MizMystixism

Not a bad series, but a bit underdeveloped and rushed.

When you have 3 couples, some conflicts to solve, and villains to deal with within 18 episodes and 45 min runtime for each episode, the outcome would be either underwhelming or rushed or a mix of both. While this series is not exactly bad, it lands somewhere between underdeveloped and rushed.

As Mik and Pinkploy's first full series together, Beauty Reborn shows promise. I’ve been looking forward to seeing them together ever since their brief scene in “Warden of the Sky.” While Mik-Pinkploy have good chemistry, it’s a bit overshadowed by the lack of development in their characters and relationship. Plus, the relationship development for the other couples (Nam-Baicha and Wayo-Sarach) feels a bit rushed, missing the depth and complexity that would really draw you in. If only they explored their dynamic more properly, this series could really shine.

There's also a significant improvement in terms of production quality. Compared to Ch7’s 2022-2023 series, I’d say this series shows a more polished look and quality. But in terms of story, the title seems to imply a transformation theme, but the actual plot seems to stray a bit from that expectation. It focused more on the political issues within the company, which kind of leaves the overall story feeling a bit underwhelming.

Overall, Beauty Reborn is a decent drama with noticeable shortcomings that prevent it from reaching its full potential. Sure, it has its ups and downs, but I found it pretty enjoyable. Honestly, I like this series for its unique approach, especially now that Ch7 is more open to including LGBTQ+ couples/stories. Unlike many Ch7 dramas that rely heavily on intense conflict and over-the-top villains, Beauty Reborn finds a nice middle ground that is neither too intense nor too lackluster. The conflicts are typical but not too much to handle, so you won’t get a headache from all the heavy plots.

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Well-executed crime drama

Crime shows about serial killers are pretty common, but this series brings a fresh angle. The killer leaves behind a knitted piece with every victim that holds clues about who’s next. The well-paced plot and intricately woven with twists and the clues really engage the viewer to piece together the mystery. Plus, having an autistic character adds an extra layer of depth to the story.

Bua Nalinthip deserves praise for her performance. She really breaks her rom-com leading lady persona and proves her acting ability. She totally nails the role, with all her facial expressions, eyes, and actions, making Sky a character that viewers can root for and empathize with.

When it comes to the crime genre, Thai series are more about the drama and don't usually pay attention to the forensic part. But I’m glad this series did it right. Even though the autopsy scenes are not as high-tech and detailed as the CSI, the meticulous portrayal of forensic procedures and all the nitty-gritty details adds a sense of realism to the series. I love that the director is generous with insert shots in the autopsy scene. Some murder scenes are quite graphic, but damn, I love it.

If there’s any flaw about this series, it’s the lack of emotional depth of the male lead. Although he is portrayed as a skilled detective, his character development falls short in comparison to the female lead, making his character the least emotionally engaging.

With its well-executed storytelling, standout performances, and realistic crime/forensic scenes, The Yarns has solidified its place as a must-watch for fans of crime and suspense genre.

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A sci-fi GL film with potential, but...

Being Thailand's first space film, Uranus2324 seems rather promising and has a lot of potential but falls short in many aspects. I watched it three times to get to the point of writing this review.

I like the idea of star-crossed lovers caught between the sea and the sky (or space), but the story itself falls a bit flat. The screenplay really drags it down. The conflicts and emotional parts are there, but the lack of a solid background story makes it difficult for me to fully invest in their journey and emotional connection. Even after watching it three times, the overall vibe still feels pretty shallow. But what I found refreshing is how this film sidesteps the topic of sexual orientation. The love shared between Kath and Lin feels very natural, and there’s no scrutiny surrounding it.

The transitions between different periods and parallel worlds are also not as smooth as they could be, making it hard for me to stay engaged throughout the film. The special effects are not bad, but occasionally feel unpolished. If the CGI had been more refined, I would've been more immersed in the experience.

Despite the shortcomings, there are a couple of redeeming qualities that make this film worth your time. First off, the cinematography is great. I'm a sucker for beauty shots, and the camerawork really captures the essence of the story in a visually appealing way. The use of color, light, and composition effectively enhances the on-screen storytelling. And let’s not forget the action scenes; those fighting, freediving and spaceship sequences are quite impressive. Another highlight is FreenBecky’s natural chemistry. Their on-screen dynamic is palpable and authentic. It helps carry the film through its weaker moments. They’ve got some serious acting chops! The way they embrace new challenges and step out of their comfort zone truly brings great results in the end.

