Absolutely Captivating!

The casting is top notch both visually and acting talent wise with the leads Bright Vachirawit and Mai Davikah as Kimhan and Nubdao who instantly captures attention both individually and as a pair with excellent chemistry along with a very strong supporting cast as well. I really enjoy how both characters have their own goals, struggles, and growth that the show begins exploring from the get go and how their paths align. The pacing is really good and always leaves me looking forward to the next episode. The ost perfectly accompanies the mood of the scene in every iteration of it's arrangement. Overall, Astrophile is a must watch!

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Goes nowhere with it's set up except to romanticize toxic relationships

The writers don't ever bother developing the parts that need to go between A and B, they just suddenly change things with zero development to earn them and even those moments are rare because they just keep the troubling status quo throughout the whole series. They never deal with the ramifications of the protagonists being groomed by their families, where Kuea is so controlled that he partitioned his self from neurotic man child when he's with Hia Lian and their family to being a relaxed functioning adult with interests when he's away from them. Hia Lian who has been conditioned to dedicate his life to the child of this rich family since he himself was a child, is emotionally abusive, controlling, manipulative, and he can't deal with Kuea having his own agency when actually confronted with that side of him which is something that should have been something the characters had dealt with, to see Kuea reconciling the two sides of himself and changing up their dynamic earlier in the series to bring them to heal individually and develop a healthier relationship, but this is never addressed either. The second couple is a mirror to this suffocating dynamic where the younger men are kept both dependent and in fear of their older partners. The only breath of fresh air is Syn and Nuea who develops their relationship organically through bits of screen time here and there. The show has a nice budget, decent music, a mix of actors of varying capabilities, and characters that could have been interestingly complex, but aside from couple three, there is no potential the show doesn't squander or fizzle to nowhere.

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Mostly middling

Much of the beginning episodes felt really rushed in post production with very messy editing, an issue that wasn't rectified until the final few episodes of the show. The main plot and the plot of the episode also didn't tie in with each other well enough to develop the main characters as individuals and their relationships with each other.

The creepy episode 3 and and heartbreaking romeo romeo episode 11 were standouts as stand alone stories, while the latter was also the rare ep that also gave more development to the main character, all the way at the end of the show. The queer love of friends who want to be more is also the foil to the aggressively platonic bromance of Khatha and Dome, which is certainly a choice.

The concept and casting of the show was really enticing, but alas the execution didn't meet the potential of what it could have been.

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There's better options to watch

The characters turned more distant than when they were friends which made even less sense with the second time jump having been together for two years. Not kissing, not even once is unsatisfactory regardless of queer or straight pairing of two grown consenting adult characters in a romance story. The actors should not have been cast if they weren't comfortable with playing a queer romance and the show shouldn't have been made if the production itself wasn't commited to fully portraying a gay love. Very disappointing since they seemed to be heading in a strong direction only to derail themselves completely at the end. I would not recommend, especially when there are plenty of other productions that do better.

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Bland and lacks both flavor and filling

Even the writers felt Lukchup and Ramin don't have the energy to sustain the full 14 episodes as they focused way too much on the over the top bully and her psychological and physical torment on Lukchup, evoking the dated drama trope where the lead is a helpless doormat until the end. While it's nice his family, friends, and boyfriend rally to help him, he never steps up to help them help him in any significant way. They should have developed Sky and Paitong as the secondary story, they're a fiery, mature contrast to Lukchup and Ramin's slowburn relationship instead of suddenly throwing them in the final episode. The acting was so-so, the music was okay, and watching this drama once is more than enough.

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"Happy" Ending

I do like that you could see that it's a mutual crush from both main characters from the beginning though it's not clear to the characters themselves. There there is the ending, which is the more messed up the more I think about it. It's really unsatisfactory to see that the happiness of the gay character is left to interpretation. It's such an outdated copout and it's open ended in that it's open to the tragic interpretation that Hyun is only reimagining what he should have done that night after walking away from Dong Ho.

I think it's nice that the Strongberry CEO addressed a few important things to know for the context of this production.

