Unnursvana
Iceland
The series is mostly a murder mystery that intertwines evil spirits and other horrors into its narrative, which is not so different from many other horror-kdrama I’ve watched. The plot builds the tension within the narrative rather well, and each episode usually ends in such a way that you have to see the next one as soon as possible, but it does have a bit of a pacing issue.
The story works more like a mystery than a horror story in my opinion, but the evil spirits and the Korean folklore about such spirits and shamanism is used in an interesting (but perhaps familiar way if you’ve watched many such dramas) as such a tool to communicate moral questions about society, as well as the weaknesses and behavior of the characters to the viewer, like horror stories of this nature do. That’s the purpose of the horror.
For a while it seems like the story goes in a few too many circles with the main characters’ quest to get rid of these evil spirit, and the narrative loses a bit of momentum towards the middle. There is a lot of repetition and too little progress whether it was in the story itself or the characters own personal arcs, even though we are always learning more and more about these evil spirits and the past that explains the present. But towards the end the story does pick up the pace again.
There are plenty of great, interesting characters here, and of course Kim Tae Ri, like the other actors, is doing a great job in their roles but the drama struggles to give all of them time to tell their story while managing to keep a good flow to the story. There were almost too many character and it breaks the flow. The story affects the characters, but the characters don’t affect the story too much. Therefor the story overwhelms the character a little.
In some instances the narrative does seem to drag things out just because they need to fill the time with something. I’ve seen this screenwriter do horror very well before, as well as murder mystery, but mixing the two together seems to have been a struggle at times. Perhaps if the drama had been allowed to be longer, it wouldn’t have felt like it was holding too many balls in the air at once and allowed the story to breath a bit more or add more things in so it felt less repetitive.
An exciting story that allows the story to unfold through the characters and their actions, but ends up dragging them a bit unhesitatingly forward for the sake of the narrative. There is always something hooking you within each episode, but the build up between each cliff-hanger could have been better in some places. It makes the narrative a bit uneven, and I personally would have liked more horror. But overall a very entertaining watch despite the hiccups in the narrative structure.
Was this review helpful to you?
Whether we need this gender-swap to tell the story I am on the fence about. I think but that the story could have worked well enough if the main character was just a woman from the 21st century. Sometimes it seemed to me that they were brushing over things that should have underlined the struggle that a person who is not in that time, not in their body, would deal with. And I don’t think this is the radical or feminist take that some might have wanted about of women or the gender. But I also don’t think the drama ever intended to be a big commentary on society or gender roles. It just wanted to be a comedy sageuk with a twist.
I liked pretty much all the female characters in the drama for different reason. There was a range of characters and even the more comic relief ones had more to their roles than just that. Most of my favorite moments in the show had something to do with the main character’s friendship with their maids as well as the mutual respect that existed between them.
The sort of regular, everyday life of the court, especially for the women in the highest positions, was something I enjoyed too. Those moments are usually more in the background in these dramas. And I found the humor mostly revolved around that; life in the palace, the people who worked there, a little bit about politics and power struggle, but also the fact that the main characters was from another time period and how that person did things differently from the others and the conflicts that created. Much more than the actual gender-swap. Which is why I think we didn’t need it.
It took a while for the drama to mix the humor with the more serious tones of the drama that boosted the suspense in the story. The humor that led the drama in the beginning, but the more political bits never felt too jarring to me. And after a few episodes I felt like they managed to mix those two elements well enough so they worked together.
Despite some complaints about the politics taking up too much time, Mr. Queen was always a comedy and manages to keep the humor up throughout the drama, despite the politics and all the power struggles taking place. But even in the darkest, most tensest moments the show always manages to mix in lighter and funnier moments in. I never felt like the overall tone of the show dropped, or that it become too heavy. The humor never dried up and the story never became too dreary.
Many people do not like the high stakes, which never feel that high compared to other such period dramas, or the politics and just want the romance and the comedy. But personally I think dramas like these could not keep the story going with just funny moments and no politics. There have to be stakes and in the palace stakes comes with political maneuvering. Most stories are based on some kind of tension, risk and conflict.
The conflict here comes out in subtle fights for power, very under the table political tactics to, shifting of allies and clashes between several powerful clans within the Joseon era. But those conflicts never took over the whole story. It is the usual shenanigans that you usually see in these period dramas, but just a bit more woman focused, which I enjoyed a lot. How the women used their power and manipulated the court and people around them. The king has his focus as well, but the is surrounded by really smart, calculating women.
Overall I felt like Mr. Queen was a pretty standard period drama that tried to have a little bit of a different angle on things, that just aimed to be very fun and entertaining. It never took itself that seriously, but I also didn’t think it was saying that much either, although criticizing society through comedy is what the genre is sort of made for. Yet the light-hearted spirit that was always persistent through the drama, the character and just the amazing performance of Shin Hye Sun, made Mr. Queen overall a really easy and entertaining show to watch.
Was this review helpful to you?
The things that I like the most about the dramas that Park Hye Ryun writer is how easy and fun they are to watch and how great I feel when I watch them. They are all a feel-good shows for me. They all manage to be both funny, entertaining and dramatic and emotional at the same time and there is a great balance between all of these things in this drama, as well as in Dream High or I Heart Your Voice.
