Buried Hearts feels like the screenwriter got handed a puzzle made of "Reborn Rich", "Again My Life", and "Impossible Haier"—but instead of fitting the pieces together, they just threw everything in and hoped for the best. You know when you build IKEA furniture and end up with extra screws? Yeah, that. Unnecessary parts everywhere.
At first, I was hyped. The Reborn Rich and Again My Life vibes hit, and I was like, okay, maybe this is gonna slap. But then, out of nowhere, the chaotic mess of Impossible Haier showed up, and boom—expectations crashed. The abrupt cuts? The weird pacing? It’s like the show lit my excitement on fire, only to dump a bucket of water on it five seconds later.
I believe that major OTT platforms such as Netflix, Prime, or Viki should consider acquiring the rights to this drama. After watching the first two episodes, it appears to have the potential to be a hidden gem of 2023, provided it maintains its current level of quality. Many dramas often fall into predictable patterns, such as slow-motion interactions between main characters without context or the typical trajectory of love-hate-breakup-sacrifice-patch-up in love stories. Similarly, comedy genres can force humor out of context, especially when the main lead is involved, making it difficult for viewers to enjoy. This show, however, seems to break away from these conventional patterns.
It's refreshing to see a drama that takes an experimental approach and prioritizes content that resonates with the audience over relying solely on star power. When I first started watching K-dramas, it was the unique and compelling content that drew me in, not just the popularity of the actors. We need more bold experiments and fresh ideas that focus on connecting with the audience rather than simply replicating a successful format.
Lastly, I find myself questioning the trend of reincarnation plots in many dramas. While I understand that some dramas are centered around this theme, it feels like an overused concept. Connecting the historical Joseon era with modern-day Seoul has become a common trope, and it would be great to see more diversity in storytelling without relying on this particular plot device.
I often find myself dropping many of Viki's shows halfway, even though they start with immense potential. I hope this drama will help me regain a little trust in Viki.
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At first, I was hyped. The Reborn Rich and Again My Life vibes hit, and I was like, okay, maybe this is gonna slap. But then, out of nowhere, the chaotic mess of Impossible Haier showed up, and boom—expectations crashed. The abrupt cuts? The weird pacing? It’s like the show lit my excitement on fire, only to dump a bucket of water on it five seconds later.
It's refreshing to see a drama that takes an experimental approach and prioritizes content that resonates with the audience over relying solely on star power. When I first started watching K-dramas, it was the unique and compelling content that drew me in, not just the popularity of the actors. We need more bold experiments and fresh ideas that focus on connecting with the audience rather than simply replicating a successful format.
Lastly, I find myself questioning the trend of reincarnation plots in many dramas. While I understand that some dramas are centered around this theme, it feels like an overused concept. Connecting the historical Joseon era with modern-day Seoul has become a common trope, and it would be great to see more diversity in storytelling without relying on this particular plot device.