Who said sagueks can’t be fun to watch? If you leave out the royals and their various conspiracies to sit on the throne, there must be still somewhere a story worthwhile to tell, set away from the palaces and closer to the common folk. Tale of Nokdu does have its fair share of royals, albeit far far fewer from the other shows, (where we are presented to the king’s numerous wives and offsprings), but all that surprisingly takes a backseat to a jovial screwball comedy for its first half. Nokdu, our titular character (an endearing Jang Dong Yoon) finds himself at a widow’s village after he follows the assassin that attacked his family back at his island hometown.

To find out anything further, he has no option but to dress up as a widow and enter the village. In an era where gender duties and definitions were clear cut and specific, it thereby becomes instantly hilarious to watch Nokdu wiggle in and out of embarrassing situations. The show takes its leisure time (here) to let us and Nokdu bask in the absurdity of the situation, as he tries to escape from bathing together with the other widows, or trying to hide his ripped muscles and the very clear absence of breasts, or just trying to carry out a proper conversation with the other women.

He quickly realises that just putting on a dress, and changing one’s voice doesn’t make one a woman, and while he might be stronger to help out with chores that require physical labour, Nokdu is subsequently also exposed to the hardships faced by these widows after their husbands passed away, all of which led to the creation of the widows village in the first place.

Parallelly with all this, runs the story of King Gwanghae (Jung Joon Ho), whom we are exposed to through some bits and pieces in the first half, but as the show approaches the midpoint, and Nokdu finds himself embroiled in something larger than he anticipated to be, the show smoothly transforms into a political drama. With a tight screenplay, well adapted to the shorter, half an hour runtime, and some effective plot twists, the drama remains just as engaging.

To be truthful, Tale of Nokdu isn’t even much of a political drama as it is a family one. The whole plot is the result of the decisions that King Gwanghae makes as a newly crowned king and father. A family living in exile, a son in search of his biological father, and henceforth, his identity, a daughter living every day in anguish, planning to exact revenge on the man who killed her entire family — all characters suffer because of one man’s fear of a future predicted by a shaman.

Just like in the Grand Prince, the show explores the moral dilemmas of the Royals in respect to usurping the throne, except here that decision has already been taken, and the consequences suffered. Nevertheless, we are constantly (in the second half) exposed to the King’s various emotions, as we watch him turn into an enraged fool, clinging onto every thread of power left and a lonely man, whom everyone has turned their back on. In the end, it is sadly the fool that wins.

The king’s excessive stubbornness is exemplified by Nokdu’s big-heartedness, especially in how he, even after finding out his origins, never once abandons (or thinks of abandoning) his adoptive family. There are moments where he hopes to be accepted by his newfound family, and is even ready, to forgive them for their actions, but once it is made clear that there is no place for him, he immediately closes the lid on that tiny glimmer of hope.

Kim So Hyun is marvelous as Dong Joo. Her character was quite interesting, one that is at constant crossroads of what she is expecting from herself. I particularly liked how she is allowed to operate and execute her plans all by herself, her narrative never once intertwining with Nokdu’s narrative. It was something that she had to do on her own, and though it is an easy guess on what her plans are and the reason behind them, I still teared up when she finally reveals them to Nokdu.
Special shoutout to child actress Park Da Yeon. She was absolutely hilarious as Aeng Du!