catherine
This review may contain spoilers
Just the romance could have, and would have been enough
This was the drama I've been looking forward to all year, and I was so so disappointed. This drama is what you get when a writer wants to write a rom-com but can't develop it well, so they start inserting random plot points and cute, trope-y moments and just cross their fingers.
I'll be honest. The drama lost me the moment the stomach cancer plot was introduced, for multiple reasons.
From a writing perspective, it just doesn't work. It's a lazy way to evoke empathy and it gave me tonal whiplash — the scenes specifically about Seok-ryu's cancer are well-done and heavy, but the show itches to revert to its light-hearted rom-com moments. It feels like the cancer plot is big for a few episodes and then completely forgotten, save for a few random mentions. The show falls into the unfortunate trap — instead of adding depth, it ends up feeling too light-hearted for such a heavy topic.
On a more serious note, I also just feel like the cancer plot point undermines the commentary on mental health, which I was really enjoying at the start. We have the main character undergoing familial pressure, burnout, and depression — things that are SO relatable to just about every single person — and suddenly the cancer reveal happens, and it's like oh, all those things that Seok-ryu was going through was because of the cancer. Her mother, who just thinks Seok-ryu is going through a phase, suddenly cares because the illness is physical. But the entire time I couldn't help but think it would've been such better writing and so much more touching if there had been no cancer plot and Seok-ryu's mother had grown to understand the importance of mental health instead.
After the cancer reveal, the plot pretty much winds down and starts going through subplots (like the parents' almost-divorce caused by a misunderstanding, and a few fights) that make it feel a little aimless. It's like the drama doesn't really know where to go from there and the writing just takes a steep dive because it never took the time to fully develop either Seok-ryu's cooking journey, or Seung-hyo's architecture company. We only seem to see glimpses of each.
I think the best scenes in the show are actually the flashbacks, where we got to see the chaotic depths of the leads' relationship from each of their perspectives and how it was paralleling present day. The banter that they have is actually pretty fun, but they definitely lose that spark once they get together and just become a very common couple with the common kdrama scenes. The chemistry that had potential at the start isn't there anymore.
As for the second ship...they're fine. They start out cute, but despite the potential of the backstory, I just don't feel like they ever touched my emotions.
Ultimately, I really wish this had either (1) gone full melodrama and given the cancer plot the weight it needed (even the second ship's backstory has a lot of potential for angst), or (2) trusted in the rom-com genre, and that the development between the leads as they followed their dreams together would've been enough to give us an amazing story — without all the extra stuff.
I'll be honest. The drama lost me the moment the stomach cancer plot was introduced, for multiple reasons.
From a writing perspective, it just doesn't work. It's a lazy way to evoke empathy and it gave me tonal whiplash — the scenes specifically about Seok-ryu's cancer are well-done and heavy, but the show itches to revert to its light-hearted rom-com moments. It feels like the cancer plot is big for a few episodes and then completely forgotten, save for a few random mentions. The show falls into the unfortunate trap — instead of adding depth, it ends up feeling too light-hearted for such a heavy topic.
On a more serious note, I also just feel like the cancer plot point undermines the commentary on mental health, which I was really enjoying at the start. We have the main character undergoing familial pressure, burnout, and depression — things that are SO relatable to just about every single person — and suddenly the cancer reveal happens, and it's like oh, all those things that Seok-ryu was going through was because of the cancer. Her mother, who just thinks Seok-ryu is going through a phase, suddenly cares because the illness is physical. But the entire time I couldn't help but think it would've been such better writing and so much more touching if there had been no cancer plot and Seok-ryu's mother had grown to understand the importance of mental health instead.
After the cancer reveal, the plot pretty much winds down and starts going through subplots (like the parents' almost-divorce caused by a misunderstanding, and a few fights) that make it feel a little aimless. It's like the drama doesn't really know where to go from there and the writing just takes a steep dive because it never took the time to fully develop either Seok-ryu's cooking journey, or Seung-hyo's architecture company. We only seem to see glimpses of each.
I think the best scenes in the show are actually the flashbacks, where we got to see the chaotic depths of the leads' relationship from each of their perspectives and how it was paralleling present day. The banter that they have is actually pretty fun, but they definitely lose that spark once they get together and just become a very common couple with the common kdrama scenes. The chemistry that had potential at the start isn't there anymore.
As for the second ship...they're fine. They start out cute, but despite the potential of the backstory, I just don't feel like they ever touched my emotions.
Ultimately, I really wish this had either (1) gone full melodrama and given the cancer plot the weight it needed (even the second ship's backstory has a lot of potential for angst), or (2) trusted in the rom-com genre, and that the development between the leads as they followed their dreams together would've been enough to give us an amazing story — without all the extra stuff.
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