These words were spoken by Zhou Zi Shu in Word of Honor (2021), which happens to be one of my all time favorite Chinese dramas. I wonder what he would have had to say to He Ran had they ever met.

Though coming from two completely different spheres of dramaland, I think this sentence captures the essence of The Forbidden Flower/Summer Flower/Xia Hua, which follows the rich and talented daughter of a late renowned painter, He Ran, who despite having everything, has gone through several dark days.

Still reeling from the after effects of a deadly illness, 20 year old He Ran is sheltered and cut off from the outside world by her overbearing and overprotective mother, Mrs. Qiu, who has assigned a nanny to watch over her for 24/7.
While managing to sneak out and enjoy bits of a free life, she is enticed by the voice of a stranger at a Hair Salon, whom she only knows by his assigned No. 33. It's unbelievable, but He Ran finds an excuse to escape her gloomy existence - find No.33 again.
Xiao Han, the owner of the said voice, is a man years past his youthful days, but that does not stop He Ran from pursuing him.

She cautiously probes for information about him from what she could gather within the first two episodes, before beginning a full blown onslaught to realize her vision. This part in particular was hilarious and slightly disconcerting to watch. Xiao Han, the object of her attentions yeets himself away from his own home to escape her shenanigans.

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I want to rate this drama a 7, but I invested too much time into this to end it in such an unholy manner.

Now… I will begin by writing down a few observations/random details/caveats first from what I gathered:

1.This is an age-gap drama based on an already existing novel 'He Stands in the Gorgeous Summer Flowers (他站在夏花绚烂里) by Tai Hou Gui Lai.
I 'google translate' read 90% of the novel and I 100% prefer the drama. There are some quite distinct changes in characterization and the live adaptation adds real depth to the two dimensional versions I read about. Or maybe things got lost in translation.
I've noticed that contemporary Chinese dramas often surpass their novel counterparts and this drama is no exception.

2. And judging by the number of watchers it has, I think the age-gap tag scared away most of the viewers. And I'm 100% sure that this drama is a success partly because Jerry Yan looks like he did 20 years ago - not to mention that he has almost the exact same hairstyle from his Dao Ming Si days. Both Xu Ruo Han and Jerry Yan just fit together so well into their characters and I barely noticed that there was an age gap between them. Age-gap doesn't matter to me as long as the characters are brought to life.

3. I highly suspect that multiple script changes or scenes were shot. There are times that scenes black out and cut off jarringly. Some of the dialogues were never mentioned, yet we later hear the characters speak about it. There are certain scenes from the trailer which are never shown. And the additional behind the scenes footage (aside from the intimate ones) sort of solidifies the point.
The opening scene itself seems to have selected a different shot instead of the one which we see in EP8. (There is a minor flashback.)
Moreover, this is definitely "NOT" an S-Class drama from my assumptions. It had only 30 minutes per episode.
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The warm fuzzies:

● The Scenery: the whole drama is a visual feast. Every scene is shot beautifully. It's worth watching it just for that alone. Plenty of money seems to have been spent on camera and lighting and location and flowers and painting.

● The Cast: Every single actor played their part to a tee. I loved how Xu Ruo Han in particular portrayed two different sides of He Ran - the one when she is not genuinely interested in something and the other side of her which she reveals to Xiao Han alone.
Xiao Han, a man content with being isolated and loves the peace and quiet of the plants, was a joy to watch. I loved how he looked like he was regretting every decision he made after meeting He Ran during the first 8 episodes. We slowly see him give up and just give in to her demands and by the 10th episode, we are aware of why he shelters himself from everyone. Jerry Yan absolutely served justice to his character.

Their chemistry together was just too sweet and easy on the eyes. I did not find the age gap annoying.

The mother was another well acted character - - atleast I think so. If she was meant to depict a broken yet muddled woman, she definitely did the part well. Supporting characters such as Pan Zi and even Han Yu showed the contrast between He Ran and her 'hidden friends'.

