Can you explain why this old idiots Trying to kill a 21year old girl And in broad daylight carrying Assault rifles in south korea Guns are avilable like bananas ? Drone flying with Mini guns ?
Well can you explain what was point of all this Why people were trying to kill a 21 year old collage girl out of sudden And why they are Green code, why people come to protect them What so special about them other then being mentioned as lead roles ?
With open hairs ML look like an ugly Old slut, He try to make psychopath like faces but it just looks like a disgusting old ugly woman .. Old version of milsendra from GOT
I can't understood there friendship at all It's fine to not fight each other but becoming friends With ex husband mistress that literally destroyed your marriage is beyond real world logic
Did they ever even become couple at all All I can watch are two woman who use to be sleep with same man As wife and mistress become weird kind of friendship
It's sort of the norm for them to make their characters overpowered.. And it's not just the male leads.. There…
Some dramas has court politics and consequences and leads have to manage between those two accomplice there goal, Here nothing effect leads. Court offical doesn't have any power, Even Emperor is weak Only ML is given all Militry power...
Yeah.. I get where you are coming from.. This isn't a male centric drama.. So I can understand your point of view..…
Well I don't have problem with male centric or not, I find ML overpowered So as viewers it's hard to root for him to overcome any difficulty, because we know he will Even if he do anything wrong even his father doesn't have guts to punish him, His enemies also look weak and pathetic
Your post overstates the law and comes across more as an attempt to intimidate people into staying silent than…
Your argument is largely correct in theory, but it overlooks the practical distinction between having jurisdiction and being able to enforce it.
The Japan speeding analogy isn't comparable. An American driving in Japan is physically present in Japan, so Japanese authorities have immediate territorial control. A U.S. citizen posting online while remaining inside the United States is in a completely different legal situation.
South Korea may claim jurisdiction because the alleged harm occurred there, but that is only the first step. It must still identify the individual, obtain evidence, secure cooperation from U.S. authorities or platforms where required, and, if it seeks criminal prosecution, follow U.S. extradition procedures where applicable. None of those steps is automatic simply because South Korea asserts jurisdiction.
More importantly, a South Korean conviction or arrest warrant does not automatically have legal effect in the United States. The U.S. does not simply hand over one of its own citizens because another country demands it. If the accused is in the United States, they have the right to challenge any extradition request before U.S. courts, raise legal defenses, and argue why extradition should be denied. U.S. courts independently determine whether the legal requirements under U.S. law and any applicable treaty are satisfied. Otherwise, any foreign government could effectively bypass the constitutional and legal protections guaranteed to people on U.S. soil.
Likewise, dual criminality alone does not guarantee extradition or enforcement. The existence of a treaty, the laws of both countries, the nature of the alleged offense, prosecutorial discretion, and judicial review all influence whether any action is actually taken.
So the issue isn't whether South Korea can assert jurisdiction in principle—it often can. The real question is whether that jurisdiction can be effectively enforced against someone who has never left the United States. Those are two very different things, and that's where your argument moves from legal theory into assumptions about practical reality.
I think you're the one who completely missed my point.
First, I said "incest vibes," not actual incest. I understand they are not biologically related. That's not the issue.
My problem is how the story presents the relationship. Ha Ji-won's character believes he is her long-lost biological cousin/brother for a significant part of the story, and Kang Ha-neul's character is introduced as a married man. Yet the drama keeps framing their interactions with romantic tension, emotional longing, and couple-like moments while pushing the actual wife into the background.
If the writers wanted me to care about his marriage, they should have treated his wife like an important character instead of a guest appearance. She gets sidelined while the supposed "siblings" get the emotional focus, romantic music, and chemistry-building scenes.
You say it was a creative choice. Fine. Creative choices can still be criticized. A director choosing something doesn't automatically make it good.
What made it uncomfortable for me is that Ha Ji-won's character falls for him before learning he isn't her relative and before learning the truth about the situation. From her perspective, she is developing romantic feelings for someone she believes is family and who is supposedly married. The drama barely treats that as a problem. Nobody seriously calls her out on it.
The wife never confronts her. Her ex never mocks the absurdity of the situation. The story almost acts as if the audience should simply accept the transition from "family member" to "romantic interest" without questioning how strange that looks from her point of view.
And while we're talking about creative choices, the drama never even properly explains why Kang Ha-neul's character looks exactly like her grandmother's former lover. The entire plot depends on that resemblance, yet it is treated as something viewers should just accept.
I understand the themes the writers were aiming for—loss, longing, second chances, redemption. I just don't think the execution worked. For me, the show spent more effort romanticizing an emotionally awkward situation than addressing why it was awkward in the first place.
