Rom-com 101 with an extra spoonful of aspartame

If there is a cheat sheet for a DIY rom-com script writing then it might look like this;

FL is young but ambitious. She just started her dream job as a baker/banker/brain surgeon but she faced a lot of challenges and prejudice. ML is the chef/CEO/civil engineer who took the FL under his wings and guided her to her destiny. OBTW, they fell madly in love and have X kids (kids optional, check current trend). Add extra CP to pad out screen time. Add antagonist just because. 

Without too much deviation, that's just about summed up this show. Dial up the artificial sweetener dosage, downgrade the antagonist to mostly harmless and add a couple of extra CP from central casting and voila, it is done! 

To be fair, using dubbing as a backdrop was interesting. It worked for half the show but it pretty much faded away and the usual business/relationship shenanigans took over. Thank goodness the dubbing here is for anime and not dramas. Don't get me started about the overuse and patchy quality of c-drama dubbing!

All the leads are good looking. There were some skinship and one CP was hot and sexy from the get-go while another CP had the worse case of the fishy kiss this year. The chemistry goes from ok to weak amongst the CP's. You know they are pre-ordained anyway. Ditto with swoon worthy moments. They are there but your mileage will differ. I do like the ML in several of his other shows but this time round he just felt too scripted.

It was interesting to see the show pushed tentatively at a few tropey boundaries but pull back timidly. Age gap love, toxic fandom, etc all had an airing but nothing much came of them. Evil schemes had little teeth. Antagonists were grey blobs. Relationship problems were passing storms, a "heartfelt" apology and it is back to kisses and cuddles, stat. The flip side to this angst aversion is that most of the typical angsty tropes have been banished and I am not too sad about that.

A few societal issues did make an appearance but all beat a hasty retreat as the Goddess of romantic comedy does not allow such impurities to pollute her temple. I'm not even sure what to make of their version of dementia. It was definitely used to milk the soppy angle to good effect. Dementia is a serious medical condition but it was given a very off-handed treatment here.
This show is actually not bad. Manufactured fluff this was but it is a perfect filler with a decent cast and mildly interesting story. If you are new to c-dramas or wanted the extra sugar hit then add an extra point to the score. If you are suffering from diabetes and groan every time you see that plot summary then subtract one point. 

This is one of the most subjective score I have given in a long time. This is due in part to a sense of frustration/disappointment of the state of Chinese rom-com's. To reward mediocrity is to hasten the heat death of the genre.

Maybe this is why so many similar shows are being churned out by the mighty c-drama machine lately because it fill the gaps in programming schedules, relatively cheap and quick to produce and will sail past censors.

One time watch, one time listen and peace out.

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Look at all the cute pets . . keep looking . .

You know the old saying about kicking a puppy? Yes, that’s you if you don't like this show because it really piles on the cute pets and eulogise on and on about keeping them responsibly.

Essentially, this show is a collection of many pet related vignettes which are loosely linked together within the pet hospital setting. The problem is that the A-plot regarding the ML’s identity is meh. By the half way mark, everything is known to us. It becomes rather tedious to watch the rest of the ensemble stumble onto the truth many hours later.

The show could have benefited from an intense love line, but we ended up with a slow burn. The OTP is preordained but their chemistry is only passable. The show ran through the usual gambit of dating tropes, but nothing works. We watch the OTP dancing the Two-Step with each other for 30eps before something finally happens. This is not helped by the endless shenanigans cooked up by the SM/FL to try to sabotage them. The second leads just won't take NO for an answer. This is particularly true for the SFL. She took puppy love to infinity and beyond! It tests credulity and my patience. Regardless, their meagre efforts are transparent and ineffective.

All that changes towards the end of the run when the melodrama dial is turned up to the MAX. We are hit with a wave of tropes which viewers of typical family sagas will recognise at 100 paces. Luckily, the writer took pity on us and spare us a prolonged torture session. By the time normal programming resumes, the show has run out of puff and we stumbled over the finish line while singing Kumbaya. I barely noticed the herd of unicorns waiting for their checkups by our resident vets.

Acting is workmanlike on the whole. The script is not particularly kind to the FL with her behaving like a hapless and naïve girl for way too long. On the other hand, the ML is the hive mind and he is always ready with a “I told you so”. While he is handsome and charismatic, he can look bored and feels flat at times. The large ensemble cast did their job to move the plot along, mostly in the right direction.

In the end, the show is harmless and watchable but there is not a lot there to lift it above pass grade. The script is a millpond with the odd splash. Your mind will drift and want to hit the FF button. Unless you are a pet lover then there are plenty of dopamine hits. One time watch for me.

P.S. What's with the ML's hair? Does it need a session with Tian Yu Xian?

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Is this Show a duck or a goose?

I thought the Show started well. A dose of mystery, a touch of humour and a hint of romance. There is a burst of manic energy as the Show introduces the key players and setup the main plot. After the meet-cute, the show slows down to a steady pace. There are some funny moments early on as the ML learn to live with ghosts and how to profit from them. However, the humour is fleeting. While it sort of sticks to the initial premise of a taxi for ghosts, we soon find out that it is far from being joyrides. Most of the ghostly tales are quite weighty and depressing. These subplots appears to be random at first but over time, we are given clues to find the missing link that ties them all together.

