Zogitt

Awesome drama but for one narrative misstep

There has already been dozens of review written on this popular k-drama so I'm not going to go into great details about the bulk of the show other than to say that it was amazing, funny, sad, heartfelt, thought provoking, exciting, etc. Definitely worth the watch.
Superb acting by the FL and the ML was great as well. Oodles of OTP chemistry. Support cast was top notch. We'll just say no more about the palace intrigue plot, it was integral to the story but nothing new.
Now, some of the reviews focused on THE ending. I understood their sentiments but I don't agree with the more extreme views that the show was ruined by the ending. Yes, it was a bit of fancy foot work on the writer-nims' part in last 30 minutes but to do it otherwise would be to create and ignore longer term problems. You can't really have a 21st century person living the rest of their natural life in the Joseon era without turning history into swiss cheese. Even the few month he was there was already throwing up narrative issues that will make you cross eyed if you think about it. The problem is that most of the negative review all centred around the point that the 21st century person should be allowed to stay on and live happily ever after in the past because he earned it. Is it possible? Viable? Butterfly effect? What happens if he dies in the present?
The writer-nims did their best to push the two threads back together and it was done in a fairly light hearted and conclusive way. Let us not forget that the main relationship between the OTP was getting messy and confusing and it was sustained by the "true love conquers all" motif.
Other reviews also assumed the FL's soul was completely banished and it was obviously not true. By the half way mark, you can see glimpse of her old self popping to the fore. My reading of this is that the FL's soul was always there and can see, hear and feel everything but it was in a passive voice. So the original FL was a "silent" partner and fell in love with the ML along the way, possibly more so. She might even had taken the lead (subconsciously) at some key moments (you will know what I mean if you have watched the show). So it was not that much of a stretch for her to carry on once the 21C person departed. Her later comments and actions all pointed to her being aware of everything that had happened. Her eventual persona also changed a bit so it was a two way street. On the other hand, if they let the 21C person stay on then another segment of the audience will rail against that ending because of all the timey wimey and interpersonal issues.
It was brave of the writer-nims to go down the time travel/body swap theme and it was a deep rabbit hole they went down. At least with this ending, we can have the unicorns and a workable conclusion that I can live with and still smile at the happy thoughts.

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Let me off this merry-go-round

I need to take a breather so I'm sloth quitting this drama. I don't hate this show, but there are aspects that are starting to grate and I can feel myself wilting. 😞

Confession time. I'm a low-key fan of our leads. They certainly kept me entertained in the early eps. Dilraba looks beautiful. As the sovereign of the spirit realm, her pose and demeanor are haunting. My only complaint is the amount of make-up can be excessive at times. Arthur Chen looks handsome as always and that mischievous grin . . oh la la! Their chemistry is what this house of cards is build upon.

I was fully engaged for the first 10 eps or so and then my eyes starts to glaze over. There are too many subplots, too many characters and too much CGI.

The world of Duan Xu is complicated enough. All the machinations and power plays in the mortal realm. His upbringing is hardly normal. He is a general as well as a trained assassin. Probably a scholar and a lover as well. Busy boy! 😅

His story would normally sustain a period idol drama. But wait, there’s more! The writer superimposed He Si Mu's story on top of his or is it the other way around? The chick is having philosophical discussions with the egg.

Si Mu's storyline is even more complicated. It is basically two lots of palace intrigues jammed into one. Whoever thinks that is a winning formula needs professional help!

To further cascade the complexity, the spirit realm is completely fictional. It has its own lore and internal logic. This type of world building needs time to bed down. It is just not the case here. They tried, but we are bombarded with facts and details constantly. Some aspects of the lore are particularly bothersome.

To wit, spirits come into existence when human has obsessions when they die. If they give up their obsession, they can be reborn. So answer me this, dear reader . . why can't the ML die and become a spirit and spend all eternity with the FL? He is totally obsessed with her. He went through “hell” just to be by her side. Did the lore just shoot itself in the metaphysical foot?

While my feeble mind is trying to take all this in, the production doubled down on the CGI. Green screen is like oxygen for any xianxia drama. The spirit realm gave the art director carte blanche. No more boring white heavenly glow. Huzzah!

To be fair, some of the settings do look striking. It certainly has an otherworldly look . . dare I say gamified? I just wish it is consistently good. There are times when I find it lacking. Quality vs quantity, hmm?

So after watching 22 eps, I need a break. When it is good, it is entertaining. There is just too much of everything now. I appreciate the writer flexing her creative muscles, but sometimes less is more. Just saying.

I'll definitely wait for it to finish airing and check the ending before making the final call. Peace.

