3
5
jpny01
Absolute Masterpiece
This is not really a BL. The secondary couple is more "typically" BL, but they serve as a contrast to the main story - more on that below.
This is a very complex and layered story - it's not so convoluted that it's incomprehensible, but it will help a viewer to go into it understanding that how people act is not as simple as it first appears. The two leads are not hard to look at, and neither are most of the secondary characters. There is humor in this story, but it's not a comedy and it's certainly not fluff. Keep in mind that it's very consciously framed as a fairy tale - and fairy tales always have a positive message to give, but they also contain a lot of darkness.
As you've probably noticed, the reaction to this is either a "10" or a "1". I feel like it's impossible for this to be a 1, just based on the acting and quality of the production - but I think many people don't understand what they're watching, or were expecting a BL, in which case maybe I can understand, because this contains none of the standard BL formulas. If you're looking for something cute and fluffy, I would recommend against watching this. But it does have one of the most affirming messages you could find in a drama, and is clearly designed for family viewing.
A lot of people have absolutely no mercy for Nut, the main character, extremely well-acted by Job Thuchapon - "toxic, abusive, gaslighting (!) and selfish". It's clear early on that this is someone who as experienced very serious trauma, included sustained emotional and physical abuse - to the point of PTSD. This is a young man who has suffered all that, and has, completely alone, had to support a mentally ill mother since he was a teen. As the story progresses and you grow to understand the true depth of what he's suffered, it's hard for me to believe that so many people can't develop any compassion for him. He's not perfect, and so he's "canceled".
He's one of the first protagonists in a BL-ish story that's complex, realistic, and fully realized - he's not an archetype, and you don't even know if he's a seme or uke - because there's no such thing in real life, so there isn't in a realistic story, either. He's complicated, the product of his life, and flawed, like all of us. And also explicitly and unambiguously identifies as gay, which is rare in BL, but fortunately this is starting to improve.
The secondary couple has a lot of "typical" BL characteristics, including the enemies-to-lovers trope, but this is a conscious choice with a specific purpose. The key to this is their parents. Gen's are wholly and completely supportive, and Song's father is obviously loving, but absent and ambivalent about Song's sexuality - but ultimately this is worry, not lack of acceptance, and his reaction is quite a bit more typical in the experience of lgbtq+ youth than the more ideal parents Song has. (Regretably, Nut's experience is all too common as well.)
The reason for this is to show the contrast between getting love from a healthy family and the horror Nut faced from a monstrously abusive father and a weak and ill mother. Song's relationship with his father is not idyllic, but shows healthy resolution of trauma (the years-ago death of Song's brother) and bridging diffrences through love and understanding.
Nut only receives this through a miracle.
It should be fairly clear fairly early on that you are probably not going to get the ending you would want - but it's the only ending possible. A quick comment on that is below as a spoiler.
The production is first-rate - this must have had a serious budget and so much love was poured into this.
The ending is bittersweet but not sad. The message of this fairy tale is powerful and beautiful: there is no power greater than love, not even death, and there is nothing that it can't overcome.
Story: 10. There are a couple of flaws that I believe are the result of cuts to the length - I understand several hours had to be removed to get it down to 16 90-minute episodes. But the writing is easily the best I've ever seen if you count this as a BL, and among the best of any series of any kind I've ever seen.
Acting: 10. In Sarin is perfect as the innocent teddy bear - innocent but not stupid or weak. Job's role is challenging as the complex and damaged Nut, and he's wonderful. Um Apasiri is powerful in every one of her scenes as Nut's ill mother Na. Tee Thanapon, who was underwhelming in 2Moons, has improved enormously and holds his own with a strong cast. All the minor roles are well-acted, including the annoying female coworker (who will grow on you once she gives up on her hopeless love, and is the character who voices the underlying message of the story).
Music: 9: Just right and ably supports the story, and never drowns it out.
Rewatch: 3: It's rewatchable, and I think anyone would benefit from a second viewing to pick up a lot of the subtleties that might have been missed the first time. However, it's 24 hours long and very heavy, so it's hard to imagine watching it again.