I actually felt a bit lost by the half way point because I was expecting the Show to go down a certain path based on the marketing and the early episodes but it turns out to be quite a different beast. I won’t go as far as calling it bait-and-switch, but I was not excited about where the story is heading.

Fortunately, the Show finally starts to pull the threads together in the last 1/3 of the run. The final destination is revealed, and we gather momentum as we sped towards the climax. I have to admit that it is neat how the loose threads are related to each other and slots in with each other. The only problem is that by this stage, I’m feeling a little jaded as I can see the Show is clearly manipulating the narrative and subplots until all the pieces are perfectly aligned. The puzzle can’t be solved because the pieces are hidden on purpose from us. We are drip fed very little concrete information while it grows painfully obvious who the real culprits are. This includes creating contrived situations while bending rules to suit the task at hand. Some of these involve questionable police procedurals while others will leave you baffled by the inconsistency if not out right contrivance. The Show will try to explain the ruse afterwards but it does test your credulity.

Acting is acceptable on the whole. I won’t call any of them breakout roles. The FL has a more challenging role than the ML. He can appear a bit wooden at times. They have decent chemistry and there is a bit of skinship in ep.12.

Production value is par for the course. It doesn't have lavish sets but they are functional and fit for purpose. Not a lot of CGI is used even though you would expect more from a supernatural themed show. What is there is acceptable but fairly rudimentary by today's standards. Once again, adequate rather than exceptional.

In the end, all the loose ends are tied up. Emotions run high and a few tears are shed. Antagonists are dealt with. Protagonists have the happy endings we all wish for. The Show turns the fan service dial to the max in ep.12. It is probably the best episode of the series and it is the real highlight for me.

Regrettably, the bulk of the show is fairly pedestrian. Similar ghost/wish fulfilling plots have been done before and often better. There is certainly something old something borrowed here. What we need is more of something new.

In hindsight, it is watchable and kept my interest but it can be testing at times. I won’t mind rewatch a highlight reel but not the whole show. Peace out.

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This is how you (almost) score your own goal

This show is not particularly pretentious, and the early indication is a contract marriage trope with bonus cute little kids. The FL is a struggling single parent, but she is trying her best. The ML is the typical cold but super competent CEO who is also a single parent. After a series of fateful meetings and the odd accidental skinship later, they are married but not a couple. Easy peasy.

In fact, for a good 3/4 of the run, the show is motoring along very nicely. Their romantic journey is swoon-y and developing well. The little kids are not bothersome like some other dramas, and they add some colour to the mostly by-the-book main storyline. There is a hint of a revenge plot, but the general outlook is rosy.

This is where some iffy writing starts to rear its ugly head and almost scored an own goal. I’m keeping this spoiler free, so I'll talk in general terms.

The first problem is the portrayal of the leads. The FL is sweet and empathic, but she has a lot of self-doubt and can be easily swayed. On the other hand, the ML is smart but have very poor communication skills. This is a bad combo because it means misunderstanding can be just one scene away and any misstep escalates quickly.

This is not helped by poor communication between the protagonists. The ML, the grandfather, the FL's parents all withholding vital information and keeping secrets from each others. This only serves to pour oil on the fire of misunderstanding once there is a spark. Honestly, this is such a lazy trope but without it, there is almost no plot. Ouch!

Furthermore, the antagonist's motivation is a bit opaque. We are told one thing but snippets of information point to another. His mental state also casts a lot of doubt about what are facts and what might be his imagination. This is obviously done by the writer to keep us guessing and to create tension. Unfortunately, this part of the main plot is weak and loaded with inconsistencies and shortcuts. We are fed bits of information to try to paper over gaps in the narratives. For instance, one of the key characters is found to be adopted and her behaviour is all blamed on her time in the welfare home. Ditto pieces of damning info happen to fall into the wrong hands. Where did they come from? There are other contrivances, but I would be giving the main plot away.

Obviously, the writer is trying to shape the plot in a certain way, but it feels unnatural and leaves the viewer baffled and a bit frustrated. The drama would be better off without the revenge plot. The show doesn't need one and it derailed the main plot for little gain.

Acting wise, the FL is fine but her role is not well written. The ML’s visual is idol grade but his acting skill is still developing. There are times when he just looks uncomfortable and a bit lost.

The support cast is actually quite good. The SFL who started off chasing the ML but becomes the FL’s bestie is quite endearing. The 2CP works too. A bit kooky at times but their journey is heartfelt, and I can ship them. The senior cast members pull their weight and provided some stability.

I didn't have high hopes for the show at the beginning. I was hooked by mid show, but they lost me towards the end. The HEA ending and fan service helps to restore some faith. It is watchable and largely inoffensive. I just wish they'd leave well enough alone. Peace out.

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Who ordered the potstickers? Here's your tortellini and a side order of fairy dust!

Food, glorious food! This could have been so much better if they just stuck to that theme but alas, the writer took us down the garden path, deep dive a dank rabbit hole, before magically transported us to the Fairy meadow where the unicorns are frolicking like they were on drugs.