I was just so pleased with this drama, it is well written and for me it hit all the rights spots, since I got emotional and I smiled etc. so I was very much in love with it. It is also very easy to watch and I tend to not get bored over her dramas or at least those who I have seen.
The story isn’t necessarily not that new but I feel like I haven’t seen that many dramas like Pinocchio and Park Hye Ryun does tell a good character story well in my opinion. The story is very well paces and I didn’t feel like it ever dragged along ether and I liked how she wrote it. It was like she had a plan and she didn’t just write something in for no reason and I like that. I also liked how the new reporter theme was used in this drama.
The character have always been quite good in those Park Hye Ryun dramas that I have seen and for the most part they are quite well rounded in this drama as well. I especially like how she writes female characters and they get to do more than just be the love interest or the mean bitch.
The secondary characters could have been a bit more developed in my opinion and I felt like she has done a better job with the second female lead in the past, which was a shame. Yoon Yoo Rae could have been a much more interesting character but she was just the cute comic relief to me. The second male lead Seo Bum Jo got so much more to do in this drama, as well as In Ha’s mom.
Maybe it helps the plot to go along smoothly and swiftly that the main character can’t lie and she has to tell the truth and can’t hide her feelings or anything. I did have my concerns around the middle of the series that it was going too fast and there wasn’t enough story left to tell, but I was gladly proved wrong on that.
I also liked the main couple a lot and it could have ended up being super creepy since they were raised as niece and uncle but it totally wasn’t creepy at all and very well done and felt realistic.
This is one of the better dramas that I have seen Park Shin Hye act in and I think this drama has helped some people realize that she doesn’t totally suck and maybe they will stop hating on her now because of Heirs or for other things. I liked PSH and I find it very comfortable watching her act and I am a fan so I am super happy that she got a role that I like.
In my humble opinion Pinocchio is one of the better dramas that came out in 2014 (most of the drama aired last year) and it was, like I said before, a very nice and sort of feel-good watch that I enjoyed a lot and therefore I have not many bad things to say about it. I am a huge fan of Park Hye Ryun now and I liked how she crafts her stories. They are meaningful and entertaining, both light and dramatic and I liked very twist and turn along the way.
Overall I liked this drama more than I liked I Hear Your Voice but not as much as Dream High. But like I did with Dream High I felt so nice and comfortable watching this drama, but I was maybe just a bit more emotionally invested in Dream High. I will miss watching Pinocchio every week and I can’t wait for Park Hye Ryun’s next drama.
Was this review helpful to you?
This review may contain spoilers
From Why Secretary Kim to My Stranger Hero and now Her Private Life it seems like my kdrama rom-com slump is finally over. I say slump since for few years I didn’t really enjoy those rom-coms like I used to, and I didn’t really write any reviews for those dramas.Her Private Life went in a bit of a circle for me. I wasn’t too keen on it at first. I wasn’t a fan of the humor and the whole fangirl aspect of it wasn’t really doing it for me, even if I consider myself a fangirl myself (just not that much like Deok Mi).
It wasn’t until the romance really kicked in, with all the fake dating shenanigans - one of my fav rom-com tropes ever - that I almost sold my soul to this drama for a few weeks.
The drama toned down the humor and sort of became sweeter and light, which I enjoyed. I really liked all the pining in the beginng and the start of the relationship. It was very predictable at times, but I could not get enough.
I would personally have wanted more depth into the whole fangirl business and the whole culture of that. More focus on Deok Mi and Cindy - which was one of the more interesting side characters in the drama - and them finding a balance in their fangirl activities. Not just the worry about how Ryan would react to Deok Mi being a fangirl.
For a drama about the private life of a fansite manager and all of that, I expected more of the plot to revolve around that and not about the family drama of Ryan Gold.
The success with this drama, with me and other, is kinda thanks to the actors and how well they played these characters. They had very nice chemistry together. Deok Mi and Ryan was the sweetest couple and treated each other with such a respect and tenderness. It was wonderful.
There was not a whole lot of conflict in this drama, even if it used some very well known tropes in it story lines that usually really amps up the conflict. The characters sat down and talk things through, which I really liked. I thought that was sweet and I like how things didn’t drag too much.
But that also left the story kinda conflict-less and therefore not a whole lot happened toward the end. It slowly ran out of story to tell. If you are going to have such a non-conflict like story then you kinda have to fill it with side characters and plots that make the story a bit more exciting.
The romance, as sweet as it was, wasn’t always enough. Especially when some of the side characters and their stories were really not fun at all. The ending suffered a bit from this, in my opinion. The story was over before the drama was over and I was starting to fast-forward through certain scenes.
Was this review helpful to you?
The story may not be big but it seems to be enough there that the story never drags it’s legs or or goes into endless circles with the plot. It spends a good time with all the characters and the introspection of those characters that takes place within the drama.
Hometown Cha Cha Cha strikes a pretty good balance between having a story that is constantly moving forward while also capturing this mundane life and the quiet moments as we follow all of these different characters and their lives in this small community where everyone knows everyone.
