Blossoms in Adversity (2024)

My Favourite Watch in 2024

Adapted from the web novel “Xi Hua Zhi” (惜花芷) by Kong Liu (空留), “Blossoms in Adversity”, this drama isn’t a one man show. No, rather it chronicles the individual journey of each character. It could be the main leads, Hua Zhi or Gu Yanxi, each of whom had their own struggles; or it could be the female residents of the Hua Family whose sudden fall from grace led them to live a life of misfortune, something they could have never imagined before. Even though they had their disagreements, blood is obviously thicker than water. They argued, fought and yet stood together when the times were worst. How far can a bunch of women hold out when the Emperor of the nation is out for their blood? The story line beautifully weaves a redemptive recourse with a somber romance. Neither overpower each other, they exist in perfect harmony, blending through motions. For now, let’s talk about the main characters and their journeys!

Read the complete article here-

https://kcdramamusings.wordpress.com/2024/04/27/blossoms-in-adversity-series-review/

Read More

Good leads, mature vibes - The bare minimum that is so often lacking

OVERALL
This is an oasis in the severe C-drama drought of early 2024. While not perfect, it ticks so many boxes! Watch it if 1) you like capable FL and nice (instead of the usual cold) ML, 2) you like family dramas, 3) you're looking for cute romance based on mutual support and understanding. If you 1) are looking for steamy romance, 2) get bored by business drama, 3) can't stand occasional writing flaws, reconsider.

THE STORY
In one sentence: Rich girl becomes poor and finds her way back to wealth through business ventures. Basically, Dream of Splendour, rewritten. It put me off a bit because I was disappointed by Dream of Splendour (I personally think it's a bit overrated), but still gave it a try. In some ways (though not in everything), I enjoyed this one more.

Things I liked:
- ML is nice and supportive. I can't say it enough, I'm sick and tired of the rude and entitled drama lead. Can they stop making them?
- FL is smart and capable. Some people complained that she's a Mary Sue, but honestly, she's not doing anything a ML wouldn't do in a C-drama, so if you are fine with guys having multiple talents and saving the day, you should be alright with the girl doing it too. And no worries, ML does save her from danger a couple of times too!
- The relationship between FL and ML is healthy and not toxic (yes, I'm looking at you, Kunning Palace!). It is refreshing to see characters not only support and listen to one another but give each other space and respect each other's decisions.
- There's enough danger and adventure to make up for all the business and family drama.
- The family drama was not annoying. I'm not a huge fan and often skip scenes in dramas that spend too much time on family, but I actually found a few of stories quite interesting because of how different they were (eg. sister of ML or mean girl from FL's family) or because of character development (eg. some of the aunties in FL's family).
- Almost no distasteful CGI. The visual effects (and overall cinematography) are decent and not distracting

In comparison, there are few things I disliked, but they are not insignificant:
- The romance is super promising until around eps 25-28, then gets boring. It's the typical case of a well-written "falling in love" stage and an under-developped "in love" stage we see so often in C-dramas. As if there is no plot, no growth, nothing interesting that can happen after the leads confess their feelings. The last 4-5 eps bring some drama to spice things up, but the love story never delivers what it promised, to be honest.
- The palace politics is kind of poorly written. I quite liked the character of the emperor (he is actually a complex character), but I find that most things that didn't quite make sense to me had to do with the palace politics. For one thing, it feels like there is a lack of coherence. Who is the villain of this story? It's like you had different storylines with different antagonists. It's kind of all over the place.
- Some parts of the plot are weirdly illogical (eg. towards the end, FL does something that has negative consequences but somehow blames ML for it)

I would still recommend this drama, but these are definitely points to consider!

THE ACTING
Good enough for me. I saw FL before in a drama best forgotten (haha), but for some weird reason I really wanted to see her again. I don't think she's an amazing actress but she does it for me. ML I saw for the first time but is exactly the same. They had good enough chemistry too (such a shame it's underused!). And some secondary leads were quite good (young and old). This one boy that's in every drama is truly a gem! Might become the new Wu Lei!

THE MUSIC
Not my style, to be honest. But I've seen worse.

REWATCH VALUE
I think I might watch it again, but I'm not dying to like I have been at the end of other dramas. It's better than a filler, but not a "wow, amazing" drama for me.

Read More

Nothing special, no memorable quotes and yet... enjoyable and refreshing

If you skip this drama, you won't lose anything in your life. But if you need something to watch to relax, something that won't irritate you, something still sufficiently interesting that won't make you drop it, well, this drama is perfect for you.

