3
5
jpny01
I wanted to love this so badly.
There is so much about this that's wonderful. The acting and cinematography are excellent.
That's a lot - and it's why I gave this a 7 instead of the 5.5 'suggested' rating. I like that this takes a more cinematic and sophistic approach to making a BL - this is not like a mainstream series where everyone is fantastically rich - the characters even take a train!
There is no way to escape comparison to I Told Sunset About You, which is another ambitious production about similar themes - I could watch that 100 times and was enthralled for every minute of it. The Yearbook was something to endure.
It's slow. I don't mind slow-pacing during scenes - in fact I prefer a scene that develops. The problem isn't the slowness of scenes, although they're really, really slow, it's the overall slowness of the plot and the reliance on flashbacks to fill time. I understand this is an expansion of a school project. It's not so much an expansion as an inflation. You will see the same scenes flashed back to many, many times - like a dozen or more - I'm not kidding. There are flashback scenes that have their own flashback scenes - I'm not joking, it happens many times.
Within scenes, the dialog is spoken in this unnatural slow and halting manner, with very long pauses and staring to the point that Bite Me seems rushed in comparison. Everyone moves very slowly, too. Like 90 year-olds. Heavily sedated 90-year olds. There's a scene were Nut takes a photo out of a drawer and sets it up on his desk. He opens the drawer so slowly I thought maybe he was afraid there was a bomb in it, then withdraws the photo really slowly, slowly places it on his desk, then writes a pointless letter that takes 5 minutes, and then he gives up and just calls Phob instead.
There is no point to this story. It's not about loss - there was an opportunity to delve into different types of loss and how you move on, but nope, just slow talking and flashbacks.
There is a scene where the main characters appear to have sex - offscreen, which is fine. But then the next day they behave exactly as they did before - there was no impact on their relationship, no discussion, it just disappeared and never happened again, and they resumed interacting like bro's. They even woke up fully-dressed and not even cuddling.
A little over halfway through, a character has to go somewhere for a few hours to take care of something life-changing. And the series comes to a screeching halt and there are three episodes that are almost entirely flashback. If you're expecting a fluffy ending, you're not getting one. It's not a sad ending, it's not really a happy ending, it just ends, as if the crew said "f@#$ it, this isn't going anywhere, let's just stop here." That sounds exaggerated, but you'll think I understated it if you watch this series.
The life-changing event is fairly dramatic, and it does result in a character signing a song for the other character (over the phone, all to flashbacks, including a flashback to someone else singing the same song - and with vocals, not just visual). No hug, no "I'm here for you", certainly nothing to indicate there's any romantic connection. The song isn't about loss or moving on, it's expression of unrelated feelings that he could have communicated 10 years prior but somehow never did, even though they had sex.
This is not a BL. It's a bromance. There is a kiss, once, miss-it-if-you-blink, and the main pair do seem to love each other, but it feels to me that it was a bromance with one kiss thrown in to make it a BL so they could market it to us and Mean's fan base. This feels like an attempt at a BL by straight guys who think m/m love is gross and so it's barely in here. This is the BL equivalent of interior "decor" that's all white walls, black leather furniture and a huge TV for video games and watching sports.
There is more time spent by straight characters discussing girls they like than there is of the main characters discussing their feelings for each other, which, incidentally, they do not do, ever, even once. They sing their feelings, which is nice (although twice it's over the phone), but we needed to see them interact like lovers. After high school, the main pair were rarely even in the same room together. Except in flashbacks.
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Story: 3. Superficial, lazy, manipulative, and designed to make sure the main characters interact as little as possible.
Acting: 9. The delivery of dialog was terrible, but that's not the actors' fault - they otherwise did an excellent job showing us what they feel, which makes the endless flashbacks mystifying. Why hire such good actors if you're not going to let them do the heavy lifing?
Music: 8.5. This was well-done. The original lyrics were good without being carried away, the singing was what you'd expect from non-professionals, although someone who's a better singer should have been cast for Phob. Anyway, one of the series' better qualities.
Rewatch value: 1. If you held a gun to my head, I would still not sit through this again. It's probably worth watching once, but there's nothing that would draw me back.
