Zii3

Ep 1-5 are the strongest. Light & easy watch with great chemistry.

Ep 1-5 (and 9-10) were better than comments lead me to expect. The story is simple and not that memorable, but if you want an easy watch with sensual, realistic making-out, some sweetness, and decent acting, then you might enjoy this. Or at least parts of it.

Viewing recommendation: If you like jumping back to see the ML's point of view, watch Ep 9-10 after Ep 3; it integrates well with the story at that time. Then Eps 4-5 would have been a satisfying ending to me, so you could stop there. If you want to see the leads navigating their life choices at the end of college watch Ep 7-8. Skip Ep 6 altogether (I explain why in general terms below). Eps 6, 7, & 8 aren't very well written and aren't needed to have a satisfying conclusion.

The intimacy between the leads is both hot and sweet. The kisses contain emotions and are realistic. And there are a lot of them (in Ep 1-5, not so much after that). Very satisfying in that regard.

GENERAL SPOILERS below.

Notes for Ep 1-5:
The ML lead's revenge thing is short lived once he and the FL talk through their mutual misunderstandings from 4 years ago. They are uncertain of their footing but really sweet and do communicate (even if there are lags in communication it's not super drawn out or unresolved ).

I liked how the ML and FL never wavered in their affection, and really appreciated how the ML *didn't* get upset at the FL when he learned that the SML had forced a kiss on her. I was expecting all the usual unreasonable jealousy clichés, but the ML handled that whole scene/situation really well.

Kazuha (SML) and and Nina are horrible "friends" to Kaeda. Their one-sided feelings, for the FL and ML respectively, are obviously not reciprocated yet they do morally grey things because they can't accept that. They are the most annoying and trope-filled thing about this show.

Skip Ep 6 because almost the whole thing revolves around Nina being nasty in ridiculous ways. At the end she's given excuses and understanding and not only forgiven, but praised. I get the point they were trying to make, but she didn't deserve such consideration, and the writing was really ham-handed with it. It detracted from the story instead of adding value.

Ep 7-8 are full of telling vs showing and thus feel rushed, a bit empty, and not that satisfying (in my opinion). The writing is clunky and the time skips don't help.

I can see re-watching parts of Ep 1-5 (& 9-10) at some point, but I won't re-watch the rest.

Read More

Bizarre.

Bizarre. A 12min long film that's not worth the time except for a realistic kissing scene at 5min 40sec in. Or unless you want to laugh at the cringness! It's a string of WTF moments.

It felt like scenes were shot to compliment the dramatic classical music chosen, instead of the other way around. Kind of like mini music videos with not much connecting them together. The pacing is weird; more time is spent on the music video vignettes than on conversations or realistic/meaningful interactions.

There's not much dialogue, but what is there is awkward and overly dramatic, starting with a sob story that felt like over-sharing in that context. There's an immediate power imbalance with a director and a newbie actor and after their first meeting, the film jumps to them acting like a couple for awhile, then jumps ahead again. There's nothing to get emotionally invested in because we're not shown any of the progression in their connection/relationship.

I found this on YouTube in the USA.

Read More

Psychologically Intriguing. What Voids Can/Can't Be Filled?

Psychologically intriguing and emotionally haunting; a seemingly "happy" ending on the surface but in actuality very precarious as it was hollow. The story lingered in my mind and I really wish there was more of it.

21 minutes long. The script and directing/editing was smartly done and to-the-point. Acting, cinematography, and music supported the storytelling well.

The 11th SungKyu wants a nice home and family so much that he stands in to fill the voids the other family members have. But he is a shell of a person himself, can HIS void be filled? Maybe over time, but we don't get a clear-cut answer, and that's why my thoughts on this short film keep percolating and drive me to dissect it.

It's well done and good for one watch if you're in the right mood for it.

SPECIFIC SPOILERS below!
... ... ...

I can easily understand SungKyu learning how to interact, and puting effort into play-acting, with the mentally fragmented mother (who can't accept that one of her real sons is gone).

