This review may contain spoilers
Jang Kiyong unconvincing as creative, Paris-based, free-spirited, rebellious, footloose photographer
"Now, We are Breaking Up" tries to tell a love story in reverse (e.g. it has been there already). This would be an interesting project in itself, yet...The plot is emotionally quite complex, the characters are in principle jucily interesting and ambivalent. If a KDrama can't take care of a multi-layered, complex mixture of feelings, then who can? Unfortunately, I have to say that (in my opinion) this project doesn't really work out so well with the casting.
Regarding her emotional intensity, Song Hye-kyeo is (as so often) a major factor for watching. As the heroine, here and there her reservedness, sobered by life, is perhaps a bit much. But in places this cracks open. It is this well dosed mixture and subtleness, that makes her role convincing - the experienced fashion designer in her late 30s has turned away from flirtation and rather concentrates on her work, into which she throws herself completely. Being the talented and experienced professional she is, hardly does she ever get upset by anything. ... until her encounter with the young photographer Yoon Jae-gook, that throws her (emotional) life (supposedly) upside down. Her reservedness so far operated as shelter and imprisonment at the same time. Circumstances don't really offer a chance to free herself from the corset of reason, which is protecting her deeply injured heart - never mind let herself fall and trust emotionally. This inner dynamic is not so nice to look at - or rather endure - for the viewers. But I don't think you can blame Song Hye-kyeo, as she handles this inner tension and the ambivalent moments of her complex role very well.
On the other hand (unfortunately) I don´t buy Jang Ki-yong in his role as a creative, Paris-based, free-spirited, a bit rebellious, footloose, and at the same time successful photographer. For me he behaves way too reserved, well adjusted, well-behaved - a sympathetic, dear, rich, successful boy. So unfortunately, HIS ambivalence doesn't convince me. Perhaps actor Jang Ki-yong lacks the life experience (on the rebellious side)? And since he can´t really fill this side with life, I am not convinced by the chemistry between the two leads. It doesn't get to me how the young man in his supposedly fiery manner, would be able to reignite on an EMOTIONAL level the fire of lust for life and joie de vivre (beyond work) that is still blazing somewhere deep down in Ha Yeong-eun... So the key to all further makjang doesn't really fit into the lock. Too bad. Thus the experiment of telling love in reverse didn't really work out that well.
The KDrama is not bad because of that (...though admittedly disappointing ...). On the pro side: There are freshening subplots, each with actors in good humour, who have actually won awards for their spirited performances. The setting in the creative industries is kind of charming, too. Finally, the Korean family values are (once again, but successfully as always) playing with fire on the drama front...
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A romantic story about life beautifully told in a slow-breathed and melodic narrative.
~Everlasting love is about becoming a part of your loved one’s life.A part of you lives inside them and stays there forever.~
"The meeting and farewell of love and breakup is similar to life, since meeting and farewell is what life is about." - PD Lee Gil Bok
~ Planning intention ~
(you can find this on namuwiki)
It is written as ‘breakup’ and read as ‘love’.
The sweet, salty, spicy, sour and bitter story of our breakup.
Fashion designers design four times a year.
Everyone wants a classic that will be remembered forever, but
Trends are consumed quickly and out-of-season clothes become a thing of the past.
Maybe the same goes for living.
Dreaming of unchanging, eternal love and repeating countless encounters and separations
But no encounter, no love, is permanent.
Eventually, the relationship runs out, the time allowed is up
Separation is a natural and inevitable part of life.
Perhaps living is a journey towards death
And the parting of the ways with those who have been with us.
But parting comes suddenly, without warning or forewarning
Leaving a lot of self-reproach and regret.
So, if you can't avoid it or postpone it
As Versace says, wear the clothes that are most like you
Live the life you want to live, not the life others want you to live.
Even if it's a failed life, even if it's a love that falls short
At least you won't have any regrets at the moment of parting.
Breaking up is not the end,
But the completion of my love, my life.
