Tanky Toon

Immortality took too long to be released, IMHO. If it was released before WOH, then most likely WOH will be banned and any BL adaptations thereafter. But it also depends, if Immortality only went The Untamed way, where the romance is really subtle and can be passed as bromance, then WOH may still be aired. It was I believe where WOH was crossing the lines (as in the love between them could already be seen more than as just simple brotherhood), that became concerning for the Regulators.

Also, when they edited WOH and The Untamed, the regulations then was not as restrictive. But after WOH came out, NRTA doubled down on its restrictions with a whole new set of requirements to be able to pass censorship.

At the time when they shoot the series, the ban was still not in place. only when WOH became popular that the ban came into effect in 2021.

Thanks for the suggestions! I will look into it.

I don't remember, sorry. I watched it months ago and just posted the review recently.

Ep 11 to approx Ep 20. This is the stage where, in their minds, they say, “Yes, we are GF/BF but we are still afraid to hold hands and have our first kiss.” While I quip, “maybe sometime this century.” Time spent on the FFWD button: probably half the time, roughly translating to 3 to 4 hours. Mostly on the first of 3 or 4 prolonged trips with friends that do nothing to the plot but serve as contrived instances so they can shoot star eyes at each other.

Ep 21 to approx Ep 30. Well, they finally got their first kiss out of the way. What now? Let’s just skip to talk about marriage, shall we? Time spent on the FFWD button: I think my thumb is glued to it, roughly translating to 75% of the time.

Ep 31 to Ep 33. Whew, are you sure this drama is at the end of its ropes? No more squeezing in PDAs and prolonged contrivances so they can all couple up and tie the drama with a neat bow? Are you sure there are only three people in the cast who are doctors, who are also voice actors, and are also capable of other things, like maybe singing, cooking, painting, sound-editing, guitar-playing, and what else? And they also happen to be good-looking but perpetually single, even with all their amazing talents? Wow, such a shocker! Time spent on the FFWD button: almost 90% of the time, pausing just to watch the Farewell concert and to check whether Mo Qing Cheng has anything else up his sleeves, maybe to announce he’s also a Nobel Prize Winner who invented the Pill to cure everyone of their illness.

I had been ready to drop this drama before Episode 10, but someone convinced me to hold on to this snooze fest.

My thoughts about this will be better depicted by the time my thumb spent on the FFWD button. Breakdown by episodic stages.

Ep 1 to approx Ep 5. I felt slightly giddy, like a kid at a candy store, looking at all the pastel colors and tasting all the sweetness. Time spent on the FFWD button: 0 seconds.

Ep 6 to approx Ep 10. I was getting used to the slight buzz that went from “Love at first sound” to “Hi, would you be my girlfriend, after just meeting you a few of times?” Time spent on the FFWD button, maybe 5 to 10 minutes.

The rest of the episode breakdown in spoilers, but trust me, you're not missing much.

I had to do a double-take when I watched the first few episodes. I thought it was Cheng Yi playing Xiao Se until I realized it wasn’t. (I don’t check the actor list before watching a drama). Anyway, though Cheng Yi remains a favorite, Li Hong Yi deserves praise for his portrayal for the cheeky and cunning Xiao Se, who is as removed from the Marial Arts world he used to dominate, as he is much embroiled with it because of his real identity.

Also, upping up their games are Liu Xue Yi as Wu Xin and Li Xin Ze as Tang Lian. I’ve seen both of them mostly in support roles, and I finally got to see them shining in their major roles. Not to be outdone, Ao Rui Peng easily portrays the happy-go-lucky Wu Jie, whose naivete is endearing. As for the two other female characters, unfortunately, I find them a little lacklustre. I do not know if it’s intentional or not, but these female characters seemed weaker than their male counterparts, and I am unsure if it’s due to the acting or the writing. Since Ruo Yi had a backstory of being a sickly child, it’s understandable that her martial arts prowess wasn’t as advanced as the others. But for a supposedly skilled fighter such as Si Kong Qian Luo, I am not sure why production forced a love line on her with Xiao Se, when there’s none to be found. They look more like a pair of siblings than a romantic couple. I don’t understand why production forced a love line on Si Kong Qian Luo and Xiao Se when there is no chemistry between them. Removing it would not impact the plot.

The rest of the characters were multi-dimensional and well-portrayed. There’s an abundance of personalities to keep the side-quests intriguing. The main plot itself is rich and intricate, without being too convoluted. I enjoyed the backstories, especially those of the martial art masters and immortal deities who predated the younger generation.

