The Epoch of Miyu

The Epoch of Miyu : One of 2026's best mature urban romances so far

🎬 Quick Take
🔹 At the time of this review, 22 of 38 episodes have been released.
🔹 I usually rate dramas based on three things: writing, directing, and acting.
🔹 By Episode 22, this one is delivering in all three areas for me. Current score: 9.5/10.
🔹 Best advice: try the first couple of episodes and see if it clicks for you.

💚 Why You Might Like It
🔹 You want a mature romance where the characters actually feel like adults.
🔹 You like leads worth rooting for, great chemistry, and stories about starting over.

📕 Overview (Spoiler-Free)
🔹 38 episodes / metropolitan romance/workplace drama
🔹 Zhu Zhu plays Xu Miyu, a woman trying to rebuild her life after her marriage falls apart.
🔹 Wallace Chung plays Ji Feng, a hotel executive who reconnects with her at the right time.
🔹 It is a story about healing, career growth, and learning what happiness should actually look like.

🌸 How It Felt Watching
🔹 I started this expecting something decent, but it pulled me in more than I thought it would.
🔹 It deals with adult problems in a way that feels relatable.
🔹 There is romance, but the personal growth side of the story matters just as much.
🔹 Themes: self-worth, second chances, healing, trust, resilience, moving forward

✨ Cast & Acting
🔹 Zhu Zhu (Xu Miyu): She makes the character feel hurt, strong, frustrated, and hopeful all at once.
🔹 Wallace Chung (Ji Feng): Charming and easy to root for.
🔹 Supporting cast: Enough drama, humor, and tension to keep things interesting.

🎵 OST
🔹 Opening theme: Her Epoch (她的纪元) by Xu Ming Ming
🔹 Ending theme: The Forgotten (被遗忘的) by Kang Zi Qi

🎞️ Production Style
🔹 The hotel setting gives it a fresh workplace backdrop.
🔹 Easy to follow and paced well so far.
🔹 Styling fits the age and tone of the characters.

☕ Tea Notes

🌟 What worked
🔹 The chemistry feels natural and never forced.
🔹 Xu Miyu's growth has been the best part of the show for me.
🔹 Romance and workplace storylines are balanced nicely.
🔹 I kept saying "one more episode" and then watching three.

🌟 What did not (so far)
🔹 Some melodrama moments are familiar.
🔹 A few plot turns are easy to predict.
🔹 Certain side conflicts go on longer than needed.

☕ SpillTheDramaTea Rating: 9.5/10

🌿 Tea-Scale: Easy to binge with grown-up charm

✏️ This is definitely worth checking out to see if it's your cup of drama tea.

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Only worth watching if you love the Cast

For me I love actress Zhu Zhu. And even though the story frustrates me every episode of nasty characters with too much screen time, I continue to watch for her. This is the typical C-Drama where the negatives outweighs the positives so I'll start with the short list of positives:

Worth watching Parts:
1. Zhu Zhu .... I mean isn't she just one of the most beautiful, refined actress in decades?
2. 2nd ML. You know he played a nasty ex husband in Filter? Now he plays a charming 2nd ML who hardly gets ANY screen time. He nails both characters! Only in ep 24 do you see some sweetness.
3. Few good supporting characters: (again NOT enough screen time) The cook bestie, the ML's finance guy.

Now for the Rants.... skip this if you are easily offended

1. Too many nasty characters with overboard screen time. That really needed to be cut down by 50%. I would rather watch more interaction w/ the 2nd ML but nope. It's always drama central w/ repetitive gossips and backstabbing.
2. Even by ep 24, she's a manager now, still with no real power.
3. ML - still not likeable. Script issue. Clearly Ep 25 2ML is that much more mature.
4. ML/FL chemistry, none IMO. All the way through the end.
5. Very repetitive theme over and over again. She gets into a new department, there's always someone trying to backstab her and she succeeds in the end.