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"Now, We Are Breaking Up" is a realistic melodrama. A mix of makjang and realism in this case, to be more precise. I think the overall style of the drama is very unique, but can easily be a hit or miss for the viewer.
I loved the work scenes around the world of fashion and photography (if you want to know how the industry works, it will be very interesting for you), the elaborate outfits and elegant staging, the sublime soundtrack & cinematography, the opening, the sophisticated vibe, the character development, the dialogue, the poetic aspect throughout the drama, the different visions on the breakup (it's not just literally about two people breaking up but, much, much more), the depth of their love and how meaningful it was.
Many found it to be nothing more than bland and depressing, but I beg to differ, as I found a lot of hope in it. When I finished the drama, I also felt like I was breaking up with it, which would be rather sad but instead it left a warm feeling inside me.
Their love is very special and maybe not so easy to understand for the audience. If you only view love at surface value, full of butterflies and cheesy lines, this is not the kind of love for you. "Now, We Are Breaking Up" is a melodramatic romance while being a deep, thought-provoking and mature drama that deals with the realities of life.
Jang Ki Yong and Song Hye Kyo did an excellent job interpreting their characters and they were able to portray the nuances well. I could genuinely feel their vulnerability, though it was subtle. All the cast felt very convincing and natural to me, while at the same time having their own charm. It isn't so surprising because they played characters of their age and close to their selves, which also created a great dynamic between them.
Even the way they speaked french was so charming to me, and that is very rare because most of the time it is incomprehensible in other dramas (I'm french for your information). Besides, they never looked so good on screen.
The pacing is certainly slow but over time I found myself really into the story and attached to the characters. And you know what? I loved the fact that everything was happening slowly. There are important life lessons about family, friendship, love, happiness, work... There are also topics such as society's expectations of women, adultery, divorce and illness, all dealt with brilliantly.
This page is already full of hatred and toxicity. So please let me express my love for this drama, as it is a very special one to me, and it is also one for all of the cast and crew.
I sincerely want to give back some justice to it. There is no doubt this drama will please only a minority of people, but for me it was a beautiful drama. It's not the kind of melodrama that will make you feel a ton of strong emotions either, but that doesn't make it any less good if you appreciate it for what it is. I shared my thoughts on the ending and other parts in the comments, so, do not read if you haven't finished the drama.
Last but not least, be open-minded. I hope I can bring some positivity to this page where respect is almost nowhere to be seen, and eventually a sense of warmth for the people who loved the drama. I do not mind blocking anyone who feels the need to attack me, there's more than enough wonderful negative reviews out there to please them. By avoiding social medias, you learn to not care about what a stranger says that could affect you negatively.
Thank you for reading !
Highly recommended press conference : https://youtu.be/7MPkeRirpu0 - the quote at the beginning of my review from PD Lee Gil Bok was taken from this video
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After writing a response to someone in the comments section (at first it was short lol), I had too much to say so I decided to make it a sort of second review. Read it or not, it's your choice.
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What a disappointment....
Can a good actor save a bad script? NO.But can a good actor make the drama bearable to watch? YES.
But does this drama have good actors? HELL NO.
Before starting the review I just wanna say it’s more like a rant than a review.
Let’s start with the name of title firstly, it’s “Now we are breaking up” but more like “Fate” ? I have been watching K-dramas for a long time now, literally every drama has the fate/destiny aspect in it which is not exactly my problem but for this drama the plot is built on fate/destiny/coincidences. Everything is so connected which feels nothing but forced.
This is supposedly a “Melodrama”(Melodrama: A genre that focuses on a dramatic plot, which is typically sensational and designed to appeal strongly to emotions). The plot is dramatic? YES, but can I feel the emotions of the main characters (HYE & JK), freaking NOO, they have no expressions throughout whole drama, they just had cold wooden face and robotic dialogue deliveries, it felt so boring to even look at them like I genuinely felt asleep.