P.S. Are we in the era of femme fatale girl boss? There was The Art of Sarah, then Siren's Kiss and now this series. That's quite a trifecta. BTW, I'm not including Pursuit of Jade as the FL is too well grounded and she doesn't want to be a girl boss anyway. ;)

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Bad show comes with great hair loss when you pull them out in frustration

This show caught my attention because the director helmed My Liberation Notes. The ML also starred in Notes as well as Because This Is My First Life. The FL was in One Spring Night and Our Blues which I rated highly. As you can see, it is quite a cabal of industry veterans and they pack serious firepower.

It certainly started in a quirky and off-beat way. Not exactly laugh a minute but I can see the potential but there are red flags. The characters are painted with bold strokes if you want to be generous. The ML is rude, crude and takes no prisoners. The FL fairs a little better, but she is a wimp and doesn't behave like a 35 years old vet. Most of the supporting cast are opaque or caricatures of the usual motley crew.

The A-plot of the show is focused on the FL having to "reluctantly" touch a living being’s posterior to see fragments of their memory. I'm sure it got more than a chuckle at the pitch meeting.

What we ended up with is a collection of gags and ideas that already feels tired after 4 episodes. There are glimmers of hope in the early episodes, but EP.4 final jumped the shark for me.

Let's backtrack a little. Many funny and engaging shows have quirky and edgy themes, but we need some basic ingredients in the special sauce to make it works. For instance, charismatic lead(s), engaging story and/or strong internal logic. Unfortunately, this show is a fail for me. Please allow me to elaborate.

A charismatic lead allows us to overlook serious character flaws and even turn them into endearing traits. We want to be invested in our leads. In this case, the ML is bellicose from the start and behaves more like a thuggish bully than a police detective. He can also turn into a bootlicking toady with the blink of an eye. To say that his moral compass is spinning freely is an understatement.

On the other hand, the FL is a frumpy doormat. How can a vet get shanghaied without kicking up a fuss? Not to mention her whole career is a facade to appease her grandfather who wants nothing to do with her.

For a fleeing moment, I even entertained the idea that our leads is the OTP but to be honest, they have ZERO chemistry. However, the scenario of the FL going nuts over Suho just because of his good looks feels like an attack of the hormones. This plot idea walked with the dinosaurs.

In terms of internal logic, the show is a mess. So much of the settings, subplots, etc are nonsensical. Rules are either abused or ignored on a whim. A case in point, hair loss is a major issue for the FL. The show makes it clear that overuse the special power equates massive hair loss, simple. However, all through EP.4, she touched so many butts! How does this square with her phobia? I facepalmed when I saw the boomerang shoe. Ye gods!

As you can imagine, there are many dodgy gags, cringey slapstick moments, mostly involve the FL and awkward encounters. It is weird to watch the FL manipulating her BFF’s bum like a touch screen, swiping left and right, pushing and kneading for finer control. Sights of the white handprints on the firm buttocks of the gym junkies is just puerile. More excuses to watch the FL debase herself in front of the ML. The same ML who would blackmail, bully or cajole her mercilessly.

BTW, what police procedure would green-light a police captain charging into a drug kingpin's hideout solo . . armed with just a pencil. Yes, cute John Wicks reference but it works a whole lot better on paper. I’m also perplexed by the ML's (il)logic in randomly tasting white powder in shops as a legitimate way to spot drugs. I am exhausted.

The final straw for me is the abuse/harming of a young woman purely to inject some unnecessary shock/horror. What is more egregious is that the victim was only rescued by our leads from her abuser at the end of ep.3. The show spend the whole of ep.4 denigrating her so that when she was dragged away by a faceless assailant, we can feel "okay"? Nobody deserves that. It is callous and lazy writing.

At this stage, the Show is unwatchable for me. I might give it more leeway if it is a traditional farce. So why reach for the sinister plots and gratuitous violence which changes the tone completely? What would motivate such well regarded director and seasoned actors to sign on to this project. I hope it is not just money.

Can I watch 12 more episodes of this? Not unless I get hit by a meteorite.

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Mea culpa!

I wasn't going to write this missive (I'm not going to call it a review), but it has been  on my mind for some time so I'm just going to put it out there.

As you can see from my scores, I don't hate the show.

On many levels, it is an excellent production. However, I just can't get into it. There are too many barriers to entry for me. 

This show is set in the 1950's so there is more a near history than a historical drama. It is a very turbulent time in Korean history. The Korean War has just ended and the whole society is in flux. Added to that, the traditional female only theatre trope is uniquely Korean. I appreciate their skills and artistry but it is largely opaque to me. 

I tried to enjoy the show purely as entertainment but the nuanced historical backdrop and subtle cultural mores have me foundering. There are some familiar tropes but it is a trap for the unwary. I find it unsettling as I struggle to get a toehold. I think some viewers might be in the same boat. That is why I decided to write this. Your level of enjoyment is definitely subjective in this case. Much more so than I expected.