Even though it didn't hit the mark, Uranus2324 is still a decent watch. It's a good effort overall, but if only it came with a bit more polish in the script and story pacing, it could easily become a standout sci-fi GL film.

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A disaster film that focuses on SAR and nothing more.

‘Flash Over’ is a film that showcases the virtues of duty, courage, teamwork, and sacrifice of the firefighters and other emergency personnel involved in the search and rescue after the explosion of a chemical plant. In a way, it can pay tribute to the real-life heroes who put their lives on the line to save others in times of crisis. However, the spotlight is on the intense search and rescue operations, and nothing more. Even with the flashy set pieces with all the explosions, massive fires and such, it fails to ignite deeper emotion like most disaster films would.

Although this movie has an intriguing story arc, the flow begins to lose its appeal in the middle. Every single plot is driven solely by suspense and action. The minimum character development makes it difficult for the viewer to get emotionally invested. Without proper backstory, all characters are simply firefighters on a mission.

One common pitfall of disaster films is that they often rely heavily on CGI to realistically depict large-scale disasters and dramatic rescue operations, and this film unfortunately falls into that pitfall. Even with good camera work, the bad CGI really detracts from the overall viewing experience.

If you're up for the action and muscular men in uniforms, this movie will give you that. But if you're looking for story and emotional impact, you better not expect too much from it. Overall, this film has so much potential to be great but somehow failed to deliver well. It ended up being a mediocre rescue film.

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"Life is nothing but tragedy."

'Redlife' centers on two storylines that later on intersect in a tragic twist. The idea is not groundbreaking, but this film doesn't shy away from portraying the harsh realities of poverty and slum life. There’s a cleverly woven underlying theme of street gang, crime, drug use, girls' love, and prostitution, making it an intriguing watch for those seeking a glimpse into the gritty side of Bangkok.

Although the actors’ performances and the character arcs are commendable, the main plot falls a bit flat. The story of Ter and Som seems unpolished, with some noticeable plot holes that hinder its impact. Though it feels more like a melodrama, it lacks those poignant moments and depth that challenge you to reflect deeply on the hardship the characters are going through. The ending is rather confusing. Despite the flaws, this film has decent cinematography, depicting the sympathetic insight into the lives of the less fortunate in good visual detail.

If you're up for a mildly thrilling cinematic experience with some tragic stories, this film might be your cup of tea. For me, it's a one-time watch. I like the bleak/dark concept, but this film fails to deliver it well and make it impressive.

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A decent dramedy.

The story revolves around four best friends as they set out on the dream trip they planned as teenagers. The long-overdue trip finally happened after their friend’s death, as they rekindled old bonds to pay their last respects to their late friend.

The premise of a group of friends going on a road trip does seem entertaining, especially when it involves the big names of leading ladies. When it comes to a movie with many leads, it’s essential to establish the characters, personalities and backstories. Throughout the movie, viewers will discover their individual personalities and backstories, but somehow the character development is pretty weak. I personally think that the only thing that saves this movie is the four leads and their natural dialogue delivery. However, there are sequences that tend to be stressful because there’s a lot of arguments and fights along the way.

The movie starts out okay, but as the story progresses, there are quite a few noticeable faults here and there, to the point where it gets lost somewhere. The flow could've been a lot better if some crucial parts of the story were tackled and handled well. Even so, it isn't all that bad.

Overall, this road trip movie is something to enjoy for its performance. It seems like there’s no acting in this movie, as all of them just had to be themselves and show how friends should really treat each other.

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A decent film, but well-structured, controversial dark romance.

This is one of the dark-concept GL movies I found interesting. It reminds me of Black Swan and Thelma. The epilogue is rather bizarre, but it managed to pull the audience's attention right away. The moment it started, you knew that it was going to be full of angst, so brace yourself.

