dkeila

Perhaps it's because the FL's husband was the producer? 😂

I just noticed that Wu Jin Yan's husband, Hong Yao, was here in a support role. Unfortunately, it was never released.
Edit: After reviewing their work, I'm surprised they have collaborated on many dramas, yet he has never been her ML.

I actually see it the opposite way. In terms of popularity, she seems to be better known than he is. I've known her since Wulin Heroes and have watched her work through several lead roles; even in support roles, she always stands out and is easily recognised, whereas I only became familiar with him through Love in the Clouds. So if we're going by the idea that someone needs a "better pair" to boost their popularity, that argument could just as easily be made in her favour rather than his.

What's this drama about? Need a synopsis of it

You might want to check out these coz they were absolutely amazing to me
The Tower of Whispers
Threads of Destiny
The Maid
Gemini
The Rebirth

This actress truly knows how to portray her characters well, as many of her dramas are worth investing your time in. So you can also check her other dramas and see what works for you

I was giggling at this ep and the background sound made it more amazingly executed 🥰

If I may ask, how did she obtain jiang li's memories in the novel?

It's a good thing her voice doesn't sound like a child's scream, because that would probably be far more distracting. Honestly, I didn't even think about her age until you brought it up, and it never took me out of the story. If they had cast an actual teenager, people would likely complain about a minor taking on such a demanding role. If they had cast someone in their early twenties, others might say their voice or appearance didn't fit. No matter the choice, someone will always find something to criticise. That's why I think it's better to judge an actor after watching their performance, not before because of their age. If you've watched the drama and still feel the casting didn't work, that's a fair opinion. But dismissing an actor simply because they're "too old" or "too young" without considering how well they actually portrayed the character feels unfair. The focus should be on whether the actor convinces you as the character. A talented artist should be recognised for their ability to bring a role to life, regardless of whether they're young, middle-aged, or older. Acting is about making the audience believe the character, not matching an exact birth year.

So true. This reminds me of how naive I was in my teens, as I used to love these dramas 🤦‍♀. I even fantasised about that kind of romance because I grew up watching such dramas and telenovelas 😂. However, my perspective changed once I saw the realities of life. Since then, I've stopped watching dramas where the FL's entire world revolves around a man, where she's portrayed as meek, constantly waiting to be rescued or where the ML acts as though he's some kind of prize to be won. I genuinely can't stand those tropes anymore.

That said, I've come to realise that the way dramas portray their main characters can shape viewers' perceptions and leave a lasting impression, especially to younger people. Because of that, I don't let my younger siblings watch shows that glorify these kinds of dynamics. Instead, I encourage them to choose stories that empower them, ones that promote confidence, self-worth and healthy relationships, rather than narratives that suggest they have to diminish themselves or endure suffering just to be loved or accepted.

I cried too😢

I've noticed a common trait among many fictional villains: they often follow a set of self-imposed rules that neither they nor their subordinates are allowed to break. Writers frequently include these rules to give readers and viewers insight into the principles that shape the characters, helping the audience understand their motivations and mindset. This approach can also reflect reality, as many real-life criminals, according to crime documentaries and historical accounts, operate according to their own personal codes or internal rules. However, having such a code does not justify or diminish the immorality of their actions. Instead, these rules highlight the complexity and contradictions within the characters. Ultimately, many writers use this kind of characterisation to encourage audiences to think critically about criminal behaviour, exploring how people who commit serious wrongs often rationalise their actions while still viewing themselves as having principles.

The entrance of "Situ Xue" is really funny, especially with the man shouting her name🤣🤣
Additionally, the entire funeral and the act of killing others to force them to mourn were both humorous and tragic🤣

Aren't those where FL endures every torture on earth from every character, including the ML and goes back to them at the end of the story?😂 Oh, I forgot to mention they always disappear for some years and come back with ML's child 😂

Oh no! I just noticed that almost all the dramas he directed that I tried watching have flopped. I don't know if this one will go downhill too.

They seem to be in between for me. Some translated words and the spoken words don't match the usual meanings I'm familiar with.

Not the ex-husband from the double following her to this drama😂😂

Oh, even the child actor is portrayed by the same actress from "The Double."

Short and updo hairstyles really suit Sun Qian 😍

I’ve watched a similar plot from Vertical Dramas and will also watch this because it’s one of my favourite stories featuring this actress.

Which year?

I think honest reviews are most helpful when they explain why a drama is worth watching or skipping, rather than just saying people who like it will recommend it and people who don't won't. That doesn't help someone who is undecided. Your comment makes it seem like you enjoyed the drama and want others to give it a chance, which is fair. But if you're encouraging people to decide for themselves, it would be more useful to point out both the strengths and the flaws so they can make an informed choice.
You also mentioned that people with limited time might consider the majority opinion. In that case, a balanced critique would be much more helpful than a general "watch it and decide for yourself," especially when there are plenty of other dramas competing for people's time.