1. Strongberry is the distributer of this series, they didn't make it.
2. The CEO asked why the director didn't end with a kiss in the bookstore for a satisfactory feeling ending, The director regretfully said, "I should have filmed that". The actor was even actually the one who showed up to open the door at the end, but was just never shown.'

I'm so happy that the Strongberry CEO spoke my thoughts, because I do think the shortfilm/series was nice up until the end. Filmmakers need to remember they can and should SHOW instead of just tell or imply that these queer characters do have a happy ending. I feel it's so especially important to see that depicted if that is the intent.

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Encapsulates the best kind of kdrama feelilngs

I really enjoy the lead characters and their journeys individually and together as friends and as a couple. The conceit of the gaming mechanics guides them to grow their relationship organically. I really like how though there are general goals and issues to resolve, it's still up to Myung Ha how he proceeds and how he treats Yeo Woon and everyone else. It's so refreshing to see the two actually spend time as a couple and that they have the tasteful amount of kisses and physical intimacy. The handholding is always so warm and cute.

The opening episodes while Myung Ha is learning the ropes of his situation are so hilarious and I love how the stakes are tangible and that's what drives the angst rather than ridiculous misunderstandings that a lot of other stories drag out the story with, no matter the run time. I really like how the internal lore explains the situation that Myung Ha is in as well. I love how the ending lets both Yeo Woon and Myung Ha make their own choices, such a lovely ending of second chances to live life with love, romantic, platonic, and familial.

The show has very nice editing, sound, lighting, and cinematography, being cinematic without being distractingly ostentatious. The show definitely makes the best use of it's probably small budget. At 8 episodes and half hour runtime, the show makes use of every second and is streamlined to all the most important parts of the storytelling. This does mean only lightly delving into the side characters and the stalker subplot, but it doesn't detract from the story at all. I'm here for the main characters and there is enough character interactions with the others to build the world.

The pacing is fantastic and the developments makes it very easy to binge like all the best of kdramas are. Definitely worth a watch for anyone in search of a good drama.

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Bait and switch premise

The show has a brilliant visual and romantic chemistry match up with Victoria and Song Wei Long as He Fan Xing and Yuan Song, but their relationship is basically relegated to being an afterthought side story that also has to share time with a litany of various side stories and you wouldn't even know Song Wei Long is the male lead as his screen time is more like that of a supporting role while a whole other character is treated like the male lead and is the one that spends most of the time with the female lead. I hope Victoria and Song Wei Long will star in different drama that
does legitimately feature both of them as the actual leading screen partners throughout the whole show.

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A varied ride

I really like the opening credit sequence. The editing of the sound effects with walla interwoven with the music then with the visuals of color and light splashes over the various sequences is really energetic and cool.

Pavel is the standout performer as Babe with a nice emotional range, charismatic screen presence, and a fully committed performance. He is the best part of the entire show. I really love the confidence he gives Babe, not just as a racer, but of Babe in his own skin as a person. His emotional moments are very well done, it's so nice to see an appropriate response to the intensity of the respective situations. He shows the emotions in his eyes and expressions so nicely. Paval carries the scenes he's in and I really hope to see him in future productions with acting partners on at least a similar level of skill to play off each other. Babe does have insecurities in terms of his relationships with other people stemming from the betrayal from both his bio dad and adopted dad, and later from his best friend which I'll touch on later.

The acting of the rest of the cast range from hit or miss to extremely distractingly green without enough directing to steer them. The second lead who plays Charlie in particular is so lost and needs more direction to go further from just acting cute and with a pouting voice ALL of the time regardless of what the scene is about. It got tiring a few episodes in when it was clear there was no further modes to the character. There are so many scenes where it's supposed to be emotional and Babe is bringing it, but Charlie is giving nothing. The character is also already written so one dimensionally with no purpose outside of being with Babe that it would have given him some bare minimum pathos if his interest in racing was genuine and worked to be good at it. I really watched all the way to the end hoping there would be an improvement once the reveal about his true intentions kicked in, but no change.