I feel sad at his decision to be physically intimate with the brother, SungWoo, though. Sad for both of them because it seemed the result of individual desperation. Maybe they both end up being what the other needs and have a healthy future together, but that seems a fragile hope. More realistically, SungWoo may develop feelings while SungKyu's interest would remain in question; does he really care, or is he trying to fill his own void, or is he just maintaining his place in the family?

And whatever drove SungKyu in that scene, it doesn't seem to have given him much. The next morning, SungWoo feels accepted and is noticeably lighter and happier but the smile that SungKyu returns slides off when he's not being looked at, and his eyes remain vacant throughout. SungKyu said he was "nobody" and seemed to remain empty himself even as he filled in what the other family members needed.

For me, it's really hard to leave the story at that moment because I crave more emotional resolution, so I likely won't re-watch. I am glad I saw it once though.

I found Bearr's MDL review good and insightful too.

Read More

Adrift Characters Find Determination In Unusual Somber Yet Hopeful Tale

Cinematography 7, Lighting 9. GENERAL SPOILERS ALLUDED TO below.
I started out hating Ritsu, as Nishini does, and normally I'd have a hard time forgiving that kind of character if they made those choices as an adult, but he's a stupid, young 20 year old. I have seen people in real life change their priorities by their 30s, especially when fueled by regrets. With the 10 years that have passed since they've seen each other and the looming end of the world in 7 days, the story manages to make Ritsu's imperfect-redemption possible. It's not a fairytale, and Ritsu's character does NOT get a knight-in-shining-armor make-over. And I think that makes the story more real and compelling.

The extenuating circumstances (the end of the world) acts like a pressure cooker; puting force behind Ritsu's contrition and speeding up Nishini's absolution. Each episode smartly reveals to Nishini and the audience a little more of who the present Ritsu is, how his past impacted him, and how he's being more thoughtful (it's subtle, but it’s there). He's still a flawed person, but Nishini's shifting attitude towards him is, at the very least, understandable. I was with Nishini all the way and able to feel happy and satisfied for the solace they find in each other as some of their wounds are soothed.

The series does a good job overall balancing some really heavy topics with hope (in various forms but can't explain without giving too much away!). Trigger warnings for suicidal ideation and attempts (with a pill, non-graphic). Plus some existential ruminations, as one might expect with the end of the world in sight. Even though the ending is positive and life-affirming, it would have been too hard-hitting for me to get through if I had watched it while in a severely depressed state myself.

Seto Toshiki completely redeemed himself from his simplistic acting in Senpai, This Can't Be Love. He portrayed a wonderful range of nuanced emotions in face, voice, and body in this series. Nakata Keisuki was a good match with him. He's a little more subdued but it works for his character and he and Seto have good chemistry together. The other actors were great in their roles too, there were no weak links.

The intimate scenes, of which there are a few, are definitely NC-17. They are more rough than artistic, and the actors seem pretty comfortable with each other so their interactions are believable.
I SO appreciate the line "...it feels so good." Finally, a 'bottom' character who expresses that it's pleasurable (and pain free)! As it can be, if properly prepared! It aggravates me how many BLs treat "being the bottom" like it's humiliating, painful, or a chore.

The time the characters are at a cabin was my least favorite part of the series. Not a huge deal, but the plot felt more contrived during this part, some character decisions didn't quite make sense, and the pacing felt slower.

The music was beautiful, sentimental, somber, and hopeful. It blended with scenes well and enhanced emotions. I will listen to this soundtrack as background music.

I love asianblreviews very thoughtful, insightful, and well-worded review of this series. I recommend reading that too. Full review here: https://asianblreviews.wordpress.com/2023/03/21/bokura-no-micro-na-shuumatsu-review-bl/

SPOILER ON THE ENDING:

I loved how they shot this and at what point they decided to stop filming. It's meaningful to have Nishini and Ritsu facing a new dawn together. Symbolic of the new and hopeful path of their relationship, as well as their individual selves that have done some healing and been reforged; ready to face life again individually as well as together.

Read More

Lovely Slice-Of-Life Epilogue.