Any reader who has watched the original Karate Kid (and similar movie/show) would recognise the central plot. In this case, instead of martial arts, we have culinary arts. A Michelin star chef needs to find and train a new apprentice, but that person must have a supernatural sense of taste. Of course, this was not done through the kindness of his heart but because he is losing his own ability to taste food, so he needed that someone to taste for him when he creates new dishes. All this is hushed up so people were confused when he decided to mentor a girl (FL) who accidentally entered a top tier cooking competition but can’t cook at all. To compound his woes, he is quite a prickly character and very temperamental. In essence, a stereotypical master craftsman/creative type. All the classic clichés were deployed included the equivalent of the old wax-on-wax-off training trick to bring the hapless FL to some semblance of proficiency. However, this is a rom-com so the tale as old as time was given its due and the master/apprentice relationship took on a much more personal spin.

Speaking of food and cooking, this show has so much food porn. From street food to eateries serving local delicacies and all the way up to Michelin star restaurant. The food was a highlight, and those dishes were shot with skill and a singular focus. I do wonder whether the production team hired a food stylist and specialist photographer. This ended up being the saving grace of the show and I gave it extra marks.

You may well say there is nothing wrong with that storyline, sounds quite interesting and delicious. That is indeed the case, if they stick to it. However, into that pot were added several antagonists as well as dramatic change in tones. I mean descent into madness type of change. Most of this came from left field so what started as a light and breezy rom-com got darker and darker until you thought you were watching a different genre.

The OTP is an odd couple but when all the romantic ducklings are lined up, they can be quite sweet and engaging. You can't deny there is chemistry between them. Towards the end, there are truly swoon worthy moments. It would be tempting fate if this was the only game in town. We are confronted with the typical Chinese rom-com problème du jour, what I'd like to term Too Many Cooks Syndrome. On top of the OTP, there are 5 other CP’s! (Is that a record?) Most of the pairings are contrived and does little for the show other than padding out the runtime and force a change of scenery. This is particularly jarring when the show got darker and more intense. We’d suddenly flip to a CP and watch them do the mating dance or deal with some trivial matter.

All these extraneous stuffs would just be fluff if the show didn’t do a 180 on itself at the 7/8 mark. Every antagonist was reformed. Every problem (except the one concerning the ML) is swept aside. It made a mockery of all the angst and misdeeds that was dished out over the last 30 odd episodes. Some were explained away as historical misunderstanding, but more was left unanswered and frankly, baffling. This was quite strange as the bulk of the show was rooted in reality (cooking is about as real as it can get). When the ML was challenged by reporters as to how he can still be a master chef when he can’t even taste his own food, the writer finessed a clever and logical solution. It only served to highlight the inconsistency later on.

Around that 7/8 mark, we also have an attack of the unicorns as well. We are talking a herd of them. The last few episodes were all about tying every loose end up with pink bows. Happy endings were served to everyone, whether they deserved it or not. This was topped by a Deus Ex Machina solution straight out of a wuxia/xianxia drama. It is as if the writer has abandoned reality, just went all in and damn the consequences. The piece de resistance was the ending. It needs a health warning for diabetics. It was sugar overload. I won’t spoil it, just one hint, Bollywood.

Acting is generally solid but some were exaggerated stereotypes, especially concerning foreigners. Younger actors have room to improve but they show a lot of commitment even when it was an unrewarding role.

OST and production values were good. It would have scored better if the writer stays focused and kept its message clear. Make it sweet and bubbly or dark and crazy but what we ended up is a rollercoaster ride that looped back on itself and make us feel cheated and confused. Individual scenes can be well executed and acted but the whole is, regrettably, less than the sum of the parts.

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A passable rom-com that got swamped by a tsunami of relationship disasters

Let me be frank, the ML was a horrible person for a good 1/3 of the Show. He is rude, arrogant and a bully. Thankfully, the growth in the FL offset this and gave the Show a positive momentum. For the first half of the drama, it was very rewarding to watch the FL overcome challenges and strike out on her own. The business aspect of this chapter was also engaging and interesting unlike many c-drama which is supposedly based on the business world. Not surprisingly, the ML changed for the better over time, but it was a slow journey and he continued to be taciturn and awkward for the bulk of the show. It was hard to ship the OTP initially. Nevertheless, everything was heading in the right direction and there are solid hints that the OTP is on the verge of going official when the ML suddenly has an attack of the vapours and told the FL not to have any silly idea about liking him. OMG! That is the smackdown of the century and of course the FL took it badly. This is where the wheels begin to fall off this cart.

I know push-pulls and misunderstanding are the cornerstones of a rom-com, but our dear writer double down on the relationship nightmares thus flipping the narrative on its head. It went from a positive, sunny outlook to a total disaster area within a couple of episodes. The doom and gloom went on for a good 8-9 episodes before the FL finally broke up with the SML. Suddenly, it is as if a curse has been lifted and the sun came out again. Upon reflection, there was little to gain from all this pain while making the Show feel stilted.

Speaking of the SML, there is no chemistry between him and the FL. Forget fish lip kisses, they were dead fish swimming. The body language of the FL made it clear that she wanted out, but it still dragged on for too long. Ditto parachuting the ML’s crush into the mix at the same time. All it served was to throw fuel onto the flaming wreak of our OTP “romance”. If that is not enough, the seemingly perfect relationship of her BFF and her partner became a complete train wreck.