All the characters we meet on our way through the story are interesting and it’s fun to watch them and their impact on each other’s lives. Everyone has their own burdens and baggage’s in life that the drama manages to explore quite well. Watching people’s walls break down over time and people face their demons without it ever dragging too long or being too dramatic.
We get to see the different sides of most of all the characters and how complex and human they are. Each episode of the drama is more than an hour long, which I usually do moan about, but here I hardly felt it. Because I enjoyed the time with the characters so much.
There is almost this subdued suspense that is there all the way through the story. It never get’s too big, too dramatic or too ahead of itself. It captures this feeling that life can be messy but it’s also just a series of moments that pass and fade over time really well. Some moments are wonderful, warm and calm but some cruel and sad. But life still goes on somehow. The message of the story and the story itself is not much bigger than that, but it works really well.
So much of the romance, but also just the friendship that is going on, is just about the individual’s personal boundaries and the communication between them. Everything about how the romance was built radiated comfort and warmth in my opinion, which I found really sweet and just pleasant to watch. Like everything about the drama was. Shin Min Ah and Kim Seon Ho, as well as all the other actors, fill their characters with life and emotions.
There is also a really good balance between the love stories within the drama and the other stories that deal more with people’s personal lives and their position in life. The love story will never be too sappy, which would not suit this type of story, but rather it seem more human and sensible. Even if misunderstandings occur it is quickly worked out and one can understands the reason why the character act a certain way because they story has worked for it. These people are complex and you get to see them from many angles.
The love story is still a very big part of the story; both when it comes to the main characters and the supporting characters. But even though the story is about them falling in love, it is also so much about these characters learning to love themselves as well as the other characters around them. But the drama also deals with loads of different themes such as loneliness in old age, divorce, there is a lgbt character, and many other things that crop up as we go through the lives of the characters of this small town as this is ultimately a story about the community.
Was this review helpful to you?
This is not some Cinderella tale, where the rich guy falls or the poor girl or anything like that, and while I often like those dramas a lot, it was also so refreshing to get something like this one, where the characters were just normal people and we just follow them through their young adult life. After the drama I truly felt honored to have been able to see them grow as humans.
I was truly amazed by the fact how nostalgic it felt, and how it evoked that nostalgia within me, despite the cultural and the time differences, that I had from this drama. I was feeling not only nostalgia for those universal things like; your first crush, your first day at school after the summer, first idol band you liked (granted, I was never that kind of kpop fan, like Shi Won, but then again I never lived in Korea, where these kpop idols where, with that type of idol culture), while also nostalgic over time that I had never experienced. And that connection, that nostalgia and that coming of age aspects of the story made me weep like I have never weeped before.
The drama may have been set in ‘97, but the story feels sort sort of timeless, even if we didn’t grow up or were around Sung Shi Won or Yoon Yoon Jea’s age in '97. Throughout the drama I found myself saying this to myself; god this drama speaks to me. It perfectly describes emotions that I had felt when I was a teenager and even beyound that. That age where you feel like you could where you put everything on the line for the smallest of things like a boy band or something. A more naïve and innocent times.
It’s a story about you first love, about your first heartbreak and just about growing up, but so much of it is just about friendship. There is so much heart and soul in this drama and it hits such a sweet spot, at least for me, which makes Answer me '97 is quite a unique drama. It was just so original and wonderful. And it has had such an impact of this more slice-of-life, coming of age type stories in kdramas.
It was just this little show produced by the cable network TvN that just became so big and so successful. It just fills us with empathy (or sympathy) and nostalgia. I felt like the writer(s) of the drama understood what it had been like, being a teenager, just like I feel like a lot of adults forget what it is like to be with all those hormones and emotions and can’t therefor quite catch those feelings when they try to talk to you or write about it.
The later half was much more about the supposed lover-triangle. I did feel like they did a good job on it and I felt like they did keep us guessing for the most part throughout the drama. It was wearing a little tiresome by the end, but I didn’t feel like it ruined the story or anything. But I always got the sense that the people involved knew what kind of story they wanted to tell so they didn’t go overboard with the story, so it become too crazy or just fell flat. It just hit that sweet spot.
Was this review helpful to you?
The Cursed use their story structure really well and everything flows together quite well, as well as having really interesting and likeable characters that you really root for. The story here is slower and more suspenseful, with a focus on the mystery of these curses and maybe not as action packed you might hope after hearing Train to Busan. But there is also a decent amount of horror there. Some gory, some more atmospheric.
Korea loves their evil spirits and ghosts in their horror I have noticed over the year, so a lot of the things that I saw in The Cursed was not necessarily new to me. But there is nothing wrong with using the genre and people’s expectations to your advantage and you do not always have to invent the wheel so to speak with every story. Sometimes you can just take a well-known path and do something interesting with it. Which The Cursed did, even if it became a bit repetitive towards the end.
I like horror so a lot of the gorier stuff doesn’t actually bother me, so The Cursed did not make me want to cover my eyes in any way. The gory bits were used for a specific purpose here and rather sparingly and maybe not only as shock value - although it's a bit shocking at first.
But what I liked the most about this drama was not the horror elements, but rather the characters and the dynamic between them. That is what really stood out to me.