The main characters, Phoenix and Jade, are two women from different backgrounds. Phoenix is an openly gay artist who lives a free-spirited life, while Jade is a prosecutor and a Catholic fundamentalist. While Phoenix is keen to pursue a relationship with Jade, it’s not exactly possible. Then there’s Meng Ye, an androgynous man. Though this movie centers on the love triangle between them, there is no romance whatsoever in this movie. Only desire and pain.

This movie has an extensive theme that ranges from jealousy, possessiveness, sexual acceptance, one’s insecurity, and unhealthy conceptions of power and sex. It also explores the analogy between sex and gender. While the theme and the storylines are quite controversial and provocative, the director handles them brilliantly and conveys them through skillful cinematography.

In my opinion, ‘Wrath of Desire’ is not a perfect movie, and it may not be everyone’s cup of tea due to the taboo and dark elements it touches on, like BDSM, self-harm, cheating, grooming, and sex abuse, but it's a well-structured movie. It's a nice blending of reality, fantasy, emotions, and desire into a tragedy-packed story. If you like dark romance or something melodramatic, and if you can handle the triggers mentioned, it’s something to watch.

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It's watchable. but nothing special.

"Mon Rak Luk Tung’ was a classic hit in Thailand and this remake seems to follow the original template but with some musical twist to it. The story revolves around the love story between Khlao, a young poor farmer, and Thongkwao, the beautiful daughter of a wealthy man in the village. Their relationship is prevented by their parents, not only because of their differences in status but also because of the parents’ past issues with each other.

Like other versions, this drama is meant to be a sweet romantic comedy. However, the sweet romance is somehow lacking in terms of emotional building. The ‘rich girl, poor boy’ storyline is executed pretty typically; there is nothing compelling about it. The conflicts are also not well explored, making the tension feel flat. Although I’m not really into musicals, the musical portion of this drama is acceptable and not cringey.

Every character is decently played, but no character really stands out. Mew and Charlotte's chemistry is okay and their story development is rather weak. Charlotte’s character, Thongkwao, suits her personality, but as the story progresses, there's nothing interesting about her character other than a basic girl - she’s pretty, she’s smart, she’s from a rich family, and that pretty much it. Although her acting is not outstanding, it has improved from her previous series. Saijai, played by Kwan Pinthip, is a very stereotypical depiction of a promiscuous woman. She’s the villain you won’t pay much attention to.

This drama offers beautiful scenery and nice visuals. The countryside location is just amazing. ‘Falling in Love / Mon Rak Luk Tung 2567’ has a decent premise and a good line-up of actors, but the execution is pretty weak. It may not be a well-crafted remake that balances escapism with realism, but it’s an okay drama to watch for its light dramatic plots.

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A lighthearted yet bad comedy movie.

The adventure begins when Riam’s mother and sister get taken hostage by a group of bandits for the reason that the bandit leader is searching for a virgin who was born on a certain date and year in order to gain immortality, which happened to be Riam. So Riam and her goofball friends begin a journey to rescue her sister and mother. As silly as it might sound, that’s the story this movie is highlighting.

While this movie has a decent premise and a good lineup of actors, the execution is pretty bad in many ways. The plots are underwhelming, and the fun adventure this movie is intended to be is pretty messy. Not to mention the bad CGIs that make the whole thing look so outlandish. When it comes to jokes, it’s understandable that everyone has different senses of humor, so we interpret the comedy differently. To me, there are some funny moments, but they are predictable. I’m fine with slapstick jokes (which I know it’s popular in Thailand), but if they were supported with clever punchlines, it would make the jokes laughable. Unfortunately, some punchlines are missed, making the comedy look silly and contrived. I was cringing more than I was laughing.

Bella Ranee Campen is famous for her humorous and natural acting style, so Riam is not even a challenging character for her to carry. Riam is carefree, mischievous, and beautiful all in one, but the character doesn’t have the wow factor that makes it stand out or even make it better than other characters Bella had played before. Other supporting characters do their parts nicely to help advance the story with Riam.

I learned that this movie hit millions at the box office, so I reasoned that would be a good enough reason to watch it. But I found it hard to digest this movie as a whole. Overall, 'E-Riam Sing' is a lighthearted watch with good and positive messages, but it’s not a smart comedy. It’s just not my cup of tea.

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Visually stunning, but 'tragic' at its heart.