They are the main characters so they have the largest screen time but imagine their story being the most boring of all? Can you possibly sit through it? at least I couldn’t. I’m gonna be really honest I watched this at 2x speed because the pace of the show is slow as snail. As I said the plot was dramatic but somewhat problematic as well, the writer screwed up the main leads story and their bland expressions made it even awful.
Since this was Song Hye Kyo comeback and Jang Ki Yong last drama before his military enlistment I gave it a shot, but I’m utterly disappointment with both of them. There was literally no heart fluttering chemistry between them, they just endlessly kept staring at each other.
I watched this mainly for SL couple and yeah those could act so they had more chemistry than lead couple. Some supporting characters are unreasonably crazy and wicked , my only fav supporting character was Jeon Mi Seok.
As a fashion based drama, the clothes of neither FL nor the one she designed impressed me, Hotel Del Luna or Its Okay to be not be Okay have way better styled clothes and those dramas aren't even about fashion:/
The OST doesn't suit the vibe of the drama, it's something sophisticated which the drama is hell not.
Re-watch: Never in my whole life I'm gonna re-watch this show, I had to give rating 1 because there's no option.
The drama is basically a dud like no chemistry, bad acting and problematic af main leads. I personally recommend to skip this one, the premise of the story was interesting but the execution & main characters failed to portray emotions badly, which made this show really shallow.
END
Thank you for reading my review^^
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This review may contain spoilers
Run!
I USUALLY DON'T REVIEW DRAMAS I DIDN'T LIKE BUT I THINK THE RATING 7.6 IS MISLEADING.[Edit: as of 05/12/2022 the rating is 6.9 still very high for such an abysmal drama]
This drama has no redeeming qualities.
I was excited when I learned that the two leads were cast in Misty's screenwriter's next. Misty was such a good drama with a geat story and acting.
Then the stills and title were good too and I won't lie ; the rated R got me all the more excited because I thought it would be a mature and more realistic than drama like Misty, Something In The Rain, The World of the Married...
But my expectations were smashed by the reality that was this messy drama.
In Misty, the female lead was a career woman who chose her career over everything. She was a complicated woman who hurt herself and her loved ones to achieve her goal.
In Now We Are Breaking Up, we were served with a goody two shoes who somehow won everyone over with her upright attitude and Song Hye Ko's acting or lack thereof didn't help understand or empathize with the character she embodies.
THE STORY
The story was poorly written. It's supposed to be about a great love story and the hardships the main leads will encounter and try to fight against.
Instead, it's about a 38-year old woman who has yet to move on from a 2-month relationship that happened 10 years ago. Said woman is traimatized from having been ghosted by a guy she met in a foreign country and dated for 2 months... I personnaly tought it was ridiculous.
The story actually begins with the heroine having a one night stand with the hero. They don't exchange names or number and spend the night together. It's supposed to be mysterious and hot but it's actually a dangerous behaviour imo
I had a hard time understanding Song Hye Ko's character. She was supposed to be a successful career woman in the fashion industry but she was too soft and forgave betrayal such as the leakage of some of her designs.
How can someone keep an untrustworthy person in their team ? That untrustworthy person was also someone who wasn't loyal and was ready to jump ship when things went south.
So how can a successful career minded person keep such a liability on their side ? How are we supposed to believe that ?
Then the drama opening with a ONS is supposed to show us how modern and independant FL is but then her friends implied it wasn't customary for her to see men.
So what is actually the state of her love life ? Did she have ONS during these 10 years? Was she so emotionally stunted that she forgot about men for those 10 years ? If so, what was so special about the ML fot her to have a ONS with him ? There was no build up to help her understand this.
And now this 38 year old independant woman lets her parents and the ML parent's interfere in their relationship? Had she been younger I could have enpathise but she being successful, independant (lived abroad alone and has her own flat), it's ridiculous and annoying that she'd let parents run such interferences because she's at an age were she's supposed to understand that even if her parents disapprove of her relationship, they most likely won't cut contact with her (especially since she always gives them money) and with soften after some years or/and if they have children.