The writer of the synopsis didn't make justice to introduce us to the plot, so, I'll repair it. This is a (not particularly defined) period ensemble drama which rotates around a young couple with their own struggles. FL is struggling to keep what remained of her family afloat, after the seizure of assets and exile of male members from the capital. Her struggle is a struggle of female empowerment. ML is a side member of the imperial family who struggles to figure out complicated relations in his own family. Favoured by his uncle, a wicked emperor who can't stand anyone who contradicts him, he is appointed the Commander of the Secret Bureau, a ruthless Agency that responds only to him with the power to take down any other force (including nobles, royals etc) aspiring to the power. The struggles of these two persons entagle in interesting way and they fall for each other.

Although it lacks in memorable quotes and has many elements of unlikeliness, the plot is solidly based on a well-written dialogues, a rarity in C-dramaworld. Tbh, they are not brilliant, but they abound in details, double meanings, premonitions/hints that make the story logical in cause-effect sequence. What enhance to make the story believable is a genuine romance between the main leads, displayed originally for this type of drama: calm discussions to overcome misunderstandings, no screeming or scheming, no knives, poisons or bloodspitting. If you can pass over the fact that the ML is a super-fighter and the FL a business genius, for the rest, the two are totally normal people. The scenes engaging other people, and they are many, are also well developed, at least in the 4/5 of episodes. These are the reason I've highly rated "the story" - I'd like to encourage the two scriptwriters to follow this path in the future (and to forget completely the mess they've combined with TTEOM). But I also couldn't rate more, because they've also comitted huge mistakes (due to the original novel, I suppose), such as... introducing a new villain in last 5 eps. The audience "likes" villains, too: we want to know what made them villains, we like to grow up some (negative) affection to the villains, too.

Generally speaking, all the actors delievered the story, but not on the same level. Who delievered better were support characters: Hai Yi Tian as that sick-in-his-head emperor, Lu Yu Xiao as a traumatised PTSP girl (this actress really knows her job!) in process of healing, Myolie Wu as Madam Xia. The leads were good in delivering their main traits (described above: fighter-businesswoman), but nothing more than that.

Direction: How did Chu Yui Bun restrain himself from all his "weird experiments" with lights, filters, camera spinning... is a mystery. I suppose, his assistants constantly kept an eye on him. Untill the last minute in post-production. They've thought they've wrapped it all and left him alone. Being unwatched, he simply decided to add some CGI dolphins in that sort of homage to the Titanic. Both dolphins and Titanic-homage were wrong ideas, assistants, please,, don't leave him unchecked ever more.

Music was nothing special, the reason of high rating is: it's fine because it wasn't invasive.

Read More

Family is the essence.

Blossoms in adversity, this drama was aptly named.

The main theme and plot line that carried us through all 40 episodes of this drama was well done. Watching the Hua family's fall from grace and their eventual comeback through hardwork, preseverance, trust was so uplifting. The relationships between the women of the Hua household and how they worked together was the best part of the series and that is truly the main essence of the drama. This whole aspect was well done, so I rate the drama highly for that mainly.

In terms of the romance, the love between Hua Zhi and YanXi was the healthy and romantic type. Although I didn’t really feel amazing chemistry between the actors, the romance between the characters was great to witness. I loved how they both started out as friends and their relationship grew deeper. It was beautiful to see them be each other's confidants, with HZ feeling safest talking with YX and seeking his opinions on things she wanted to do, especially early on in their relationship.

My main disappointment with the drama is specifically the main lead, Yanxi's, attitude(?). To put it short, he did not stand on business. Despite how physically strong he was and how many times he protected HZ and her family, his character/state of mind/personality as his own person just fell so flat. In terms of personality, I even preferred the Second Male Lead's attitude and how he carried himself. YX acted in ways that went against his own beliefs/desires/morals all because the Emperor ordered it and that was dissapointing. He came across as a weak willed man and that is definitely not a trait I'd like to see from a ML, especially when you compare with the FL who is courageous enough to speak out when she sees something wrong and SML who spoke out honestly without fear for the consequences. This also feeds into why I felt a bit dissatisfied with how the end to all the adversity played out, I wish it was more directly through the hands of the main leads' actions than that of third parties. The fact that at the end of the drama I was rooting for one of the villains to accomplish their revenge plot and was pissed at our main leads for trying to stop them was a new feeling I experienced watching a drama, lmao.