Overall: 10. This is a beautiful and powerful series - it will stay with me, and will always be one of my favorites.
This is a very complex and layered story - it's not so convoluted that it's incomprehensible, but it will help a viewer to go into it understanding that how people act is not as simple as it first appears. The two leads are not hard to look at, and neither are most of the secondary characters. There is humor in this story, but it's not a comedy and it's certainly not fluff. Keep in mind that it's very consciously framed as a fairy tale - and fairy tales always have a positive message to give, but they also contain a lot of darkness.
As you've probably noticed, the reaction to this is either a "10" or a "1". I feel like it's impossible for this to be a 1, just based on the acting and quality of the production - but I think many people don't understand what they're watching, or were expecting a BL, in which case maybe I can understand, because this contains none of the standard BL formulas. If you're looking for something cute and fluffy, I would recommend against watching this. But it does have one of the most affirming messages you could find in a drama, and is clearly designed for family viewing.
A lot of people have absolutely no mercy for Nut, the main character, extremely well-acted by Job Thuchapon - "toxic, abusive, gaslighting (!) and selfish". It's clear early on that this is someone who as experienced very serious trauma, included sustained emotional and physical abuse - to the point of PTSD. This is a young man who has suffered all that, and has, completely alone, had to support a mentally ill mother since he was a teen. As the story progresses and you grow to understand the true depth of what he's suffered, it's hard for me to believe that so many people can't develop any compassion for him. He's not perfect, and so he's "canceled".
He's one of the first protagonists in a BL-ish story that's complex, realistic, and fully realized - he's not an archetype, and you don't even know if he's a seme or uke - because there's no such thing in real life, so there isn't in a realistic story, either. He's complicated, the product of his life, and flawed, like all of us. And also explicitly and unambiguously identifies as gay, which is rare in BL, but fortunately this is starting to improve.
The secondary couple has a lot of "typical" BL characteristics, including the enemies-to-lovers trope, but this is a conscious choice with a specific purpose. The key to this is their parents. Gen's are wholly and completely supportive, and Song's father is obviously loving, but absent and ambivalent about Song's sexuality - but ultimately this is worry, not lack of acceptance, and his reaction is quite a bit more typical in the experience of lgbtq+ youth than the more ideal parents Song has. (Regretably, Nut's experience is all too common as well.)
The reason for this is to show the contrast between getting love from a healthy family and the horror Nut faced from a monstrously abusive father and a weak and ill mother. Song's relationship with his father is not idyllic, but shows healthy resolution of trauma (the years-ago death of Song's brother) and bridging diffrences through love and understanding.
Nut only receives this through a miracle.
It should be fairly clear fairly early on that you are probably not going to get the ending you would want - but it's the only ending possible. A quick comment on that is below as a spoiler.
The production is first-rate - this must have had a serious budget and so much love was poured into this.
The ending is bittersweet but not sad. The message of this fairy tale is powerful and beautiful: there is no power greater than love, not even death, and there is nothing that it can't overcome.
Story: 10. There are a couple of flaws that I believe are the result of cuts to the length - I understand several hours had to be removed to get it down to 16 90-minute episodes. But the writing is easily the best I've ever seen if you count this as a BL, and among the best of any series of any kind I've ever seen.
Acting: 10. In Sarin is perfect as the innocent teddy bear - innocent but not stupid or weak. Job's role is challenging as the complex and damaged Nut, and he's wonderful. Um Apasiri is powerful in every one of her scenes as Nut's ill mother Na. Tee Thanapon, who was underwhelming in 2Moons, has improved enormously and holds his own with a strong cast. All the minor roles are well-acted, including the annoying female coworker (who will grow on you once she gives up on her hopeless love, and is the character who voices the underlying message of the story).
Music: 9: Just right and ably supports the story, and never drowns it out.
Rewatch: 3: It's rewatchable, and I think anyone would benefit from a second viewing to pick up a lot of the subtleties that might have been missed the first time. However, it's 24 hours long and very heavy, so it's hard to imagine watching it again.
Overall: 10. This is a beautiful and powerful series - it will stay with me, and will always be one of my favorites.
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