The found family aspect of the story really tug at my heartstrings. I love the mother-daughter relationship that Im Jin Hee and Baek So Jin had and that was truly the heart of the show. Seeing these two ladies work together and care for each other while solving horror mystery together was the reason why I liked this show so much. It was just so sweet to see how much So Jin looked up to this older woman, which was probably the very first mother figure that she has had in her life in a long time.
I also liked that that Im Jin Hee did not have any love-lines, as that would not have worked in the drama. Well she has a love-line, but she is already married to the guy so that kind of relationship does not take the forefront of the show. Would I have liked to see more exploration of that relationship as the story progressed? Yes, I would have. But what we got was nice. It is nice to see a married couple work together in a kdrama.
Their main antagonist, the evil CEO, was not the most original or compelling character ever. But he still served his purpose. In a sea of complex and interesting characters, many of which get to be more than black and white, it is alright to have one that is just kind of evil for evils sake sort of.
The Cursed is a bit of a procedural drama, which is not really my cup of tea and those bits of the story were probably my least favorite. But they did tie into the story quite well and overall, the story became a bit repetitive towards the end. But it had a heart and some good character and enough horror to keep me happy.
Was this review helpful to you?
The first 5 episodes of the drama had me hooked and suddenly I was just so far into it that I started to see myself actually finish it and here I am. This is therefore the longest drama that I have watched and funny enough the longest drama that I had watched before EK was the drama that introduced me to Ji Chang Wook (which was one of the main reasons for watching EK).
I know a lot of people were annoyed by the not-so-historically accurate plot and the costumes. I did read a bit up on Empress Ki before the drama and tried to do a bit of research here and there while it was airing but it sort of doesn't bother me that it wasn't historically accurate (I feel the same way about Reign as well) because I am mainly watching it for the historical setting not the historical accuracy.
I am very found of period or costume dramas and while I liked it when they are historicity accurate (if I know th history beforehand or when I read up on it) but I am mainly just there for the costumes and the period setting and all of that and to me Empress Ki delivered on that. The set and the costumes were gorgeous and just really well done.
The drama says in it’s description that it is a “historical” romance drama and while there is romance in the drama (like there is in most tv shows or dramas) I felt like a lot of the romantic stuff was sort of put on the back burner for some parts of the drama, which I didn’t mind that much.
A lot of the drama was just about Empress Ki /Seung Nyang revenge and quest for justice/power and the political aspect of things and while I did enjoy it a lot I think a lot of other people where annoyed by it or by Seung Nyang and her politics. I liked how the women of the drama were powerful and involved in the politics and I really enjoyed that aspect of the show.
I really didn’t expect to like the politics since they sometimes bore me in these dramas. Maybe Game of Thrones is making me like that sort of thing more. It has happened that I am watching a drama and as soon as the plot goes away from the main couple I lose interest but that didn’t happen here.
I feel it was most of all a character driven drama and not necessarily a otp driven drama. The main story is not how they got together but how Seung Nyang became Empress Ki. The story does go on for a long time though, so there are bound to be plotlines that were more fun than others.
Now that I look back my favourites were between episode 1-6 and episodes 24-37. Those were the plot-lines that I enjoyed the most and I felt like were best written. For the most part I felt like the story was fast paced and all in all decently written. It went a little thin in the end but overall I found it very entertaining.
Because it is so long and therefore you have plenty of room for a lot of things happening at once and a lot of different side plots and side characters you really could flesh out some of the characters. Some for the better and some for the worst and I think most of the characters went threw some sort of character journey, except for some of the bad guys which were just evil and bad just for the sake of the plot like El Temur and his lot.
Aside from Tanashiri which I always liked even if she wasn't the best character. I felt like I could sympathize with her but not her action. I understood why she felt why she had to do what she did, because she was the empress and she needed to secure her place in the palace because that was her only job in life but I didn’t really like how she handled everything but I found her amusing and I liked the actress who played her and I will be keeping an eye out for her in the future.
I liked how I could understand most of the time why people did what they did within the palace because you had to be hard and ruthless if you wanted to survive in the palace and I especially liked how the women where written and that they were just as powerful as the men.
Wang Yoo however was one of the good guys and he was suppose to be the main lead until the public (and most of the fandom I think) decided that they liked the emperor more and he was sort of swept aside and he didn’t get that much character development at all. He was just always very consistent and noble but just sort of there in my opinion and I just found it sort of plane.
I couldn't even get behind his love-line with Seung Nyang and I just sort of feel bad for Joo Jin Mo but their love-line felt so much like a duty thing and that she was always just his subject that I never got behind it.
In the beginning I also rabidly shipped Seung Nyang og Ta Hwan / The Emperor but that sort of went away later in the drama and while I liked them together for the most part of the drama my rabid shipping never returned. I mostly saw them as friends later on but I don’t doubt their love for each other. I just really liked their
Ta Hwan did go threw a lot of character development, which is why for the longest time he was my favorite character on the show. Untill he became a bit too possessive for my taste and it almost looked like the writers forgot all about his character development and just decided to toss it out of the window because they needed a bad guy.
I think the best character in the end was Tal Tal but he was amazing and he really started to bloom in the later half of the drama. Empress Ki is just a very character driven drama to me.
