the aggravated ayi
Vancouver, Canada
Strong performance from Crystal Liu in a richly nuanced study of love & relationships
The Tale of Rose is a show that grabs you visually, immediately. Crystal Liu is Huang YiMei, & her story starts when she's a 22 year old art graduate in Beijing, catapulting in the art industry to the position of exhibition curator through sheer spunk. A walking work of art herself, she's stunningly beautiful & she knows it. She also knows her beauty makes her a target for others to blame for their own misfortunes, but she refuses to accept that responsibiity. Liu bursts through every scene like a tornado, sweeping up everything around her, and I don't know why but I can't stop staring at the clothes, the hair & makeup, the bouncy non-chalance. But it's an immature soul inside that huge cloud of powder, and tornados are destructive.
The story follows YiMei and her older brother ZhenHua as they both pursue love in whatever form it may present to them. ZhenHua's gentle nature is in stark contrast to YiMei's firey liveliness. In fact, YiMei's initial relationship with a work colleague was such a rollercoaster I wasn't sure I could stomach it for an entire show as I realize I'm only on Ep12 at this point. But those clothes, that hair. I think this is the 1st show where it's not just an actor simply wearing a designer outfit; Liu lives & breathes that fashion, completely embodying a character who wears a ball gown as easily as pyjamas.
Live & learn, as they say, & as time goes on, YiMei decides to go back to school in a much subdued state, leaving her family in Beijing to go to Shanghai where she meets her 2nd love. At this stage she has changed so drastically that the question is can she find true happiness if she is not her true self? And are men really different from one another? Whether they are lone wolves or mama's boys, they all seek to control when they are unable to grow. Empowering oneself without disempowering the other takes a lot of maturing.
And fact check needed: can a husband resign his wife from her workplace without her consent, or her employer even confirming with her since the spouse is basically an unvetted stranger? This can't be legal, even in China, so this is quite a stretch in the story. If YiMei has the guts to sue for a divorce, why wouldn't she also sue for her job? This question is more or less answered at the end when she realizes she'd rather let go than fight to keep things, including love.
Legalities aside, this show becomes a fascinating look at the push & pull, the hanging on & letting go, overcoming & being overwhelmed at any & all stages of relationships, spanning almost 20 years of the lives of YiMei & those around her. Not to mention differing attitudes toward success & family, particularly from money grubbing mothers-in-law. The story even includes a character who becomes a single parent by choice, further commentary on the role of men as partners in modern women's lives. YiMei never loses herself no matter what she goes through and her fearlessness in pursuing the paths she chooses never wanes, especially when she finally meets her true soulmate, another free-spirited artist. She's like an immortal who's banished to the human realm to endure all aspects of human suffering. The 3rd relationship felt underdeveloped & overdrawn within the story as it passes very quickly, & was harder to sympathize with. However, the show draws to an end with YiMei coming to a reconciliation with all the people in her past, while recognizing that she can never be settled with anyone other than herself. This might make her selfish, but at least she's honest & unapologetic about it.
Another detail that was too distracting: if you're caught in a rain storm on a mountain hike & you are wearing an appropriate outdoor jacket that comes standard with a rain hood, why wouldn't you put that hood on? Yes, it's more visually dramatic to to be soaking wet with water running down your face, but if you don't want to die of hypothermia you need to Put. That. Freaking. Hood. On.
Anyway, aside from a few annoying details, I think this is the strongest performance from Crystal Liu I have seen. She doesn't overact the character at 22 years of age, unlike other celebrities (I'm thinking Yang Zi). Tong Da Wei as ZhenHua gives a steady performance & makes his character an anchor against YiMei's tumultuous life. Overall, I found this show very richly nuanced & quite enjoyable.
The story follows YiMei and her older brother ZhenHua as they both pursue love in whatever form it may present to them. ZhenHua's gentle nature is in stark contrast to YiMei's firey liveliness. In fact, YiMei's initial relationship with a work colleague was such a rollercoaster I wasn't sure I could stomach it for an entire show as I realize I'm only on Ep12 at this point. But those clothes, that hair. I think this is the 1st show where it's not just an actor simply wearing a designer outfit; Liu lives & breathes that fashion, completely embodying a character who wears a ball gown as easily as pyjamas.
Live & learn, as they say, & as time goes on, YiMei decides to go back to school in a much subdued state, leaving her family in Beijing to go to Shanghai where she meets her 2nd love. At this stage she has changed so drastically that the question is can she find true happiness if she is not her true self? And are men really different from one another? Whether they are lone wolves or mama's boys, they all seek to control when they are unable to grow. Empowering oneself without disempowering the other takes a lot of maturing.
And fact check needed: can a husband resign his wife from her workplace without her consent, or her employer even confirming with her since the spouse is basically an unvetted stranger? This can't be legal, even in China, so this is quite a stretch in the story. If YiMei has the guts to sue for a divorce, why wouldn't she also sue for her job? This question is more or less answered at the end when she realizes she'd rather let go than fight to keep things, including love.
Legalities aside, this show becomes a fascinating look at the push & pull, the hanging on & letting go, overcoming & being overwhelmed at any & all stages of relationships, spanning almost 20 years of the lives of YiMei & those around her. Not to mention differing attitudes toward success & family, particularly from money grubbing mothers-in-law. The story even includes a character who becomes a single parent by choice, further commentary on the role of men as partners in modern women's lives. YiMei never loses herself no matter what she goes through and her fearlessness in pursuing the paths she chooses never wanes, especially when she finally meets her true soulmate, another free-spirited artist. She's like an immortal who's banished to the human realm to endure all aspects of human suffering. The 3rd relationship felt underdeveloped & overdrawn within the story as it passes very quickly, & was harder to sympathize with. However, the show draws to an end with YiMei coming to a reconciliation with all the people in her past, while recognizing that she can never be settled with anyone other than herself. This might make her selfish, but at least she's honest & unapologetic about it.
Another detail that was too distracting: if you're caught in a rain storm on a mountain hike & you are wearing an appropriate outdoor jacket that comes standard with a rain hood, why wouldn't you put that hood on? Yes, it's more visually dramatic to to be soaking wet with water running down your face, but if you don't want to die of hypothermia you need to Put. That. Freaking. Hood. On.
Anyway, aside from a few annoying details, I think this is the strongest performance from Crystal Liu I have seen. She doesn't overact the character at 22 years of age, unlike other celebrities (I'm thinking Yang Zi). Tong Da Wei as ZhenHua gives a steady performance & makes his character an anchor against YiMei's tumultuous life. Overall, I found this show very richly nuanced & quite enjoyable.
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