Speaking of the young ones, I admire the camaraderie among the group, especially the unusual bond between Xiao Se and Wu Xin. They are total opposites of each other, in terms of personality, upbringing and identity, and yet they are very in tune with each other’s thoughts and motivation. They may disagree sometimes, but they have the utmost respect for each other. Also along their journey, the team built a bond of trust where they can rely on each other to do their own parts. And it is their journey that I found entertaining, and it’s all kudos to the scriptwriters and the production crew. Also to be commended are the expertly choreographed fights, the carefully-thought-out strategies, the intricate costumes made by the production company.

Overall, this is such a great watch, even if they didn’t incorporate romantic elements. It was so hard for me to even decide where to put this in my top 20 list as China has been producing a lot of amazing Wuxia/Xanxia in the last five years but this one is certainly in my top 5 (as of this writing).

Yeah, seeing those kisses were so weird considering they had sex a few times. At least be consistent.

Spoiler for 3): Are we supposed to believe that neither of them even attempted to contact each other during those years? I get it that both of them are doing what they thought it would be good for the other person, sacrificing their relationship so both can focus on their career. But if Shogo didn’t tell Taku that Sayako rejected him long ago, would Taku have gone back and looked for Sayako? And she’s no better at the end, postponing marriage until when she’s settled? Until what, she turns 50 and is too late to have kids?

I’m not sure what to say about this drama that I neither love nor hate. Maybe it’s easier if I started breaking the parts I enjoyed. So what I liked:

1) Hirose Alice’s acting as the thirty-something year old woman who got a fresh start in life by entering a college to study what she missed out on a decade ago because of an unfortunate accident (apparently, she had quite a few of these). Her quirky expressions when she’s excited, and her stern face when she’s focused, were all captured on film.

2) The various characters living in a shared house. Their camaraderie, despite their distinct personalities, was refreshing and natural. They supported each other in their school work and their respective career paths. When there’s a disagreement, they talked it out or gave advice when requested, but mostly they listened to each other.

3) The inspiring messages the show imparts about not giving up, nor is it too late to pursue your dreams at any age as long as you strive for the path you created.

Now on the parts where I thought were disappointing:

1) I love noona romances, but the main pairing lacked chemistry. I’m not even expecting sizzling or hot-for-each-other attraction. But it wasn’t even lukewarm. Not to say Michieda wasn’t adorable as Taku, but it seemed like forced attachment on his part when paired with Sayako. So it was difficult for me to buy into their romance. All I see are two people who play a lot of rock-paper-scissors.

2) There are half-baked characters in the drama that don’t really serve a purpose for me, and are easily forgettable.

3) The time skips that flashed rapidly at the end. Spoiler in the reply below.

Anyway, watching this drama is like expecting a firework display but ended up with just a birthday candle.

What about the opposite? People rating 10s with just 1 episode?? Are you not going to complain about that?

bahahhaahahahaha

This drama is about two best friends suddenly being tasked with hosting a podcast about love and sex. Neither are really in a capacity to give professional advice, but they do lend a listening ear. On one hand, Mi Na only dallies with casual hook-ups, and is not looking for anybody for more than a romp in the hay. Meanwhile, Hee Jee is stuck in a boring rut with her longtime boyfriend, who cares more about what’s on screen than carrying an actual conversation with his girlfriend. Though neither of them feels jealous of each other’s situation, sometimes they wish to improve their love and sex lives.

In the eight brief episodes, we see both women grappling with the idea that there is more to life than just having meaningless sex, and comparatively, that they are not obligated to stay with one person just because it is easy and convenient. Change is a thing; yes, it could be scary, but the braver you are to explore what you truly want, the more rewarding your life experience will be.

Both Ahn Hee Yeon and Bae Woo Hee’s portrayal of these women come across as natural. The two male leads are not too shabby as well. I find the drama very refreshing as it tackles mature topics with candidness. I love how both female characters developed as individuals when exploring relationships outside of their comfort zone. The drama fearlessly delves into different perspectives on romance and sexual relationships that may not align with conventional values or beliefs, but are not deemed wrong or right, nonetheless.

At first I was confused why the title of this short is Blue Boys, but after watching the end, I understand it now. Because it gave me blue balls. Dang show did me dirty and didn't let me finish.