In the end the story was getting a little bit thin and a little bit wonky but I still enjoyed it for the most part and I sort of expected it to go a little bit like that just because of how long it was. I never felt like it dragged and I wasn’t really that annoyed by it or anything. It just felt like the writers didn’t know what to do with all these episodes and just started to add in some shock-value.
I don’t think it could have been ay longer than 51 episodes and 45 episodes or something would have served it just fine and made made the story just a bit more stronger and not at thin but I still enjoyed myself a lot while watching it. The last 10-15 episodes were not as good as the rest of the show.
The ending though didn’t bother me at all nor did I find it lame or anything. It was sort of what I had come to expect given how the story was going and how the story actually went (historically) so I was’t really mad about it. Empress Ki was such a roller-coaster ride and some parts were better then others and it did go a bit crazy in the end but I still enjoyed the drama a lot. It was entertaining and for the most part fun and easy to watch and I will miss it.
Was this review helpful to you?
This review may contain spoilers
With movies such as Train to Busan (but also another very underrated comedy called Zombie on Sale) and the Kingdom series, South Korea is proving that no one is really doing the zombies as well and them right this moment. Ashin of the North is not the much anticipated third series of this hugely popular kdrama Kingdom, but a kind of prequel to a character we will get to know better in the third series. When we get to do that we will have to wait a bit more to find out.Ashin is dark, not only in terms of it’s story and the subject matter of the story, but also in how it was shot. There were scenes, that were supposed to take place at night, where I did not see properly. That got on my nerves, but nothing that completely ruined the story for me or anything.
Personally, I would have liked to get a good three episode arc from Ashin and not this one and a half hour movie that we got. I thought the story was a bit hasty in parts and maybe a bit rushed in the first half and I really would have wanted a whole episode just to set things up and spend more time with the characters. Really explore the people’s actions and the consequences that came with that later in the story. And I would have liked more screen-time with the adult Ashin and her thirst and drive for revenge.
Getting a good two episodes where more character focus and a nicer buildup to the escalating tension would have been nice. Because I felt it was a little lacking. And I was expecting more of a connection to the previous season of Kingdom and perhaps more answers regarding the plant that is the root of this all. There was not much information we were getting from this story in my opinion.
Except for Ashin’s revenge of course, which will come to play later on. The revenge and how it all comes about is still a really cool and interesting, dark plot twists and what I enjoyed the most within the story. It wasn’t until that section came about where the story caught my attention.
Ashin is dark and thrilling in parts so if you’re just going into this to experience some excitement and a bit of zombie horror then Ashin manages to be completely satisfying. Maybe Ashin falls into the trap, like the first series Kingdom did for me, of being just an introduction or the beginning of something and not telling a whole story. Perhaps I will not really manage appreciate its genius until I finally see the third series and where the story will take the character of Ashin and the conclusion it might give to that story.
If Ashin was supposed to be something to quench my thirst for the third series, then I did not think it managed that as well as it hoped, although it is very good entertainment and a thrilling ride with some good twists. I just wanted a better buildup to things and character work. Had fun watching it though. Just didn’t leave as much as I wanted behind.
Was this review helpful to you?
And while Age of Youth 2 certainly didn’t beat Age of Youth in terms of quality, or how good it was, I can’t say that this was a bad drama. This was still the story of five girls and all the ups and downs in their lives. Even if it did not feel as fresh or new, but then again, to me, it was never going to since it was coming after the first season. It was a lovely continuation in my opinion, was what it was supposed to be. A continuation. And I think I have to judge it based on that.
At first people were concerned about how many changes were made (and some people it was just too much) but these changed didn’t affect the story itself too much, though it did a little. Even if they added more male roles, they did not take any (or not much) time from the girls and their story. It was still all about the girls.
When it comes to both seasons of Age of Youth, they are mainly about the girls in Belle Epoque, their lives and their friendships.
The boys are just on the sidelines, featuring in the stories of the girls and it wasn’t super heavy on the romance. And while there are some people who find the focus of the series have shifted a little more from the story of the girls, and into the story of the girls and all these ships, I personally never saw it that way.
A good part of the first series was dedicated to these ‘ships’. Ether those who were there from day one (Yeun and her boyfriend) or the ones that slowly formed during course of the drama. (Jinmyung and Eun Jae and their men). The fandom might have shifted its focus more on these ‘ships’ in a second series, but the story itself didn’t.
I think this focus on these couples within the fandoms has more to do with the fact that the underlying story of Age of Youth 2 was not as captivating or compelling as in the previous season. Or it didn’t feel as tight. I like the stories that were featured in this season, but at the same time I did not feel like these stories had too much to do with each other, as they did in season two. This season didn’t have any ghosts in the shoe-closet to connect all these story-lines and make it all more symbolic.
There were many interesting stories going in this series, but they didn’t have too much to do with each other, and we did not quite get these individual episodes that we got into the previous series, which added so much to these characters. The connection that these stories had with each other was mainly that the girls all lived in the same house.
To me, Song Ji Won, one of my favorite last season, got the biggest, heaviest and probably the best storyline, compared to the previous season where she was mostly on the side-lines. Which is great since Park Eun Bin is a great actress, one of the strongest in this drama and Song Ji Won deserved her own spotlight.