First of all, I want to say that if you happen to suffer from or deal with mental issues, this movie could be concerning since it lacks trigger warnings and has inconsistent handling of very sensitive material.

If you think this is a strangers-to-lovers romance movie that was filmed in a foreign country, technically, you are not wrong. But the core concept of this movie is far from the typical romantic movie you’ve seen. The idea is somewhat tragic: the FL is suffering depression and flew to Switzerland seeking assisted voluntary death (AVD), a morbid activity that’s legal there, and by chance, she meets another Pinoy, and strangely enough, they bond over the mutual understanding of AVD.

Visually, this movie offers the best views of the picturesque natural beauty of Switzerland. During the 1 hour 48 min running time, it almost feels like I’m watching a travelogue rather than a movie. Ironically, while this movie provides your eyes with breathtaking scenery and shows a few experiences you can add to your bucket list, the essence of it is disheartening. The dialogues could’ve been done in a better way, especially when the mental health issue is the midpoint of the movie’s narrative. Even as someone who doesn’t deal with serious mental issues, I found it depressing, especially the often juxtaposed scenes of emotional disarray of two people strolling across beautiful Swiss landscapes like it’s a sweet romcom. 

Mental health is a sensitive topic to discuss in any medium, especially when it touches on the idea of ending one's life. While this movie attempted to encourage conversation about this topic, with some reminders of self-love, it wasn't being handled with the right amount of sensitivity. Just when I thought there would be a light at the end of the tunnel, the ending turned out to be gloomier than I expected. Tons of beauty shots couldn't save this movie. The way it romanticizes suicide is a bit problematic. It’s frustrating to see the lack of basic research by the filmmakers on the right approach to a sensitive subject.

In terms of acting, Kylie Padilla handles her character and scenes efficiently. Playing a character with such a significant psychological and existential burden is not easy. Gerald Anderson, on the other hand, isn’t really noteworthy. He has his charms, but they fail to impress beyond that. While Kylie and Gerald show a decent chemistry, their intended romantic dialogues sound contrived.

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A watchable, light drama, but could've been better.

This drama is like Hotel de Luna meets the American dramas Miracle Workers and The Good Place, with a slightly different setting. Even if you haven’t watched the parent story, you can still get the whole idea of this spinoff. The premise is not something relatively new – people stuck in purgatory while waiting to be sent to either heaven or hell – this spinoff tells the story in an almost familiar setting we’ve seen before. The only thing that caught my interest is how they portray Hell, which looks like a paradise and is interpreted as a paradise for all the crime and illegal things.

The plots are quite predictable, with not many subplots that will give you surprise and suspense. There isn't much to be impressed with or complain about in terms of character as well. Most characters have their own backstory, but it doesn’t have much depth to make you feel related to the character. FL and ML have good chemistry, which earns this drama a little extra point. Given the hanging finale, I suppose there will be a second season. So far, I enjoyed this drama, but it could've been better.

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Should you give this movie a chance?

If you have seen 'One More Chance', you might want to watch this movie. But don't expect it to be the upgraded version because it might not be what you expect. Popoy and Basha’s flawed relationship in the prequel survived, and this movie takes an observant look at their married life with a subtle focus on the ‘seven-year marriage itch’.

The storyline progressed in phases: from the wedding, then fast-forward to the present day. It gives an understanding of what is going to happen next, which is the challenges they are facing of being married. It’s understandable that so much could change their dynamic as a couple after almost 12 years together (they dated for 5 years in One More Chance and married for 7 years in this movie). I’d say that the conflict doubles down on the movie’s realness and is reasonably exaggerated for melodrama’s sake.

Bea and John Lloyd, as usual, deliver a good performance. They are who they should be, as they just perform naturally while giving sincerity to their roles. Their chemistry is undeniable. There are moments that made me smile, sad, frustrated and even made me go “aww!”

Like the prequel, A Second Chance is not lacking in sweet romance, some corny lines, dramatic conflicts and arguments, supportive friends, and a predictable ending – a standard romance-drama formula. The emotional rollercoaster is there, but not enough to leave a lingering feeling or a lasting impact. There are a few things that I think could’ve been done better, but overall, the movie is not bad.

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A solid remake.