When her mother yelled at the ML like a banshee, she didn't even try to intervene and we are supposed to think they are so in love and can't live without each other... but how can you let someone you love be disrespected in their own shop ?
The worse thing is that she left with her mother instead of staying to confort the hero.
The Male lead played by Jang Ki Yong is an empty vessel. One cannot understand what attracts him so much about the FL.
She's pretty but she's cold, unresponsive and too much hassle.
His only purpose is to give the FL props to resolve some of the issues she encounters while managing her brand. Otherwise he's uninteresting.
When he realized he took a fancy in his brother's ex, he keeps going even though the relationship is at an early stage and everything could have been stopped.
It seens unresonnable and illogical especially since we don't see what is the great connect between the two leads. Why are they throwing I Love You's around when they barely spent and spend time together.
The FL parents are something else alltogether. They are agaisnt the relationship when they both liked the ML ar first because FL dated his brother for only 2 month in a foreign country. Why is it a bad thing ? They are supposed to want their daughter's hapiness but are against the relationship for something that can be deemed as trivial because she was neither engaged nor married to his brother and no one would know they dated.
The mother was the worst imo because she threw tantrums about wanting a divorce when she was the one saying she didn't want to do anything to jeopardize her daughter's future marriage. But in SK, divorced parents are bad news and won't help... she doesn't even make sense and is seeking a divorce instead of trying to talk with her husband about the reason she wants out.
I also found her cringey for always wanting to hook up her daughter with the rich woman's son. She was really desperate for it.
But she was crass for saying what she said to the ML's face for things he can't help (his lineage and family condition) and acting as if her daughter was such a great price.
It seemd more like she was releasing her frustration on someone who would take it without doing anything.
The ML's mother is more easy to understand because she's someone who has yet to do her mourning but I didn't understand why she kept acting as if ML was like her real son when her interior showed that their relationship was anything but. They were no pics of the two/three of them together ; ML was sent away since his youth when his brother got to grow up in the family household.
I could understand her opposition to some degree but not her acting as if ML was her son and not some replacement.
The subplots with the best friends weren't any better.
The director was childish and incompetent. At 38yo it's not cute anymore but downright ridiculous.
I thought she could have been a good negative character instead of adding to the mix the ML's brother's crazy ex.
The ex-model who is dying from cancer is one of the most mature character of the drama.
My hung up is that her subplot included cheated and a terminal illness. Would'nt it have been better if her husband would have come clean sooner or if she'd died without knowing ? Because it's really bizarre how she's trying to set up her husband with her affair partner and saying that woman is a good person. A good person won't knowingly sleep with a married man with a child!
I feel there was so much to say in this section for the best friend to have closure but it all became messy and non sensical.
Finally, the brother's ML who everyone is regretting was a dishonet coward.
Why did he tell the heroine he was an only child ? Why did he date her when he was already engaged ? It was pure nonsense especially since these fact weren't exploited more in the drama.
THE ACTING
The main leads were really bad and the only thing they brought to the table was their looks. The ensemble cast did their job but they couldn't do much woth thr roles they were given.
THE MUSIC
It was the only decent thing in the drama though it wasn't groundbreaking.
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This review may contain spoilers
D.O.A.