It is on me that I can't understand and enjoy the show to the fullest. Maybe one day I will do the necessary research and tackling it again with more confidence. Peace.

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The peony is mightier than the sword

I'd often start a review with "this show starts promisingly". It is not so straightforward here.

The issue with this series is multifaceted. Firstly, I can't escape a comparison with the Joy of Life series. The cocky ML and his modus operandi are uncanny. There are differences but the subplots regarding famous poems, and the spy master mentor are too close to ignore.

Secondly, the tone of this show is inconsistent. It starts off light and breezy. It even lean towards slapsticks at time. This makes it harder to change things up. For instance, the ML is sentenced to death in ep.15 but within minutes, the tone shifted again. How serious is serious? We are always expecting a get-out-of-jail card.

Thirdly, the ML's sudden appearance in ancient time was never explained (at least by ep.20). He has no problem assimilating into his new life and gains new skills in the blink of an eye. Granted, he is charismatic and a smooth operator. Everyone is fawning over him. It just feels contrived.

We are told he is a police academy graduate, so he is presented as some kind of Chinese Sherlock. The problem is that we don't see much real police work at all. He would "review" a case and just pronounce "the butler did it!". To tell you the truth, that was one aspect that I was most looking forward to. I was hoping to see some scientific approach to crime solving but alas, it was not to be.

Needless to say, the writer is holding all the cards and we are drip-fed information. It is all designed to show the ML in the best light, but at the cost of narrative logic.

Fourthly, we are sold a strong romantic line regarding our leads. Unfortunately, the chemistry is weak (up to EP.20). It is obvious from the start that they are the OTP but I don't get the feels. This is partly due to the way the FL role's is written. The FL plays a ditzy princess who is constantly competing with her royal siblings but not in the deadly game of thrones way, more like petty squabbles. Her schemes are borderline childish. It really throws shades on her intelligence. I'm sure the writer will right that ship in due course but at this juncture, she is just another tropey character. This drama is well populated with such standard characters.

Lastly (for now), there is no rhyme or reason why the ML should suddenly wake up in ancient Dafeng after a staff dinner (see next paragraph). The show goes hard on its own lore but we are none the wiser unless you have read the web novel.

It is full-on xianxia. Monsters, wizards, warlocks, flying heroes, the works. Everyone is cultivating, just not peonies. ;) This means we are running to catch up with who’s who and what’s what. Sects and agencies, both official and secret, are everywhere. They all slot in somehow but there doesn't seem to be a prime directive other than lore, petty jealousy and powerplay.

Of course, all that pales when they played the Ancient Evil card. Yes, it spices things up and pushes a lot of the filler subplots aside. May be there will be some clarity at long last. My money is on the ML being the Chosen One™. Old tropes but good tropes, I suppose.

None of what I listed are deal breaking but when you add them up, I am foundering and losing heart.

This is where the scheduling god played a cruel joke. In the middle of its run, Flourished Peony starts airing. This shines a harsh light on our Guardians. Once I sampled FP, it became an one-horse race. I'm shelving this series until I finish FP. I'll give it another go then. Peace.

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Why does this show exist?

I liked the leads from their other starrers, but this show have me scratching my head and in need of a stiff drink.

The premise of this show is that the FL is a game tester for a new “farming” game set in a generic ancient China. The technology side is very vague.

She enters the game Fortnite style, and we know it is a game because big bold computer-generated graphics will pop up from time to time. She also talks about NPC, internet and her cell phone while she is in character. As a play tester, she never takes notes nor critique the gameplay. I hope she is not pay by the hour.

Dramas have used computer games/e-sport as backdrop for some time. A lot of them are based on wuxia games or contemporary shooters like CrossFire. Usually, the drama is firmly rooted in RL and only use recreated game segments to add some spice. However, this show is almost completely set in game except for the first few minutes where the FL was seen in the company's modern office. Oddly enough, there is very little CGI used.

Initially I was attracted to the concept but I end up finding the show very problematic. The biggest issue is the script and the setting. The FL was given a game winning goal which is a tough ask. She can’t exit the game until she reach that goal. This is an odd concept for a commercial game. What is the correlation between game time and real time? There has better be a health warning on the box.

This is not helped by the “world” being very confusing and, to be honest, sloppy. Sometimes it behaves like a game where anything goes and logic be damned. At other times, it is just like a normal world with rules and consequences. There is no clear boundary. We are left guessing if the show is going to play nice or jump the shark on the weakest pretence. This is further complicated by the ML running a more serious plot parallel to the “gaming” one. The player has no control over him, yet his actions/reactions are far more intriguing.