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Let’s make the female lead as stupid as possible because this is how we see Chinese women

The series opens with a visceral betrayal in an African hotel, where the FL is blindsided by her husband’s long-term affair. The justice is non-existent from the jump. The ML - the hotel’s General Manager knows exactly what’s happening and chooses to collude with the husband to hide the mistress, prioritising a business deal over human decency. This sets a bleak tone where professionalism is just a cover for being a complicit snake.
Back in China, the narrative descends into a repetitive cycle of the FL’s denial. Despite catching her husband in a hotel room, she allows herself to be gaslit and continues trying for a baby, unaware that the mistress is already pregnant. By Episode 3, the FL isn't just a victim; she is a doormat, clinging to the wreckage of a 10-year marriage.
The power dynamic in Episodes 4–6 is genuinely hard to watch. After the husband schemes to hide his assets during the divorce, the FL is forced to take an entry-level housekeeping job at the Purong Hotel. The writing reaches a peak of misery porn when she is forced to work a birthday party for her former mother-in-law, where the husband and mistress are treated like royalty while she scrubs floors.
The most frustrating element is the FL’s complete lack of agency. Even when confronted by her own parents, she lies to protect the husband’s reputation, claiming they "fell out of love" rather than exposing the affair. This high road behaviour isn't noble; it’s delusional. It leaves her parents vulnerable to public humiliation and allows her "greedy bastard" of a father to potentially work against her interests for his own gain.
Six episodes in, the narrative favors the antagonists while the protagonists are systematically disadvantaged. The husband faces minimal repercussions for his actions, while the mistress continues to advance her career. With a morally ambiguous ML and a protagonist who has yet to assert herself, the first six episodes present a challenging viewing experience that seems to prioritise character suffering over narrative progress.
I want to drop the show, but I will probably just end up hate watching cause this is really difficult to understand how this can be classed as good Chinese drama when you have to watch a female lead get constantly embarrassed and show absolutely no backbone to when she’s being humiliated.
Despite a major promotion at the end of Episode 10, these episodes represent a low point for the narrative. The FL remains trapped in a cycle of virtuous suffering, it’s probably the polite way to put it, where her only character trait is her willingness to absorb abuse. The storytelling has moved from misery porn into the territory of professional and personal absurdity.
Episode 8–9 see a medical emergency with the elderly man (Mr. Tan) should have been the FL's first win, but the show immediately undercuts it. A slacker coworker steals the credit, and the FL—in a display of total passivity—simply lets her off. The misery board peaks when the FL’s parasitic father saddles her with his guesthouse debt, leading to her being manhandled by debt collectors. The ML rescues her by paying them off, which doesn't feel like a hero moment, it feels like a transaction that transfers her dependency from a scumbag father to a morally ambiguous boss.
The "big win" occurs when the corrupt housekeeping supervisor is sacked for stealing shampoo and the FL is promoted to take her place. However, the victory is hollow. The FL is a supervisor in name only. Her team openly mutinies and she offers zero resistance, allowing herself to be undermined at every turn.
In a shocking display of professional incompetence, she immediately agrees to cover for a slacker who messed up a booking. By protecting the rot she was promoted to fix, she proves she is still a doormat, just in a higher-ranking uniform.
The ML is a bit frustrating too. Despite being an undercover executive investigating corruption, he tucks his tail when a difficult customer demands his suite. Instead of exerting authority, he retreats, while the FL stands by and offers a perfunctory apology for his humiliation. Both leads are now defined by a shared cowardice that the show tries to pass off as patience or professionalism.
At nearly 30% through the series, The Epoch of Miyu is failing to deliver on its starting over premise. The FL isn't growing; she is just moving from one toxic environment to another, carrying the same lack of self-respect with her. The villains continue to prosper, the protagonists continue to submit, and the disaster zone Purong Hotel only seems to get worse.
Ep 11-13. The ML is officially appointed GM and publicly clears the FL's name, but the victory is hollow. While the ML tucks his tail in a boardroom battle, failing to fire the corrupt directors, the FL takes professional doormat to a new level.
Even after overhearing her staff call her a pathetic doormat, the FL doubles down on kindness. When a housekeeper is caught rifling through a guest's bag, the FL refuses to sack her. Instead, she attempts to bribe her subordinates to like her by paying for their unapproved overtime out of her own pocket.
This show, sheesh. You have a GM who won't manage and a Supervisor who subsidises her own bullying. The show has officially traded character growth for a total gaslighting mass.
I’ve now watched up to episode 17 and the ML is still a volunteer martyr. He’s securing deals and running audits just to hand the prestige back to a corrupt family that hates him.
Watching the FL being this subservient to a mistress in the hotel is infuriating. When will this misery porn end?
Dropping for three weeks as they are now only releasing one new episode per day so I have no intention of torturing myself because when I come back, I will get through it and double quick speed. The show is currently 90% character humiliation and 10% progress.
Episode 19 to 38. I’ve now watched the rest and it was rubbish. The story did its best to let everybody off for all their crimes but even the ex-husband, the mistress and the main antagonists ending was all a bit underwhelming and deeply unsatisfying. Meh!

