Recommendations

Both Double Helix and Yesterday similiar because:
Toxic and obsessive male lead, stressful plot, break up, forcing, not helathy romance, but end up giving a second chance

The professor from Notes From the Last Row reminded me of Hwang DongMan in the beginning, not personality-wise but in their career standing as writers. They both dream of making a name for themselves or wants to prove that they exist. These dramas are so different in the direction they are taking however similar that they are rooted to humanity, maybe it evil or good. The cast of both dramas have good actors so both are a good use of time when you need a slice-of-life or mystery filled drama.

Mulheres extremamente poderosas, fortes e queridas. E protagonistas apaixonados por suas mulheres. Tramas incríveis e cenários de luta de tirar o fôlego. Além de claro, um cast impecável.

•Both started off as a affair drama
•Both female lead had an accident, WIV FL got blind and DR have her face ruined
•Identity change -WIV soul change, DR have plastic surgery
•The plot twist is their villain was actually their sister.

WIV has better cast, DR the villain is not a good actress

These films will have you rolling with laughter one minute and bawling your eyes out the next. Dear You and The Last Dance both beautifully navigate family relationships filled with love and misunderstandings.

After a devastating failure as a spatial designer in South Korea, Lee Yu Bin retreats to a remote Japanese island to start over. There, he meets Shirahama Karin, a strawberry farmer living with a mysterious illness. Though they come from different countries and lead completely opposite lives, their chance encounter blossoms into a heartfelt cross-border love story that changes them both.

A young girl who contemplates suicide by jumping off a building meets a wounded ghost. The bleeding ghost is an assassin, and they will go through several cases.

In her last year in her twenties, Moka (29), the heroine who is anxious to get married, suddenly finds herself face-to-face with Min U (25), a man straight out of a Korean drama. He's a younger man with perfect looks, and apparently, he's also the heir to a wealthy family... While Moka's heart is thrown into turmoil by this sudden "out of the ordinary," she also has the presence of her childhood friend, Souta, a chef with a somewhat clumsy kindness. Torn between the sweet and smooth Korean style of approach and the quiet and honest feelings of a Japanese man, what kind of "true love" will Moka find? Now, a new love story that transcends Japan and Korea begins.

In her last year in her twenties, Moka (29), the heroine who is anxious to get married, suddenly finds herself face-to-face with Min U (25), a man straight out of a Korean drama. He's a younger man with perfect looks, and apparently, he's also the heir to a wealthy family... While Moka's heart is thrown into turmoil by this sudden "out of the ordinary," she also has the presence of her childhood friend, Souta, a chef with a somewhat clumsy kindness. Torn between the sweet and smooth Korean style of approach and the quiet and honest feelings of a Japanese man, what kind of "true love" will Moka find? Now, a new love story that transcends Japan and Korea begins.

After a devastating failure as a spatial designer in South Korea, Lee Yu Bin retreats to a remote Japanese island to start over. There, he meets Shirahama Karin, a strawberry farmer living with a mysterious illness. Though they come from different countries and lead completely opposite lives, their chance encounter blossoms into a heartfelt cross-border love story that changes them both.

A young girl who contemplates suicide by jumping off a building meets a wounded ghost. The bleeding ghost is an assassin, and they will go through several cases.

A young girl who contemplates suicide by jumping off a building meets a wounded ghost. The bleeding ghost is an assassin, and they will go through several cases.

In her last year in her twenties, Moka (29), the heroine who is anxious to get married, suddenly finds herself face-to-face with Min U (25), a man straight out of a Korean drama. He's a younger man with perfect looks, and apparently, he's also the heir to a wealthy family... While Moka's heart is thrown into turmoil by this sudden "out of the ordinary," she also has the presence of her childhood friend, Souta, a chef with a somewhat clumsy kindness. Torn between the sweet and smooth Korean style of approach and the quiet and honest feelings of a Japanese man, what kind of "true love" will Moka find? Now, a new love story that transcends Japan and Korea begins.

In her last year in her twenties, Moka (29), the heroine who is anxious to get married, suddenly finds herself face-to-face with Min U (25), a man straight out of a Korean drama. He's a younger man with perfect looks, and apparently, he's also the heir to a wealthy family... While Moka's heart is thrown into turmoil by this sudden "out of the ordinary," she also has the presence of her childhood friend, Souta, a chef with a somewhat clumsy kindness. Torn between the sweet and smooth Korean style of approach and the quiet and honest feelings of a Japanese man, what kind of "true love" will Moka find? Now, a new love story that transcends Japan and Korea begins.

Hinata is a journalist who aspires to be a writer. Yeong Su is Set up to take over his father's Hotel chain but is an aspiring artist. They meet while she is in Koreaon temporary assignment for her job and they get off on the wrong foot. However, when Yeong Su goes to Japan for business, he ends up causing a media frenzy and disappears, much to his advisor's horror. They bump into each other on the street and she brings him home, to her boyfriends dismay. As they slowly fall in love, a large number of obstacles stand in their way, the least of which is their different nationalities. This is a "Mobile" drama which means it is a movie sliced into 12 episodes