The premise sounded interesting, about someone who possessed the ability to read other people’s inner thoughts. Don’t we all like to be mind readers sometimes, but the reality of that ever happening would be scary for both parties. With this ability, not only would the listener be overwhelmed with unsolicited thoughts (especially if they’re negative), but they wouldn’t have to make an effort to understand the other person better. For the non-listener, their confidentiality would be violated. I believe that some people should be granted privacy, especially if they have no intention of disclosing their true intentions without filtering them first.

In this drama, Motomiya fortunately used this power mainly to communicate with her voiceless, quadriplegic father. She also used this ability to help her business, and she did not use them against others. Also, because of this talent, she gained a better awareness of other people’s sufferings as she tried to assuage their fears. But her reliance on this ability was tested when she encountered Yoon Tae Oh, who thought in another language that she couldn’t understand.

Motomiya tried to interpret Tae Oh’s internal musings, but she shouldn’t have worried though, because Tae Oh was forthright about his feelings. Whatever that was in Tae Oh’s mind, he voiced them and was sincere about it. Yuri doubted this, because in her experience, what one says aloud doesn’t always reflect their innermost thoughts. She developed some trust issues because she couldn’t believe that some people can be actually that pure-hearted and kind.

I loved Tae Oh’s character specifically because of this innocence about him, that he’s open and that he wears his heart on his sleeve. I also loved the interaction between Motomiya and her father, how their bond was so close despite the tragic accident that befell him. Motomiya could not get over her part in her father’s disability, but she kept forgetting that he would have done anything to protect her, and would not blame her for it.

I wasn’t keen on the other characters though. Even the story-line of the second couple was ho-hum for me. The plot, though simple, was not fully explored, as I would have liked it to be. I would have been interested in the fantastical nature of how she came to possess that ability to hear people’s thoughts. Though the drama made some reference, albeit briefly, it wasn’t enough for me. The saving grace of this drama was truly Chae Jong Hyeop’s portrayal of this mild-mannered, happy-go-lucky man who refused to let his chance at love be consigned to fate.

This drama started out slow, but after a few episodes, the story picked up and became more interesting as it went. I like the juxtaposition of characters and I’ve seen both leads in other works and they’ve already proven their acting prowess there, especially when I have viewed four of Zhang Ling He’s works before I watched this one. So I knew what I was expecting. Who surprised me though is Ryan Cheng. I didn’t realize he was also the main in “A Familiar Stranger,” but maybe it’s because his character there wasn’t as flushed out as Gong Shang Jue’s.

The characters in this drama are multi-dimensional, that they are not necessarily “all good” or “all evil.” Despite what has been portrayed, most of them have the freedom of choice, whether to follow along the path that was created for them, or carve out one for themselves. This is why I admire Yun Wei Shan’s character and Yu Shu Xin’s portrayal of a skilled assassin. She cleverly integrated herself into the Gong family and made her own judgment, not solely relying on what had been fed to her, while also following the edicts of her organization.

Gong Zi Yu, for his part, turned from a playboy to a love-struck fool, from a supposedly incompetent “spare” to become the new Sword Wielder. Throughout his journey through the trials, Gong Zi Yu has proven himself to be more than a sitting duck everyone assumes him to be. His ingeniousness, coupled with his compassion for the people, made him a formidable leader.

I find myself second-guessing the true nature of the characters, which is rare for me as I have usually found them predictable in other shows. Even I find the pairing of Gong Zi Shang (Zi Yu’s sister) and Jin Fan (Zi Yu’s guard) hilarious. Perhaps the only person I truly detested here is Shangguan Qian. I really have no tolerance for her type of character, through no fault of the actress.

As for other aspects, the production, cinematography and the costumes were breathtaking. Likewise, the plot here is also intricate and engaging. Everything here in this drama is smoke and mirrors, and it is up to these characters to decipher the truth from all of it.

As time goes by, the two slowly form an unlikely bond. We see both Hwi Oh and Min Kyung grow fond of each other and become accepting of the other’s quirks..We see them relying on each other during difficulties, and how they care for each other despite struggling with their own issues. Hwi Oh’s pursuit of justice sometimes lands him in precarious positions, as he did not have authority to conduct investigations because of his suspension.

