I Wanna Be Sup'tar

Clumsy, talkative, and with curly hair... All that was missing were glasses and braces.

A 2000s-style humor, with actions we wouldn't normally take, and a clumsy protagonist who can't do anything right, very childish, talkative, and irritating to others (Obviously with curly hair, because in the 2000s girls with curly hair were silly, nerdy, virgins, invisible, and clumsy - I hate that 2000s stereotype, and it's sad to see it in this 2026 series). Clearly, this is a cliché heterosexual script from the 2000s, for those who like it: This series is a feast (I'm saying this for now, we're only at the beginning). I confess that the protagonist's funny personality is winning me over little by little.

Let's stop romanticizing or finding humor in "undressing someone you don't know who is unconscious." It's not funny, it's uncomfortable and criminal. I felt uncomfortable for the person.

The ending felt rushed; throughout the series they didn't develop her dream, and then in the last episode that was all there was to it. They could have moved things forward to make the remaining episodes more relevant and interesting. As it was done, when it finally becomes interesting to see their development during filming, the series rushes, rushes, rushes to finish everything it had promised, and then it's over.

PS: DO NOT perform CPR on a person who has fainted! SERIOUSLY! CPR can only be performed when the person's heart has stopped, not when they have just fainted. Doing this on an unconscious person can be extremely dangerous! A firefighter taught me this...

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More Than Fame: The Emotional Layers of I Wanna Be Sup’tar

I Wanna Be Sup’tar is a Thai GL series that stands out by combining GL romance with show business, instead of just focusing on everyday routines. It shows not only the relationship between characters but also the pressures of the industry, the challenges of being a star, and the cost of success. However, in many moments, viewers can predict what will happen next. This lack of unexpected twists makes the emotions not fully engaging.

The foundation of the series is the contrast between the characters. Wanneung (Belle Jiratchaya Kittavornsakul) ambitious and energetic, is a perfect counterpoint to Win (Lilly Ladapa Thongkham) who is experienced but more distant. This difference generates amazing tension that smoothly moves from comedic to deeply touching moments. Their relationship is not only a romance but also a fascinating conflict between youthful dreams and the harsh realities of show business. This is a rare example of a GL series where the development of the relationship is strongly rooted in the realities of a challenging industry.

An interesting element is the portrayal of Wanneung overcoming her fear. As an aspiring actress, she has to face not only industry pressure and her own limitations, but also constant rejection and lack of belief from others. Despite this, she does not give up. She continues attending castings, keeps trying, and gradually steps out of her comfort zone. These moments highlight her growth the most: from an insecure girl to someone who begins to believe in herself and her abilities. Her journey shows that success in show business is not only about talent, but also about persistence and the ability to deal with failure. At the same time, Win’s transformation is also clearly visible. At the beginning, she appears closed-off, distant, and disillusioned with the world of show business. Over time, under Wanneung’s influence, she begins to open up, gradually breaking down her emotional barriers and regaining faith both in people and in herself. Her development is not sudden, but subtle and spread over time, which makes it feel more realistic. The contrast between these two character arcs: Wanneung overcoming fear and Win slowly opening up, creates one of the most compelling emotional layers of the entire series.

Although some side plots could have been better resolved, supporting characters do a great job. Friends and industry rivals bring humor, drama, and extra dynamics to the story. Thanks to them, the world does not revolve solely around the main pair. Unfortunately, supporting characters are not fully developed, and many side plots end episodically or unfinished, giving a sense of an underdeveloped story. A major strength of the series is its dialogues: witty, full of sharp irony, and incredibly light. Even in conflict scenes, conversations remain fresh and natural. At the same time, dialogues can occasionally feel artificial, which weakens the drama of some scenes. Despite show business themes and personal frustrations, the series relieves tension with humor and comedic situations. Watching it is entertaining, light, and romantic, fitting the GL rom‑com genre. However, some comedic scenes contrast awkwardly with serious moments, and sometimes humor feels forced. Although the ending leaves viewers room for interpretation, in practice it can be frustrating. Key plot points remain unresolved, and the characters’ fates are not clearly closed. The open ending may frustrate viewers expecting full satisfaction or resolution.

Scenes are often skipped, and lack of continuation further weakens narrative cohesion. Supporting characters have potential, but their storylines are often episodic or unfinished, giving a flat impression of the series’ world
Despite these shortcomings, I Wanna Be Sup’tar remains appealing for GL and light romantic comedy fans. It combines a colorful, visually dynamic aesthetic with engaging character relationships, offering viewers a pleasant, lighthearted experience with a touch of reflection on the cost of fame and show business challenges.

+ If you want more information, reviews, and updates about Thai GL series, feel free to visit SAWADEE GL on social media.

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Strong Chemistry, Mediocre Drama, Rushed Side Stories

I was really excited going into I Wanna Be Sup’tar because I loved LillyBelle and their chemistry in Harmony Secret—and thankfully, this series did not disappoint.

Wannueng and Win’s dynamic is easily the highlight. Their chemistry feels natural, and the rom-com tone suits them really well. It might come off as a bit corny to some people, but I personally really enjoyed it—especially watching Win slowly fall in love over time. I also really liked the music—it added a lot to the overall vibe of the show.

