Editorials 
6
22
3
3
1
1
1
2
"Life is nothing but tragedy."
'Redlife' centers on two storylines that later on intersect in a tragic twist. The idea is not groundbreaking, but this film doesn't shy away from portraying the harsh realities of poverty and slum life. There’s a cleverly woven underlying theme of street gang, crime, drug use, girls' love, and prostitution, making it an intriguing watch for those seeking a glimpse into the gritty side of Bangkok.Although the actors’ performances and the character arcs are commendable, the main plot falls a bit flat. The story of Ter and Som seems unpolished, with some noticeable plot holes that hinder its impact. Though it feels more like a melodrama, it lacks those poignant moments and depth that challenge you to reflect deeply on the hardship the characters are going through. The ending is rather confusing. Despite the flaws, this film has decent cinematography, depicting the sympathetic insight into the lives of the less fortunate in good visual detail.
If you're up for a mildly thrilling cinematic experience with some tragic stories, this film might be your cup of tea. For me, it's a one-time watch. I like the bleak/dark concept, but this film fails to deliver it well and make it impressive.
Was this review helpful to you?
A decent dramedy.
The story revolves around four best friends as they set out on the dream trip they planned as teenagers. The long-overdue trip finally happened after their friend’s death, as they rekindled old bonds to pay their last respects to their late friend.The premise of a group of friends going on a road trip does seem entertaining, especially when it involves the big names of leading ladies. When it comes to a movie with many leads, it’s essential to establish the characters, personalities and backstories. Throughout the movie, viewers will discover their individual personalities and backstories, but somehow the character development is pretty weak. I personally think that the only thing that saves this movie is the four leads and their natural dialogue delivery. However, there are sequences that tend to be stressful because there’s a lot of arguments and fights along the way.
The movie starts out okay, but as the story progresses, there are quite a few noticeable faults here and there, to the point where it gets lost somewhere. The flow could've been a lot better if some crucial parts of the story were tackled and handled well. Even so, it isn't all that bad.
Overall, this road trip movie is something to enjoy for its performance. It seems like there’s no acting in this movie, as all of them just had to be themselves and show how friends should really treat each other.
Was this review helpful to you?
A decent film, but well-structured, controversial dark romance.
This is one of the dark-concept GL movies I found interesting. It reminds me of Black Swan and Thelma. The epilogue is rather bizarre, but it managed to pull the audience's attention right away. The moment it started, you knew that it was going to be full of angst, so brace yourself.The main characters, Phoenix and Jade, are two women from different backgrounds. Phoenix is an openly gay artist who lives a free-spirited life, while Jade is a prosecutor and a Catholic fundamentalist. While Phoenix is keen to pursue a relationship with Jade, it’s not exactly possible. Then there’s Meng Ye, an androgynous man. Though this movie centers on the love triangle between them, there is no romance whatsoever in this movie. Only desire and pain.
This movie has an extensive theme that ranges from jealousy, possessiveness, sexual acceptance, one’s insecurity, and unhealthy conceptions of power and sex. It also explores the analogy between sex and gender. While the theme and the storylines are quite controversial and provocative, the director handles them brilliantly and conveys them through skillful cinematography.
In my opinion, ‘Wrath of Desire’ is not a perfect movie, and it may not be everyone’s cup of tea due to the taboo and dark elements it touches on, like BDSM, self-harm, cheating, grooming, and sex abuse, but it's a well-structured movie. It's a nice blending of reality, fantasy, emotions, and desire into a tragedy-packed story. If you like dark romance or something melodramatic, and if you can handle the triggers mentioned, it’s something to watch.
Was this review helpful to you?
It's watchable. but nothing special.
"Mon Rak Luk Tung’ was a classic hit in Thailand and this remake seems to follow the original template but with some musical twist to it. The story revolves around the love story between Khlao, a young poor farmer, and Thongkwao, the beautiful daughter of a wealthy man in the village. Their relationship is prevented by their parents, not only because of their differences in status but also because of the parents’ past issues with each other.Like other versions, this drama is meant to be a sweet romantic comedy. However, the sweet romance is somehow lacking in terms of emotional building. The ‘rich girl, poor boy’ storyline is executed pretty typically; there is nothing compelling about it. The conflicts are also not well explored, making the tension feel flat. Although I’m not really into musicals, the musical portion of this drama is acceptable and not cringey.