By the end of ep.6, the show has evolved into a tropey feudal family melodrama. Are we still watching a "game" or got bait-and-switched? I am so confused. The FL has little influence on what is happening around her but it doesn't faze her at all. There are no further hints that this is still a computer simulation. That's taking role playing and immersion to the next level.

I know this is a very circular way of asking my original question. Why does this show exist? It is disjointed, confusing and farcical. There are so many "NPCs" but most of them are awkwardly portrayed. A game can get away with it by design but not a proper drama. The show seems to have taken a shortcut to parachute the FL into the plot but then it becomes a completely different beast. The plot is lazy and self-serving. It flips from a farce to a tragedy without stopping for breath. What happened to cause and effect?

BTW, production value is questionable. Acting is definitely hammy and patchy. OST is adequate.

Maybe it will git gud later or the plot will actually make sense. How long are you prepared to wait for that to happen? It is exhausting to watch for me and I'm done. I still like the leads but I'm dropping this show on principle.

Caveat Emptor, my dear dramaland friends.

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Damned if you do and damned if you don't

The subject matter and presentation of this series are outside the box. It is not every day you get angels and demons working together for the greater good, but k-dramas can be quite "creative" at times.

My problem with this drama is that its tone is hard to nail down. It is obviously a dark fantasy but there are also very humanistic topics on display. Law and order, rewards and punishments are the four pillars of this show. The problem is that demons don't play by our rules and they are happy to hijack our justice system to serve their own purposes. It is this clash of values that caused me some discomfort.

Ultimately, you must buy into this show's premise wholeheartedly. Any waiving will undo the spell. If you stick it out, then the show is quite engaging and is a blast. If you start asking questions, then it becomes a self-serving mess. It is go hard or go home.

With the preamble out of the way, let's move on. At its core, this is an old-school morality tale. It is literally fire and brimstone stuff. The not-so-subtle message is that our police is ineffective, and our justice system is opaque with forces at play that might deliver questionable outcomes. Whether it is due to valid rules of law, incompetence or corruption, we shall find them wanting.

So rather than waiting for sinners to show up in Hell via natural causes, Justitia, the Goddess of Justice is send to walk the mortal realm after a bad judgement in Limbo. The odd thing is Justitia is shown to be a demon of the Netherworld and is the heir apparent to Bael. I don’t quite get the connection but please refer to my point about “ask no questions”.

To wit, Park Shin-hye is the undisputed star of this show. She is Dominatrix il Supremo personified and one helluva of a sexy demon/goddess. The ML is too righteous and prim to be sexy. They are the OTP by default, and it took him 2/3 of the show to crack a smile. He defrosts towards the end and they have a few swoon-y moments but let’s just say romance is not the main theme.

By now you should know the main thrust is the judgment and punishment of A-grade sinners with extreme prejudice and I mean EXTREME. There are blood and gore by the bucket. If you are sensitive to that or might be triggered by bullying, DV and sundry abuse/torture then please don’t even start watching. Even if you are ok with it, you will be desensitized by the end. It is relentless.

In that sense, this show is a one trick pony (but in a good way). It follows its internal logic to the letter. See crime, judge crime and dish out punishment in the most graphical way possible. Rinse the blood off and repeat. It is engaging because the show builds up the angst and emotional pressure until you are braying for blood at the screen. The antagonist is pure evil with no room for redemption.

Speaking of redemption, there are healing and redemption for everyone (except the sinners) towards the end. Life goes on is the final message. The last ep even includes some fan service. The unicorns must be freed! Even if they breath fire. ;)

There are moments when I thought I can’t watch anymore but they’d pass and the show draws you in again. You know where it is heading but you just want to see PSH kick some more perp's arse. I have a feeling she likes this type of roles more than the standard issue ones as well. I don’t blame her.

In the end, I enjoyed this series but with caveats. It is definitely not for everyone. It is ultra violent and moralistic. That should be on a warning label. Yet, it is not all blunt instruments. It does have a quirky sense of humour and a weird charm.

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A recipe for yummy food and tasty mayhem

The path to a successful sageuk dramas can be fraught. It can swing from boring to farcical and every stop in between. This drama managed to land in the Goldilocks zone where being entertaining trumps historical accuracy . . most of the time.

I won't waste time with a detailed recap. Let's just say it is the usual enemy to lover trope plus a big dose of time slip fantasy. The fact that the FL is a quintessential modern woman and the ML is the Jeonha gave half the plot away.

Where the writer-nim did well is to shake up our preconception of their power dynamics right from their meet-cute.

The FL certainly doesn't play by Joseon rules. This sets the tone for much of their early interactions. Of course, the FL has to play nice once she work out who are the apex predators. Yet she is one of the chosen few who can speak their minds to the King without fear or favour.

The writer-nim also hit paydirt with the k-dramas trifecta. Romance, food porn and sageuk makjang.