Nb. What the hell happened to the mistresses baby after she was sent to prison?

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A beautifully made drama that truly deserves a perfect score

This drama was an amazing experience from beginning to end. What I loved most is how naturally everything was built — the story, the emotions, the characters, and the overall atmosphere all felt meaningful without being forced.

The story kept me interested throughout, not only because of what happened, but because of how the characters reacted and grew. Every important moment felt earned, and the emotional scenes were handled with sincerity. It never felt empty or exaggerated.

The acting and cast were excellent. The performances made the characters feel real, and the chemistry between them made the drama even more enjoyable to watch. Even the quieter scenes had impact because the actors carried them so well.

The music also added a lot to the experience. It matched the mood beautifully and made many scenes more memorable without overpowering them.

Overall, this is the kind of drama that stays in your mind after finishing it. It was emotional, well written, well acted, and very satisfying. I would definitely recommend it, and I can easily see myself rewatching it again.

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A powerful “fall and rise” heroine arc

Epoch of Miyu is a compelling, emotionally charged c‑drama that blends divorce‑to‑rebirth storytelling, hotel‑industry workplace growth, and a slow‑burn, mature romance. It’s resonating with viewers because it treats female empowerment seriously while still delivering addictive melodrama.
Instead of wallowing, Mi Yu rebuilds from scratch as a hotel room attendant. This grounded, realistic portrayal of starting over is one of the show’s strongest points.

❤️ A mature, slow-burn romance
Ji Feng and Mi Yu’s chemistry is subtle but steady. romance isn’t rushed; it’s built on support, healing, and partnership. The show avoids childish tropes and instead focuses on adults navigating real emotional wounds.

🎬 Strong performances
Wallace Chung (Ji Feng) and Zhu Zhu (Xu Mi Yu) anchor the show with mature, nuanced acting. Their performances elevate what could have been a standard melodrama into something emotionally resonant.

it’s a story of reclaiming identity, finding strength after betrayal, and building a new life with dignity and courage. The drama balances melodrama with heartfelt growth, making it both entertaining and emotionally satisfying.

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Watch for the hard work of cast, it’s enjoyable enough.

Whatever your expectations are to want to start this whether it be for the veteran cast, or the romance aspect of mid aged leads, or the hotel industry, that’s all here packed. Starting out with a clear picture of what happened to Mi Yu, the female protagonist, you’re drawn in to her story, her life. From there, layered is her rise from her life’s pit, in the hotel industry. Nothing too extraordinary about the story that is pretty predictable if you’ve watched a lot of cdramas of heroines rise from the ashes. So what’s to like? The mirror of life through Mi Yu’s. Simple as that. It isn’t written perfectly if you’re opinionated, and I humbly say that not from expertise but having lived long with some good recognition of good flows. However, it is not for the worst from hundreds others. In fact, it’s not bad at all if you’re here for a flowing story with many layers of humanity whether personal or in the career field. Go for it, it’s entertaining, and the cast deserves recognition of their work bringing entertainment to your screen. I’m almost done with it and it’s been a good look forward daily.
^^^^^^^^^^^^^^^^^^
Update: finished last thoughts. TIL the end it was satisfying. Everything worked out perfectly for the heroine even if a bit too cheesy or coincidental. That’s good. It’s nice to see happy endings because there’s way too much sadness all around the world. Worth the watch.

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Very good drama. Must be seen and re-seen

It is the first time i watched these 3 main actors on screen. But i guess they are the one of the actors that must be seen in China. I starting to navigate some of their old drama and iam jnterested to watched them as well. I better knew them because, though they are st 40's up, their good actors snd can brought you into this world of their drama scenes. Plus they could bring you so much kilig. Kilig is a Filipino words for saying you wanted to see them, again because you find them handsome or pretty.
What brings me to enroll in these reviewer role, was that i was upset because there are a lot of reviewer who voted negative initially even though the drama was just starting to be shown, that brings them underrated. I mean i've a lot of beautifully, well acted, good story line Chinese Drama, which i felt all underrated. Why?
Opinions can be open up, but please do not be biased. I mean if you continue to watched and finished this drama you'll find thisvery good from story ljne to actors, to music, each episode is carefully done. It deserves a better rating.
Right now i sm readying myself to watched the answers in episode that turns out to be 'bitin'. In english the hanging episode. I know there's a lot more to see in the final last 4 episodes.
Meantime i want to thumbs up. Looking forward to watch drama from these actors.

