This review may contain spoilers
I wish my brain cells are that cute
Yumi's Cells tells a fairly typical modern romance of two people from different walks of life. They met by chance, fell in love, experienced all aspects of a serious relationship, reach a critical juncture and had to make the tough decision to either push through or allow their love to wane. The inclusion of the animated cells added a new facet to the story telling and gave it a multi-dimensional aspect beyond the typical inner monologue. Without the dramas within the cell villages, the story would be engaging but hardly original.
Lucky for us, the complete package was a refreshing take of the old chestnut and the emotional ups and downs were amplified and bought to a sharp focus by the cells' dialogue and machinations. It was really funny to see how the writer-nim translated the characters' thought process into 'anime-action' of the various cells and their interactions. However, whilst this type of segue was a fun and welcome diversion in the early part of the show, later on when some serious decisions had to be made, the cut to the cells can feel jarring and break the tension. It is hard to relate the urgency of the decision to a cutscene full of cute toons even though they were agonising over the same point. This is particularly true for Woong's thought process. The cold AI overlay subsumed the more human side of his character which was much more prevalent earlier on. The mechanical deliberation also made his thought process seemed slow and ponderous. Quite unlike the impulsive Woong we loved. Let's face it, who can forget the out of control Naughtysaurus!
Having said that, it was interesting that in the last episode, the show introduced the face card motif whereby everyone is walking around with an imaginary game card on their forehead which showed their motivation or intention at any given moment. Of course, that also made possible the direct translation of phases like 'keeping your card close to your chest' or 'lay down your card'. It allowed a glimpse into other peoples desire and motivations but it is not as innovative as the animated cell village. Is that a cost cutting move or just exploring options for S2?
As I mentioned before, the core relationship of the OTP was not overly dramatic. It followed a fairly well worn path. When they arrived at the critical juncture, the ML stumbled (there were warning signs) and it started the downward spiral. It could have been saved but several opportunities were missed or mishandled. Both Woong's pride and Yumi's insecurities played key roles in putting pressure on their relationship. Coupled with Woong's stress over his failing start-up, it was hard to see a happy ending. It might be salvageable if both parties opened up and talk through the issues but they became more withdrawn and compounded their problems. It led to a sad outcome but it is not an unrealistic portrayal of a modern relationship. Everyday pressures have to be dealt with. Dancing around issues will not magic them away.
I suppose we have been conditioned to expect rom-coms to have a happy ending but in this case, writer-nim gave us a dose of reality and I respect and appreciate that. Bring on Season 2. I will not take a smooth ride for granted ever again, at least for this show.
In terms of acting, I can't fault the main casts. They drew us into their world and shared their lives with us. It was heartbreaking when they were in despair but equally joyful when they were basking in glorious bliss. Support cast did their job well but most were one dimensional.
OST was good and had a broad range from happy tunes to soulful ballads.
Lucky for us, the complete package was a refreshing take of the old chestnut and the emotional ups and downs were amplified and bought to a sharp focus by the cells' dialogue and machinations. It was really funny to see how the writer-nim translated the characters' thought process into 'anime-action' of the various cells and their interactions. However, whilst this type of segue was a fun and welcome diversion in the early part of the show, later on when some serious decisions had to be made, the cut to the cells can feel jarring and break the tension. It is hard to relate the urgency of the decision to a cutscene full of cute toons even though they were agonising over the same point. This is particularly true for Woong's thought process. The cold AI overlay subsumed the more human side of his character which was much more prevalent earlier on. The mechanical deliberation also made his thought process seemed slow and ponderous. Quite unlike the impulsive Woong we loved. Let's face it, who can forget the out of control Naughtysaurus!
Having said that, it was interesting that in the last episode, the show introduced the face card motif whereby everyone is walking around with an imaginary game card on their forehead which showed their motivation or intention at any given moment. Of course, that also made possible the direct translation of phases like 'keeping your card close to your chest' or 'lay down your card'. It allowed a glimpse into other peoples desire and motivations but it is not as innovative as the animated cell village. Is that a cost cutting move or just exploring options for S2?
As I mentioned before, the core relationship of the OTP was not overly dramatic. It followed a fairly well worn path. When they arrived at the critical juncture, the ML stumbled (there were warning signs) and it started the downward spiral. It could have been saved but several opportunities were missed or mishandled. Both Woong's pride and Yumi's insecurities played key roles in putting pressure on their relationship. Coupled with Woong's stress over his failing start-up, it was hard to see a happy ending. It might be salvageable if both parties opened up and talk through the issues but they became more withdrawn and compounded their problems. It led to a sad outcome but it is not an unrealistic portrayal of a modern relationship. Everyday pressures have to be dealt with. Dancing around issues will not magic them away.
I suppose we have been conditioned to expect rom-coms to have a happy ending but in this case, writer-nim gave us a dose of reality and I respect and appreciate that. Bring on Season 2. I will not take a smooth ride for granted ever again, at least for this show.
In terms of acting, I can't fault the main casts. They drew us into their world and shared their lives with us. It was heartbreaking when they were in despair but equally joyful when they were basking in glorious bliss. Support cast did their job well but most were one dimensional.
OST was good and had a broad range from happy tunes to soulful ballads.
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