In terms of romance, the chemistry of our leads is strong. It starts slow but we are left with no doubt they'd die for each other as the show progresses. The palace is hardly a fertile ground for skinship, but there are cute and swoon-y moments. Our ML definitely gave it a good go. Woof!

Next we have the food porn. It is every bit as fanciful as you'd expect. It is an amalgam of French, Korean and Chinese cuisines. I'd consider it a win if they tastes half as good as they look. It is definitely a big step up from shows like Mr Queen.

Is the culinary competition between nations legit? I'll leave that debate to historians. Oh, that reminds me. The actors playing the Ming delegates are all Korean. They are good actors and they would have received Mandarin language coaching. Even to my untrained ears, they don't always sound right. I don't understand why they didn't hire some veteran Chinese actors for the roles. Two of them did speak some Korean as part of the plot, but it would be more convincing to have Chinese actors try to speak Korean rather the other way around.

Finally, we have a full-on makjang bloodbath. As with the loveline, this is a slow burner. The usual palace intrigue, power games and evil eyes from the harem once our OTP's romance blossoms.

There is nothing to hint at what is to come. Forget about tying loose ends with pink bows. This is problem solving with extreme prejudice. It was all over in minutes, discounting any time to count the bodies.

Unfortunately, this brings about the one serious deficit of this drama. It is quite understandable that the FL will return to the present. Everything is geared towards that. It closes the time loop after a herd of temporal elephants have rampaged through it. The butterflies don't stand a chance! ;)

What is less "satisfactory" is the appearance of the ML in the present. Obviously, this is necessary for a HEA ending so I can't complain. However, the how, when and why is largely brushed aside by the show. It is such a significant development yet we are simply told not to worry about it. Are they planning a bonus EP?

This is particularly frustrating as the series is based on a popular web novel so the ending is well known. There are plenty of posts and videos online purporting to be the "definitive ending explained". They all seem convincing, but bear little resemblance to the actual finale. It left the sudden appearance of the ML feels contrived and unsettling.

Regardless, the ML carried the show with able assistance from the FL. This is an unexpected blessing as he was a last minute replacement for another actor who got into a spot of bother with public opinion. Combined with lush food porn and above average production value, this drama is hitting above its weight.

Fundamentally, it is a romantic fantasy loosely based on a troubling time in the 1500's. The steamrolling of some horrible events might not sit well with some. The sweet romance is the grease for the squeaky wheel. Is it believable? I wish it is, but it can feel quite contrived at times when the FL have epiphany after epiphany. While the King watched indulgently from the sideline. This brings about the awkward question of whether the show's portrayal of King Yi Heon is totally fanciful or not.

In the end, the show might not be good history, but it is good entertainment. The Korean ratings will be telling whether the locals concur.

When is fiction better than fact? Peace.

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This show needs to go off piste

Ok, it's on me that I started watching this series. I was in-between shows so I was a bit desperate. I must admit that it was cute while they were up in the mountains and doing the snow bunny thing. It was a nice change of scenery. However, alarm bells were ringing from the start. 

While the setting is novel for a c-drama, the plot is tropey. The characters are also standard issue. Esther Yu seems to mostly play this type of cutesy, girlie characters nowadays. This is no exception but they seemed to have dialled it up a notch. Her high pitch voice is starting to grate on me. Lin Yi played his usual handsome and dashing role well. Nothing testing though. It was a decent pairing and they have their moments. Not super passionate by any means but you can ship them. Ditto, the production value and support casts. They are all par for the course for this type of drama. 

However, as soon as they leave the ski slopes, "real world" intrudes. All the usual tropes reared their collective heads. The queen bee mum, mock business shenanigans and the usual relationship complications. I have no doubt a HEA ending is guaranteed. The question is, do I have the patience to slog through another dozen or so eps?

I'm afraid the answer is no. As soon as a better show popped up, aka IU's Tangerine, I jumped ship. This series is watchable but it is stock standard stuff. It is also telling that about 12 eps were cut from the original series before it was aired. Ouch.

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A bubble (tea) drama

I’m sure it comes as no surprise that most drama will try to grab you and hook you as soon as possible. First impression is very important after all. This is why this drama left me perplexed.

I started to watch and halfway through the first episode, I had to stop and checked that I’m not watching ep.2 or even ep.3 by mistake. This was unsettling and caught me off guard. The reason for this is that the drama starts with little preamble. We are introduced to a large cast but there is not much to hook you. Much happens but what are their context? Why should we care?