The flaws of “Now We Are Breaking Up” are so numerous and comprehensive that evaluating it feels more like issuing an autopsy report than a typical review. In the event any reader requires a synopsis, a successful fashion photographer (Jang Ki Yong’s Jae Guk) and a clothing designer (Song Hye Kyo’s Young Eun) romance each other while attempting to overcome the many obstacles that seek to disrupt their relationship. There’s more but it’s not necessary to delve into beyond that one sentence.If the production early on seemed to have one viable strength, it was the pairing of Kim Joo Heon’s PR firm CEO Do Hoon and Choi Hee Seo’s mercurial Chi Sook. That they were the most colorful personalities on this drama should be considered a scientifically proven fact. That they would wind up as the secondary romantic couple was obvious from early on. That the entertainment value would noticeably increase each time they were together on screen (for a while) was plain. And then once they were together, Do Hoon insisted that Chi Sook drink tea instead of wine. He declined any physical contact. He basically seemed bent on discontinuing anything she did for fun. The actors shouldn’t carry the blame here as both from the drop portrayed the characters as vibrant and warm. The writing, sadly, for this subplot was determined to take this drama’s most engaging characters and bleach them with a concentrated boredom solution.
Although it was never a prominent arc, one of the welcome diversions through the first half of its run was the antagonistic but flirty banter between Oh He Sun’s layabout rich boy Chi Hyung and Yura’s no-nonsense Hye Rin. The opposites attract relationship trope is popular because it’s like the equivalent of a layup in basketball - anyone with any basic skill can accomplish it. But after regular, albeit intermittent, screen time after Chi Hyung’s introduction for the next few episodes, this narrative essentially vanishes.
That’s not all the subplots though. Several episodes in, Young Eun’s father retires from his school principal position which then launches her mother’s seemingly long-planned scheme to pursue divorce and independence. It would seem that she long held a grudge for being left managing the household and felt unappreciated. How this manifested were scenes where the father would discover that daily tasks around the house were more difficult that he imagined, became angry, demanded help from the mother who would then mock his inability and refuse to help him. The entire storyline was unnecessary and meant less time for what might have been (hypothetically) more compelling viewing. It was made worse by repeating in near verbatim form the scene with one household activity after another - breakfast, cleaning, laundry, etc.
And there’s still another secondary storyline. Park Hyo Joo’s Mi Suk had been a runway model but her glory days are long behind her. Her husband is hitting on a younger woman at work. Her two best friends are living the glamorous single life. Her mother-in-law is a monster. And then she gets a terminal cancer diagnosis. What follows is one of the few times that “Now We Are Breaking Up” manages to connect a measurable sequence with consistent emotional resonance. She faces the grim diagnosis head on. She strengthens her friendships with Young Eun and Chi Sook. She shines as Jae Guk photographs her. And she makes an out-of-retirement victory lap appearance as a model. Had the storyline ended here, this would have been a solitary bright spot but instead, her character elects to befriend the husband’s admirer and recruit her as her replacement and it’s given an almost matter-of-fact treatment as if a terminally ill woman would ordinarily dismiss the anger and feelings of betrayal to reach out to her husband’s mistress with friendly gestures. It’s such an exotically bizarre turn to take that even the would-be-mistress is flummoxed by the sequence. But does any party take notice of the obvious madly waving red flag? Nope.
As for the primary arc of the romance between Young Eun and Jae Guk, it earns a place on the podium of most bland and passionless couples to see the screen in recent memory. Jae Guk is primarily a one dimensional character except for the rare scene where he is actively working as a photographer. His conversations with friends, family and, in particular, with Young Eun are a cycle of lifeless expressions, monotone delivery and rehashed subject matter. The central conflict propped up against our romance is that Jae Guk’s older brother, now deceased, had a relationship with Young Eun while engaged to another woman. It is somewhat of a provincial, old-fashioned conflict which doesn’t translate particularly well to an audience that isn’t always steeped in longstanding Korean cultural norms. Still, even if it was a compelling dilemma for Jae Guk, the exposition of it by interactions with his adoptive mother (Cha Hwa Yeon’s wealthy socialite Hye Ok) and his brother’s ex-fiancee (Yoon Jung Hee’s department store exec Yoo Jung) should be filled with unrestrained emotional outbursts of anger, resentment, jealousy, blame and grief. Instead, it’s three characters, each of them in an endlessly mechanical and mundane manner, sleepwalking through generic dialogue.