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this is worth watching

Ah, my sincere apologies for the mix-up! You were referring to the brand new 2026 release, **The Epoch of Miyu (蜜语纪)**, which just started airing. Let me give you the correct breakdown for this highly anticipated modern drama.
### Official Poster
*(Note: As this is a brand new release, poster links may fluctuate, but it officially features the leads set against a sleek, modern hotel backdrop).*
### Drama Details
* **Main Cast:**
* **Zhu Zhu** as Xu Miyu
* **Wallace Chung (Chung Hon-leung)** as Ji Feng
* **Li Meng** as Lu Zhenzhen
* **Jing Chao** as Nie Yucheng
* **MyDramaList (MDL) Rating:** **8.0/10** *(Based on early viewer reviews; this is currently airing as of April 2026)*
* **Platform Availability:**
* **iQIYI:** Yes (Airing)
* **WeTV (Tencent):** Yes (Airing)
* **Youku:** No
* **MangoTV:** No
* **Netflix:** No
### Synopsis
Adapted from the web novel *Mi Yu Ji* (蜜语纪) by Hong Jiu, the story follows Xu Miyu, a woman whose "perfect" marriage comes crashing down on her 10th anniversary when she discovers her husband's betrayal. Realizing she has spent the last decade compromising and completely losing her own identity to her marriage, she makes the difficult choice to file for divorce and start from absolute zero.
Hitting rock bottom, Miyu takes a job as a guest room cleaner at the prestigious Si Wei (Purong) Hotel. There, she unexpectedly crosses paths with Ji Feng, a former acquaintance and her first love, who has just arrived as the hotel's new General Manager. As they face high-stakes corporate warfare and workplace challenges together, their dynamic shifts from professional support to a deep, mature romance. Side by side, they rebuild their lives and work to transform the hotel into a soaring Shanghai landmark.
### Analysis: Should You Watch It?
**Why it’s a Must-Watch:**
* **Mature Adult Romance:** This isn't a fluffy idol drama. The leads are grown adults with real emotional baggage. The tension between Zhu Zhu and Wallace Chung is built on mutual respect and challenges, making their dynamic refreshingly mature and grounded.
* **Feminist Reclamation:** Miyu’s journey is incredibly cathartic. It is not a story about being "saved" by a rich CEO, but rather about a woman unlearning a lifetime of self-erasure, finding her footing, and reclaiming her career and identity piece by piece.
* **Cultural Depth:** The show tackles heavy, realistic themes regarding the immense societal pressures on Chinese women, filial piety, and the heavy burden of "gratitude debt" within families.
**Why it’s Not Worth It:**
* **Frustrating Early Episodes:** The first few episodes can be a tough watch because the betrayal and the people surrounding Miyu initially are highly toxic. If you don't enjoy the "infuriating cheating spouse" trope, the setup might test your patience.
* **Length:** At 38 episodes, it is on the longer side for a modern workplace drama, which means the corporate politics and hotel management storylines might drag in the middle before reaching the climax.
### **Overall Rating: 8.0/10**
A deeply satisfying watch if you enjoy mature, character-driven stories about second chances and women finding their inner steel after hitting rock bottom.

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From Cringe to Compelling: Trust the Slow Burn

If you’re thinking of dropping Epoch of Miyu in the first episodes… don’t. Seriously, give it a real chance.

I won’t lie—the opening is rough. It took me three tries to push through because it feels overly try-hard and, at times, straight-up cringey. The tone can be misleading, almost like it’s setting up something shallow or overly polished. But here’s the thing: that beginning is only a small slice of what the story actually becomes. It’s intentionally laying out that “perfect life” illusion before everything unravels.

Once the narrative shifts, the drama finds its footing—and it hits hard.

You’ll probably feel frustrated with how the female lead is treated at first. She comes across as a complete doormat, constantly undermined and overlooked. But that’s not bad writing—it’s the point. Her journey is all about growth, and watching her gradually reclaim her strength, confidence, and independence is where the show really shines. The transformation isn’t instant or exaggerated; it feels earned.