This brings us to a related issue. While the first half of the Show was focused on the OTP with some side plots, the latter half became a free-for-all with all the side stories taking over the bulk of the screen time. The leads became the supporting act. So not only was there no progress in their relationship, but they were also caught up with everyone else’s problems.

In this sea of gloom, there was an odd spark. Oddly, it was a death, but the story was integral to the plot. It was poignant and well acted. It marked the turning point when the Show pivot back on course.

The last few episodes are used to dispel the gloom and put things right. More time and effort are spent on side characters while the leads are stuck in the dreaded friend zone. The pacing is languid to say the least. The ending is cute and predictable but more appropriate for a movie. The confession did not happen until the literal dying moments of the last episode! Why can’t we have more sweet CP moments? I believe the Show followed closely the book which it is based but after 30+ episodes a bit more fan service is not unreasonable. So much time is wasted, . . . so much.

Acting wise, the FL was very good while the ML struggles with his delivery. I have not watched any of his show which I can say his acting was outstanding. Most of the support cast earned their keeps. There were some one-dimensional characters and some overacting but not too bad.

OST is good. I can rewatch bits of it, but I would skip a lot as well. It started well and promised much but in the end, it failed to reach new heights and came down to a soft landing.

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A solid winsome rom-com that doesn't need to cheat

This is an angst light sport focused drama with a strong, swoon worthy noona romance running in parallel.

The college aged ML falls in love with the FL at first sight. He was smitten and pursuits the FL with boundless energy. He picked a particular university just so that he can be coached by the FL. The FL is several years older than the ML so there is the usual push-pulls and denials. However, once she accepted his love, they are rock solid. It was so gratifying to see a relationship build upon trust and pure love. In fact, the FL should be applauded for her bravery and strength in pushing back against societal stereotypes and naysayers. Bravo! 

I am thankful that there is no last minute breakups nor silly misunderstandings. The OTP are truly reading from the same page.
Of course there are tropes and cliché moments, this is a Chinese drama after all. Thankfully, they are under a tight rein and doesn't feel too contrived. Plots are mostly allowed to progress naturally.

Acting is fine all around. The ML has been in a number of school/college dramas so he is perfectly casted and is in his element. His training and competition scenes are well done and fairly believable. The FL played the noona role to perfection. She spent nearly the whole show in tracksuits or simple garb which is a refreshing change from the glam style of her other projects. She looks lean, fit and belongs on the sporting fields as a coach.

Most of the other actors are college age but they did fine. Lots of testosterone on display and their coming together to form their own band of brothers was gratifying to watch.

There is also a nice amount of skinship and no shortage of passionate kisses. An above average bedroom scene is a surprise bonus.

Not everything is wonderful though. There are some issues with the use of filters in post production whereby some scenes look like they are shot in fog and the actors looked washed out and glowed with a strange aura. This caused some online remarks and the director acknowledged the issue and dial back the effect in later scenes. The ending also feels rushed. The HEA ending is never in doubt but it feels underdone. Could have added more fan service.

It is not going to win any awards but it is a straightforward and satisfying watch. It is not artificially sweetened and the sports theme provided the necessary trials and tribulations without having to cheat by adding manufactured angst.

I enjoyed this show very much and would recommend it without reservations. OST is fun and breezy. Rewatch will not be a chore.

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Rivers of artificial tears

I know, I know, this show is the talk of the town and rating its socks off. However, I’m going to be an outlier. Please allow me to explain.

The star power of our leads combined with the portfolio of our writer-nim (who penned CLOY, MLFTS, etc) should guarantee an instant classic. It is certainly a hit but after finishing the show, I am not convinced that it scored the home run.

At the start of the series, the relationship of the OTP is at their lowest ebb. Of course, the goal is to watch them rise above it all and make us swoon. The series largely archived this with consummate skill. However, this is also its Achilles heel from my perspective.

Even a few episodes in, I can’t help but feel that I’m watching a parade of hand crafted scenes designed to either showcase the visuals of our leads or to hit us with the feels, hard. There is no doubt that this is a S class production on every level. Of course, there are buckets of tears and our handsome ML brought his A game.

However, I feel that the material connecting these scenes are hollow and contrived. This is surprisingly loose and lazy writing coming from a writer of this calibre.

For instance, the plot surrounding the granddad’s mistress is nonsensical. She suffered and schemed for over 20 years because of greed. Really, just greed? She could have built a secret nest egg in far less time than that. Even in the end, it all comes down to a bit of luck and good timing. Ditto the involvement of several accomplices. The script tries to explain it all away, but it is a hard sell when you look beyond skin deep.

Don’t even get me started on the SML. He is obsessed with the FL yet his idea of winning her over is to shaft her family and take her beloved business away. Yes, he offered it back to her but with nasty strings attached. It all feels rather inept and superficial. That seems to be his modus operandi. Just do something over the top and she will submit but there is no solid reasoning behind his various machinations. The idea of him taking over the role of her finance after her surgery and framing the ML for murder is laughable and beyond tropey.

Almost every member of both families is cliché and unlikeable yet so much time is devoted to their petty contrivances. The makjang heavy plot basically seesaws between the protagonist making small gains only to surrender it back to the antagonist in the next scene/episode. There are many outlandish subplots involving the large ensemble cast. The tone of the show yo-yo all over the place because of that.