Every character is decently played, but no character really stands out. Mew and Charlotte's chemistry is okay and their story development is rather weak. Charlotte’s character, Thongkwao, suits her personality, but as the story progresses, there's nothing interesting about her character other than a basic girl - she’s pretty, she’s smart, she’s from a rich family, and that pretty much it. Although her acting is not outstanding, it has improved from her previous series. Saijai, played by Kwan Pinthip, is a very stereotypical depiction of a promiscuous woman. She’s the villain you won’t pay much attention to.
This drama offers beautiful scenery and nice visuals. The countryside location is just amazing. ‘Falling in Love / Mon Rak Luk Tung 2567’ has a decent premise and a good line-up of actors, but the execution is pretty weak. It may not be a well-crafted remake that balances escapism with realism, but it’s an okay drama to watch for its light dramatic plots.
Was this review helpful to you?
Visually stunning, but 'tragic' at its heart.
First of all, I want to say that if you happen to suffer from or deal with mental issues, this movie could be concerning since it lacks trigger warnings and has inconsistent handling of very sensitive material.If you think this is a strangers-to-lovers romance movie that was filmed in a foreign country, technically, you are not wrong. But the core concept of this movie is far from the typical romantic movie you’ve seen. The idea is somewhat tragic: the FL is suffering depression and flew to Switzerland seeking assisted voluntary death (AVD), a morbid activity that’s legal there, and by chance, she meets another Pinoy, and strangely enough, they bond over the mutual understanding of AVD.
Visually, this movie offers the best views of the picturesque natural beauty of Switzerland. During the 1 hour 48 min running time, it almost feels like I’m watching a travelogue rather than a movie. Ironically, while this movie provides your eyes with breathtaking scenery and shows a few experiences you can add to your bucket list, the essence of it is disheartening. The dialogues could’ve been done in a better way, especially when the mental health issue is the midpoint of the movie’s narrative. Even as someone who doesn’t deal with serious mental issues, I found it depressing, especially the often juxtaposed scenes of emotional disarray of two people strolling across beautiful Swiss landscapes like it’s a sweet romcom.
Mental health is a sensitive topic to discuss in any medium, especially when it touches on the idea of ending one's life. While this movie attempted to encourage conversation about this topic, with some reminders of self-love, it wasn't being handled with the right amount of sensitivity. Just when I thought there would be a light at the end of the tunnel, the ending turned out to be gloomier than I expected. Tons of beauty shots couldn't save this movie. The way it romanticizes suicide is a bit problematic. It’s frustrating to see the lack of basic research by the filmmakers on the right approach to a sensitive subject.
In terms of acting, Kylie Padilla handles her character and scenes efficiently. Playing a character with such a significant psychological and existential burden is not easy. Gerald Anderson, on the other hand, isn’t really noteworthy. He has his charms, but they fail to impress beyond that. While Kylie and Gerald show a decent chemistry, their intended romantic dialogues sound contrived.
Was this review helpful to you?
A watchable, light drama, but could've been better.
This drama is like Hotel de Luna meets the American dramas Miracle Workers and The Good Place, with a slightly different setting. Even if you haven’t watched the parent story, you can still get the whole idea of this spinoff. The premise is not something relatively new – people stuck in purgatory while waiting to be sent to either heaven or hell – this spinoff tells the story in an almost familiar setting we’ve seen before. The only thing that caught my interest is how they portray Hell, which looks like a paradise and is interpreted as a paradise for all the crime and illegal things.The plots are quite predictable, with not many subplots that will give you surprise and suspense. There isn't much to be impressed with or complain about in terms of character as well. Most characters have their own backstory, but it doesn’t have much depth to make you feel related to the character. FL and ML have good chemistry, which earns this drama a little extra point. Given the hanging finale, I suppose there will be a second season. So far, I enjoyed this drama, but it could've been better.
Was this review helpful to you?
Should you give this movie a chance?
If you have seen 'One More Chance', you might want to watch this movie. But don't expect it to be the upgraded version because it might not be what you expect. Popoy and Basha’s flawed relationship in the prequel survived, and this movie takes an observant look at their married life with a subtle focus on the ‘seven-year marriage itch’.The storyline progressed in phases: from the wedding, then fast-forward to the present day. It gives an understanding of what is going to happen next, which is the challenges they are facing of being married. It’s understandable that so much could change their dynamic as a couple after almost 12 years together (they dated for 5 years in One More Chance and married for 7 years in this movie). I’d say that the conflict doubles down on the movie’s realness and is reasonably exaggerated for melodrama’s sake.