General spoiler only at bottom of review.
Cute and sweet, slice-of-life epilogue to the series. It's simple and light and I found myself smiling a lot. It’s a nice and very satisfying end cap to the series story. I wouldn't recommend it unless you've seen the series first, otherwise you'll be missing the emotional foundation of the main couple's bond. The secondary couple were less annoying to me in the movie (and didn't get much screen time, which I was fine with).

I appreciated how Adachi and Kurosawa learned to communicate better with each other and started to approach things in their lives as a team.

The lead actors are so good with their eyes and facial expressions. Everything is 100% believable until there's close romantic physical touch, then it feels ever so slightly stiff. Even so, there are some nice hugs and the way they look at each other holds so much emotion.

The cinematography is nice but the music is not memorable.

GENERAL SPOILERS.
The introduction to the families was a nice blend of realism and fantasy. Some realistic tensions were brought up, but then were resolved fairly quickly, which kept the overall tone of the movie bright. The family members with concerns showed a lingering internal worry even as they made efforts to be accepting, which I thought was a nice, more realistic touch than doing a 180 in 5 min.

Read More

Toxic Angst On Repeat

Unrelentingly toxic, homophobic, and emotionally abusive dynamic between the lead characters. And started off with the sexual harassment of a character who happened to be a victim of pedophilia (an issue which is brought up near the beginning but then never discussed again, which is weird and frustrating. The dude obviously needs a therapist). Also romanticization of over-the-top jealousy.

Their dynamic does not improve enough over time to be considered sweet in any way. The same issues kept coming up with little improvement in how the characters reacted. I did watch the whole thing hoping for more character growth but was left disappointed. Acting is middle-of-the-road. The leads are a bit flat in emotions they are able to portray; they do well with extremes but lack range and nuance. I don’t remember the music. I was unable to like, let alone fall in love, with these characters.

Read More

Subtle, Feel-Good, Sincere Romance.

To me, this series felt like a higher rating than the sum of it's parts (technically, more like a 9/10 but enjoyable and satisfying enough to be one of my favorites). It was like being wrapped in a cozy blanket of hopeful sincerity. It's slice-of-life with a focus on feelings and while there are multiple emotional moments, there's no big drama (other than school bullying at the beginning). I enjoyed every minute and will watch again.

Notes on general differences from the manhwa at the bottom of review.

There are eight 25min episodes. I liked that we got to see HaeBom and TaeSung's story over a couple of years even though the time constraints meant that time passed quickly. The passing of time was slower in the beginning so it was easy to understand and connect with the characters and watch the transition of their bond into something more romantic. Then time jumps became a little bigger and more frequent but still retained character arcs. The mother's arc near the end felt the most rushed but it still worked; it feels like she would have gotten to that point anyway so doing so quickly didn't really break character.

I would have loved to watch more details of HaeBom and TaeSung's relationship as it unfolded, but was still very satisfied with what was shown. The staying power of their bond is reiterated over time so their happy ending and hopeful future is believable.

Their dynamic may seem stereotypically simple and unbalanced at first, but over time it's demonstrated how their strengths compliment each other's weaknesses and they balance each other well. They also put effort into understanding each other. Fondueforkharpoon's review expands on that and pretty perfectly sums it up.

There is a lot of skinship and cuddling and a couple passionate kisses.

While HaeBom was adopted by his mother's friend when he was 7 and grew up in the same house as TaeSung, I appreciated that the story *didn't* feel like a fetishization of brothers.

I enjoyed the friendship that the side characters YongHee and JiAh had with TaeSung and, over time, HaeBom. They were very much supporting roles but still felt like real people, not caricatures.

Cinematography was often soft and lovely, though some of the handheld camerawork was a little unsteady for my preferences (the constant small movements felt like maybe it was done on purpose to underscore high emotions but I found it distracting). Music fit scenes and emotions well.

Notes on the manhwa:
General Spoilers below.
The show follows vol.1 very closely then makes a few adjustments when incorporating vol.2. The show smartly makes the give and take between TaeSung and HaeBom clearer and more balanced, which I love. The one thing the show left out that I felt missing when I watched it (before I even read the manhwa), was the Mom's concern that TaeSung forced HaeBom; that HaeBom was in a position where he didn't feel he could say no. That's one of the Mom's biggest issues in the manhwa.

