716 results found for: Hibari-hime: Hatsuyume Douchuu
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Adachi Masao
Japanese
Adachi’s career testifies to the opportunities which “pink” cinema provided for the expression of dissident attitudes. He had achieved notice as a student filmmaker collaborating on such creative experimental films as The Lacquered Bowl (Wan, 1961), a tragedy set in an isolated village. From 1966…