Bea and John Lloyd, as usual, deliver a good performance. They are who they should be, as they just perform naturally while giving sincerity to their roles. Their chemistry is undeniable. There are moments that made me smile, sad, frustrated and even made me go “aww!”
Like the prequel, A Second Chance is not lacking in sweet romance, some corny lines, dramatic conflicts and arguments, supportive friends, and a predictable ending – a standard romance-drama formula. The emotional rollercoaster is there, but not enough to leave a lingering feeling or a lasting impact. There are a few things that I think could’ve been done better, but overall, the movie is not bad.
Was this review helpful to you?
Feel the thrill of every spike.
Sports movies always resonate with audiences, especially with the theme of striving to be the best and the story of the underdog. This movie does exactly that without any major flaws.Instead of making this movie entirely about the volleyball legend Lang Ping, it gives more space that highlights the players during the training and the sports events that the team competes in. The shots and the editing are so impactful, making your attention glued to the screen from the moment it started until the end. The intensity increases steadily.
What amazes me the most about this movie is that the players are playing themselves. Even the young Lang Ping is played by her daughter, who’s also a volleyball player. Without a professional acting background, each player carried out their own story successfully. You can see and feel the honest emotion and reaction in every hardship they have gone through during training and every match they are playing. What’s even more amazing is the fact that players from the USA, Thailand, Japan, and Brazil teams appear in this movie rather than having actors portray them. This is a good approach in sports movies because when a professional athlete plays, the technique and style are more accurate and convincing than an actor who embodies someone’s character. I'm just stating the obvious.
The matches are well executed, as if the movie were a historical re-enactment itself. I can feel the adrenaline rush, as if I’m watching a real match instead of a movie. It makes this movie one of the best sports movies I have ever seen. This is a perfect-10 sports movie.
Was this review helpful to you?
A journey of a matriarch.
Thai drama world might not be abundant with slice-of-life series that chronicle the life of a sole protagonist, so this series intrigued me and it turned out to be pretty impressive. The series follows the life of Chomnad, a resilient woman who faces life's storms, family dynamics, love, and loss. As the story unfolds, it delves deeply into the nuanced realities of human nature and personal struggle with unflinching honesty.The strength of this series lies in its female lead. Pancake Khemanit delivers a powerful performance as Chomnad, portraying her with grace and nuance. She pulls off an incredible balance of showing resilience, flaws and vulnerability that had me invested in her journey—I was cheering her on while also wanting to give her a reality check at times. Other supporting cast did amazingly too.
Another strong aspect of the series is its realistic portrayal of human characters. There are no purely good or evil characters in this series, including Chomnad. Each character is multidimensional, with shades of gray, selfishness, and weakness, reflecting the complexity of real-life relationships. Plus, the series offers a poignant reflection of real family dynamics and societal norms, focusing on internal family conflicts, confrontations, and the fierce determination to protect loved ones. It's not just about the hardships Chomnad endures but also a journey of a family matriarch, which I can personally resonate with.
Despite the impressive performances and the story depth, I found the pace a bit rushed. 16 episodes to retell Chomnad's life from her teenage years to old age, the story progresses in rapid time jumps, resulting in the relationships between certain characters or conflicts being resolved or transitioned too quickly. It leaves some storylines to have less to no impact as they should. And the series can be quite stressful too, as the plots are constantly about loss and family problems. My biggest issue with this series is the special effects makeup. The aging makeup is not quite convincing and comical. Even at the age of 70, Chomnad looks like a lady in her 40s in gray hair wig.
Overall, this series stands out as a good exploration of life’s complexities, family ties, and personal strength. Even with some noticeable flaws, this series is still something you can watch for its performance and story. If you're a fan of emotionally charged dramas that delve into the complexities of human relationships and society, it's worth giving a shot.
Was this review helpful to you?
There's not much a strong "kilig" can do when the story is weak.