This highlights how much emphasis is placed on those storyboard scenes. If they were pivotal then I’m all for them but most of the time, they are a quick dose of fan service, or button pushing tropes. They are effective but also manipulative by design.

This brings us to the real kicker. The main theme of the show is the romance of the OTP. This is made painfully clear from the start. However, for this viewer, my first question is why are they even together?! There is nothing to ship. They don’t show any affection. They don’t talk (failure to communicate is a recurring theme). They live parallel lives. The ML suffers daily both at home and at work. This could have been a murder mystery for all I know. Yes, the writer turned it around towards the end, but it is hardly CLOY2, not even close.

A HEA ending is never in doubt once they played the magic cure card. The escalating dramatic tension drops away. All the implausible schemes fell apart as expected. Every subplot is tied off with a pink bow. Was it satisfying? I’d prefer to call it Functional Predictability. I’m sure fans are swooning and elated though. It all ends with an artificial sweeteners overload. Did it go too far? It literally left nothing to our imagination.

Regardless, the gods of makjang will be pleased. Am I being critical? Absolutely. I want this show to be great, nay, perfect. This is god’s gift to the fans of the leads but it is hardly on par with some of the most memorable k-dramas.

If I take off the rose-tinted glasses, I can see all the hype and traffic generated by the highly bankable stars. It served its purpose and made history. Am I the only one not hailing Caesar?

We came. We saw. We forgot™️.

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At least this show is not a dog . . . technically

Ok, it pains me to say this but this review will sound like I'm damning it with faint praises.

On the positive column, I wrote handsome OTP, nice chemistry and a decent amount of skinship that doesn't look fake. Some swoon-y moments. Cute dogs.

On the other hand, the A-plot is tropey, same-y. There are awkward and cringey moments and its fair share of plot holes.

However, overshadowing all that is the stretching of the main plot to its limits. When you consider once the OTP comes together, the writer-nim gave us one ep of fan service then parachutes in the old amnesia trope for our edification. It totally killed any forward momentum.

If that is not enough, we also get a couple of eps of historical reenactment, Joseon Style. This is on top of a decent sprinkling of recaps throughout the Show. It is like a trail of breadcrumbs. There were minor twists in the final cut, but they are not shocking. To be honest, you probably have already foreseen it if you know your dramas.

So, we have Fate, sacrifices and an ancient curse, what I'd like to call the three horsemen of k-dramas. It is serviceable but it walks a well-worn path.

The show can still be lifted with a strong finish. Alas, the Show delivered something that is, once again, agreeable but hardly inspiring. Ergo, the curse was lifted with minimal fanfare. The antagonist just disappears without so much as a "Oops, my bad". Oh, the pain suffered by generations of the FL's family. The injustice of it all!

The last ep is total fan service but it doesn't quite stick the landing either. The HEA ending is never in doubt. Everyone gets something, Oprah style. It is cute how they retold the OTP romantic journey in a different context but once you see past the gloss, it is just a storyboard with a highlight reel. Changing the wrapping doesn’t make it a new gift.

Acting is serviceable (where is my thesaurus?) The comedy side is well handled by the cadre of experienced actors in support. The OTP managed the light and fluffy stuff just fine but when the going gets heavy, they can be found wanting. It is par for the course though. BTW, maybe it is just me, but the FL's Joseon character just doesn't feel natural.

This Show is a light and fluffy cloud with a dark lining. It is watchable, undemanding and will occupy your time. A pair of rose tinted glasses will help as well. A one-time watch for me. Peace out.

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It exists . . . awkwardly

If I want to be generous, I can call this show a fluffy rom-com. However, that will be doing a disservice to the readers of this review. The premise of this show is a rom-com but what is delivered is subpar at every level.

The main story line is awkward. Bits of cliche plots are cobbled together. It feels tired and predictable. You could call it a labour of love because a bunch of people certainly worked hard to deliver it even with all its problems. Unfortunately, the core concept is not particularly funny nor romantic. I get that they want to get some laughs out of the struggling dating show but you are more likely to gag than giggle. The pacing is also inconsistent. Some plots feel rushed while others just meander along.

This is not helped by the OTP having little chemistry. Their whole love line felts contrived. It was a bad case of puppy love when they were young teens but their feelings for each other is unchanged for 20 years. Ok, it is a bit of a stretch but this trope has worked in other shows so it can work here too, right?

Yes, it can work and they say that they have resolved their issues and they are all lovey-dovey. Yet the same issue caused them to breakup again before the love bite had time to fade. Have they learnt nothing? Are they 34 or 14? The fact that the issue can be resolved with some straight talking is totally ignored. Some of the later dialogue doesn't make much sense. It is the classic "Do as I say, not as I do". I know the happy ending is mandated but it is one audacious piece of writing.

In terms of acting, the FL is prone to overact because her character is quite exaggerated. I have to give her credit for acting like a fool at times just for laughs. The ML pulls his weight but he can't carry the whole show and his character is a bit nebulous. Support cast is patchy. Lots of one dimensional characters. It feels like they are trying to be a caricature of themselves.