That's a lot - and it's why I gave this a 7 instead of the 5.5 'suggested' rating. I like that this takes a more cinematic and sophistic approach to making a BL - this is not like a mainstream series where everyone is fantastically rich - the characters even take a train!
There is no way to escape comparison to I Told Sunset About You, which is another ambitious production about similar themes - I could watch that 100 times and was enthralled for every minute of it. The Yearbook was something to endure.
It's slow. I don't mind slow-pacing during scenes - in fact I prefer a scene that develops. The problem isn't the slowness of scenes, although they're really, really slow, it's the overall slowness of the plot and the reliance on flashbacks to fill time. I understand this is an expansion of a school project. It's not so much an expansion as an inflation. You will see the same scenes flashed back to many, many times - like a dozen or more - I'm not kidding. There are flashback scenes that have their own flashback scenes - I'm not joking, it happens many times.
Within scenes, the dialog is spoken in this unnatural slow and halting manner, with very long pauses and staring to the point that Bite Me seems rushed in comparison. Everyone moves very slowly, too. Like 90 year-olds. Heavily sedated 90-year olds. There's a scene were Nut takes a photo out of a drawer and sets it up on his desk. He opens the drawer so slowly I thought maybe he was afraid there was a bomb in it, then withdraws the photo really slowly, slowly places it on his desk, then writes a pointless letter that takes 5 minutes, and then he gives up and just calls Phob instead.
There is no point to this story. It's not about loss - there was an opportunity to delve into different types of loss and how you move on, but nope, just slow talking and flashbacks.
There is a scene where the main characters appear to have sex - offscreen, which is fine. But then the next day they behave exactly as they did before - there was no impact on their relationship, no discussion, it just disappeared and never happened again, and they resumed interacting like bro's. They even woke up fully-dressed and not even cuddling.
A little over halfway through, a character has to go somewhere for a few hours to take care of something life-changing. And the series comes to a screeching halt and there are three episodes that are almost entirely flashback. If you're expecting a fluffy ending, you're not getting one. It's not a sad ending, it's not really a happy ending, it just ends, as if the crew said "f@#$ it, this isn't going anywhere, let's just stop here." That sounds exaggerated, but you'll think I understated it if you watch this series.
The life-changing event is fairly dramatic, and it does result in a character signing a song for the other character (over the phone, all to flashbacks, including a flashback to someone else singing the same song - and with vocals, not just visual). No hug, no "I'm here for you", certainly nothing to indicate there's any romantic connection. The song isn't about loss or moving on, it's expression of unrelated feelings that he could have communicated 10 years prior but somehow never did, even though they had sex.
This is not a BL. It's a bromance. There is a kiss, once, miss-it-if-you-blink, and the main pair do seem to love each other, but it feels to me that it was a bromance with one kiss thrown in to make it a BL so they could market it to us and Mean's fan base. This feels like an attempt at a BL by straight guys who think m/m love is gross and so it's barely in here. This is the BL equivalent of interior "decor" that's all white walls, black leather furniture and a huge TV for video games and watching sports.
There is more time spent by straight characters discussing girls they like than there is of the main characters discussing their feelings for each other, which, incidentally, they do not do, ever, even once. They sing their feelings, which is nice (although twice it's over the phone), but we needed to see them interact like lovers. After high school, the main pair were rarely even in the same room together. Except in flashbacks.
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Story: 3. Superficial, lazy, manipulative, and designed to make sure the main characters interact as little as possible.
Acting: 9. The delivery of dialog was terrible, but that's not the actors' fault - they otherwise did an excellent job showing us what they feel, which makes the endless flashbacks mystifying. Why hire such good actors if you're not going to let them do the heavy lifing?
Music: 8.5. This was well-done. The original lyrics were good without being carried away, the singing was what you'd expect from non-professionals, although someone who's a better singer should have been cast for Phob. Anyway, one of the series' better qualities.
Rewatch value: 1. If you held a gun to my head, I would still not sit through this again. It's probably worth watching once, but there's nothing that would draw me back.
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