Primeiro Jasmim (2026)

Zero

Sinceramente, esperei mais desse drama.
Sim. Talvez mais química da Bai Lu e Cheng Lei. Que na minha opinião, foi fraca e quase ela não mostrava sentimentos genuínos por ele.
Mas pode ser também que na adaptação a deixaram assim.
Para mim, a melhor atuação do Cheng Lei foi em A lenda da Generala.
É um drama com muita intriga política, focado em algumas pessoas e algumas delas não tiveram o ciclo fechado.

Como disse, esperava um drama repleto de reviravoltas, e o amor mais "seguro e original"; e se fosse uma receita esse drama; com certeza, colocaram farinha, mas sal, açúcar e fermento não teve.

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The Heart Will Go On

Ye Li is summoned from the elite Lishan Academy to prepare for her wedding to Mo Xiuyao, a crippled and unfavored prince. Her younger sister Ye Ying is now engaged to her former fiancé, Prince Mo Jingli. Ye Li is unfazed by the groom swap and blithely oblivious to her new husband's frosty glowers and suspicious side-eyes. True to Xiuyao's suspicions, there is more to Ye Li than meets the eye. She has secrets and has returned to the capital with a higher purpose than marriage—one focused on righting injustices against the former Prince Ding and Lishan Academy. As it turns out, both Ye Li and Mo Xiuyao were collateral damage in a power play at the highest level of imperial authority. Their common cause draws them together, but in order to truly work together, they must confront the past and put it behind them.

Though set in the fictional dynasty of Dachu, the setting for The First Jasmine is clearly inspired by Wu Zetian's controversial ascent, and the costumes, political dynamics, and social structures are distinctly Tang dynasty. While the political plot is not particularly special, the past intrigue is revealed in a way that draws you in, like pieces of a puzzle gradually falling into place. Everyone is an unreliable narrator, divulging their own role in the multiple betrayals eight years ago from their own point of view. The plot does not bother to fully explain itself, leaving the audience to speculate on and eventually piece together what happened with a growing sense of dread.

The problem is that the drama reaches its emotional peak a little too early, and after that, there is a sense of anticlimax heading into the finale. The final plot arc is rushed and fails to deliver a sense that justice was served or that the country is in better hands.

That said, this is a very solid character-driven story about healing. Both Ye Li and Mo Xiuyao are deeply damaged by past trauma, and the way their relationship evolves makes sense given what they endured. Ye Li is a deeply traumatized and complicated protagonist who appears functional only because of the coping mechanisms she relies upon to get through her difficulties. As a character, perhaps Ye Li is too capable, but she embodies the ethos of the elite Lishan Academy, and through her, the heart will go on. That said, the Lishan backstory unveil took too long and left me emotionally exhausted.

While Bai Lu pulls off a memorable and heartbreaking portrayal of Ye Li's trauma, her final showdown lacked sufficient impact. Her cold, resting-death-face missed the mark, and I felt that Xiuyao—no less a victim—deserved to be in on the final confrontation. I am fine with sidelining the male lead in the finale of female-centric storylines, but the actress has to be able to rise to the moment. That didn't happen here.

There were many interesting character arcs that didn't play out. I expected Han Mingxi to play a more consequential role and saw potential in his hilarious interactions with Ye Ying. But to me, Mo Jingli was the biggest missed opportunity. He is a cunning and layered character who pursued a just cause via questionable means. I did not like how the narrative diminished his cause, his motivations, and his intelligence heading into the finale.

Ultimately, this drama tries to combine too many themes. It is difficult to mix romance into a heavy revenge story, so I didn't mind so much that they didn't really try. Where it falls down most for me is how the main revenge plot failed to deliver closure or transformation. The story introduces so many interesting characters who seem to have agency and free will, only to have them go down the path of tired tropes. Screenwriter Zhao Na strikes again - her dramas always start well on the inspiration from borrowed works but she is really building a track record in not knowing how to end her plot arcs properly.

This starts out as an 8.5-level drama, but with the ending, it only earns an 8.0+. Still, it has enough unique aspects to make it an enjoyable and recommended watch.

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