The intimate scenes seem to be well coordinated. I'm curious to know if they employed a coordinator, but however it was done like through a scripted breakdown and the director discussing ahead with the actors, there was a clear plan and choreography for every sequence. It's tastefully done even though sometimes it seems like it skirts the line between artistic choice and self-censorship with more freedom in the uncut version. It would have been great if the same level of attention were given to the fight scenes which the actors did their parts very well, but the filming and editing really needed to cheat the angles better to make everything look more believable, which again not the actors fault at all.

The regular sets of Babe's house with the wild interior design of the automobiles and faux broken concrete walls, americana-esque bar, and racing garage were pretty nice. Way's and Alan's house were shockingly expensively looking as well, no wonder Dean is extremely mad he's not getting into the big races because it looks like it pays extremely well. The most hilarious set was the hotel that Kim was staying with the murder scene level amount of blood in the bathroom but Kim is not bleeding anywhere. I guess we can assume it was blood from whoever Kim was fighting off, but nothing in the show indicates that.

The show is the strongest in the first few episodes and then proceeds to lag and drag on the plot points with very surface level coverage of the story and implications. I'm not gonna talk about them all, but I have to talk about Babe and Way's storyline which had a lot of time paid to it, yet still oddly fumbled at the same time. There is a tantalizing scene where Babe tells Alan that Way has been making him feel like he's not worthy of love by telling him that others only want to take advantage of him. It's so fascinating that he realizes that Way has been doing something toxic like that. Way is so certain that Babe must have noticed him being in love with him all these years. There is so much for these two to actually confront each other about. Then the scene where Way attacks Babe was fully horrific and is the most affecting scene from the terror in Babe's reactions to him being immobilized, realizing Way has powers, realizing his best friend has betrayed him, and being assaulted all at once. Serious kudos to Pavel's acting in this scene. You would think after this there would be a huge showdown between the two to air out their years and years of history which includes the shared trauma of being adopted and abused. Way gives an apology followed really quickly by his sacrifice, which he should have had some blood on his face for the severity of his wounds. Babe cries and tells Way that he loves him, after Way is dead which is really ridiculous and funny, he didn't tell Way what way wanted to hear a second earlier when he still could. Pavel's performance is really good, just an odd decision in the writing/directing. Babe being open to him and Way returning to their friendship was a really great opportunity for them to have a much needed deep conversation that would hit on the major themes brought up as supposedly important to the story, but it's such a huge missed necessity that the show didn't bother to do.

A few odds and ends that again does not encompass everything else, Kenta and Pete's story only showed up towards the end, but the set up of their emotional connection and stakes was one of the more interesting ones after Babe and Way. Sadly they didn't get time to finish their story. Kim's whole plot just randomly stops as well. I'm really glad that Jeff who gets paired off with Alan is at least 20, though the power imbalance of his boss constantly disrespecting that he's already said he doesn't like being touched is pretty gross.

Overall, the show had the parts to be better, but wasn't utilized to it's potential.

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Contrived soap within the guise of a modern drama

This is a bridge lakorn style drama, which is a hybrid with elements to appeal to the different generation of tv watchers. I have yet to see one nails the two tones right and this drama is the worst of the ones I've seen so far. Just because it's part soap, doesn't give it undue lenience to be badly done. The premise of the misunderstanding is dragged on for way too long, past the point of sympathy for the Meena. It's actually really creepy that she claimed to be a strangers girlfriend in the first place even if she meant well and it's just way worse the longer she did it but that's just not questioned, just shrugged off by everyone. It did more damage than harm and not in any way that added to the story. The way the show went about extending her lie is frustratingly forced with a sudden interruption every time or she changes her mind, even when the situation makes no sense to keep up the lie to a particular person. Her entire storyline is just consumed dragging out this lie for one excuse or another while making moves on the brother she has the hots for without making things clear to either men. Nothing else goes on for her character to develop. She literally never comes clean to a single member of the family of her own accord. Everyone just conveniently accidentally learned the truth or was told by someone else. So her arc was that she was lonely and wanted a man and lied a whole bunch and got a man with his eventually big loving family, everything she wanted.