The show also integrates their growing physical relationship smoothly and believably once they start living in their own apartment. The manhwa on the other hand, is very chaste except for some kisses for vol.1 & 2, while vol.3 is mostly all R rated scenes (which are well done, by the way, and focuses on the progression of their physical intimacy). I've just started to read vol.4 and it seems to be bringing in more plot from the world around them again.

Fondueforkharpoon has a wonderful review that says other things I was thinking as well.

Read More

Ruined By The Writers

Starts strong but became less enjoyable, then the writers completely ruined it in ep 10-12. (General spoiler on this at the bottom of the review.)
Gets more and more cheesy. It's also very heavy-handed and preachy in it's messages. After the two best friends start dating they keep having conversations about things like they're still getting to know each other, instead of having been with each other constantly for 20+ years! One of them doesn't know what the other likes to have for breakfast even though they eat together every day. But it creates a cute scene, so it's okay that it doesn't make sense, right? (Sarcasm) Ridiculous.

*It's like the writers didn't know how to continue with their own premise and so they resorted back to a generic relationship approach.* It was so disappointing. Also, the writer's style is more about 'telling' than it is about 'showing' through actions and interactions. This type of storytelling gets old fast for me.

The acting by all is good. Shi Cheng Xuan as Fu Li is especially good and I was drawn to watch him the most. Chemistry is also satisfying. I really appreciated the two fathers, they were written and acted well.

The secondary couple is cute/sweet but the fast-paced love-bombing by one of them kind of put me off. The family dynamic between them and the laundromat's kid is mostly sweet, but again, very fast-paced.

GENERAL SPOILERS:
The EXTREMELY CONTRIVED and NONSENSICAL plot twist in ep 10, PURELY for the sake of angst, was inexcusable. It was completely unnecessary angst that could only be achieved by making Fu Li act out of character and in the complete opposite to everything he had expressed previously. And then the end of ep 11 resolved it in a cliche manner and in a way that just swept it all under the rug. The whole thing was so inane it made me quite mad with frustration!

In contrast, the sweetness in ep 12 was so over-the-top it made me roll my eyes and cringe. So much so that I actually had to fast-forward through a lot of it.

Read More

Gentle, sweet, and fluffy romance.

A vertically filmed micro drama (I rate these on their own sliding scale). The story focuses on the interactions between the main leads and how their relationship grows. There are no major interferences or crazy plot shenanigans. It's a gentle love story.

General Spoilers below. Expansion of synopsis that sets up the story at the bottom.

I would not consider this a steamy drama, though there are a couple moments of medium-high sexual tension, and a couple brief kisses with small to medium movements (where the lips touching are actually shown, unlike some of the other productions these two have done together that had none or were head-blocked). It is satisfying how the two characters look at each other, especially later on as the FL falls in love. Her smiles of joy and eyes filled with adoration were lovely and very believable. It was also fun to watch when she decided to woo her husband in return, and try to figure out how to entice him to take further steps with intimacy. The way she got a little embarrassed though nervously excited was adorable and also very realistic.

The ML is quietly steady and a little too perfect, lol, but the FL deserves it. He pampers the FL every single day, often with lots of gifts. He trusts, supports, and encourages the FL.

The actor of the SML deserves a special mention; he gives a fantastic performance! His character is not evil or sadistic, but he's not really likeable. He is a self-absorbed man and has been taking the attention of the FL for granted. While his temperament is not likeable and he is not good husband material, the acting and writing still manage to make him pitiable. It would be really easy to turn this character into a cartoonish caricature, but the actor is nuanced and believable in his delivery, and makes him feel like a real person.