Overall, the main story line being the rise of Hua family was enjoyable and very well done, there are also so many lovable side characters and romantic story lines (ShaoYao x Shen Huan, Uncle Pingyang x Aunt Yu Niang, Empress Dowager x Grandma iykyk lol, etc) that made this very enjoyable, so I still had a good time watching this drama.

Read More

Unraveling Narratives and Character Flaws in the Realm of Deception

I might be the only one, but I'm baffled by the 8.7 rating this show has received. I'd generously give it an 8, but even that feels too lenient. Initially promising, I'm now on episode 38 and finding it increasingly unreasonable and frustratingly dumb. The once-intelligent and capable female lead seems to have lost her discernment, openly criticizing the king despite knowing the risks involved. Considering her past experiences with both her family's downfall and her ex-fiancee's family trouble, one would expect her to exercise caution, especially with such an incompetent and manipulative ruler. I mean ...while honesty is commendable when confronted with an evil and irrational king, it's prudent for those who are smart to seek alternative approaches.

Similarly, the male lead, initially portrayed as competent, now appears to be nothing more than a tool, failing to take meaningful action despite realizing his insignificance.

As for the king, his erratic behavior swings between unreasonableness and outright evil, yet when directly challenged, he inexplicably retreats into passivity when the male lead directly disobeys his command to help the female lead... It's utterly bewildering and frustrating to witness this decline in quality and coherence.

There are just a few episodes remaining, and I might stick it out to see if it improves. While undeniably entertaining, this show falls short of being a masterpiece. The acting is passable, with nothing particularly remarkable about the performances of the male and female leads. Additionally, their outward appearances are rather ordinary. Though the story showed promise initially, it has become increasingly ludicrous. I've found myself fast-forwarding through numerous scenes as a result. DEFINITELY NOT GOING TO REWATCH THIS!

Read More

FROZEN FACES

Since the men of Hua family are forced into exile, all glories and properties are taken away, leaving behind the women & children in predicament living in dire strait and nothing. All women whose use to live in luxury and privileges, now suddenly has to face the hardship of survival in a moment notice. Basic needs can't have them, about 10 women and few children know nothing how to do simple chores, depends on maids - who stay just for their slave transaction documents with head-madam. Hua Zhi, the oldest Daughter of the family, no longer stays low-key and steps up. She braves hardship and leads the women of her household to manage to avoid starvation and danger. She transforms family to successful in businesses and becomes the head of family. Female center of drama, can't say I like it, too much washy-wooshy. All those pitiful begging, whiny, crying, jealousy, virtue signaling, toddler-likeness voice from supporting female actors...so cringe.

To me Hu Yi Tian has frozen face, like too much of Botox, can't really express anything. He's so much better when he has the mask on, only his acting we can judge. Zhang Jing Yi has also frozen face, plus her smile is a (rictus) stoical grimace, her acting so so - nothing special. Because they both have frozen face, they seems to have a dispassionate love story.

What I like is Hua Zhi doesn't need Gu Yan Xi to help her all the time. Behind the mask, Gu Yan Xi is another character. I don't know if Hua's men all finally come back home from their exile because I don't finish the drama. What finally happen with Gu Yan Xi's future? I might have to fast forward to final episode....

Read More

"Blossom in Adversity" isn't just a title; it's a promise of resilience and triumph in the face of adversity. As the men of the Hua family face exile, the burden of survival falls upon the women and young boys left behind. At the heart of the tale is Hua Zhi, with her skills, courage, and bravery she steps up and brings the family out from the countryside back to the city life with her business propositions and tricks that wow the city. She makes enough money to get her family out of starvation and they bond over time learning to lean and love each other.

What I love about this series:
What sets this series apart is its authentic portrayal of human interaction. The chemistry between the leads feels refreshingly natural. Rather than being a constant savior, the male lead subtly supports Hua Zhi. Moments like their journey from the jailhouse back to the countryside lingers in my thoughts after it ends. I also loved every conversation they had. He told her enough not to reveal his identity but he never lied to her. And with FL, her intelligence and kindness she extends to strangers not only touched ML heart, it also touched mine.

The OST is also another favorite, I truly think they make or break the drama. I love Curly’s voice and was super excited to see her sing the opening. But the song that won my heart is Night and Day by Baby.j and Liu ZhiJia. I have to say Baby.j has been singing a lot of OST I love so I look forward to them each time. This particular song when it played each time it was usually when they were overcoming a situation, brave and strong. Just like the lyric “I don’t admit defeat or quit; I just run towards the first light” it just tears me up!