Her story had the greatest weight and depth in this season, and we got to see more of her and Im Sung Min, which I appreciated (cuz I ship them). I was over the moon over it and though that story took us to some rather dark place at times, it was handled quite well.
It took her character to another level and made her into such a complex characters. To me she is the star of Age of Youth 2. To me she was the main character of this season.
Drama was still only in trying to make the story darker, or more dangerous, than she had to be (in order to be edgy) in my opinion. But those items did not appear to be dry, or out of nothing, and just being there to make us feel uncomfortable.
Yeun and Jinmyung both got to continue on with their stories from the first season, as Jinmyung lays his first step into the adult, working-world, and Yeun is struggling with the follow-up of the violent relationship she had with her former boyfriend. And I thought that was very done, how Yeun and the drama managed to handle that problem and how she slowly began to become more confident. I was very happy with that progress.
Jo Eun, the new girl, who moves (after Yi Na moves away in episode 1) and although I found her friendship with the girls, how she opened herself up bit by bit, and her relationship and Jang Hoon was very sweet. But I didn’t feel like story stood out a lot.
But Eun Jun, my favorite character in the first series (with Song Ji Won), got another actress who did very little for that character - though I blame it mostly on how she was written. Eun Jun really pulled the shortest straw when it came to plot in AOY2. All she did was break up with her boyfriend, for god knows what reason, and then she moaned over that the whole season. I never really understood what the scriptwriter was trying to go fir. All her parts just seemed to act as a filler, and she didn’t really act like herself. For me it was by far the biggest minus about Age of Youth 2.
If Age of Youth was four and a half star then Age of Youth 2 was a solid three star drama. It had some really good moments; I was very excited about watching each episode, and overall had a pretty good time watching it. But it did not reach the same height as the Age of Youth did. I did not cry over t. The story was, in my opinion, a little disjointed at times and could have been tight. There was something missing in that department. We needed something to keep going back to, and added a bit of depth to the underlining story, like the ghost in the shoe-closet.
I thought t was a good follow-up, I loved visiting Belle Epoque again, as well as the characters. Not all the stores left as much behind as the stories in the first season. But it is hard to re-create that magic. I just wish I could have gotten a bigger closure to some of these stories. Because we have been sitting through 14 episodes of these stories, so I think it is better to not leave things too open ended. It doesn’t leave as much behind.
Was this review helpful to you?
I feel like this show was successful in making this enormous and complicated story epic and successfully cramming in lots of history within these 32 episodes without making it too dense. It was rather thrilling thing to watch from start to finish. There seems been put quite a bit of detail within the narrative, although there are, of course, some deviations from history - and especially in the second half, or so I have read.
The focus of the narrative is largely on the war strategy of Goryeo and other things that came with the waging a war, the toll it took on the people and soldiers who fought bravely on the frontlines, the pressure it put on society or the elites who found ways to take advantage of the turbulent times that followed. And the story certainly captures the tension and depressing mood that came with it all – you're able to immerse yourself in the action and put yourself in positions in a way that you can feel every sword slash, every conspiracy, every deceit with the characters. But also every victory.
The first half of the drama focused very much on the action and the story holds no punches and gives you time to adjust before descending into chaos. And the story doesn't really take a break until about halfway through. There is constantly something happening, every little thing within the story affects something else, and each episode reaches a cliffhanger of sorts that makes it so you can't stop watching.
The second half of the story focuses a lot on exploring the aftermath of the war and the story shifts the pace of the narrative ever so slightly, although the story never really stops to a halt, but more so gives itself some time to catch a breath. It certainly gives us plenty of time with the characters and gets to know them all over again after the war and everything they've been through. But it becomes a bit of a repetition and there is a lot of 'men sitting at a table or standing together in a room and talking and arguing about things' sort of things happening. But the political intrigue was strong enough and the characters likeable that you just went along with it.
And although I think it's a very engaging narrative in many ways because the story successfully makes us feel for, and root for the main players of the story and their idealistic views – and the characters are all very interesting and flawed in their own ways. I did appreciate the angle to the story, that it would be difficult to get the country back on its feet after so much conflict, because I feel like that part is not often shown in shows like this, in such detail.
It can be said, however, that the plot seems to rule over the characters at times and not the other way around, but especially in the first part, in which case there's also an awful lot of plot and things like that happening and they want to make sure that the historical narrative is delivered properly.
I did enjoy the female characters here, even though they are few and their roles in the narrative was maybe a bit too the side, yet they were complex, and all served the story in some way. They may be in secondary roles and it's a super male-centric story, but they still felt genuine and real for this time the story takes place in.
This drama is gripping and epic in scope. It’s a thrilling history lesson about perseverance, loyalty and love of one’s homeland, the complexities of wars, and all that with some old school kdrama charm, which in a way makes the story a little fresh. It's not for everyone, but as a fan of the heavier kind historical kdramas, I really enjoyed the journey of political intrigue that Goryeo-Khitan War took me on. And I also just enjoyed getting a period drama from Korea that doesn’t happen during the Joseon era, because we don't get to see those every day.
Was this review helpful to you?
