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Kim Boong Do is a scholar who had supported the reinstatement of Queen In Hyun when Jang Hee Bin's schemes resulted in her being deposed and replaced as King Suk Jong's queen consort. He travels 300 years into the future of modern Seoul and meets Choi Hee Jin, a no-name actress who is expecting a career renaissance through her role as Queen In Hyun in a TV drama

Kim Boong Do is a scholar who had supported the reinstatement of Queen In Hyun when Jang Hee Bin's schemes resulted in her being deposed and replaced as King Suk Jong's queen consort. He travels 300 years into the future of modern Seoul and meets Choi Hee Jin, a no-name actress who is expecting a career renaissance through her role as Queen In Hyun in a TV drama

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

To protect herself and her family, Hong Ra On disguises herself as a man and counsels men on dating. Due to a love letter she wrote for a client, she meets Crown Prince Hyo Myung. Ra On is unaware that he is the Crown Prince, and Hyo Myung is unaware that Ra On is a woman. Soon after Ra On is forced to become a eunuch by loan sharks, and the Crown Prince and Ra On become interested in each other. As Ra On tries to survive the palace and the Crown Prince navigates his journey to become king, will their love prosper?

To protect herself and her family, Hong Ra On disguises herself as a man and counsels men on dating. Due to a love letter she wrote for a client, she meets Crown Prince Hyo Myung. Ra On is unaware that he is the Crown Prince, and Hyo Myung is unaware that Ra On is a woman. Soon after Ra On is forced to become a eunuch by loan sharks, and the Crown Prince and Ra On become interested in each other. As Ra On tries to survive the palace and the Crown Prince navigates his journey to become king, will their love prosper?

To protect herself and her family, Hong Ra On disguises herself as a man and counsels men on dating. Due to a love letter she wrote for a client, she meets Crown Prince Hyo Myung. Ra On is unaware that he is the Crown Prince, and Hyo Myung is unaware that Ra On is a woman. Soon after Ra On is forced to become a eunuch by loan sharks, and the Crown Prince and Ra On become interested in each other. As Ra On tries to survive the palace and the Crown Prince navigates his journey to become king, will their love prosper?

To protect herself and her family, Hong Ra On disguises herself as a man and counsels men on dating. Due to a love letter she wrote for a client, she meets Crown Prince Hyo Myung. Ra On is unaware that he is the Crown Prince, and Hyo Myung is unaware that Ra On is a woman. Soon after Ra On is forced to become a eunuch by loan sharks, and the Crown Prince and Ra On become interested in each other. As Ra On tries to survive the palace and the Crown Prince navigates his journey to become king, will their love prosper?

To protect herself and her family, Hong Ra On disguises herself as a man and counsels men on dating. Due to a love letter she wrote for a client, she meets Crown Prince Hyo Myung. Ra On is unaware that he is the Crown Prince, and Hyo Myung is unaware that Ra On is a woman. Soon after Ra On is forced to become a eunuch by loan sharks, and the Crown Prince and Ra On become interested in each other. As Ra On tries to survive the palace and the Crown Prince navigates his journey to become king, will their love prosper?

To protect herself and her family, Hong Ra On disguises herself as a man and counsels men on dating. Due to a love letter she wrote for a client, she meets Crown Prince Hyo Myung. Ra On is unaware that he is the Crown Prince, and Hyo Myung is unaware that Ra On is a woman. Soon after Ra On is forced to become a eunuch by loan sharks, and the Crown Prince and Ra On become interested in each other. As Ra On tries to survive the palace and the Crown Prince navigates his journey to become king, will their love prosper?

To protect herself and her family, Hong Ra On disguises herself as a man and counsels men on dating. Due to a love letter she wrote for a client, she meets Crown Prince Hyo Myung. Ra On is unaware that he is the Crown Prince, and Hyo Myung is unaware that Ra On is a woman. Soon after Ra On is forced to become a eunuch by loan sharks, and the Crown Prince and Ra On become interested in each other. As Ra On tries to survive the palace and the Crown Prince navigates his journey to become king, will their love prosper?

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.