While the spotlight shines on the main characters, all the side characters shine just as brightly. I grew to love each one of them even though I couldn’t stand some of them to begin with. Personally love Shao Yao nuanced portrayal of autism and how her character grows as she later becomes a part of the Hua family. Chen Qing and Fu Dong mini love line is also another favorite! I’m rooting for them and hoping to see to grow.

What I didn’t like:
I’m going to get hate for this, but personally I've seen some of the actors and actresses in other series and I had a hard time watching some of them in here because there was something different about them. And because of that, I felt some of their facial gesture just looked a bit stiff, so knocking off a star because I couldn’t thoroughly enjoy it.

Anticipating:
As the series hurtles towards its conclusion, anticipation hangs heavy in the air, especially for me. I truly hope the ending is not a disappointment.

In the meantime, the allure of the series proves irresistible, beckoning a rewatch as the countdown to the finale begins.

Read More

A story of hope and resilience in adversity and a joyful fairy tale in wishful thinking

There is something intensely satisfying with stories in which the underdog overcomes unimaginable adversity to succeed against all expectations. Throw in well-paced story arcs, an incredibly smart, sensible, progressive, and courageous protagonist, supported by a cast of flawed but loyal and caring friends and family members, and we have a recipe I can’t resist.

Blossoms in Adversity is a wonderful historical drama that celebrates the strength and resilience of women by putting a spotlight on their incredibly oppressive lives in ancient China through the fall and rise of the once-illustrious Hua Family. I was willing to suspend disbelief and enjoy this magical and joyous fairy tale in wishful thinking, where the value of truth and the power of good will always prevails.

The Hua family patriarch is a high ranking court official of unimpeachable integrity who refuses to speak dishonestly simply to curry favour with the Emperor. Enraged by his subject’s impudence, the Emperor exiles the Hua men to the northern borders to do hard penal labour and confiscates the family’s wealth and home. The remaining family members -- the many wives and concubines of the four Hua sons and their children (boys under the age of 13 and all the daughters) -- are left to fend for themselves. Were it not for a rustic cottage outside the city bestowed many years ago by the Dowager Empress to the family matriarch -- best friends in their youth -- the women and children would have nowhere to go.

With the exception of our heroine, the eldest granddaughter Hua Zhi, who had travelled the realm with her grandfather as a child, the remaining family members are spoiled and pampered and at a complete loss over their reversal of fortune and the harsh realities that come with it.

I was brought to tears more than once by the heartfelt joys and heartaches of this imperfect, but delightful family and their servants. I have never been so moved by the funeral of a secondary character, especially with the arrival of an unexpected, yet pivotal guest. But I spent much of the 40 episodes grinning and cheering in satisfaction and joy over the family’s remarkable successes. Despite grim family circumstances, Blossoms In Adversity is about hope. It also deftly showcases the many ways “hope” is defined for different women: independence, divorce, marriage, love -- even when they are far from ideal.

I have no illusions that the premise is filled with impossibilities. Hua Zhi, played by the lovely Zhang Jingyi (张婧仪), manages to pretty much single-handedly bring the Hua family back to prosperity -- twice -- within the short span of (but generously estimated) three to five years. I can’t describe it any better than MyDramaList reviewer PeachBlossomGoddess who wrote in her excellent review:

“...no feat is beyond Hua Zhi! She parleys a candied hawthorn business into a pastry and restaurant empire, picks up stray royal children, foils a few palace plots, build schools and a canal, rescues the Hua family men and even manages to find time to fall in love!”

That’s all!

Hua Zhi is a heroine for the ages, a role model in perseverance, unwavering integrity, hard work, with a sharp mind for solving difficult problems and a sharp eye for spotting potential threats and reading her adversaries. There is almost a Mary Sue-like quality about her achievements and seeming perfection. Unlike the ensemble cast of spoiled aunties, sisters, cousins, servants, and friends (such as the endearing Shen Huan) who experience great character development as they learn to adjust to a vastly different quality of life and social status, Hua Zhi undergoes the least amount of growth. Yet if she were so perfect, she would not be so stupid as to speak defiantly to the Emperor, having already previously witnessed the grievous consequences of doing so -- not only with her grandfather, but with the man she loves -- Gu Yanxi, stoically played by Hu Yitian (胡一天).