I feel a lot of sympathy for the way Than was emotionally abused and bullied by the adopted mother and brother his entire life since his birth father died saving him. He loves his adopted family very much, but very much enabled Arthit's toxic behavior as well as aggressively went after a woman he thought was dating his brother long before he accidentally found out she's actually available. That's never questioned either. The way that he's treated by his mom and brother to the point of a very self harm idealizing sounding message at his adopted father's cremation ceremony is only ever heard by Cathy and not dealt with in the drama.

Cathy turned out to have the most well rounded arc despite not being a lead. The Meena role looked and felt like it would fit the actress Jan very well, especially with her being age appropriate for the part if they didn't want to make the characters in mutually consenting adult age gap relationship which would have been great if it was, but other than that Cathy is probably the best role in the whole show. She started off as not valuing herself very well with Arthit who treated her poorly. She was desperate enough to go along with his twisted scheme to destroy his brother, she actually saw Arthit for the scum he is and played him while helping Than who she sees is a good guy and very good at his import work. He's already a great collaborator even before she sees him as a possible romantic partner. She manipulated Meena into fooling Than and sent the message to the mom with her last straw broken, but actually had the self awareness to feel bad for what she's done. She gains self respect, not getting back with Arthit though she is cordial with his attempt at becoming a better person. Go Cathy!

Arthit has the most unearned redemption arc of the series. He is selfish, spoiled, and enabled by his whole family and even Than, but even beneath that he has a cruel, unhinged nature with a near sociopathic tendency to hide behind a mask of kindness while taking extreme pleasure to torture Than just to see him be miserable and less than him. This is definitely never addressed and too deeply entrenched to believably be changed by Than getting hit by a car in place of him. They never show a single moment where he ever lets up being the biggest douchebag and show kindness or brotherhood to Than that would be that glimmer of hope that would allow for such a drastic change in a short amount of time.That second hit and run is pretty ridiculous too, it makes no sense for Than to swivel Arthit out of the way to take his place. The scriptwriter just needed it to happen and couldn't think of a sensible way. Like every time Meena conveniently gets interrupted.

The second most unearned redemption arc is the mother, they have Arthit say that Than took a lot of the blame for the shenanigans Arthit was up to when they were younger, but that woman hated Than from the start for no reason. He was literally freshly orphaned and she treated him like a cockroach. Arthit learned a lot of that from her too. Her son lying and Than getting hit by a car is not enough for her to believably turn that switch to loving mother. They never showed any moment from her towards Than to build up to this ending

The second couple with the two university kids Alan and Khaotung were so childish they might as well be in high school. The non consensual photo, video, kissing, all just played for laughs and "cuteness". The most disposable storyline. Alan's relationship with his brothers is more interesting. He's the youngest and grew up better with Than's influence while still spoiled by his mother. Than and Alan have the closest familial relationship. Arthit and Alan barely interact besides the former bribing the latter, which already says a bit, but it would have been interesting to explore more.

The character of Than's adopted father was gone too soon from the show. He could have been the source from which moments of redemption of love for Than could have been sown before he kicks the bucket. Character development across the board was sorely lacking, the time wasted on furthering the misunderstanding until the last episode and suddenly they wed. There's no sufficient time to reconcile the characters at all. Even if they didn't do set up for love before the lie, they could have done work for them to bond after instead of random road accident, coma, and wedding.

I initially thought that it would be an older woman, younger man dynamic, but it seems like the main characters all seem to be around the same age. It's never addressed and it's distracting, but it's the least offensive out of everything else going on. The casting is okay, everyone played their parts well. I hope to see Jan get some female lead roles with great writing for her to sink her teeth into. The music is serviceable. I definitely will not be rewatching and putting myself through this exercise of dragged out frustration, save for maybe some of Cathy's scenes.