For Rastro / Jathea fans, the news of Glaiza de Castro and Rhian Ramos pairing up on screen again in a film was undoubtedly a cause for excitement. This reunion of the Philippines' first GL pairing had fans eagerly anticipating a well-developed romance, especially after their sizzling chemistry in "The Rich Man's Daughter." However, despite the star power and on-screen appeal of the leading ladies, the film doesn't live up to the hype.The chemistry between Glaiza and Rhian is one of the film's strongest points. Their natural moments of banter and "kilig" make the audience root for their romance. However, even the best chemistry can only carry a story so far. The film suffers from a loose and tangled story structure. The uneven pacing and a confusing flow of events between present-day scenes and flashbacks make it hard for viewers to stay engaged. Another notable shortcomings is its lack of character depth and development. Chicks feels too shallow, while Anne, lacks a properly fleshed-out backstory that could have added layers to her story/conflict. At some point, the concept of a 'manic pixie dream girl' doesn't really carry much weight beyond just being a concept. Without well-rounded characters to invest in, it's challenging to fully engage with the story beyond the surface-level romance. Plus, this film has beautiful locations and sets. But unfortunately, they are not fully utilized to give the visual impact that it deserves.
While Rastro reunion on screen is a treat for the fans and their performances are commendable, the loose storyline and lack of character depth overshadow their efforts. They've done their best with the material given, but ultimately, the film as a whole falls short of making a lasting impact. Overall, "I Fell, It's Fine" is a bit of a letdown for fans or even anyone who seek a more engaging and well-crafted love story.
Was this review helpful to you?
A unique blend of horror, but lacking somewhere
This film offers a unique and fresh perspective on Thai horror films by blending two distinct beliefs into one captivating story. It is a rare gem in the horror genre that manages to seamlessly weave Christianity and animism together, creating an engaging narrative. The contrast between the two belief systems adds depth to the story, creating a rich tapestry of cultural and spiritual elements that set it apart from other horror films. The integration of both beliefs adds a layer of complexity and intrigue to the narrative.The performances in this movie are quite remarkable. James Jirayu and Mean Phiravich deliver compelling performances that bring their characters to life with authenticity. In particular, Mean Phiravich shines with his portrayal of Mae Muang Sopha, showcasing his versatility and talent as an actor. Pearwah's performance is equally good, pushing the boundaries of her acting abilities.
This movie has its fair share of strengths, but it also has some weaknesses. At times, the pacing feels a little off and some plotlines may seem repetitive. The story's resolution can feel somewhat anticlimactic. The scary level of the film is also quite mild, which may disappoint viewers looking for a more intense horror experience. Also, the characters' backstories could have been fleshed out more to give us a better grasp of their motivations and actions.
Director Kui Taweewat deserves praise for his ability to produce horror films with a unique flavor that sets them apart from the rest. His skillful direction and vision shine through in every frame. One of the noteworthy features is its exorcism scenes, which are nicely crafted to evoke a similar feeling of Western horror films, with intense moments of tension and suspense.
Overall, while the film may not be a groundbreaking masterpiece, it is a refreshing take on the horror genre that offers something new and exciting for fans of the supernatural. But if you're looking for something really terrifying with a solid execution, this probably isn't it. Still, it's worth a watch for the unique twist it provides.
Was this review helpful to you?
Not worth your time.
‘Malee’ is probably the first Thai horror film I’ve watched that features a sapphic storyline. While combining sapphic love, Manora dance, and horror seems like a refreshing departure from the usual tropes seen in the genre, unfortunately, everything is just all over the place.The most important thing about a horror film is the suspense buildup. Without a solid story progression, the fear and horror the film tries to deliver surely won’t work. And this is exactly what this film failed to deliver. The poor script and the lackluster acting from its cast are this film's major downfall. The first 40 minutes of the film are slow and dull, failing to build any real tension or suspense. Additionally, the jumpscares in the film fall flat, lacking the necessary build-up and payoff to truly frighten viewers.
As a big horror enthusiast who also follows GL, I’d say this film is ultimately a bland horror movie with nothing memorable to offer. Definitely not worth your time. 'Malee' may have had the potential to be a standout Thai horror film with its intriguing concept and sapphic backstory, but the film simply fails to fully explore and develop any plot point properly, leaving everything seeming underdeveloped. And if you’re a GL fan who would watch everything with sapphic/WLW elements regardless of the quality, I advise you to at least set some standards and just skip this film.
Was this review helpful to you?
Doesn't live up to the expectations
When it comes to horror movies, audiences are always on the lookout for something that will send chills down their spine and keep them on the edge of their seats. 4 Graveyards is a film that promises to deliver a mix of horror, drama and comedy, but it doesn't live up to the expectations.This movie is divided into four different stories with different concepts and directorial teams revolving around the idea of a grave—Djinn, Miracle, Never Rest in Peace, and Children’s Graveyard. In anthologies, there’s often one story that stands out more than the rest, and I have to say, the 4th part, ‘Children’s Graveyard,’ is the one that really grabs my attention. Unfortunately, it feels like it’s a tad too late to recover from a slow start. While each story has its own unique hauntings, the script and the overall plot progression are underwhelming. Thus, I found it challenging to fully engage with the film as a whole.
