I Wanna Be Sup'tar (2026)

Clumsy, talkative, and with curly hair... All that was missing were glasses and braces.

A 2000s-style humor, with actions we wouldn't normally take, and a clumsy protagonist who can't do anything right, very childish, talkative, and irritating to others (Obviously with curly hair, because in the 2000s girls with curly hair were silly, nerdy, virgins, invisible, and clumsy - I hate that 2000s stereotype, and it's sad to see it in this 2026 series). Clearly, this is a cliché heterosexual script from the 2000s, for those who like it: This series is a feast (I'm saying this for now, we're only at the beginning). I confess that the protagonist's funny personality is winning me over little by little.

Let's stop romanticizing or finding humor in "undressing someone you don't know who is unconscious." It's not funny, it's uncomfortable and criminal. I felt uncomfortable for the person.

The ending felt rushed; throughout the series they didn't develop her dream, and then in the last episode that was all there was to it. They could have moved things forward to make the remaining episodes more relevant and interesting. As it was done, when it finally becomes interesting to see their development during filming, the series rushes, rushes, rushes to finish everything it had promised, and then it's over.

PS: DO NOT perform CPR on a person who has fainted! SERIOUSLY! CPR can only be performed when the person's heart has stopped, not when they have just fainted. Doing this on an unconscious person can be extremely dangerous! A firefighter taught me this...

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More Than Fame: The Emotional Layers of I Wanna Be Sup’tar

I Wanna Be Sup’tar is a Thai GL series that stands out by combining GL romance with show business, instead of just focusing on everyday routines. It shows not only the relationship between characters but also the pressures of the industry, the challenges of being a star, and the cost of success. However, in many moments, viewers can predict what will happen next. This lack of unexpected twists makes the emotions not fully engaging.

The foundation of the series is the contrast between the characters. Wanneung (Belle Jiratchaya Kittavornsakul) ambitious and energetic, is a perfect counterpoint to Win (Lilly Ladapa Thongkham) who is experienced but more distant. This difference generates amazing tension that smoothly moves from comedic to deeply touching moments. Their relationship is not only a romance but also a fascinating conflict between youthful dreams and the harsh realities of show business. This is a rare example of a GL series where the development of the relationship is strongly rooted in the realities of a challenging industry.

An interesting element is the portrayal of Wanneung overcoming her fear. As an aspiring actress, she has to face not only industry pressure and her own limitations, but also constant rejection and lack of belief from others. Despite this, she does not give up. She continues attending castings, keeps trying, and gradually steps out of her comfort zone. These moments highlight her growth the most: from an insecure girl to someone who begins to believe in herself and her abilities. Her journey shows that success in show business is not only about talent, but also about persistence and the ability to deal with failure. At the same time, Win’s transformation is also clearly visible. At the beginning, she appears closed-off, distant, and disillusioned with the world of show business. Over time, under Wanneung’s influence, she begins to open up, gradually breaking down her emotional barriers and regaining faith both in people and in herself. Her development is not sudden, but subtle and spread over time, which makes it feel more realistic. The contrast between these two character arcs: Wanneung overcoming fear and Win slowly opening up, creates one of the most compelling emotional layers of the entire series.

Although some side plots could have been better resolved, supporting characters do a great job. Friends and industry rivals bring humor, drama, and extra dynamics to the story. Thanks to them, the world does not revolve solely around the main pair. Unfortunately, supporting characters are not fully developed, and many side plots end episodically or unfinished, giving a sense of an underdeveloped story. A major strength of the series is its dialogues: witty, full of sharp irony, and incredibly light. Even in conflict scenes, conversations remain fresh and natural. At the same time, dialogues can occasionally feel artificial, which weakens the drama of some scenes. Despite show business themes and personal frustrations, the series relieves tension with humor and comedic situations. Watching it is entertaining, light, and romantic, fitting the GL rom‑com genre. However, some comedic scenes contrast awkwardly with serious moments, and sometimes humor feels forced. Although the ending leaves viewers room for interpretation, in practice it can be frustrating. Key plot points remain unresolved, and the characters’ fates are not clearly closed. The open ending may frustrate viewers expecting full satisfaction or resolution.

Scenes are often skipped, and lack of continuation further weakens narrative cohesion. Supporting characters have potential, but their storylines are often episodic or unfinished, giving a flat impression of the series’ world
Despite these shortcomings, I Wanna Be Sup’tar remains appealing for GL and light romantic comedy fans. It combines a colorful, visually dynamic aesthetic with engaging character relationships, offering viewers a pleasant, lighthearted experience with a touch of reflection on the cost of fame and show business challenges.

+ If you want more information, reviews, and updates about Thai GL series, feel free to visit SAWADEE GL on social media.

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