Relatively more positive thanks to a steady diet of work crises, Young Eun has some depth as a character, both individually and in her relationships with her friends, family and colleagues. The portrayal of Young Eun, disappointingly, is irrefutably bad. Song Hye Kyoo did not earn her A List Status by accident. She has a long and accomplished resume’. And she may not be a naturally dynamic actor, but her performance here is unrecognizable against her previous work. Whether Song Hye Kyo was following an editorial decision for Young Eun to be an expressionless automaton or she was left to her own devices to interpret the character in such a manner, it is a colossal bomb. The character has many admirable qualities - perseverance with her work and loyalty for her friends among others - but none of them connect to a viewer through Song Hye Kyo’s wooden performance. What would be a compelling drama (or documentary) is one that follows how Song Hye Kyo terminates her current representation and finds a new agency that can keep her away from an insufferable dud like this going forward.
“Now We Are Breaking Up” is a bad show; a really, really bad show with a long list of unnecessary subplots and superfluous characters, a bleak desert in place of a primary narrative and scant redeeming qualities of any kind to speak of. Anyone that was central to its creation should be considered potentially contagious with lousy judgment and possible cosmic-level curses and avoided at the longest distances possible.
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You can’t dress up a shopping bag and call it a Vuitton original.
A good drama has to start with memorable characters and an insightful script. Unfortunately, the lead characters lacked depth, which is the hook that gets you intrigued. And early in the drama, when so many of the supporting cast verge on caricature, you are in deep trouble. I finally engaged at Episode 14 and hoped that the last two episodes might offer something good. But unfortunately not.All the good cinematography, costumes, direction and acting in the world won’t make up for mediocre writing, whereas good writing can sometimes carry a show lacking in other departments. Unfortunately, in the main, the script was bland and occasionally descended into cringe-worthy cliché. It was sprinkled with unrealistic dialogue and spoken thoughts that often sounded remarkably like quotes from the Little Book of Banal.
It took until three-quarters of the way through for me to feel that the writer had any serious grasp of the issues that she was trying to reveal. It’s all very well to explore the concept that letting someone go can be a way of loving them, but you need to convincingly show the whole arc. In so many episodes, only the obvious was presented and if it doesn’t take you by surprise, you don’t feel you have been drawn in. You merely skate along the surface with everyone else and learn nothing. It does not strike your heart as a truth.
We were not given a proper start to the relationship, it seemed to arise fully formed, like Venus, out of the waves of a one-night stand. And somehow, with barely a hint of conversation, a great deal of obstinate rejection and a liberal dose of patronising condescension, love emerged. From Here to Eternity was suddenly swirling on the beach. The explanation? Destiny and a photograph… The actors were given only a tiny fragment of a foundation to stand on and build their parts convincingly. It’s not surprising therefore, that I failed to connect and give the relationship the degree of credibility it was asking for.
There were not many places for JKY to explore in the character of the male lead. For most of the drama, Jae Guk’s inner conflicts and decision making-processes were not really investigated and surely, in the circumstances of the story, there must have been some discordant motivations and doubts. It was Episode 11 before the character Jae Guk got something to ruffle his feathers. As a result I can somewhat forgive JKY for the lack-lustre performance.
The writing was a little better for the female lead and I did feel that SHK was given enough to be able to explore the emotional landscape in a bit more depth. But again, there could have been more in the performance. Perhaps a rather mundane direction by Lee Gil Bok, didn’t help. New to being a director (this is his second drama in that role), I don’t think he had the insight and feel for how to show-not-tell that Ahn Pan Seok so excels at. Actors need help to bring out their best, subtle performances in these more mature, sotto voce dramas.
I felt that the writer, Je In, was more in her groove and had a deeper appreciation to contribute to the sub-plot involving Mi Suk (Park Hyo Ju). Here the reactions and sentiments expressed were more insightful and this is where, for me, the most moving and interesting parts of the drama lay.
