A true matriarchal clan
First, credit where it's due. This is a true matriarchal clan and a genuinely women-driven story. Shanbao is a well-developed lead. Her philosophy, her lines, her duty to the clan, her balance of ruthlessness and mercy. The premise isn't decoration. The drama builds its world around it and stays loyal to it, and that alone earns a high rating from me.
I liked a lot of what's here. The plots, the interactions, the sisters, the tea clan and the dynamics inside it. There's a real world on screen and I enjoyed spending time in it. But it could have been so much better, and that's what keeps nagging at me.
Where it falls short is the writing, and it falls short precisely where it matters most. Plot points get explained retroactively rather than set up. The schemes don't land because the outcome is never in doubt. Shanbao is never truly vulnerable, never close to losing. That leaves an emotional flatness I couldn't shake, and it's the main reason I'm not rating this higher.
Another issue is the romantic relationship between the leads. The romance has a structural problem. In a classical cdrama the ML usually holds both the power and the pining. He's above her and he wants her, and the pull comes from those sitting in the same person. Here they've been reversed improperly. The ML does all the wanting and has none of the power.
To be clear, Shanbao wants him too. You can feel the desire and the affection coming off the screen. But it's never tested. She never gives up anything for him, never has to choose between him and the clan in a way that costs her. Meanwhile the script keeps handing the ML yandere-adjacent declarations and threats, clearly meant to restore some of the old ML weight, and they don't take. Shanbao just laughs and smiles and nothing follows. He comes off unimpressive, and the romance comes off cold.
I forgive some of this, because the asymmetry is baked into the premise. Shanbao can't enter his patriarchal world, only he can enter hers, so the drama can't test her the way it would test a classical FL without breaking its own logic. But it could have found something. And I suspect the rest comes from the roles being flipped while the audience the drama is written for is not. The pining had to go somewhere, and it landed on the ML by default.
So I praise the show for its loyalty to the matriarchy, and I bemoan the lackluster romance it got in exchange.
I liked a lot of what's here. The plots, the interactions, the sisters, the tea clan and the dynamics inside it. There's a real world on screen and I enjoyed spending time in it. But it could have been so much better, and that's what keeps nagging at me.
Where it falls short is the writing, and it falls short precisely where it matters most. Plot points get explained retroactively rather than set up. The schemes don't land because the outcome is never in doubt. Shanbao is never truly vulnerable, never close to losing. That leaves an emotional flatness I couldn't shake, and it's the main reason I'm not rating this higher.
Another issue is the romantic relationship between the leads. The romance has a structural problem. In a classical cdrama the ML usually holds both the power and the pining. He's above her and he wants her, and the pull comes from those sitting in the same person. Here they've been reversed improperly. The ML does all the wanting and has none of the power.
To be clear, Shanbao wants him too. You can feel the desire and the affection coming off the screen. But it's never tested. She never gives up anything for him, never has to choose between him and the clan in a way that costs her. Meanwhile the script keeps handing the ML yandere-adjacent declarations and threats, clearly meant to restore some of the old ML weight, and they don't take. Shanbao just laughs and smiles and nothing follows. He comes off unimpressive, and the romance comes off cold.
I forgive some of this, because the asymmetry is baked into the premise. Shanbao can't enter his patriarchal world, only he can enter hers, so the drama can't test her the way it would test a classical FL without breaking its own logic. But it could have found something. And I suspect the rest comes from the roles being flipped while the audience the drama is written for is not. The pining had to go somewhere, and it landed on the ML by default.
So I praise the show for its loyalty to the matriarchy, and I bemoan the lackluster romance it got in exchange.
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