This is probably a good point to pause and explain why I called this a bubble drama. I coin this phase because this show exists in its own bubble. There is little point in pinpointing the historical context. Costumes and backdrops are fairly generic. It also play hard and fast with some key cultural norms. I can understand they have to do it to make the story work, but it is self-serving. Its inconsistency means you are constantly second guessing the story's rationale. This extends to minor twists which are nonsensical but necessary to get the plot out of a bind. OBTW, if the show gets to the point where it is overloaded with artificial sweeteners then it will be a bubble tea drama. :)

Granted, most turnkey idol dramas are poured from the same mould. It is not a hanging offense if that is its only problem. In this case, we have some fundamental issues with the basic premise. For example, the title is The Rise of Ning. However, while she was sent away as a child, she grew up just fine and is well educated and provided for. She is fully supported by the senior wife as soon as she returns. Her grandmother dotes on her. She is resourceful and well adjusted. She is the heir apparent to the family fortune. This is just as well because her father is a hapless tool. How much higher can she rise, Queen Ning mayhaps?

She set about to right some wrongs done by her father's favourite concubine almost immediately. She and her spoil daughter neither have the means nor the brains to do more than simple dirty tricks. Tiresome and despicable they may be but hardly evil masterminds. What is odd is the official wife was long suffering but grew a backbone as soon as Ning shows up. There is also a mysterious "puppet master" but his motives are hazy. He might even be closely related to the FL.

The ML is also treated poorly by the family as a semi illegitimate son yet he is a great martial artist and a scholar to boot. There is no explanation of how he reaches those heights with limited resources. On top of that, he has assembled a crack team who is willing to die for his cause. I'm sure more will be revealed but consider at the 1/4 mark, we are still lacking a clear focus, it is testing. From my perspective, both our leads are already standing on solid ground with little room to improve. Compare this to recent shows like Blossoms in Adversity or The Double and you will know how low the protagonist can get.

Then there are the constant chatter about scandals and arrange marriages but that's old news and boring, to be honest. All the typical high society shenanigans are present and accounted for.

May be we can look towards the romantic plotline to lift the story? This is where it is even more problematic. Oh wait! Our OTP are supposed to be brother and sister sharing the same father. By ep.8, the ML has found out that the FL was not related by blood after all. That might fix the basic moral problem but the FL doesn't know that and any relationship between them would be technically incestuous. I'm sure she would find out soon as the Chinese censors would not allow this to stand. It still makes for some awkwardness as their attraction builds. The writer might lean more into this just to inject some angst in an otherwise flat drama.

Adding to its woes, I have to confess that I don't ship the leads. Yes, they make a handsome couple but their chemistry is questionable. We know they are the OTP because that is obvious. There is no plan 'B'.

On the other hand, the production value is decent if pedestrian, the OST is serviceable. Most of the support cast are from central casting but they try.

It is watchable and mildly entertaining but it never hooked me. So after 9 eps, I've decided to park it for now. It is not a hard “NO” but more “can't be bothered”. Peace.

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To be transported into a book is a Chinese curse

I'll be honest, I wasn't going to write an review initially but the later eps and the ending is worthy of a few choice words. So here goes . .

The first half is actually quite good. A lot of that is attributed to the ML. His character is morally ambiguous and definitely dark and brooding. I think this type of role suits him better. The FL has mastered the cutesy, bubbly girl role. She plays it to perfection here. It helps that the script injects just enough modern references to milk the odd wink-wink jokes without labouring the point.

The A-plot is the usual good vs evil/save the world xianxia trope. Nothing new but totally serviceable. Everything fit nicely up to the point of the ultimate confrontation. If you were expecting a final push then you will be disappointed. The story did a detour and our two CP’s goes on separate grand tours to make peace with their inner demons. The pace and feel changed significantly for several eps. They did resolve their backstories but the amount of effort expended feels disproportionate.

Regardless, the A-team reassembles for the final confrontation. It was suitably epic but it feels rushed as so much time was spend on their backstories. If you think that is the signal for some decent fan service then you are wrong (again).

If anything, the last ep was a narrative mess. The show throws everything into the pot and prayed. It has fate, time traveling, fourth wall breaking and leaps between the book world and the real world.

It is not the first time this type of drama has to realigned with the real world because of censorship issues. We are basically told what we just enjoyed and immersed in for many hours are just a figment of our imagination and we need to get a (real) life. Nice.

Most writer will try to play the fate card so that our leads will still fall in love in RL. Usually within a couple of scenes. In this case, it was particularly ham-fisted. It links our leads all the way back to junior high. But this only confirmed that the ML has a crush on the FL for years but she was totally unaware. Even with all the dream state confessions, she woke up with only a vague hint of what transpired. We got the HEA ending but it felt contrived. It is the ending we have to have.

BTW, the skinship quota for the series is fairly low. The 2CP did all the heavy lifting but their interactions are a bit wooden. The OTP finally has a “kiss” in the final seconds of the end credit of the last ep. Is this a joke?