I’ve fallen a bit out of drama romcoms over the years – in the past it was the genre that I watched the most but now it’s sageuks. But despite that, I’ve enjoyed Park Min Young in romcoms so often over the years, and her warm and easygoing on-screen demeanor tends to draw me well into the characters she’s portraying.
Marry My Husband focuses largely on her character, Kang Ji Won, and her quest for revenge and a better life that fills her with more passion and hopefully a better ending – which is a very engaging and compelling story to fallow, and I think the drama does a great job of making us feel for her. Even if it goes a little into too much victim complex and the characters tend to be a little too naïve at times.
Many of the secondary characters and their side stories were also very entertaining or interesting – which I think is essential in this kind of office drama. Both the blossoming friendships in the office, but also villains would completely steal the show for me. Some of the characters are horrible people, like Ji Won’s ex-friend and husband, but the drama manages to illustrate well how subtle they are and how they manage to use people. The actors and script made them very interesting to watch while you’re praying for their downfall. They feel like complex, multifaceted characters who can look funny or fascinating on the outside like many abusers are. But even though some of it felt a bit over the top at times.
For some time, it seemed that romance wasn’t a priority in the story, which doesn’t pick up until well around the second half of the drama. But I thought it was a very wise decision while everything else is being set up. It gives the drama time to highlight the emotional abuse Kang Ji Won is dealing with and trying to break away from so she can live. But all these different side stories also give us a little break from the romance that starts to drag on a little towards the end.
To me, romance is actually the weakest part of the drama, and it could just be because I don’t think Yoo Ji Hyuk is a particularly interesting character. I thought he was a little dull and I don’t think Na In Woo is a particularly charming actor on screen. He’s just fine. he’s tall and handsome, yet often he feels like he is just there, like a beautiful blank canvas, for a good majority of the drama. The rest of the cast was doing such a good job with their characters and sometimes made his scenes a little stiff in comparison, for me.
He did slowly start to make sense to me as a person and romantic partner when Ji won started falling for him and you get to fall in love with her – which is what the best romance films tend to do in my opinion. You fall in love with the characters and through the characters. But there were parts where I found his scenes, when no one else was with him, a bit full and just not that interesting. Like his backstory and past felt a bit too much of a kdrama cliché for me.
Overall, I found Marry My Husband a gripping and interesting story full of emotions that was far gloomier than I expected from such a romcom drama. But that didn’t hurt the story at all. There were interesting characters that you could hate and lovable characters you could root for, and a fair number of stakes to make the story exciting. The narrative flows well and doesn’t drag on too much, which is a bit of a bane for many romcom kdrama, especially towards the end, even if it did turn a bit too melodramatic and clichéd at times at times.
What caught my attention most about Marry My Husband was its use of comedy for the villains of drama. We are often made to laugh at them but not with them, and humor is also used to show how they could seem good and fascinating on the surface. It shows their insecurities and inferiority feelings and why they hold on to other people and drag them down because of them, but also how they manage to deceive the people around them. The way Ji Won saw them before she had another chance to live and gain clarity. That and Ji Won’s revenge was what really gripped me all throughout this drama – Ji Won’s on-screen revenge was often a certain cathartic release for the viewer, in a good way.
Was this review helpful to you?
A review of both part 1 and 2
What both stunned and impressed me the most about the kdrama My Dearest, right at the very start, was how focused it was on the ordinary people and how they deal with war. And what the war does to them. It makes it less of a war epic and more of a human tale of self-preservation and hope at a trying time. which I found to be quite a fresh approach to this kind of historical drama, although many will no doubt find it rather slow and dry in its execution and style.The story is ruthless in its realism and harshness with how it seems to paint the world. The narrative is very willing to comment on several aspects within society that it tells it’s tale, the nobility and their uselessness, the lack of care that a certain position within society seems to push into you for the people that live around them, as well as society’s attitude towards women in wartimes and just their position in society both outside of that as well. The way it uses these elements to shape itself, the details it shares throughout the story is very tangible, interesting but also poignant. It is incredibly well thought out and effective within the narrative to stir up further emotions both with the characters and the viewers.
These are not the heroes that poems are sung about, but seem to be more everyday heroes of the common folk. Most of their influence is not great within the grand scheme of things, but it is the people who knew them who will always remember them with kindness and love. They are the ones who will tell the stories about them until they disappear from human memory and are forgotten.
At some point, despite their intelligence and strength, as the war and the hardships seem to tighten more and more around them, the characters seem to wear down a bit. But they never lose who they are, their will to fight but how they go about fighting, how they deal with situations changes a little. All that happens very slowly and works very realistically within the story. It’s a really well-handled look at character, as well as how normal people deal with such situations.
The characters do feel sharp and manage to be both a fresh take on the traditional characters that we get in a Korean historical dramas, but at the same time they have quite a bit of the characteristics that we are used to seeing; Jang-hyun may come across as smug and aloof, and Gil-chae may come across as snobbish and somewhat self-interested. But there’s a lot more to them and their flaws are very presant within the story. Overall there are plenty of multi-layered characters that make My Dearest a rather worthwhile and heart-wrenching watch. Everyone has something to say in their own way and all have some point to emphasize within the story. The story touches your heart from beginning to end if people just allow themselves to enter this cruel, realistic world with these characters as a guiding light.