That said, the side characters felt more odd than anything else. Meedee seemed strangely attached, but we’re never really given enough background to understand her history with Wannueng, so it just feels confusing. May, on the other hand, comes off as straight-up toxic and honestly goes to extreme lengths just to get with Win—it ends up feeling over the top. I do like FayGene as a pairing and think they’re cute, but their storyline felt rushed—they go from being heartbroken in the same room to suddenly hooking up, which made the progression feel unearned.

The drama itself also felt very mediocre at times, with conflicts that were pretty avoidable, which made parts of the story frustrating to sit through.

One thing that really stood out in a negative way was the inclusion of a few non-consensual scenes, which was pretty concerning. I do appreciate that the production listened to feedback and removed one of the scenes, but that kind of issue shouldn’t have been there in the first place.

Overall, despite its flaws, I enjoyed the series for what it was. It’s fun and entertaining on a first watch, but not something I’d personally go back and rewatch. Still, the strong chemistry and rom-com vibe carry it enough for me to give it a solid 7.5/10.

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Funniest Romantic Drama

It’s a chaotic mix of comedy, wholesome moments, and also strong, serious elements.

It somehow finds its rhythm, evolving from a childish, cringey vibe into genuinely great comedy, with lovable leads who have strong chemistry.

Despite having a controversial plot point at one stage — presenting something closer to harassment as love — the series is overall very entertaining, with plenty of wholesome and satisfying moments.

While the plot sometimes relies on miscommunication and convenient writing choices, the story still develops into satisfying conclusions, and the character dynamics keep it engaging throughout.

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So bad that it becomes frustrating

I have to admit I’m mostly finishing the series just for the sake of it, but I really didn’t like how the development of the main characters was handled. We don’t even really understand why they love each other.

I do think there is some chemistry between them, but the characters are so poorly written and the plot makes so little sense that it becomes frustrating.

I don’t understand the point of adapting a heterosexual work if it’s just to keep the same tropes and the same types of characters in a GL version without any real thought behind it.

Wannueung is particularly hard to tolerate, and I rarely say that about female characters, but this is really too much.

As for the side characters, like Wannueung’s best friend or Win’s ex, they feel completely useless. They add nothing to the development of the story, and even their relationships are uninteresting.

Overall, the series is poorly made and not very entertaining.

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7/10 Chaos Meets Order

I was captivated from the first episode, even if the initial performance was over the top
It's not pushing any boundaries and may struggle to compete in the current Thai GL-rich environment.
It lacks depth, but at the same is a fun watch, contains nothing new, but it is charming and captivating.
It inevitably contains a few pet hates, such as a lack of communication and story logic failure, but also does not fall into the trap of a rushed or poor last episode.
Contains a disturbing scene, followed by an ill-timed kiss, which should be removed
Secondary couple were good, and thier story was fine. The primary couple were OK but did not buy into the chemistry. I think the personalities of the characters they were playing were too extreme in their differences, which made it fun and funny, but not romantic.
I only give high ratings rarely as you need space to go up and down, but if I give 7 stars or more, it means I think it is worth watching.
Not going to stir up your emotions at all, but it's worth watching.

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Une romance douce… mais pas sans douleur

I Wanna Be a Sup’Tar est une série qui joue constamment avec les émotions de son spectateur. Elle propose une romance à la fois tendre, maladroite, sincère, mais aussi marquée par des malentendus frustrants et des choix émotionnels parfois brutaux. La relation entre Win et Wanneung est clairement le cœur du récit. Leur dynamique repose sur un contraste intéressant :
Wanneung a besoin de mots, de validation et de sécurité, Win, elle, exprime son amour par des actes, souvent silencieux.

Ce décalage crée une tension constante qui peut frustrer… mais qui rend aussi leur relation profondément humaine.

L’un des éléments les plus marquants de la série reste le cactus, utilisé comme fil conducteur de la relation : fragile au début,
entretenu avec soin, puis finalement… en fleurs.
C’est un symbole simple, mais terriblement efficace, qui accompagne parfaitement l’évolution du couple.

Malgré ses qualités, la série souffre de quelques défauts :
- une communication parfois artificiellement retardée ;
- certains twists un peu forcés (notamment autour de la bague) ;
- une antagoniste efficace… mais presque trop caricaturale ;
- qui disparaît d'un coup ;
- Wanneung est insupportable au début ;
- la légèreté dans le traitement de la tentative de viol qui est clairement en trop.

Ces éléments empêchent la série de se hisser au rang des excellentes séries.

L’un des points forts inattendus est le personnage de May. D’abord perçue comme antagoniste, elle bénéficie d’un redemption arc réussi, devenant progressivement :
- plus lucide ;
- plus mature ;
- capable de lâcher prise ;

Sa relation avec Meedee, basée sur une dynamique chien-chat pleine de tension, apporte une énergie différente et très appréciable, bien que sous-exploitée à mon goût quand on voit la complicité entre Fay et Gene.

Le final réussit à :
- boucler les arcs narratifs ;
- offrir une reconnaissance publique au couple ;
- ouvrir sur un avenir crédible.

La dernière scène, avec les cactus en fleurs et le voyage vers les parents de Wanneung, apporte une conclusion douce, symbolique et pleine d’espoir.

En bref : Une très belle romance, imparfaite mais sincère, qui touche juste… même si elle manque parfois de fluidité pour atteindre l’excellence absolue.

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