To be honest, I am a bit numb after watching this show. It is not so bad that you want to throw things at the monitor nor is it good enough to be truly enjoyable. You keep watching while clinging onto the hope that it will get better. In your heart, you know the actors deserve better, the crew deserve better, WE deserve better!

It exists . . . awkwardly. Enough said. Peace out.

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A kiss is never just a kiss

Once again, j-drama delivers a short, sweet, heartfelt romance with conviction. Our leads share great visuals, and you can sense the attraction between the two which translated to oodles of chemistry. Of course, it would not be a drama if everything is smooth sailing, but we are fully onboard for the ride.

Consider the short run-time of this drama, I am pleasantly surprised by the depth in the leads portrayals. They feel well nuanced and fleshed out. The vocalising of their inner thoughts allow us a great deal of insights into their psyches. It is an effective and impactful tool. The pacing is spot on. There is never a dull moment, but the show doesn’t feel rushed either.
The writer-san played the SML and SFL card intelligently. They are not used as the token antagonists to create tension and angst. Their intrusion into their bubble reality forced the leads to examine their true feelings and confront some uncomfortable truths.

There are three particular aspects that I really liked. Firstly, the FL is not the usual bubbly, giddy stereotype. She is a well-respected professional in her own right, but she is naïve in love. This vulnerability endears her to us and this extends to the ML when we find out more about him later in the show. This brings us to the second point; I think it is very clever of the writer-san to flip the perspective between the leads. We get a chance to feel his confusion, excitement and pain which is usually hidden behind the professional demeanours. Finally, while their meet-cute sets them up as friends with benefits, their skinship is not egregious. It is an integral part of their relationship and eventual growth. It is handled thoughtfully and delicately. There are some seriously swoon worthy moments.

The acting from our leads is on point and with a lot of heart and deft touches. There are good performances from the support cast as well and I’m definitely getting second lead syndrome vibes.

The ending is poetic and perfect. I love the kiss motif being used at both ends of the show to signify the final breakthrough in their relationship.

I have no problem recommending this show. It will lift your spirit and restore your faith in love.
Production value is good. OST is well integrated.

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An ode to the place where you can breath, heal and belong

This show is so much more than the typical healing drama.

Initially, I have my doubts about its raison d'etre. I’m happy to report that after completing the show, it has exceeded my expectations.

I’m getting ahead of myself, let's do the usual caveats. This show is not for everyone. It is slow, almost meditative in parts. There are only low level angsts and the show avoids high dramas and convoluted plots.

It is set in a village somewhere in Yunnan. The setting is beautiful as well as bucolic, but the village is dying as more and more young people move to the cities to seek their fame and fortunes. However, not everyone is accepting this as a fait accompli.
To see why this show works so well we need to examine three key areas, writing, acting and setting.

It sounds like a broken record doesn't it? In this case, we are presented with a master class in script writing. Do you remember the k-drama Thirty-nine? Top stars, tearjerker, rings a bell? It took that show many episodes to tell roughly the same story that this show managed to do in about 30 minutes. It was no less impactful and, in some ways, more poignant.

Moving forward, we have an eclectic collection of locals and transients. Most are friendly but with varying degree of eccentricities and foibles. The writer doesn't bother to hide the various problems but allow them to play out naturally. It doesn't judge the protagonists nor hand them free passes. Instead, they are allowed to find a place where they can feel connected, supported, while they confront their inner demons and heal. The healing motif is used again and again.

Is the show idealistic? Absolutely. There is a silver lining in everything related to our beloved village and its inhabitants. We are never left feeling hopeless or despondent. The location is unique but people who lived in rural villages will see shades of their old house just past the next alleyway. The backdrop is a living canvas that has been painted over for generations.

While our eyes might be drawn to the lively village scenes, our ears are filled with some of the best dialogues in a contemporary c-drama. They have been carefully written and honed. We are not talking about empty flowery phases, but simple yet insightful words uttered by people who have lived storied lives. There are wisdom and wistfulness in equal parts. It has added importance here because communication of all forms is a pillar for this drama. I shall never forget the few short voice messages the FL's BFF left on her phone. It is gut retching and life changing.

In terms of acting, the leads are just wonderful. Their characters are expertly crafted and brought to life. It is impossible not to like them and ship them. There are plenty of swoon worthy moments and a decent amount of skinship. The ensemble cast are full of good-looking young actors and seasoned senior members. They feel real and relatable. All the main characters have detailed backstories and carries a number of interesting subplots. The village elders are the soul of the village and the ML’s grandmother is a national treasure.

The OST is a surprise highlight. The soundtrack is very well done. It ranges from catchy ditties to soulful songs that pairs so well with the show’s changing mood.

While the show is superior in many ways, it is not perfect. It is low key jingoistic. There is too much emphasis on the local government doing right by everyone. It doesn't really explore some of the more hard hitting social issues confronted by rural China. The pacing also got a little inconsistent towards the end as well.

There are some fan services in the last two episodes. The show concludes on an uplifting note and a moment of reflection. We are affirmed that lives in our favourite village will go on after the final credit rolls. For that, we give thanks.
In my mind, this show is not a celebration of a home or even a village but a place more nebulous. A place where you know you belong.