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Heartwarming coming of age romcom series

I really like that the lead actors for Gun and Tinn are the same age as each other as well as with the characters they play in the series and that the teens get to exist as teens rather than as cyphers for grown ups with adult soap operatics overlayed on them. Their youth allows for them to be silly during humorous ways in a way that's endearing that's also balanced by each actor's innate screen presence. Their individual characters and collective chemistry carries the series well. It's always good when the main characters are the draw.

The writing shows deep familiarity with both teen school campus drama and rom com tropes and gives the characters good definition that can be understood even underneath the green acting skills of their young, but capable actors and doesn't rely on misunderstandings to pad out the story or manufactured angst. The drama unfolds from the flow of the story that takes place throughout the final high school year of teens which shifts gradually shifts in tone as the anxiety of the impending competition and future heightens at the cusp of graduation and adulthood.

It was interesting they did a perspective shift with the 1st ep from Tinn's pov and then 2nd ep from Gun's and then evenly afterward. I LOVE both guys know their own feelings immediately. Gun having had his crush for years and Tinn immediately picking up on it as soon as Gun let slip that he's been flirting with him and they have their eye connection. The healthy communication between Gun and Tinn is so refreshing, they don't let misunderstandings or jealousies fester. They talk it out and are loving and affectionate. We never see Gun's parents together, but from context they were probably loving like Tinn's parent's. The calm, sweet relationship is a lovely base for their coming of age struggles of

Not to say this show escapes from the angry, petulant, emotionally volatile guy archetype which they pour into Win. I really dislike that character and that ship as well. The writing did try to show he had a loving side with how he's caring with Sound, but the acting did not come through in reconciling the two sides, let alone add more. Sound's actor was better able to convey vulnerability beneath his superiority complex and the writing helped to with him making the deal with Tinn to go to get treatment for his hand.

Tiw is the representative that asks the questions from the audience. It would have been more interesting to give his pairing with Por the screen time of the secondary romance. Tiw has the most thankless job of helping Gun, Tinn, and the entire music club. He always steps up and never even got to go swim with his ducky float. So when Por who has a bit of similarity in setting up and cooking for the others getting to spend time with each other being the two that showed up and Por noticing Tiw spending all the time taking photos of others on their last day of school, it's could have been better developed sooner.

It's wonderfully done how the realization of the main characters sexualities to themselves and to their family is understood and comes with the beautiful vocal support and allyship that queer characters and the very real community they represent deserve to see and feel modeled in the media. The reaction shots from the secondary characters are great. The wish redeeming scene was the best use of the product placement. It made sense they were desperate for any drink, and the raw and brutal break down and the apologies was a powerfully moving scene. On the other hand the harmful forced outing by bl shippers was glossed over and could have been handled better. Some plots beats got lost or were rushed like the implied financial issues of Gun's mom and all the pair the spares plots except for Yak.

The cinematography, editing, and directing were all competently done which is such a relief to my eyes. I never felt the pacing was slow, a lot happens every episode starting with the first one to further the story and to further the relationship. The way they reach the points where imagination ends and sweet reality begins is so lovely. All in all this drama is a definite recommend to watch and rewatch as well.

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Nothing mattered at the end.

The show lingers way too long on scenes where nothing is happening or something that should have been over after a few seconds and relies on jarring attempts of surreal behavior for attempted humor that always falls flat among other editing and writing issues.

Within all of that, the series depicted Guy and Jing who has fundamental differences in expectations for their relationship that neither could meet and were unable to resolve yet wouldn't let go of one another. Guy is a dedicated nurse and Jing is a university student who needs more attention than Guy has the time to provide. Jing knows that Guy has responsibilities that keep him, but he just can't handle it. Guy loves Jing so much that he's willing to leave an unconscious woman on the ground when Jing insisted they leave. They are clearly not in a good place to continue dating any longer and should break up. Jing of course breaks up magically with the last candy wish to make it so they never dated. Guy is now a doctor having not spent his school years dating Jing and Jing is happy with his classmates. They are still within each other's circles but no longer holding each other back. But none of that mattered because it was just the plot of Jing's student film project. The real Jing and Guy are still together and will be into their old age. The film is implied to have their be based on their real issues, but we don't see how the key ones were resolved, just that it did and back to the never ending fanservice fluff scenes.