This is where the show left me scratching my head. The bulk of the show is decent and enjoyable. It does flag towards the end but the ending is an awkward scramble to make sense of their tenuous link. One time watch for me.

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Old book, new cover

This show is based on the odd couple/road trip from hell trope. Variations of this theme has been done in other dramas. However, the first few episodes are engaging, and the fables are interesting enough to hold your interest.

The FL is a taciturn author who claims to be suffering from writer's block and needs to go on a lengthy road trip to get the creative juice flowing again. The ML is a try hard graduate who is desperate to get and keep this job. Of course, they hit is off like a house on fire . . . with them screaming inside.

The FL certainly didn't make the ML's life easy but at least she did produce the odd fable for our entertainment. There is no doubt who is the OTP.

With only a dozen or so hours to fill, you would think that the story would be very tight, and it was in the beginning. The first couple of fables were suspenseful and intense but the rest of the show becomes more and more languid. The pacing is inconsistent, especially in the later eps.

It is the second half of the series that fails to fire on all cylinders. Once we are firmly back in the ‘here and now’, the series runs through several subplots. They are cliché ones delivered in workmanlike fashion.

The inclusion of the real-life antagonist feels awkward. The show tries to transplant the darkness from the fables into the real world. It could have been very immersive and confronting but it didn’t quite hit the mark. The antagonist is a sicko but oh so one dimensional. You see what he has done and what he is planning to do, but you don't feel the dread. The fact that the FL literally put herself in harm’s way is unhelpful. The whole proceeding feels staged.

This also takes the wind out of the leads budding romance. It is in the background, but the other subplots subsumed its importance. The show made it work in the end, but it is not as swoonworthy as I'd have liked.

With a short run time, the show is watchable. I'm willing to forgive some trespasses, but the original premise has more potential. It is a shame that the drama falls back to time honoured tropes too soon. It is good enough, but nobody talks about runner ups.

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Why are people so unkind?

Writing this review is difficult. It is not because this is a bad show, far from it. However, it does deal with some serious mental health issues. Hence, we must deal with two sides of the same coin. How well does it do as a drama vs how does it handle the portrayal of mental disorders, their manifestations and ramifications.

Let’s tackle the easier objective stuff first. In terms of acting, the show is great. This is particularly true of the cadre of nurses and some of the patients under their care. Their characters are well nuanced, and has depth. I’m “happy” that all the nurses are shown to have RL challenges beyond their professional ones. They are human after all. Of course, there are some cliché characters, but they are on the periphery. Surprisingly, most of the doctors are quite bland and one dimensional.

Production quality is high. We are told that the show created the set based on a real hospital ward. The attention to detail is unmistakeable. However, I am perplexed by the use of glossy and slippery tiles in some public areas and thoroughfares. The FL slipped and hurt her wrist in ep.1 because of them. How could that pass a hospital’s OH&S guidelines?

Let’s move on to the tricky part. Mental health related show is always going to be a challenge to make. Is it drama or reality? This show walks a fine line. I do find it a challenging watch at times, but I’m totally invested. This is largely due to the acting of the key ensemble actors and the rollercoaster storylines. I’m not going to lie, some of the subplots are tropey and can be like a smorgasbord of chapter headings from a textbook. For me, they didn’t appear to have over trivialised the conditions for our entertainment. If anything, the show focused on several serious disorders which resulted in actual suicide, self-harm, deep depression plus other life altering indications. Some scenes are gut wrenching and very impactful. The show is not shy of triggers. Please be aware and exercise caution.

Needless to say, those of us who have not experienced such disorders either directly or indirectly can truly appreciate what the patients are going through and how it impacts on their friends and loved ones. I think the show made an earnest attempt. However, it is still a dramatisation. At some point, the sun must come out and illuminate the way out of the darkest pit of despair so that we can have a decent ending (yes, I know, there have been shows that have gone completely rogue). There is even 2 low key romances that helps to bring the mood to a more even keel. There is little to no skinship though which was a bit disappointing. Don't be fooled by the Netflix promotion. This is not a rom com.

As I mentioned before, I like this show and appreciate its core message. Not all cases will have a positive outcome. A daily dose of sunshine and unwavering support will help a great deal in the treatment and recovery process. There is no panacea. It will be a long and bruising journey. This is a very subjective subject so your personal experience and view will weight far more heavily than my words. Peace out.

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Maybe I need a session with Poong after watching this

Oh, woe is me. Part of my brain that is shipping the OTP and cheering on the gang of Gyesoo Clinic is swooning over the fan service. The ordinary viewer part is saying "meh" (with a Gallic shrug). The cynical reviewer in me is facepalming and asking, "why was this made?".