When it comes to K-drama remakes, there's always a question: can it live up to the expectations of fans of the original? For me, a successful remake isn't solely about replicating the story, but how it manages to retain emotions from its source material and make it stand out on its own. This Thai version stays true to the cherished elements of the original while still offering something new.

Given that this series is a remake, it's natural to draw comparisons. One might argue that since the storyline of "Signal" is already known to many, there might not be much room for suspense or surprise. However, this version is updated with more localized perspectives and fresh visual aesthetics while still managing to infuse the suspense based on the original's story and key plot points. The crime cases, although inspired by the original, are effectively tailored to fit the Thai context.

It is no secret that the original "Signal" was praised for outstanding performance by Jo Jin Woong, Kim Hye Soo, and Lee Jaehoon trio. They basically set the bar high, so it could've been easy to nitpick the remake. However, this version does not disappoint in that aspect. Chakrit Yamnarm, Pancake Khemanit, and Nonkul Chanon did justice to the characters. There wasn’t a single dull moment, and nothing felt like a mere imitation. Chakrit brings depth and intensity to his character, while Pancake adds a touch of vulnerability and strength. Nonkul's portrayal is captivating and keeps viewers glued to the screen.

Overall, this series proves to be a good remake that stands on its own merits. With its skilled cast, engaging storyline, and suspenseful moments, this remake is definitely worth your time.

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Feel the thrill of every spike.

Sports movies always resonate with audiences, especially with the theme of striving to be the best and the story of the underdog. This movie does exactly that without any major flaws.

Instead of making this movie entirely about the volleyball legend Lang Ping, it gives more space that highlights the players during the training and the sports events that the team competes in. The shots and the editing are so impactful, making your attention glued to the screen from the moment it started until the end. The intensity increases steadily.

What amazes me the most about this movie is that the players are playing themselves. Even the young Lang Ping is played by her daughter, who’s also a volleyball player. Without a professional acting background, each player carried out their own story successfully. You can see and feel the honest emotion and reaction in every hardship they have gone through during training and every match they are playing. What’s even more amazing is the fact that players from the USA, Thailand, Japan, and Brazil teams appear in this movie rather than having actors portray them. This is a good approach in sports movies because when a professional athlete plays, the technique and style are more accurate and convincing than an actor who embodies someone’s character. I'm just stating the obvious.

The matches are well executed, as if the movie were a historical re-enactment itself. I can feel the adrenaline rush, as if I’m watching a real match instead of a movie. It makes this movie one of the best sports movies I have ever seen. This is a perfect-10 sports movie.

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Queer-positive and realistic portrayal of family relationships

This film is based on the real-life story of Singaporean drag queen Sammi Zhen. And it’s not just a film; it is a heartfelt depiction of family relationships, the responsibilities of caregiving, and the journey of self-acceptance for LGBTQ+ individuals.

"A Good Child" has made a significant impact on audiences, garnering positive reviews for its nuanced exploration of complex themes. The film does not sugarcoat the challenges of caregiving or the complexities of family dynamics or the pain of reconciliation between an estranged parent and their LGBTQ+ child. It confronts these issues head-on, offering a raw and candid look at the messy, beautiful, and sometimes painful process of coming together as a family. This authenticity is what raises this film above a typical family drama, making it a powerful and thought-provoking piece of cinema.

Richie Koh's portrayal of the drag queen Jia Hao is nothing short of outstanding. Koh brings depth and complexity to the character, capturing both the flamboyance of Jia Hao's on-stage persona and the vulnerability of his off-stage identity. Koh's performance is both captivating and moving, elevating the film to new heights. And the rest of the cast did just an amazing job as well.

One of the strengths of this film lies in its attention to character development and how their stories intertwine with the main conflict. Each character, from Jia Hao to his estranged brother and mother, is given the space to grow and evolve, adding layers of complexity to the narrative. The relationships among the characters are deeply explored, and the honesty in portraying the real struggles faced by the characters creates a more profound and impactful viewing experience.

In conclusion, "A Good Child" is a standout Singaporean film that deserves to be recognized for its queer-positive and realistic representation of family life. Through its strong audience resonance, outstanding performances, and honest exploration of complex themes, the film shines as a beacon of quality cinema. It’s a must-watch for anyone looking for a moving and insightful film.

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