The reason this movie caught my attention in the first place is its inclusion of religious elements from both Islamic and Christian beliefs, which is a refreshing angle we rarely see in Thai horror. Unfortunately, while this could have added a unique twist to the plot, the execution is rather disappointing. Another issue with this film is its lack of impact. While it does have its fair share of horror elements, they fall short of leaving a lasting impression. The frightening experience doesn't quite reach the level of creepiness it deserves, and the film fails to create that sense of dread and suspense that is crucial for a successful horror movie. I sat through the entire film without a single flinching. Plus, the CGI is pretty subpar.
Despite its shortcomings, one redeeming quality of this film is the solid acting performances from the cast. Each actor really brings their character to life in a believable way. However, even the stellar acting cannot fully compensate for the film's other shortcomings.
To sum it up, 4 Graveyards is a decent horror film, but it lacks suspense and overall impact. Some people may find some enjoyment in this film, but if you're a die-hard horror fan like me, it may be best to look elsewhere for a truly terrifying experience.
Was this review helpful to you?
A fairly satisfying remake of a classic Thai horror.
This is the 6th remake of the classic Thai drama, but the first being produced for the big screen.One of the standout features of this film is its production quality. It's undeniable that it's pretty uncommon to find a horror movie that pays such close attention to detail. The film has pretty good editing too. The transitions from scene to scene are quite seamless and manage to captivate the audience's emotions. So far, Kantana's projects have rarely let me down in terms of production and technical aspects. The costume design and hair and makeup are impressive too. You can see the detail to reflect the era as accurately as possible. And for me, the great production aspect always deserves an extra point. I would rate it lower than 7.5 if it wasn't for the production.
One more great thing about this film is the amazing performances by the three main actors. Their acting prowess truly shines. Nune Woranuch fully showcases her potential as Khun Lantom, creating a unique version of the character. Nune's beauty is ageless—how does she manage to look so stunning even as a ghost? At the same time, Gap Thanawet and Goy Arachaporn really show off their acting abilities, proving they can take on any roles with ease.
However, despite its great production and performances, this remake really struggles with its story and pacing. Turning a full-length series into a 90-minute film could be a challenging task for the scriptwriters, but they did manage to pull it off pretty well. Still, the limited time frame and the rush to build emotions might leave the story feeling a bit lacking. The first half is a slow burn, and the dialogues come off as a bit too careful before they finally gain momentum towards the end. And with only three characters steering the story and the main focus on Chev and Rossukon, it can feel a bit draggy.
In conclusion, the 2025 version is a fairly satisfying remake of a classic Thai horror drama into a big screen. While it may not be perfect, it's still quite well done.
Was this review helpful to you?
What the heck?!
"Hala Bala" tells the story of a police officer who sets out to track down a notorious drug lord, only to find himself trapped and tangled up in a haunted forest. The film's premise sounds promising, but unfortunately, the execution falls short of expectations.One of the main weaknesses of this film is its storytelling. The narrative is confusing and seems a bit out of place. The plots driving the story forward feel disjointed and without a clear end goal. One moment it's about chasing a bad guy, then it shifts to some cannibal, cult thing, and suddenly it dives into spirit possessions. The various twists and turns in the story seem to come out of nowhere. This lack of direction makes it hard for me to become emotionally invested in the characters and their journey.
In addition to the poor storytelling, this film also suffers from weak character development. The main protagonists - the cop and his wife, are not given enough depth or backstory to make them compelling leads. Other supporting characters are also underdeveloped, making their presence in the film feel pointless.
Despite these shortcomings, there are at least two positive aspects of this film—the actors' performance and good production values. Ter Chantavit and Nychaa Nuttanicha deliver solid performances in their respective roles. Their acting talent shines through, but even their skills cannot elevate the film to a more impressive status. And the well-shot scenes and good cinematography only do a little to compensate for the film's weak storyline and character development.
In conclusion, Hala Bala fails to live up to its promising premise. For viewers looking for a suspenseful, thrilling, and compelling experience, this film may not be the right choice.
Was this review helpful to you?