A little more on the set-up synopsis (within the first 7 minutes):
The FL has been chasing the SML since highschool (10 years) and now works as one of his secretaries. They have an ambiguous relationship and one day the FL overhears him say, essentially, that he won't consider her for marriage because she's an adoptive daughter and not on the same level as his family. It's not shown how they meet, but the FL then drunkenly sleeps with the ML, who is another highschool classmate from a wealthy family that is now a CEO. Afterwards, the ML essentially asks her to "take responsibility" for him and marry to keep things above board in the public eye. He persuades her saying she can keep half his property after they divorce. A short while later, when explaining their quick marriage to another, the ML reveals that he has secretly loved the FL since highschool. The FL, however, believes he his just acting for show. Thus begins the story of the ML wooing his wife by showing his sincerity through actions.

Read More

Heartwarming, realistically grown romance.

(I rate vertical dramas on their own sliding scale). A vertically filmed, 3 hour drama that focused on the romantic development and progression between the two leads (instead of relying on crazy plot devices to propell the story).
It felt more grounded and emotionally/psychologically realistic than most vertical dramas. The leads are fabulous. Great actors and amazing chemistry together. A very sweet, romantic story with a touching, healthy, and balanced relationship between the two.

The leads felt like 3-dimensional characters. The FL is gentle and earnest but with a backbone. The ML is calm and competent but with vulnerabilities. They respect and support each other.

It had a slow burn feel but with many butterfly-inducing moments, and was extremely satisfying as a a romance. The two actors have been in multiple short dramas together and are very comfortable with each other. There are a couple kisses and intimate moments that are gentle and realistic. Their scenes together often had me smiling uncontrollably, yet it never became overly saccharine-sweet.

There is a 3rd wheel for the FL (the SML is her ex boyfriend), but the FL never waivers once she dumps him for cheating.

The two things that didn't quite hit the mark for me: 1) The ending felt rushed and some secondary/tertiary characters had a change of heart without the story showing much of their process. 2) Right near the end there was a little bit of the crazy plot clichés that are typical in most vertical dramas and it felt unnecessary.

Read More

Healthy relationship dynamic, Good for one watch, Toki is the best.

(General spoilers only.) One of the few highschool-teacher stories I've seen (so far) with a truly well-balanced dynamic. How their strengths and weaknesses line up made them equals and they grow together. I found it sweet, endearing, and non-cringy. This is NOT a sexually charged, passionate, or taboo-focused story.

Overall light, sweet and easy fun that's good for one watch but isn't that memorable (except for Rintaro as Toki).

I really liked and greatly appreciated that Toki and Sahara communicated, supported/encouraged, and TRUSTED each other. They both had character growth and thrived with the attention and care of the other.

FYI: Japanese highschools are 3 years, so Toki being a second year student is equivalent to being a junior (third year) in the USA.

Rintaro as Toki was awesome and always fun to watch. Toki is bigger-than-life yet acted with nuance. Though Toki is wild in the physically over-dramatic Manga-style way (and often funny), multiple aspects of his personality and approach to things are admirable and even mature for his age. He is a 'doer' and doesn't think too deeply, yet he is thoughtful and puts effort into understanding others. He came across as an actual highschooler with a good heart who was a 3-dimensional character and not a caricature. He's sincere, straightforward, and totally lovable.

General Spoilers below.

There was an obvious balance in Toki and Sahara's personalities and their relationship that made their age gap a non-issue (for me anyway). Especially since they consciously kept their interactions PG, and Sahara had them wait until Toki graduated highschool before verbally making their romantic relationship official. There is a brief lip press at that time.

I mostly didn't mind the time spent on Sahara's past because it highlighted the differences between Nekoto and Toki and further demonstrated why Toki would make a good partner even though he's younger.

What I didn't like:

Takumi as Sahara was okay but not compelling. I liked him but didn't fall for him. He didn't do anything poorly, just didn't have much charisma and felt a little flat in his acting.

The school play bit made me cringe hard. It wasn't necessary and felt like pure contrivance to get an oops-kiss moment. The only thing that made it better than a trip-and-fall accident kiss was the humor of bigger-than-life Toki trying to act demurely as Snow White.

The end felt super rushed. There's a time jump, happy ending scene, and it's over. In that regard, I would have preferred less time spent on Nekoto to get more of Toki and Sahara (or even more of Todo's story since he kind of gets left out after halfway through).