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A sweet, uplifting youth drama with a BIG heart

I'm surprised that there is no review of this drama. It was based on a 2017 film of the same name. It has been available to view for over 1 year. I suppose it is a sleeper for most people. That is a shame as it is surprising good.
However, there is a couple of caveats. It is a idealistic youth drama and there is a lot of music and most of it traditional Chinese "folk" music. If you are not into this genre then you might want to skip this.
The drama was set in a school but not a typical high school, it was a music conservatory. The school was roughly divided into western classical music and traditional Chinese music streams. It was this division that formed the central plot.
The writer really went out of her way to give the standard school romance a twist. Everything were a little left of centre. With it being a "special" school, the characters were also more quirky. Most were nerdy and had strong personalities that departed from the typical mould. It made the show more interesting and unpredictable.
For example, where the FL and her roommate usually formed a clique, she was the odd one out here and she ended up forming a much stronger bond with four girls that were much quirkier. Those girls all had their unique personalities and solid backstories so that they are not the usual one dimensional BFF trope. If anything, they stole the show half the time.
Another curve ball the writer threw at us was the OTP pairing. At the start of the show we were introduced to the FL and her crush which was the handsome piano prodigy in her year. It sounded like the standard unrequited love plot, right? Well, you will be wrong. Her male BFF, who had a crush on the FL but still enabled her to chase after the piano god, became the ML and it was their budding romance that formed the basis of the OTP. Their relationship was very innocent and there was not a bit of skinship here. That was where the 2OTP came in.
The 2OTP was a more mature pairing and there were some nice skinship as their romance blossomed. This romance line was strong enough to be the main plot for most c-dramas but it was a little tropey. At least the angsty bits were handled with maturity. The 2ML was a popular c-drama star and his (the writer's) observations of the industry was quite insightful.
Of course, being a school drama, there was a lot of teenage angst and schoolyard shenanigans but nothing was over the top and even the darkest situation had a light at the end, there were also a good deal of humour and slapstick to keep things light most of the time. There were lots of positive messages, some might find it a bit preachy but I think it was ok within the drama's youth/school setting.
The writer did not leave everything in the land of the unicorns though. There were dark themes like bullying, parental pressures, self image, ageism and even death but they were all there for a reason and she used them to push forward more positive plot developments. I think it was a fair call to highlight the marginalisation of traditional Chinese music in the face of c/k/j-pop and western classical music.
As most of the actors were young, their performance can be a bit patchy but it was not a big issue. Some of the minor plots were a bit weak and cliché but they are just ripples in the overall dramascape. As someone who knew a little bit about music education, some of the plot device used were a little unrealistic but hey, it is dramaland so just keep the rose tinted glasses on a little longer.
The OST was great if you like Chinese music or even music in general. The band battle in episode 23 was definitely a highlight.
Kudos to the writer for giving us the feels but without making it too sugary. Words like heartfelt, warm, sweet, uplifting, cute, touching came to mind when watching this show. Was it realistic, no, I wish it was and the world would be a better place but when you watched it and maybe even rewatch it, you will feel these feelings again and again which is a shelter from our trying times. Highly recommended.
P.S. I finally watched the original movie (fast paced, fun and entertaining, BTW) and I have to say that this drama series was actually better. This should not be taken for granted as a lot of movie spin-off becomes a draggy mess. The writer kept most of the key scenes and the central theme but fleshed it out really well. The 2OTP love line was completely new. In fact, all the teacher roles were added. Several other supporting roles were new and, in hindsight, how wonderful they were. The old lady living across the practice room was a gem. Very nuanced and bridged the generations . The food delivery guy with a strong Cantonese accent was another. It is rare to hear any type of accent in a c-drama as they try to make everyone speak standard mandarin (it is understandable, a Ming dynasty assassin speaking with a Taiwanese accent will break any immersion) hence dubbing is everywhere and can be a bit of hit and miss. To hear someone who is different is refreshing but more importantly, it wasn't a wallflower role. His interaction with them was so sincere. The farewell scene was very touching and I bought it 100%. Where the movie was a great idea and well executed, the drama fleshed it out and gave it a heart. Yes, it might be padded with sentimental tosh but so is a hug from your grandma.

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Even good things can become bad if they went on for too long

This show is fundamentally a love story with a slow start. The OTP's romance is sweet and innocent when started in high school but gets complicated as their path diverged. The inevitable breakup during a long distance relationship was painful and left both scarred. Nevertheless, the show has a laser focus on them and everything else that happens are distractions. This is a double edged sword which I'll discuss later.

There are also some police SWAT and EOD actions but they are secondary. There is certainly a strong Band of Brothers vibe. A light propaganda element is present and accounted for.

Let's start with the good bits.

1) Once they reconnected after years apart, their love is unshakeable. No one can come between them. This is a nice touch in a sea of antsy melodramas. Their chemistry is very strong and there are many swoon worthy moments and lots of skinship which felt natural. They are literally making up for lost time!

2) All the characters are well defined. Everyone behaves predictably with no surprise personality disorders. There are plenty of flawed characters but they are predictable and a bit cliche.

3) Northern China is harsh but beautiful. The snowy mountain scenes and lunar landscapes are captivating. Hats off to the actors and production crew who has to brave the extreme elements.

4) Acting is solid if uninspired. There is a lot of young male actors involved and they certainly did their best with the physical challenge side. The leads are in their elements, and they delivered. This is especially true for the FL who literally glows whenever she is with the ML. For once, she is not playing a feisty FL who has to prove her worth repeatedly.

