By a Man’s Face Shall You Know Him (1966)

"You don't have the slightest notion of what war is like!"

By a Man’s Face Shall You Know Him tried hard to be a film about the futility of violence yet could only accomplish that task through buckets of blood and a high body count. Set in postwar Japan, instead of the Crips vs The Bloods, it was the Korean gangsters vs…a doctor.

Dr. Amamiya recognizes a traffic victim who is rolled into his small clinic. The man’s face causes him to remember a difficult, desperate time from the past. After he returned from the war, Amamiya wanted nothing to do with killing or violence. The only problem being, a Korean gang was determined to take over the street market of which he was the owner. The gang took what they wanted, killed who they wanted, with no consequences from the police or government. Amamiya could be the only thing standing between the people being threatened and the gangsters determined to eliminate them.

The film had flashbacks and flashbacks within flashbacks. Dr. Amamiya had become disillusioned with the government and people in general after realizing he’d been lied to during the war, made worse by the lives he’d taken. He wanted the cycle of violence and death to end even as he was faced with it every day. When his brother came to town on a break from university, the stakes went way up as the way out narrowed.

This film had the look of a lower budget film with the performances hit or miss. There was a great deal of exaggerated acting which could be taxing to watch. Ando Noboru gave a convincing performance as the doctor with a very particular skill set unrelated to the medical field. Coincidentally, in real life, Ando had been a gang leader before he entered the entertainment field. Amamiya’s love interest, Maki, was always covered in sweat and screaming, obsessively clinging to him. Not exactly the epitome of a cool-headed nurse. Of course, the good doctor didn’t mind having a nooner in the clinic which wasn’t particularly professional.

For a film with gangsters, it incorporated more issues with post war societal and political upheaval than I would have expected. What interested me, despite the overt racism toward the Japanese Koreans, was the Korean gang. Japanese Koreans were not often the focus of many Japanese films. The Japanese looked down on the Koreans and the Koreans felt like their time of being dominated was over. Payback was coming. There was no lack of criticism for the war and the repercussions from it. Amamiya was criticized by multiple people for not choosing violence while his brother was considered a hero for confronting the large gang despite his spectacular failure. The yakuza were even too afraid to take on the Korean gang. The film used one of my least favorite tropes with a hero that refused to fight until the body count forced him to. Another issue was that women were not shown in the most flattering light. Maki was a basket case. The writers had the Korean woman Gye do something that lowered my score. For all time, no sane woman asks a man to rape her.

By a Man’s Face Shall You Know Him started out slow paced for a gangster film yet was also deeper than most. I didn’t appreciate the sexploitation and old school machismo acting. However, the bloody ultimate showdown did not disappoint. Though it is flawed, if you enjoy old school gangster flicks, this might be one to try.

26 June 2026

Trigger warnings: Sexual Assault. Sexual situations. Bloody, violent fight using guns and katanas.

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