On the other hand, Min Kyung had to deal with her POS ex and his manipulative mother. The deliberate sabotage of Min Kyung’s already fragile reputation, led Min Kyung to be shunned by the condo community. And here we see how endearing Hwi Oh is, by standing on her side despite the lack of proof to the contrary. However, even this wasn’t enough for Min Kyung who questions every motive of Hwi Oh going close to her. The previous trauma that she endured, made Min Kyung unable to trust anybody, even herself. Not wanting to seek help or seem weak, Min Kyung tries to tackle everything by herself, even if it’s to her own detriment. Meanwhile, Hwi Oh tries his best to be there for Min Kyung, becoming her protector and guardian.

But the story is more than the developing relationship between these two main leads. We have to appreciate the secondary characters, acted out by an amazing cast. They exist in the drama not merely to support the plot to its fruition, but they each have a role in asserting how society can stigmatize people with mental illness. The show also highlights the importance of not jumping to conclusions, especially when you don’t know the entire story. There are always two sides to a coin, and it may be worth your while to fully understand what’s going on before making hasty judgments.

I nearly dropped this drama after watching one episode. In the beginning, the antics, though funny, seemed forced. The main characters were not only stubborn, but clueless about each other’s plight, often making assumptions they were out to get each other. I almost gave up if it were not for Jung Woo and Oh Yeon Seo’s performance. Their pairing may not be your typical drama couple, but they brought out their A game in this show.

Jung Woo stars as Hwi Oh, a cop who could not control his temper. Despite his good intentions, Hwi Oh believes his outbursts are justified, considering what happened to his colleague. Meanwhile, Yeon Seo stars as Min Kyung, a woman who’s constantly paranoid and keeps looking over her shoulder. She thinks that everyone she encounters will hurt her, therefore she hardly ventures out unless absolutely necessary. She assumes Hwi Oh to be a relentless stalker, as he appears everywhere she is, not realizing he’s her neighbor. After realizing her mistake, Min Kyung lowers her guard after finding out that Hwi Oh was a police detective, currently unemployed because of his suspension from the force.

The rest of this post continues in the spoiler below:

It started out interesting until it wasn’t. Let’s start with the simple part and discuss the second couple, where Murao persistently followed Tanaka Yoichi despite his rejection, not because she was unattractive, but because she was a teenager. Despite being warned about the consequences of being involved with an adult and a faculty member at her school, she did not seem deterred. I really have no patience for people who are only concerned about their own feelings, despite bringing other people into trouble and not thinking about the consequences of their actions. That being said, I mostly overlooked the parts with those two.

Now on to the leads. The premise of their meet-cute was interesting, seeking refuge in a desolate corner from the rain (of course!) Then their friendship blossomed because of their quirkiness and commonality. And it all changed when Tanaka transferred to another school. Upon his return, Tanaka-now-Mabuchi becomes less carefree, and more aloof, even towards Futaba whom he liked back then.

We later learned that Kou had a hard time dealing with his mother’s passing, hence his dreary and detached attitude, which was perfectly understandable. But that doesn’t mean he can take out all his frustrations and dump them on his friends. I can understand how grief can change people’s personalities, and the first time he abruptly left Futaba without saying a word, was undesirable but reasonable. However, for a guy to keep doing this time and time again to a girl whom he supposedly likes, would not fly with me.

I used to root for Kou and Futaba to be together, but Yoshioka deserves better. Kou keeps ditching her and giving all these excuses, then becomes angry when someone else becomes interested in her. He’s just treating her like a toy, losing interest in playing with her until another child enjoys it. He even admitted to his friend, that even if he likes Futaba, he has no intention of dating her. Then he brushes off the accidental kiss as if it’s no big deal and gets upset when she ignores him as he did to her?????

Towards the end of the first series, I was no longer invested in their story and wished for Futaba to be with Kiuchi instead. At least Kiuchi is consistent, and transparent with his feelings. If Kou cannot prioritize Futaba, then she’s not that important to him. He could have sent a simple text, saying he will be late or that even if he can go to the festival, he needs to be somewhere else later. Anything really to give Futaba at least the time of the day as she had provided him. But no, he ghosts her and is more concerned about his classmate just because they shared the same pain of losing someone close to them.

If Futaba insists to be with Kou, what next? On the day of their wedding, something comes up again that he’s unable to attend? But hey, if that’s the kind of guy she prefers, then she better be prepared for the consequences and don’t come crying. I’m so pissed to even watch the second season. It’s not worth it to keep my blood boiling.

Awww. That's so cute! A pea-brained child using big words they can't understand!