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Suzu, a young girl who stays in this rich man's house and is constantly being bullied by the other girls. She is without a mother and is trying to find out who killed her.
Suzu, a young girl who stays in this rich man's house and is constantly being bullied by the other girls. She is without a mother and is trying to find out who killed her.
An art school student and an artist find love but soon must face a painful struggle. FukaKyon as FL. A must watch Korean & Japanese movie.
An art school student and an artist find love but soon must face a painful struggle. A must watch Korean & Japanese movie. FukaKyon & Son Ye Jin is FL in both Japanese & Korean version movies.
The story begins when three boys living in a rural town learn about the news that their classmates who transferred to junior high school will appear in a love reality show.
Based on a true love story shared on an online bulletin board, Fukuda Yu is a young man who fell in love with a girl that gave him half of her eraser in the second year of junior high school. The unrequited love continued for the next 13 years which was filled with laughter and tears.
Based on a true love story shared on an online bulletin board, Fukuda Yu is a young man who fell in love with a girl that gave him half of her eraser in the second year of junior high school. The unrequited love continued for the next 13 years which was filled with laughter and tears.
The protagonist in Crime Puzzle confessed that he killed some people and he did it intentionally because he is trying to find someone in prison and he has girlfriend who doesn’t believe he killed them so she tries to find the truth behind all of this. The same in Bigmouth the protagonist is innocent but he is prison and his wife is trying to find why he was accused.
I would say that both dramas have similar summer vibe and are really aestethic.
they both have amazing chemistry between leads and amazing OST
the story is not similar but the romance is beautifull and worth watching also the message
our beloved summer focused more on romance between main leads and their story while in 2521 we can also see beautiful friendships , charcter's dreams and goal in life like their future overall coming of age vibe
i loved both
they both have amazing chemistry between leads and amazing OST
the story is not similar but the romance is beautifull and worth watching also the message
our beloved summer focused more on romance between main leads and their story while in 2521 we can also see beautiful friendships , charcter's dreams and goal in life like their future overall coming of age vibe
i loved both
Have same love triangle and high school story. The characters are also pretty similar. So watch and find if the ending is different.
Have same love triangle and high school story. The characters are also pretty similar. So watch and find if the ending is different.
"On Cloud Nine" is an unusual and mysterious Bl series set in the Chiang Mai region, with breathtaking landscape views and great cinematography, directing, and OST. The lead actors Rossi and Meen are absolutely amazing, and one of them, Meen, plays a support role in "Oh! My Sunshine Night".
At first glance, it couldn't be more clear that these two dramas are quite different. Beyond Evil maintains a gritty, almost noir look at a quiet, small everyone-knows-everyone town and how a murder undoes it. Tomorrow, meanwhile, gives a more dimensional and intensely emotional take on suicide.
However, Tomorrow embodies the very intense, psychological thrills that Beyond Evil has been praised for. On a closer look, these dramas are quite similar in taste.
- Both dramas are play on morals at the core of the multiple protagonists. With no character, little or large in the screen time, going without an in-depth characterisation that adds meaning to the plot. This is only exacerbated by the close-knit setting of the main characters, whom, being grouped together like this (Tomorrow with how they work together and Beyond Evil in how everyone lives in the same town) pushes more emotional, human and brilliant mysteries at the core of the audience's thoughts.
- Both dramas gather plentiful praise for the dialogue and interactions between characters. The dynamic entails a cleverly dissected mystery that sustains itself across 16 episodes. Our characters are decadent and haunted, spirited on by sensitive themes like mental breakdowns, death and morally and ethically ambiguous behaviour, which neither show shies away from. Instead, these dramas embody it carefully into each character, thus creating the perfect dynamic of being flawed, knowing you're flawed, embracing it and then dealing with the aftermath.
- Death is at the centre of these dramas, but used in different ways, as such, showing the flexibility and range of plot to play with but also the expansion of these mini pocket universes whereby the dramas acknowledge the setting and challenge it (be it in a small-town or in heaven). In Tomorrow, death is embodied through the Reapers and the suicides. It is central to the understanding of the agenda of the main characters, who are marred by the balance of living and dying. In Beyond Evil, death is concentrated within murder, thus creating the balance of the killer and the victim, thereby blurring the lines between this by challenging the morals of the main character and in the same way Tomorrow gives justification and beautiful explanation behind the act of suicide, Beyond Evil focuses on how a murderer is decided.
However, Tomorrow embodies the very intense, psychological thrills that Beyond Evil has been praised for. On a closer look, these dramas are quite similar in taste.
- Both dramas are play on morals at the core of the multiple protagonists. With no character, little or large in the screen time, going without an in-depth characterisation that adds meaning to the plot. This is only exacerbated by the close-knit setting of the main characters, whom, being grouped together like this (Tomorrow with how they work together and Beyond Evil in how everyone lives in the same town) pushes more emotional, human and brilliant mysteries at the core of the audience's thoughts.
- Both dramas gather plentiful praise for the dialogue and interactions between characters. The dynamic entails a cleverly dissected mystery that sustains itself across 16 episodes. Our characters are decadent and haunted, spirited on by sensitive themes like mental breakdowns, death and morally and ethically ambiguous behaviour, which neither show shies away from. Instead, these dramas embody it carefully into each character, thus creating the perfect dynamic of being flawed, knowing you're flawed, embracing it and then dealing with the aftermath.
- Death is at the centre of these dramas, but used in different ways, as such, showing the flexibility and range of plot to play with but also the expansion of these mini pocket universes whereby the dramas acknowledge the setting and challenge it (be it in a small-town or in heaven). In Tomorrow, death is embodied through the Reapers and the suicides. It is central to the understanding of the agenda of the main characters, who are marred by the balance of living and dying. In Beyond Evil, death is concentrated within murder, thus creating the balance of the killer and the victim, thereby blurring the lines between this by challenging the morals of the main character and in the same way Tomorrow gives justification and beautiful explanation behind the act of suicide, Beyond Evil focuses on how a murderer is decided.
Both feature a female lead character that has a strong relationship that seemingly will end up in marriage. However, that is not the case. "That first relationship teaches us more about ourselves than the other person we are in the relationship with."
Same show just the 3rd season, Somin is absent but appears as a guest due to her injury.