Under the Emperor’s command, it is Gu Yanxi -- as the commander of the much-feared Security Bureau -- who confiscates Hua Zhi’s home and takes away the men. But it is under his own free will that he becomes Hua Zhi’s protector, confident, and love. But this free will rankles and offends the cruel and controlling Emperor, who does not hesitate to demonstrate the lengths to which he will go to wield his absolute power and force his nephew to kowtow to his will. Gu Yanxi’s strength yet helplessness in the face of his uncle, who raised him like a son, makes him a complex and fascinating hero, but one we never get to know as intimately as we do the women in the Hua family.

A LIKABLE ENSEMBLE CAST

This was my first drama with Hu Yitian, and his depiction of a stoic prince really worked for me. I’ve seen some comments criticizing his unflattering period styling and that he can be a bit flat and expressionless in his acting, so perhaps his portrayal would have landed differently and felt more stale had I been more familiar with his previous roles. In any case, Hu Yitian did an especially fantastic job demonstrating his strength as a fighter during climactic fight scenes and evoked a certain presence in this drama. It did not take long for his character to grow on me.

At first glance, Caesar Wu’s (吴希泽) Shen Qi is so honorable and immensely likable that I worried I might develop “second male lead syndrome”. Despite his high billing, however, his character actually disappears for a good chunk of Blossoms. Much of Shen Qi’s character development was done early, so by the time he reappears later in the drama, he is relegated to a likable, but somewhat flat, supporting character. It is his brother, Shen Huan, who takes a surprising turn with the more interesting and very sweet story arc with Gu Yanxi’s sister. Bian Cheng (边程), who has been acting since he was six or seven, is just 19 years old and shined in the role of the earnest but spoiled and lazy rich second son with the kind heart.

Actor Hai Yitian (海一天) delivered an effective performance as the Emperor who ruled with Machiavellian cruelty without turning him into just another two-dimensional evil character. He trusted no one, had no tolerance for soft emotions or having his authority and judgment questioned, and yet he appeared to long for his nephew’s company and unwavering trust.

Among the wonderful ensemble cast of women, Lu Yuxiao (卢昱晓) perhaps stood out a little more as Gu Yanxi’s sister, while Fu Bohan (傅铂涵) stood out the most among the cast of children as the Sixth Prince.

I derived enormous joy and absolute satisfaction witnessing Hua Zhi's preposterous achievements. It didn’t matter if it was realistic or not. (In the real world, would the men of the Hua family have truly accepted their new role as passive husbands and allowed the women to continue to handle the family decision-making? I have my doubts.) Despite these flaws -- or perhaps *because* of them -- I can’t help but give Blossoms in Adversity a high rating as one of the best dramas of the year.

NIT-PICKS AND STRAY THOUGHTS

* My biggest production beef was the unnecessary dramatic echo sound effect whenever a character said something impactful. It was too cheesy even for me and very distracting.
* Similarly, during particularly climactic scenes they would momentarily freeze the frame like a photograph on multiple characters’ faces for dramatic effect, that also felt a bit cheesy.
* The Emperor knows all, yet we never see him actually conducting any court business! How did he have time for everything and still expend so much effort on his poor nephew?
* Given how little the Emperor trusted even those closest to him, it’s a marvel his closest eunuch managed to survive his leadership!
* Was Yanxi stupid for charging into the palace? It seemed too reckless even under the circumstances.
* Pretty sure there were several consistency errors, including one where the sister was shown sitting outside her second floor sanctuary -- after it had already burned down and they moved back to the Hua Mansion.
* Large fires can take a long time to extinguish even with modern firefighting equipment, but the family’s rented city home was already a pile of smoky burnt ashes the very same day and cool enough to walk through.
* The Hua women’s flawless skin and untanned face despite labouring under the hot sun for a year building the canal was hilarious.

Read More

It was fine

I'm coming to realize that most Cdramas have a lot of filler scenes (and this ultimately keeps them from being highly rated--in general-- by me).
The main couple had AMAZING chemistry and were BY FAR the best part of the show. Unfortunately, they just didn't have many scenes together.

The primary focus of the show is the heroine's family and their never ending drama / dynamics. I wasn't super interested in this storyline, but parts were okay / enjoyable. If the romance / main couple had been given as much screen time as the family, I think I would've rate this drama much higher.

Anyway, it's not really a romance. And it was fine for what it was.

Read More