Every writer has a genre that they are good at. Misty was a far superior product. Romance has it’s own skill-set and from this offering, I’m not sure Je In has really understood or mastered it.
As for the sound track, even the singer sounded bored. The theme tune homage to Chopin didn’t fit with the other music in the show and seemed uncomfortably out of place.
It was a cast of actors whom I have seen many times before and whom I know can offer up a good performance when strong writing demands it. The performances I enjoyed were some of the supporting cast, notably Yoon Na Moo as Mi Suk’s husband. Only Kim Joo Heon of the leads convinced me and as with everything in this drama, I had to wait for it.
What my rating means: 4+ I forced myself to go through to the end of it, but only because I was committed to writing the review. It annoyed the hell out of me. Actively avoid.
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I have less expectations but I actually enjoyed it!
What I love:-Young Eun, Chi Sook and Mi Sook’s friendship.
-The FL and ML serendipitous love story. I love how the writer made it look like the leads are meant to be but not meant to be. WTH. The coincidences from the past that made their red string strong but love isn’t always easy.
-Fashion, Business- it’s one of those kdramas that didn’t bore me when they were just all talking about business. Some kdramas are boring when it comes to business part but this one entertained me.
-President Hwang- I super love his character. I love him as Chi Sook’s dad, as The One president and just his Character.
-I also love the OST!!!
What hurts me the most:
Is that how ML and FL are both trying to hold on and also trying to break up. The most painful thing is that they both love each other but the world seem to disagree.
What I hate:
-The mothers.
Jae Guk’s mom, I don’t hate her because she doesn’t want to support the FL and ML. I just hate her reasoning.
Young Eun’s mom, I hate the fact that it’s like she’s blaming Young Eun and her husband for living the life she chose. She did nothing but blame other people for what she is right now.
-Soo Wan- a jerk, two timer, drunk driver. But no one speak ill about him because he’s dead. I also hate the fact that people can’t get over him.
Additional things I love:
There were a lot of heart warming scenes that made me cry. Mi Sook’s condition made this drama and the friendship special. I also liked it when Chi Sook told her Dad that she doesn’t want to lose her friend because of him. And the scene when President Hwang said that Young Eun is like a daughter to him was just so touching.
The ending?
It wasn’t as satisfying as they really resolved none about the FL and ML love story. However, FL and ML proved that maybe, just maybe, two people can love each other even if they’re not together. And saying goodbye is not really the end. And that we can be happy by doing the things we love and by thinking of the people we love.
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What a waste of time!
I hate when writers string people along with no payoff and call it “art”. Life doesn’t always work out how we want it too. Noted. That’s why dramas are escapism. But even this is not done well. Started off promising but watching grown adults cower to everyone they run across is frustrating!!’ I get that parent approval is important in Korean culture but give me a break.I was so excited to watch Sehun. His character at least showed a little humor. His love story (such as it was) was way more interesting than the two leads.
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It is hard to accept but you have to?
It hard to put everything together and walk on a long way. fail, win ,lose, desperate ,depression ,throwback self and put them together. pretend to be everything absolutely fine! And give a brightest smile. but it's not okay!it is hard to accept but you have to.
that's how you feel when your finished to watch this Drama. This drama shows that sometimes we just try hard to hold on but there is something we need to give it up.I find this drama meaningful and profound. To be honest, I stop watching after 5ep release coz of a lot of negative reviews.
I realized it wasn’t everyone’s cup of tea but it was perfect for me.every single heart broke scenes giving me heartaches .I loved every second of it, I loved the fact that everything was happening so smoothly and so many quotes made me think about my life, what it was like to survive that way or how I should change my way of life.
for me, i really really love the script and cast. Song Hye Kyo Unni gives a wonderful effort Since I know her from " descendants of the sun" .
And I'm a fan of Jang Ki Yong oppa's bright smile but this time it's make me cry and hurt a lot.
It's a heart broken Drama and don't complain on it coz you know the name!