So no, this isn't about having a "dirty mind." It's about how the story is written. If a character believes she is falling for a married relative, and the drama presents that with romantic framing instead of treating it as a serious issue, some viewers are naturally going to find it uncomfortable.
At times I honestly felt Se-jun made more sense than the male lead. At least his role didn't require the audience to ignore all of those contradictions just to make the romance work. 😂
Trying to kill a 21year old girl
And in broad daylight carrying Assault rifles in south korea
Guns are avilable like bananas ?
Drone flying with Mini guns ?
Why people were trying to kill a 21 year old collage girl out of sudden
And why they are Green code, why people come to protect them
What so special about them other then being mentioned as lead roles ?
He try to make psychopath like faces but it just looks like a disgusting old ugly woman ..
Old version of milsendra from GOT
It's fine to not fight each other but becoming friends
With ex husband mistress that literally destroyed your marriage is beyond real world logic
All I can watch are two woman who use to be sleep with same man
As wife and mistress become weird kind of friendship
Did she took revenge or forgive him in the end
Where even leads suffer loses
Here nothing effect leads.
Court offical doesn't have any power,
Even Emperor is weak
Only ML is given all Militry power...
I find ML overpowered
So as viewers it's hard to root for him to overcome any difficulty, because we know he will
Even if he do anything wrong even his father doesn't have guts to punish him,
His enemies also look weak and pathetic
that they feel not connected
and doesnt feel human at all
The Japan speeding analogy isn't comparable. An American driving in Japan is physically present in Japan, so Japanese authorities have immediate territorial control. A U.S. citizen posting online while remaining inside the United States is in a completely different legal situation.
South Korea may claim jurisdiction because the alleged harm occurred there, but that is only the first step. It must still identify the individual, obtain evidence, secure cooperation from U.S. authorities or platforms where required, and, if it seeks criminal prosecution, follow U.S. extradition procedures where applicable. None of those steps is automatic simply because South Korea asserts jurisdiction.
More importantly, a South Korean conviction or arrest warrant does not automatically have legal effect in the United States. The U.S. does not simply hand over one of its own citizens because another country demands it. If the accused is in the United States, they have the right to challenge any extradition request before U.S. courts, raise legal defenses, and argue why extradition should be denied. U.S. courts independently determine whether the legal requirements under U.S. law and any applicable treaty are satisfied. Otherwise, any foreign government could effectively bypass the constitutional and legal protections guaranteed to people on U.S. soil.
Likewise, dual criminality alone does not guarantee extradition or enforcement. The existence of a treaty, the laws of both countries, the nature of the alleged offense, prosecutorial discretion, and judicial review all influence whether any action is actually taken.
So the issue isn't whether South Korea can assert jurisdiction in principle—it often can. The real question is whether that jurisdiction can be effectively enforced against someone who has never left the United States. Those are two very different things, and that's where your argument moves from legal theory into assumptions about practical reality.
First, I said "incest vibes," not actual incest. I understand they are not biologically related. That's not the issue.
My problem is how the story presents the relationship. Ha Ji-won's character believes he is her long-lost biological cousin/brother for a significant part of the story, and Kang Ha-neul's character is introduced as a married man. Yet the drama keeps framing their interactions with romantic tension, emotional longing, and couple-like moments while pushing the actual wife into the background.
If the writers wanted me to care about his marriage, they should have treated his wife like an important character instead of a guest appearance. She gets sidelined while the supposed "siblings" get the emotional focus, romantic music, and chemistry-building scenes.
You say it was a creative choice. Fine. Creative choices can still be criticized. A director choosing something doesn't automatically make it good.
What made it uncomfortable for me is that Ha Ji-won's character falls for him before learning he isn't her relative and before learning the truth about the situation. From her perspective, she is developing romantic feelings for someone she believes is family and who is supposedly married. The drama barely treats that as a problem. Nobody seriously calls her out on it.
The wife never confronts her. Her ex never mocks the absurdity of the situation. The story almost acts as if the audience should simply accept the transition from "family member" to "romantic interest" without questioning how strange that looks from her point of view.
And while we're talking about creative choices, the drama never even properly explains why Kang Ha-neul's character looks exactly like her grandmother's former lover. The entire plot depends on that resemblance, yet it is treated as something viewers should just accept.
I understand the themes the writers were aiming for—loss, longing, second chances, redemption. I just don't think the execution worked. For me, the show spent more effort romanticizing an emotionally awkward situation than addressing why it was awkward in the first place.
So no, this isn't about having a "dirty mind." It's about how the story is written. If a character believes she is falling for a married relative, and the drama presents that with romantic framing instead of treating it as a serious issue, some viewers are naturally going to find it uncomfortable.
At times I honestly felt Se-jun made more sense than the male lead. At least his role didn't require the audience to ignore all of those contradictions just to make the romance work. 😂