Let’s take a step back, Poong 2 is watchable and more enjoyable if you are a fan of S1 but at the same time a fan might feel cheated as well. Why is that so? I'm not sure I have a simple answer but let's have a look-see.

As I recall, S1 was cut to 12 episodes. The story progression slowed down towards the end and the development of the love line was arrested, possibly in view of the upcoming S2. After watching S2, my conclusion is that it is not up to the standard of S1. At best, it is a dubious sequel. At worse, a cynical exercise to milk the popularity of Poong 1.

Please let me explain. In Poong 2, the bulk of the side plots are superfluous to the main OTP plot. They padded out the runtime but contributed little. The ghost of Jo Tae-hak was largely a storm in a teacup which ends abruptly. The royal inspector plot was just a power trip of a vindictive and twisted man. The Princess subplot is probably the pick of the bunch, and it is cute in the end but even so, it is largely about an entitled person lording over others (many doors were harmed in making of this show). The plot involving the new governor Ahn is just bad. The man is a blundering fool with a sadist streak and too much power for his beeches. He is a horrible human being, period.

That is lazy writing in my book. Want more angst? Just add an antagonist who love to abuse their powers for little gain other than to make our protagonists’ life difficult. Not once, not twice but three painful times! After each round of maltreatment, the clinic just regroups and carries on. It is a zero-sum game.

Furthermore, the medical practice side seems to have been further simplified to a few cure-all acupuncture points and a bunch of extras milling around the clinic. The so called psychiatry side is very vague, more fanciful than realistic. It is dramatised to be sure but it also makes the palace intrigue and power trip storylines even more egregious.

To be fair, I do like how each member of the found family is given their moments in the sun. However, that can be integrated into S1 if they choose to. If we look at both seasons combined, I'd have to say that they padded it out to 22 episodes with filler subplots. If they had made Poong 1 tighter and have a normal 16 episodes run (instead of the 12 we got), we won’t need a S2. The decent S2 contents can easily fit inside 4 episodes including all the key developments in S2/E10. There is even room for extra skinship. ;)

BTW, airdropping Woo Do-hwan into the show to plug his upcoming Joseon Lawyer drama is either cute or cringey. Take your pick.

Acting from the regular cast is good as expected. The ML carries the show with able supports. I'd still question the chemistry between the leads though. They are cute together but not exactly pulse raising. The new support cast is mostly par for the course. I'd say the last episode is the only one worth a rewatch.

Like I said in the beginning, part of me wants to give this a higher score but the rational side realises that to do so would be sending the wrong signal. Peace out.

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Face/Off ancient Chinese style

I shall start with a mea culpa. I know it is unfair to compare two shows directly but because of its subject matter and lineage, I can’t help it. In fact, it is because of this lineage that I was excited to have found this drama.

The other show in question is The Killer is Also Romantic. It has the same director, period setting and short episodic structure. I have to say that I was quite impressed by TKiAR so I have high hopes for A Familiar Stranger.

To be honest, this Show is good, but it is not great. The issues are manageable but when taken as a whole, it is problematic.
Let’s look at the positives first. I do like the short format as it distilled a lot of the typical wuxia themes down to the fundamentals without all the draggy side plots or distractions. I really appreciate the Viki presentation because it thoughtfully combined the short 16x10mins episodes into 8 longer episodes ranging from 20mins to over 30 mins. It is still bingeable but more practical.

The central pillar of the show is the love line between the leads. That is very well done. The progress is logical and angst lite. It helps that the Show has a laser focus on the leads, and you can sense their longings and feel their love. The “daughter” is cute and wise beyond her age.

Now the issues. The plot is functional rather than well crafted. The theme is tropey and the writer didn’t push any boundaries. While the initial face change device looks promising and fantastical, it was an one trick pony. It came down to soulmates will always recognise each other no matter what. Other wuxia/xianxia dramas have taken this trope further.

The romance of the 2OTP starts out fine. Toxic and manipulative which is de rigueur of the palace intrigue genre. However, the show’s progression feels self-serving. It went the way it did because the plot mandates it rather than being sensical. It felt old school and contrived. Speaking of palace intrigue, once the Show gets going, there is very little actual intrigue. Just some snippets of dialogs and a bit of simple scheming.

This brings us to a key issue. The antagonist is meant to be an evil mastermind but while he is a bit of a homicidal manic, he is no mastermind. If anything, he turned into a weak and pitiful character. This took the wind out of its sail from that quarter.

I binge watch the whole drama in one sitting and I enjoyed it even with the caveats. The swoon worthy romance saved the show. A lot of its problems comes down to not looking after the secondary plots and characters. Almost as soon as the leads are off camera, you start to see plot holes and inconsistencies. A show of such short duration should be tighter and more impactful. It is still a worthwhile binge but not high on my rewatch list.

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