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Let's not talk about SHK. Like i don't even expect anything from her anymore. The only drama I like of her is DOTS. And even that is mainly because of Song Joong Ki. I don't like her acting, and the characters she plays are boring.
Let's talk about the side characters. I liked the story of HCS and SDH, the second leads. I think almost everyone here will agree with me, their story n chemistry was better than the main leads. And SYJ, Jae Gukcs ex sis-in-law, man she was frustrating. Like bro, your fiancee is cheating on you, and she woman he's with doesn't even know about your existence, how'd it her fault that he died. And I disliked how she mixed personal and professional things.
I absolutely loved Sehun. I'm not an EXO-L, but I like them. And watching Sehun calling Ha Young nuna nuna was cute. I know this is not his first drama as he was a main lead of a 3 episode mini drama. His screen time was not so much, but i enjoyed watching him on the screen. And I liked that him and his sunbae ( that girl ) got together at the end.
Let's not go towards the story. I've given it 1 cuz there wasn't any lesser option. I can't believe myself that i stuck to this one. God my head hurts. And I don't even waste my time writing this review, but i wanted to express my disappointment and guys, if you're here reading reviews before starting this show, please, don't watch this drama. You'll thank me and all those people who have written here. Don't waste your time.
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Boring and unsatisfying
Whenever I am choosing a drama to watch, since there so many to choose from, I usually wait until the drama has finished and read the reviews. But I really like the two leads so decided to watch it after the first four episodes had aired. I should have really stuck with my tried and true method.This drama firstly commits one of the worst possible sins a drama can commit, its boring. Yes it is slow. Slow is fine, but boring is not. Dramas can be slow and interesting, but not this one.
Then it commits what I personally consider the worst sin. A very unsatisfying ending. After the 16 hours I have invested in this drama I don’t want to feel like I wasted my time and could have watched something better. Unfortunately that is what I felt here.
I love Song Hye Kyo. I think she is overall a great actress. But she commits two sins here for a romantic drama. Firstly, just like in Encounter, she has zero chemistry here with the ML. It is hard to believe that she even likes the ML, never mind being in love. Then secondly, she is so emotionless. My refrigerator has more heat than this romance seemed to have. Yes I may be exaggerating, but not by much.
When the secondary characters are CONSIDERABLY more interesting than the ML and FL, you know you are in trouble. Even they cannot save this one.
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This review may contain spoilers
Sometimes It's Best to Let It Go
I found this drama meaningful and deep. I can understand the fact that this is not everyone's cup of tea but for me it was perfect. I loved every second of it, I loved the fact that everything was happening slow and so many quotes made me think of my life that was it worth it to live like this or should I change my way of living.When this drama started I also found love and when their relationship ended mine also ended, so I found so many similarites with my life. The fact that we can talk about so many things but we just can't because just because we talk doesn't mean the ending can change.
This drama shows sometimes we just try so much to hold on but there are something we need to let it go.
I know that it can be boring for many people because every subject in the series is handled in a very deep and mature way. But if you want to watch a slow-breathed, deep series where you can make sense of every word, I think you should take a look.
When a person feels too much, after a while he starts not being able to feel anything or starts talking with his eyes, not reflecting what he feels.
The pain of the protagonists was evident in their eyes, they could only show many things with their eyes without expressing them with words. I think that was very impressive. I think the depth of their love and the value they gave to each other was very beautiful.
People are so accustomed to making sacrifices for someone and giving up on themselves that it may seem selfish to us to see someone living for themselves. However, the normal thing is to be able to live for ourselves and not give up on ourselves for someone else.
Someone always enters and leaves our lives, this cycle will always be like this, the important thing is to take care of ourselves.
Even when we lose ourselves, we have the courage to find ourselves again.
We think that we have lost our love when the person we love leaves our lives, but in fact, love is a feeling that is inside us, so it is still inside us. This feeling is not just about the other party, so we can feel it without it.
I hope this drama will be a hope for people to have the courage to be themselves.
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