipper. Quickly fast forwarded 7 years, the two turned into Dong Yu and Zanilia, now twenty-year-olds still prone to giggling and screaming. Each had their dreams of winding up with a handsome prince no matter how remote the possibility. But in fairytales even remote possibilities can become reality. Chen Xiang met the 13th Prince once again in the abandoned garden only this time she wore a scarf over her face as they had a chaste memorable time. Liu Li, uh, banged into the nefarious 9th Prince. Before you could say mistaken identity the 13th Prince and Liu Li were to be married. Chen Xiang found herself becoming her friend's servant while Liu Li turned into a wicked stepsister to keep their secret.
Chen Xiang was the childlike, virginal, self-sacrificing heroine complete with a repertoire of giggles and screams. Liu Li with her lusty desires for sex and power went from fast friend to Fast Times at Ridgemont High turning evil at the drop of her clothes. There was never much of a reason for Chen Xiang to keep her secret other than to be the traditional martyr and long suffering heroine. I wasn't crazy about the portrayal of the young women. In this fairytale all women were considered pretty much alike and were designed to please men in order to have any security, which given the times probably wasn't too far off the mark. There was no shortage of examples of what happened to maids or concubines who failed to please. The fact that the 13th Prince couldn't tell them apart reinforced their interchangeable nature.
The costumes and sets were luxurious, with mood fitting lighting and exquisite cinematography. Every shot was beautifully framed. No pumpkin coach or mice, but there was a stunning CGI dragon and lots of luminescent butterflies. The actors were cornered into stereotypical roles but still managed to bring their characters to life.
Once the movie got past the giggling, so much giggling, it became more enjoyable for me, even when it dipped into melodrama and political intrigue. Being a fairytale all that mattered was the romance and Chen Xiang winning the Prince's heart through her kind and selfless acts. But it was a Chinese fairytale so that meant being able to avoid being beheaded, beaten to death or exiled in the process.
9/5/22
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