Unfortunately, this is where I have to insert the dreaded BUT.

They need to trim a few episodes off the run. It would be near perfect if that happens. The problem is not the love story per se nor the acting in general but rather the show became an Ouroboros and began to feed on itself once the show lost focus.

The last 1/3 of the show feels voyeuristic to me. A lot of their interactions are quite mundane. They are always whispering sweet nothing to each other while in bed, on the phone or just doing chores. It is as if we are eavesdropping on them. It is very lovey-dovey but repetitive. There is not a lot of depth to their conversations which leads us to the next point.

Most of the characters are one dimensional, including the leads. I’m not saying that they are not interesting but they are set in their ways. The ML is a SWAT officer and even though he tries to relax and be a good BF/husband when he is with her, he is always on call and his time with her is measured in hours. He is stoic, loving and protective (to a fault) towards the FL. On the other hand, the FL is very accepting and accommodating so she will not try to change him but rather work to fit in with his punishing schedule. She adores him but she is in his shadow.

The personalities and behaviours of the support cast are largely on rails. Friends and colleagues are loyal and supportive. Antagonists are ineffective and learn their lesson sooner or later.

On top of that, most subplots are skin deep and just eat up screen time. It was nice that the 2CP's “romance” is cute and not attention grabbing, but its progress is vague and stilted.

I’m not sure if it is a direction or writer(s) issue but it is obvious to me that the Show is fraying around the edges and lost narrative focus towards the end. Some plots became disjointed, others stretched, and loose ends are handled awkwardly. One of the worse examples is when the ML was severely injured in ep.26 but there is no details about how and why it happened. We just jumped from the train station to the hospital operating room. As a police drama, this is very untidy. Could it be a censor issue?

The 2.5 years’ time skip felt abrupt and the whole wedding felt undercooked. You just don't feel that much time has passed. Everyone looks (other than the daughter) and behaves exactly the same. You can almost feel the plot fraying.

Ep.30 is a waste of time (apologies to die-hard fans). It is basically a retelling of their high school romance and a few minutes of new footage and voiceover. Why now? We knew what happened. There is a hint about their future at the end but it feels tacked on. I would have preferred a honeymoon travelogue with a bit of flashback for some awesome fan service. I won't call it a rotten tail, but it doesn't feel right either and loses points with me.

It could have avoid all this and ends on a high if it has a shorter run. I was really enjoying the first 3/4 of the Show and to end it this way is disappointing.

I'd be happy to rewatch a good chunk of this show but not the whole series.

As Mickey finds out in the Sorcerer’s Apprentice, be careful what you wish for. Even good things can become bad if they went on for too long.

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How did this drama get pass Chinese censors? ;)

If this Show was made in the West, it would be considered old school, maybe a low budget indie drama. The fact that it was made in China and quite recently is a surprise in itself.

The Show is a black comedy at its core. It is in your face, no holds barred, and then gives you the metaphysical middle finger because it can. I'm not saying that every c-drama is pure as driven snow but when you consider the show's FL is an alcoholic middle-aged rocker, the 2FL is a rebellious high school dropout, then add a whole cadre of deeply flawed characters to fill out the rest of the cast. It is definitely not your typical c-drama casting call. On top of that, the show is overflowing with themes like child abandonment, failed marriage, mental health, bad parenting, drunkenness and other questionable behaviours. It is a wonder how it got past the censors.

It is a shortish rollercoaster ride at 12, 40ish mins episodes, but it is “action” packed. There are many twists and turns. All the emotions are raw, and not much is sugar coated. The spitefulness of the characters is on full display. Most characters have been hurt before and are still smarting after all these years and nobody is getting off easy. All the dirty laundry will take a battery of industrial grade washing machines to get through.

In terms of acting, the veteran actors all turned in solid performances, but the show belongs to the FL. It is her tour de force. She acts, sings, and so much more. I am impressed by her comedic timing as well. It is definitely not a glamourous role, but she is all in. The younger actors pale by comparison but it is not their fault. They did well, but they need more time in the vat to be well seasoned.

In terms of writing, it was hardly original. There are all kinds of tropey plots and plot holes. The Show counterbalances this with its fast pace and boundary pushing edginess. There are surprise twists and some of the black humour is laugh out loud funny. It is rude and crude, but that is part of its (largely) unfiltered charm.

I do find the ending to be a bit of a cop out though. The Show ultimately becomes a healing drama with a long redemption arc that felt too safe. It was a little disappointing when you consider how much energy it expended in dismantling the status quo only to come in for a soft landing. Yes, it was nice to see some resolutions, but I would prefer an all guns blazing finale.
It was a challenge to watch more than one or two episodes at a time. However, once I stopped, I kept thinking about it. I ended up binging the last few episodes. I believe the OST was sung by the FL(!) and the rocking soundtrack is about as fitting as it can get.

Rock it, Mom is a polarising show. Some will hate it, and some will love it. There is not a lot of room on top of that fence. If you can push through the first few episodes, you will find a diamond in the rough. I thoroughly enjoyed the crazy, off-colour ride. I must confess that I did cringe a few times but that's Rock & Roll, baby!!

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