● The Soundtrack: My favorite is "The One'' by Vivian Loh. Had the opening scene begun with Lucid Dream, I don't think I would've been pulled in as intensely as I had.
Plus, there were several songs played throughout that just makes certain scenes indelible. Summer by Nicki Lee is one of my newfound favorite songs, thanks to this drama.
Some other favorites:
● Heartbeat by Vivian Loh.
● Mine by Vivian Loh.


● The Characters: they are the reason I stuck till the very end, regardless of how depressing or happy it was going to be.

Han Yu was one character who made me laugh everytime he came on screen. Not because he was purposefully being oblivious to He Ran's dismissal of his friendship and companionship, but he was also the only one who even bothered to worry whenever He Ran showed signs off sickness.
Xiao Han has several fans, so I'll skip right down to He Ran, whom I absolutely adore. And I feel a bit guilty speaking for her instead of against her.

Several people mentioned how she loves selfishly. Was she selfish? Yes, definitely. But, she loved selflessly too. She put in 100% effort into her relationship, sacrificing everything once she understood that it was worth it.
Her comparing herself to other women and making dangerous promises ticked off several viewers, but I understood where she was coming from. She just wasn't able to wrap her mind around how Xiao Han must've had other women in his life and wondered whether she was meant to be forgotten just like them.

(I once asked my friends who were in a relationship how they could be with their person, knowing he must've liked someone else before them. Someone gave me the exact same answer as Xiao Han's.)

He Ran seems to have the same fear - that she too will be like one of his experiences. If anyone noticed, she is the assertive one in their relationship. She is well aware that she isn't a 'nice' guy.

She just doesn't want to be forgotten like the many people who had crossed Xiao Han's life. Ultimately, we all wish to be remembered by someone in some way.

And as much as I appreciate her character, several times she comes off as unreasonably and dangerously possessive. She barely lets anyone breathe on Xiao Han - there are episodes where we see her push limits and just go bonkers.

Her pursuit of Xiao Han is itself comedic. Xiao Han considers his temporary attraction to her as something he wouldn't obsess over, and He Ran's stalking tendencies is what he deems to be the antics of a young girl who is blinded by her crush. It isn't after a long time, that he finally concludes that she isn't kidding.
Well, He Ran was lucky that it was Xiao Han. And vice versa. Or else this drama would've turned into a crime thriller.

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Now….. somethings make me want to rate this a 6.5 - 7. I settled on 9 [rerated it an 8 when I realized that there were too many filler episodes past EP13] because the drama seems to have been made with serious dedication and effort worthy of a longer drama. Both from the cast and crew. Plus, this is the only time a contemporary setting which is not centered around youth managed to keep me hooked.

● I was unfortunately not invested in He Ran's mom's and Yuan Qi's relationship.
I liked their individual scenes, but I simply did not care to watch their scenes as a couple. More than half of the drama after EP13 focused on them.

● The handling of He Ran's illness. For someone who is cocooned by her mom, it irked me how casually everyone except Han Yu and his aunt were regarding her health. (It was understandable why He Ran had resolved to 'living in the moment'.)
Both of them were more concerned than anyone whenever she appeared weak.
It's mentioned in the first two episodes about her 'follow up' check ups, but then we barely hear about it. Shouldn't it have been stressed on more?

And after Episode 18 or 19, I could not make sense of what was happening. Her diagnosis and prognosis were more positive than negative, then what about her treatment? Shouldn't it be more serious?
It's evident that some things were portrayed more for cinematic value rather than reality.
It might be able to get brushed off in a book, but in an onscreen adaptation with significant changes, it's hard to pass by.

● Last, but never the least. The ENDING. The last time an ending pissed me off so much was Word of Honor.
I could literally see the director teetering over whether to wrap up the drama by staying true to the source novel or to choose happiness over everything. (I've pinned an additional comment on my thoughts about the ending to my review.)

Well, he is a winner, cause I can see four different versions.

With all these complaints, this happens to be the first contemporary Chinese drama after Legally Romance (2022) that I've been patient enough to keep up with in spite of my complaints.

Nevertheless, this drama is one of the most beautiful and romantic ones I've seen to date.
The Queen of the Night blooms very rarely, but it is for this very reason that it's remembered. And maybe that's the same charm 'The Forbidden Flower' exudes.