This show is a mess to say the least, but Kana and Jing's plotline did stand out as being very competently done. Being childhood friends and Kana is Jing's refuge when he feels down and needs comfort. Kana is clearly in love with Jing, while Jing knows. Earth and Copter's chemistry really shines in their character interactions as Kana and Jing. The ease of their closeness and the palpable tension of the possibility of something more which is sadly unexplored, but the scene where they do finally address the feelings in the room is very well directed, easily the strongest scene in the entire series on all fronts, though the very messy editing with the mismatch expressions and an extra clip that should have been deleted while transitioning to the scene of Guy showing up distracts from the mood sadly. This particular director (and the writers he works with) is so selectively good at either only certain plot lines or a certain series in his entire body of work. I hope to see him nail being consistently good. I feel like he has a knack for complicated friendships type narratives in particular. This series is one of the misses alas.

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A light easy to watch coming of age romance

The core of this show is two young teenage university freshman dealing with their respective struggles that stems from previous trauma and how their actions and words or lack thereof affect other people. I found the conflicts that arose very understandable and true to character and importantly it's dealt with within the narrative for character growth. Daonuea is the art student and extrovert of the two whose cuteness and charm stems from how friendly he is and gets along with everyone. Kluen who plays sports is the introvert and the show progresses, he's shown to genuinely not understand certain kinds of social communication. He reads as socially awkward but is not outwardly noticeable because he's handsome and surrounded by outgoing people, so they just assume he's cool. The story starts off with Daonuea whose primary experience with love is being seemingly rejected by Kluen so he wants to avoid him. I really like that he easily becomes himself around Kluen once it's clear their scholastic activities keep them together for a while. This leads him to not want to hurt others as he himself was hurt so this causes complications when he has to deal with rejecting his own suitors. Kluen does everything he can to spend time with Daonuea coming from the school of thought of actions speak louder than words though he learns that words is also important to speak along with the actions. I quite enjoy the acting of Dunk who plays Daonuea. It's his first role and quite close to his real life personality. He's very natural and effervescent on camera. Joong who plays Kluen does well in communicating with his eyes and little detailed actions. The music is pleasant and the show overall is easy to watch.

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C grade

The adults act like childish while the teenagers get all the emotional heavy stakes and interesting plot developments.

The best parts of the drama were actually the teenagers and their struggle to meet these physically and mentally taxing educational standards and expectations of their parents and society as well as the mother daughter relationship between the aunt and niece. The wildness of the the hagwon institutions like how the parents have to line up everyday to get the best seating for their children was interesting as well. The murder mystery part of the drama was okay, but it was dragged on for like 3 or 4 episodes too long. When it was revealed that the brother is a red herring and assistant guy is the murderer, that's when they should have wrapped it up.

I quite enjoy seeing pairings where both grown consenting adult characters have the female lead as older than the male lead and the corresponding actors, but the casting here is really distractingly off with the actress not looking anywhere near believable as the character age range she is portraying. It didn't really need to be a noticeable issue except for the drama itself making it awkward by throwing lines like "she doesn't look old enough to be a mom to a teenager" and showing that only a decade has elapsed between the past and the present the story takes place in. It's compounded by the fact that the costume department didn't make a single effort to at least style her to look like she's in her 30s or even 40s and always put her in clothes and hair styling that made her look very middle aged.

Her character is also like an emotionally volatile doormat, it would have been nice to see her have some smarts and effectively save or stand up for herself and her loved ones from time to time. Her version of acting cute was really off putting as well with the over the top laughing as she covers her face and violently hits whoever is in front of her. The romance plots of all of the adults were the least interesting parts of the story. None of them had chemistry and it would have been better to keep those as brief as possible. The teenagers were more interesting, I like how the two boys actually developed a friendship despite being love rivals.

For a single mom with younger man romance that also includes a serial killer plot, I recommend watching When the Camellia Blooms instead of this drama.

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