The plot itself goes through its ups and downs, and it does hit a bit of a lull within the second half where the story tends to repeat itself quite often. Characters almost miss each other a few times over the course of few episodes in order to create tension and longing within the viewers, and since the story is already slow by nature it might make some people really struggle. It makes it seem like the story has lost steam and doesn’t really pick up fully until right near the end. But if the characters manage to grab you and make you completely fall for them in the first half of the story, it’s perfectly tolerable.
The story never seems to fall into being too epic or too grandiose in its approach to the narrative, as some costume dramas tend to do to make their heroes seem bigger. Much rather My Dearest seems so focused on being realistic and grounded in reality like it has a bit of an obsession with the human spirit and the lengths to which people will go to survive. It run through the very heart of the series. And the love story, which is really successful on its own, reflects that. It’s very slow and down to earth and it’s quite unusual for a kdrama in lots of ways.
The story takes its time, sometimes excessively so, and repeats itself a bit too often, but even if it takes the story a good while it manages to underline every point that the drama set out to make really well. The story always seemed to know what it wanted to say. And the humanity that this series carries with it and manages to reflect within the narrative does make you cry many times. It’s gorgeous, it’s heartwarming and filled with hope for brighter days that is always enveloped by a little bit of sadness.
Was this review helpful to you?
This is an true slice-of-life Japanese drama, which is actually a certain type of story that Japan has developed over the years through formats like anime and manga where this type of story doesn’t necessarily have it’s origins there, but seems to be a very popular way of telling a story. And this drama is only nine episodes so time flies by while watching it.
The Makanai has a somewhat random storyline, although each character actually gets their own part of the narrative as they are followed through the day, but all the stories are a bit without a plot, or a big conflict that the character necessarily has to solve. It’s about the character and their life and dreams, but there’s no specific goal with the stories in particular. They just are. And in the end everyone gets together, people are friends and enjoys the food and their connection to the food that is served them.
The food in the series has its own meaning to the lives of the characters, whether it evokes memories or soothes them in some ways, gives them a warm hug and perhaps a little the importance of tradition, but also the conflicts that some traditions have with modern times. But this is always told without specific answers for the character. They are just there pondering these things while the narrative slowly passes us by.
This quiet narrative style isn’t for everyone, and many would without doubt want there to be more of a purpose to the story, or more tension and feel that our time with the characters doesn’t provide enough immersion. In general some might want or yearn for more story, but in my opinion this was just enough. The characters are all alive and doing their own thing. That cozy, easy-going feel is kind of the point of the story and this slice-of-life style of telling a story. It’s okay to just be cozy and enjoy good food in the hustle and bustle of everything.
Not everything needs tension. It doesn’t all have to be high-stake drama or action. And this sweet little story just lets you do take things easy and just be present, in a way. To be with these people, even if it’s just for a little bit. Not all TV content has to be big and bold. There is plenty of room for this kind of calmness too. The only downside that I can really point out about the shows is that it’s really impossible to watch these episodes without something to snack on, or stopping to google all these different recipes, because it’s all very appetizing and delicious to look at.
Was this review helpful to you?
It was also just the drama that I needed at the time. It was such an escape, since I wasn’t feeling that great mentally and then Dream High gave me something fun and cute to watch every week and something to look forward to. It became my feel-good drama and I have watched it a few times through since then and it just makes me smile.
Despite the acting not being top tier in every aspect of this show, Kim Soo Hyun may have carried it a bit on his shoulders and his characters is in a lot of ways the very heart of the story, or the biggest heart, and it does have some great actors in the supporting roles as teachers and other adults (and then JYP is just JYP). And I feel like each and every character fit the idol that was playing it, and they found some really creative ways with getting around those more stiff acting moments from the cast (many who were acting for the first time here) so it never truly bothered me too much. I was too busy having fun with it.
It’s that standard underdog story that you know and love, but it just did it so well and it hit all the right spots (at least for me). There were some great character moments, there was actual character developments and plot developments going on there, it was not just for fluff or just to promote some kpop groups, It manages all of that while also being a completely great, fun and easy to watch, coming of age story. It was a great fun.
Some actual thought went into this story, which made me really fun to watch. it didn’t drag a lot or at all and it didn’t suddenly become bad or anything. It was quite consistent though it did become a bit more dramatic toward the end but it was still cute.
I cared so much about the characters; both the teachers and the students and I just wanted them to do well and fall in love (there were some great couples there, my favorite being the Milky Couple) and just be happy. And unlike a whole lot of kdramas, this one kinda made me guess which lead the main heroine would end up with. Like, I was worried there for a second. I usually always figure it out quite early.
This is a kdrama for kpop fans. I feel like this is a kdrama that you make someone watch to get them into kpop, or vise versa. The way they incorporated the dancing, the singing and the music into the story, without shoehorning it in and making it just be there as filler, was excellent. There was a real emotion there when these people sang their songs, and actual stakes to the performances. And then also some really funny inside jokes if you follow kpop. It just had a really good mix of kpop and kdrama elements.
Was this review helpful to you?
