⚠️ contains heavy, albeit vaguely worded, spoilers for both SFH and Mouse, and minor spoilers for The Bad Kids. ⚠️

it seems that everywhere i turn there are more and more plotholes to grab my attention when i am attempting to process all of this like a normal human being. i am failing, miserably, but i will continue to try anyway

i came into this show looking for the Hannibal-esque content, i will admit—i have mutuals that have been recommending this show to me bc they know how whipped i am for Hannigram (despite not having watched anything from the series. am i really gay if i haven't watched Hannibal, tho, can someone answer that question for me), and i was excited to see some of that here. it,,,,,, it fell flat, in a way? i wanted to enjoy this far more than i did but it refused to let me do so and that sucks, tbh

part of the reason, i think, is that Lee Dong Wook is simply not scary. maybe it's bc i've watched 20 episodes of Mouse and therefore have known a glimpse of true terror (despite the fact that it started to go careening downhill in the last 3 to 4 episodes—y'all know that OZ storyline was not necessary to the plot, own it) or maybe it's bc his role as the multi-layered Grim Reaper has embedded itself into my eyelids, idk, but Lee Dong Wook waving knifes and doing what appeared to be an attempt at a creepy smile just did not cut it for me (pun not intended). what he is, tho, is hot, and gay, and slightly unstable, and obsessed with the writer in Room #303. (throat-touching. throat-touching is gay af, ik what i'm talking about bc necks are the most attractive part of a human body after the hands. if you don't agree then fight me bitch) could have possibly f*cked me over/induced a fear of dentists in general by the time all of this was said and done (if it had been executed properly *cough*) but do we give a f*ck? we do not give a f*ck. would we like to be f*cked, tho? no comment
i don't want to say that i'd let Lee Dong Wook pull out my teeth and tie me to a chair for 5 minutes of ASMR reading material,,,,, but that is exactly what i'm saying in a way

on that subject of f*ckery (the act, not the behavior): personal headcanon that Seo Moon Jo and Yoo Ki Hyuk have hate-f*cked at least once pre-canon (bc, yk. apparent Frankenstein kink and all that? idk, it's just the vibes the two of them give off sitting in the back of a detective's vehicle with a needle stuck in someone's neck while the homoeroticism has just started to make itself known here) and both of them could really have cared less about the sex itself. rip Ki Hyuk, for such a hot man you could have had some good sex once in a while if you had held off on the garotting of a public figure for a sec—truly gone too soon ?

but Im Si Wan, tho. i am going to be honest here and say that i knew him from his musical career with ZE:A but once again made the same mistake that i did with Junho and did not bother to check out his acting career. like with Junho, i am now attempting to rectify that bc i refuse to believe that this man filmed this almost immediately after being discharged from the military. i refuse. the casual disassembling of a man's morals contained in the pretty little tooth bracelet he carries around on his wrist that was given to him (with some kind of tenderness!!!) by his toxic ex-boyfriend is not something to be taken lightly and he,,,,,, he didn't. he put his entire soul into this sh*t, f*ck

the other inhabitants of Eden Gosiwon are not to be forgotten, however—Park Jong Hwan and Lee Jung Eun as the Byeon twins and Eom Bok Soon, respectively, stole the show almost as much as Siwan. (we need more women serial killers from the latter, pls and ty) Noh Jong Hyun as Kang Seok Yoon made me cry a bit bc he was soft and precious and made his entrance during the last three to four episodes and did not deserve what he received at the end of that

the OST was good as well! i can't say that it added anything to the show per say but it certainly didn't subtract from it—my personal favorites are Blow Off by Yoari and Strangers by The Rose.

but y'all. y'all. what the last 45 minutes of SFH did to me had me, to put it plainly, f*cking shook. who killed who? who was killing who from the moment this all began? whose voice were we hearing? once we entered the fourth floor,,,,,,, who was the "victim" in the end? is the psychopath dentist with a penchant for f*cking (or otherwise propositioning) his creations still alive or are we are all on a canon acid trip rn
when i sat on that for a few days, however, i realized what it reminded me of, and as it did the weaknesses of SFH became glaringly clear.
The Bad Kids employed a similar ending as SFH, except there was a sense of unease from the beginning with the former. the gaslighting was so subtle that you only realized it in the latter half of the show, and even then you were tempted to think that that's not really what they meant. i didn't really pick up anything that made me necessarily uncomfortable in SFH—even the "human meat" jokes felt typical and very trope-like—and the screenwriter's attempt to gaslight us in the final episode (again, pun not intended) worked for all of 24 hours. after that, it doesn't hold up too well. the mindf*ck in TBK is unparalleled bc of that, and serves as just one of the reasons i consider it to be a masterpiece.

SFH also, imo, could have done with some more backstory. from my research, Moon Jo was a character unique to the television series—he was billed as this serial killer with sinister motives, but we never really got to find out what those motives were. "we're making art. it's not just murder," he said, but where was the art? Mouse played into this aspect as well bc (iirc) Jung Ba Reum used to take pictures of his victim's bodies and had it up on his wall—there was a meticulousity to it that i can't get into at the moment, but it was tangible. he had something that he considered to be worth killing for, and all we got from Moon Jo was a barely utilized tooth collection and no proper explanation behind that sh*t, sksksksk

to make a long story short, it could have been more. and i hate saying that, bc ik how good of an actor LDW is, and ik how much effort Siwan put into this, but it wasn't enough. at its core, the plot was stretched too thin—as an adaptation of a webtoon that (i assume) had far more content, it did very little to convince me to read the source material.

do i regret watching this? no. will i watch it again? that's also a no.