The past connection was a simplistic, cliched, writing cop-out for tying things together. At least it was obvious from early on that it was coming due to little flashbacks and wasn't a complete surprise in the last episode as it is in so many shows.

Read More

Started wonderfully clever then weak writing turned it simplistic and unsatisfying.

General spoilers only. Most people will like this, and I'd encourage giving it a try. I, however, was left quite disappointed, so I'm posting this review to give an alternative to popular opinion.

If you've never seen the Japanese live version (series, special episode, and movie), then you might enjoy this more. For me, the only thing the Thai version gave in the second half of the show that wasn't already far better portrayed by the Japanese version, was the physical intimacy.

This started so strongly then became yet another Thai BL let down by weak writing. At first, the screenplay was clever in how it honored the original material while adjusting things here and there to add some new depth to the characters and their interactions. I would give Ep 1-4 a 9.5/10. It was familiar in a comforting way yet fresh and interesting.

Then it slid into simplistic & shallow writing, it rushed plot and pivitol moments, became cheesy & corny, character arcs plateaued, the number of overheard thoughts dwindled away even when people were being touched, and an increasing number of plot points required suspension of disbelief (I'm not talking about anything magic related- that's just a natural part of this story). It started to feel more like a string of fan service moments than an emotionally moving story.

Because work and life challenges became so easy to get through, it felt like Achi and Karan didn't really get to grow as a couple. There wasn't a meaningful learning curve for them in navigating life as a team. (Especially when compared to the Japanese version.) Their words to each other are very sweet, but the further in the story goes, the more their love is told to the audience more than it's shown by examples (which wasn't the case in the beginning, which is why those episodes are stronger).

Tay and New kept me watching. Especially Tay; he's just a perfect match for the character of Karan. His energy and earnestness were endlessly endearing.

The theme song is great; it's so catchy I watched through the intro credits every week just to hum along.

I will rewatch Ep 1-4 at some point because I thoroughly enjoyed them, but I'll never sit through the rest of it again. I'd rather just watch the Japanese version.

GENERAL SPOILERS below.
My thoughts on episodes as I watched the weekly releases:

Ep 1-4: A great adaptation so far. It's clever in the way it added depth to the characters and in the differences from the Japanese live version. I'm excitedly looking forward to it every week. The casting is great, Tay in particular. I absolutely love Karan's zaney internal dialogue and Tay's vocal acting with it.

Ep 5-7: Good but not as great; it's feeling less clever but I'm still invested.

I wish I had skipped Ep 8 (or just watched the last 5 min)! It's is soooo awful. The plot of this episode is so contrived, idiotic, frusterating, ridiculous, and requires a stupidly high suspension of disbelief. The boss's reasoning and interference is shallow and cliche, and the fact that he let things get that far with the awful power-play client before intervening makes him a terrible boss and unlikable human being. And Achi stayed quiet too, which was frustrating.

Ep 9 was better than 8 but it felt like it rushed the really pivitol moments. There was a lot of sweetness but also a lot of cheesy-ness. This script is just not as good with slice-of-life writing as Japanese ones often are. It feels like the quality of the script has been unraveling for the past few episodes. I doubt I'll keep re-watching it like I do with the Japanese version. I felt the first few Eps were a 9.5/10 but I am now reducing my overall rating to a temporary 8/10, I'll see if that holds.

Ep 10 was better in pacing and content. The script did a better job building up to and proceeding from the pivitol moment of Achi reaching out to touch because he doesn't believe Karan's as okay as he says he is. I'm still feeling let down with the script; there are moments that are supposed to be hearfelt but miss the mark because they are a little too cheesy to me. Also, the plot stretches credulity to force certain things to happen and it makes things feel clunky and less believable, pulling me out of immersion and reducing my ability to stay emotionally invested. Tay and New are doing great with what they are given and are the reason why I'm still watching consistently (I'm also fond of the girl Pai). I'll probably be lowering my rating but I'll wait to see how the last two episodes pan out.