What sets this drama apart is its focus on mature characters dealing with real emotional stakes. This isn’t about flashy romance or idealized love. It’s about people who’ve been through life, making messy decisions, learning, and slowly finding something genuine. The romance builds on that foundation, making it feel more grounded and satisfying.

So yes, the beginning might test your patience—but if you stick with it, Epoch of Miyu rewards you with a deeper, more emotionally resonant story than you’d expect.

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A Mature (Not Really) Urban Romance

Read the novel that it comes from (Records of Sweet Romance) and thought that it was an okay read. Unlike a lot of current novels and dramas out there, it explores the path of a divorced woman who (despite the odds stacked against her) succeeds in the hotel industry.

The plot is fine in both the drama and the novel. There are moments of cheesy scheming but the villains are not OP and their plans are easy to foil. My real bone to pick really is with the ML. Many didn't like the novel because of the ML and I think a lot of drama viewers might not either because he is not the 'ideal' ML. The ML is someone who's portrayed as an elite (the best in the industry) that begrudgingly helps FL and then falls in love with her. But the real issue is his attitude. Novel ML is a jerk. Drama ML is not much better. While we see that he subtly starts to fall in love with FL and protects her, we also have random moments where EQ and emotional regulation flies out the window. Every 5-6 episodes we get the ML lashing out at FL with lines like "I have the ability to help you out, but why should I?" and it really makes you want the FL to pick the 2nd ML because he's always supportive of her. Keep in mind that this line came at about 25+ episodes in and as a reflexive/defensive mechanism to him realizing he's falling in love and is getting jealous. For a 'mature' romance with a 'mature' cast, it comes off as really childish.

In a world dominated by Hidden Love, First Frost, and Pursuit of Jade, the standards for how a ML should behave and treat FL have changed from the early 2010s tsundere/macho man. While there may be some who like this type of ML, I think Epoch of Miyu may not be able to compete with this sort of dated character.

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The Epoch of Miyu: Strategic Trope Reconnaissance

I finished The Epoch of Miyu (蜜语纪), and by the final ten episodes I had transitioned from traditional viewing into what I can only describe as executive-summary drama consumption via strategic trope reconnaissance. This was not binge watching. This was me fast-forwarding through organizational nonsense, pausing for moments of consequence, and conducting a live forensic analysis of trope collapse under corporate fantasy conditions.

The frustrating thing is that this drama had the bones of something much better.

At its core, the story seems to want to be about a divorced woman rebuilding her identity through work, independence, and love in a high-pressure luxury hotel environment. The OST certainly thinks that’s the story. The music is genuinely beautiful, emotionally coherent, and often deeper than the writing itself. Songs like 熟透 (“Fully Ripened”), 被遗忘的 (“The Forgotten”), and 南柯一梦 (“A Dream/Illusion”) suggest themes of emotional maturity, abandonment, illusion, regret, and growth. The problem is that the actual drama rarely earns those emotional beats.

The single biggest issue with this show is that it constantly mistakes escalation for development.

Things are always happening:
- misunderstandings
- sabotage
- jealous exes
- promotions
- accidental intimacy
- workplace conspiracies
- dramatic illnesses
- relationship resets

But very little develops organically over time.

The clearest example is the central romance between Xu Miyu and Ji Feng. The drama insists repeatedly that they are deeply in love, but it rarely dramatizes how they got there emotionally. Instead of gradual intimacy, we get trope stacking:
- gazing over billowing bedsheets
- umbrella scenes
- forced proximity
- accidental falls into kisses
- spotlight ballroom dips
- dramatic misunderstandings every few episodes

And after nearly 30 episodes of tension, the show jumps from unresolved attraction straight into sex with almost no believable emotional progression between them. The result is that many scenes that were clearly intended to feel romantic instead felt awkward, forced, or unintentionally comedic.

Ironically, the side plots were significantly stronger than the main romance.

Yu Cheng and Zhen Zhen were, without question, the strongest and most narratively honest characters in the show. Their relationship was messy, manipulative, toxic, tragic, and psychologically coherent. Every decision they made flowed naturally from who they were. Betrayal led to mistrust. Opportunism led to emotional rot. Regret came too late. Even when melodramatic, their storyline felt emotionally causal in a way the main romance rarely did.

