A Time for Love, is set in 1966. Shu Qi plays a young woman who works in a pool/snooker hall where she meets Chang Chen's character who is about to join the military. The Platters' Smoke Gets In Your Eyes plays in the background. The colors are warm and gauzy with a strong use of green. And these two are young, green and tentative as they give each other shy glances across the table. There is very little dialogue in this vignette, the tale told through actions, and body language. They write to each other after he leaves for the military and we see her smile as she reads his letter. Innocent and full of hope, this was easily my favorite story. "They asked me how I knew, My true love was true, I of course replied, Something here inside, cannot be denied." (Smoke Gets in Your Eyes)
A Time for Freedom is set in 1911 during the Japanese occupation of Taiwan. Shu Qi works in an upscale brothel and Chang Chen is her long time customer who comes and lives there when he is in town. Here the lighting is as subdued as the acting. The restraint is only broken when Shu Qi's character sings her sad songs. There are no spoken words in this vignette, though it is obvious much dialogue is being spoken, only a few words are shown on placards for the audience to read like in the old silent movies. I felt for Shu Qi's character, trapped in what amounted to indentured servitude with her only hope of someone making her his concubine. Chang Chen's character didn't approve of taking a concubine, but apparently staying at a brothel with girls as young as ten wasn't a problem with his ethics. Here again, there isn't much spoken conversation with some letters providing the rest. This story was sad and filled with longing as the couple and their world suffered. "Although this place has torn my heart, it is wrenching to leave it." (Liang)
A Time for Youth is set in 2005. The colors are harsh-cold grays and icy blues. Life is chaotic, fast, and real communication even with cell phones, email, and blogs is shown as being more difficult than in the past. Shu Qi plays a woman in a lesbian relationship having an affair with Chang Chen's character. He has a girlfriend who knows something is going on, just as Shu Qi's lover does. The two border on obsession as they meet in secret, creating tumult in their wake. "No past, no future, just a greedy present." (Jing)
The characters are molded by the times they live in, each one feeling authentic. Shu Qi gave brilliant performances. Her characters required a greater emotional breadth than Chang Chen's did and she absolutely nailed them. It's no wonder she won a Golden Horse for Best Actress for her work in this film.
This movie is not for everyone. It is slow and subtle, the endings not clearly written out, the characters not always likeable. If you don't mind the aforementioned you might be in for a quiet, gem of a movie.
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