I do like how Karan and Achi talk things out every episode and never let misunderstandings simmer for long before resolving them. On the other hand, the fact that they do this consistantly (every episode after they start dating) and reletively easily, undermines the validity of how uneasy Achi feels about them being in different cities for 1-2 months. Half a year I would understand, but 1 month? When you have been able to communicate with each other well every time there's an uncertainty? They haven't even used the mind reading much. Achi's voice over thoughts have been much less systemically insecure and yet the script is having him act like that's still a big issue.

Ep 11: Only the last 2 scenes (42min in, aka the last 9min) with Karan and Achi exploring intimacy were really enjoyable. The rest of it was too cheesy, shallow, and rushed. The challenges and uncertainties of life (work and relationships) that were brought up were laughably easy and simple to navigate. The screenplay dumbs everything down to the point that it's not interesting and barely enjoyable. I had to speed watch most of this episode to get through the cringness.

Ep 12: So simplistic and cheesy it made me keep cringing and itching to skip forward. Again, potential life challenges were built up but then easy to get through once the time came (all of the family stuff felt so hollow). I was left feeling disappointed.

Read More

Lacks Substance. Harassing & Pushing = Love (apparently).

In reality it would be ick, as a fantasy I gave it a chance but it's lacking in many ways. The characters and story are poorly written and failed to engage me emotionally.

There are eight 20min episodes. The first 3.5 episodes are all physical/sexual harassment (that's weirdly encouraged by coworkers and manager), stalker-ish obsessive behavior, and ignoring what the other character says.

As a fantasy, the frequent close physical proximity does build tension and the lead actors seem comfortable with each other and have good chemistry. The intimate scene is surprisingly realistic, especially for a Korean BL. And sadly, that's the best thing I can say about this whole series.

There's not much to the story and the script is dull and full of clichés. Things became a little less shallow and more emotionally interesting in Ep 7-8 with the introduction of a certain character, but that was too little and too late for me. I couldn't really care at that point because the story had failed to get me invested in the characters.

Character words and actions contradict each other. Ex: "Your feelings aren't insignificant. They're very special." BUT, I'm going to ignore everything you say, especially every time you say you don't want something, and keep making you uncomfortable (even after they get together).

The actors did okay with what they were given, but no one was truly compelling.

Cinematography and music were generic (but didn't distract either).

I can't recommend this when there are many Korean BLs that are much better written. Love Class 2 is a great option if you're looking for realistic intimate scenes (the 2nd and 3rd couple have them). At the same time, there's more emotional depth and sweetness, naturalistic dialogue, and engaging stories. FYI Love Class 2 is a stand alone, not a sequal, so you don't have to watch the first series (which is good but not as good).

Read More

Love OffGun But Losing Brain Cells.

You should be able to tell if this show is for you within two episodes. You may enjoy this if you love Off/Gun, want something light and easy to watch with some sweet/cute moments, and are in the mood for simple/silly humor.

At Ep 9/12: My previous review of Ep 1-5 holds. I decided to give it a try again for OffGun's sake and watched Ep 6-9. Apparently the YouTube version is cut (in the USA). I switched to the uncut version via Telegram after Ep 5, but it didn't change my lack of enjoyment with the show.

Previous review: At Ep 5/12. This may not be a popular sentiment, but from my perspective, this show is a slog through simplistic boredom. Apart from Off & Gun's characters, most everyone else acts like middle-schoolers (around 11-13 years old) instead of university students. The 'humor' is extremely basic and simple. There's no cleverness in this screenplay at all. Most characters are more like caricatures and what little plot there is, is so far predictable.

I was so impressed with the series Not Me and Gun and Off were so fantastic in their roles. They acted with nuance, depth, and authentic emotions. The production of Cooking Crush is a huge downgrade for what their talent is capable of.

I'm watching the scenes with Off & Gun together at normal speed because they manage to elevate the generic material to bring some interest and depth to their interactions. For everything else I'm watching at 2x the speed to keep myself from dropping this show entirely.

I really want to support OffGun, but the screenplay is so shallow/simple/boring/predictable, and the secondary characters so annoying and often over-acted, that I really can't bring myself to rate this higher currently. If OffGun weren't a part of this show, I would have no qualms about rating it a 4 and dropping it.

Read More