Director Wei was also consistently written. He was always exactly who the show said he was: corrupt, entitled, politically manipulative, and hollowing out the hotel for personal gain. Whether I liked him or not is irrelevant. He made sense as a character.

Meanwhile, Xu Miyu gradually stopped feeling like a human being and started feeling like a universal competency fantasy.

Within roughly a year, she goes from housewife to:
- housekeeping
- executive floor forewoman
- lobby manager
- sales
- AI business development
- international negotiation
- investigator
- scholarship recipient to Switzerland

The show treats titles as rewards, not responsibilities.

The organizational aspects were not even close to being believable, and this became increasingly impossible to ignore. Promotions happened without openings existing. HR exists as a magical title generator. Roles changed overnight. No meaningful training occurred. Security procedures made no sense. Sales structure was fantasy-level nonsense. At one point, two surveillance employees left the surveillance room completely unattended because they wanted to go eat before investigators arrived. The show repeatedly rearranged reality to make plot points possible.

And yet, despite all of that, there were still moments I genuinely liked.

Tan Ji Zhou (“Kevin Tan”) was probably my favorite “good guy” character in the drama. He was emotionally mature, respectful, calm, and direct. His relationship with Miyu felt more grounded and believable than the official romance. One of my favorite moments in the entire show was near the end when he asked her, “May I hug you one more time?” The fact that he asked permission in a drama otherwise full of emotionally forceful romance tropes stood out immediately. His father Daniel Tan was also a very enjoyable character.

Xue Rui (Ji Feng’s assistant/friend) and Li Qiao Qi (chef/Miyu’s friend) had surprisingly natural chemistry early on through small, quiet interactions that actually felt earned. Unfortunately, like several side plots in this drama, that relationship was quietly abandoned without explanation. The same thing happened with Duan Ao Xiang and Li Qiao Qi. The show repeatedly introduced emotional threads for momentary effect, then dropped them entirely instead of developing them to completion.

As for Wallace Chung: this is the first drama I’ve seen him in, and I genuinely do not think this script gave him a fair opportunity to shine. Ji Feng was often written less like a psychologically grounded person and more like a delivery mechanism for tropes and emotional spikes. At times the performance felt overly intense for what the scene had actually earned emotionally, but I suspect a large part of that comes from the writing itself constantly demanding heightened emotion without enough buildup beneath it.

Oddly enough, I did not dislike the ending. In fact, I thought the ending was one of the more reasonable parts of the show. Miyu going to Switzerland instead of immediately rushing into marriage actually fit her larger aspirational arc better than a wedding would have. The relationship ending on “we’ll wait for each other and see where life goes” felt calmer and more emotionally mature than many of the conflicts the show manufactured throughout its run.

Ultimately, The Epoch of Miyu is a drama with excellent music, strong side characters, scattered moments of emotional sincerity, and one of the weakest central romantic structures I’ve seen in a long time.

The drama repeatedly asks the audience to feel depth instead of building it.

And by the final stretch, I realized the most enjoyable part of the experience wasn’t actually watching the show itself; it was analyzing the narrative chaos afterward.

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Slow Burn? This One Forgot To Light The Match ?

The Epoch of Miyu started like it was preparing a grand feast… then served warm water and emotional room service 😅
I get what they were trying to do. Mature romance. Real life struggles. Healing after divorce. Workplace rebuilding. And honestly, the realism was probably the strongest part of the show. Life after divorce is messy, awkward, lonely and sometimes strangely freeing all at once. They captured that part well.

But whew… this drama moved slower than hotel lobby WiFi during peak hours ☕🐢

For something labelled romance, there was hardly any actual romance. A few stares, some emotional support meetings, long pauses, and suddenly we are supposed to believe epic love happened somewhere between housekeeping shifts and board meetings 😭
And can we talk about how the FL somehow came out glowing after divorce? Better career. Better wardrobe. Better opportunities. Switzerland. Emotional growth package included 😂 Meanwhile the audience was still waiting for chemistry to check into the hotel.

It was less “falling in love” and more “LinkedIn Premium: The Drama.”

Still… I’ll give it this. It did feel more grounded than the usual fantasy romance where the CEO falls in love after catching someone tripping in slow motion. This one at least showed adult scars, adult exhaustion, and adult survival.

But romance lovers? You may leave hungry 😅

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