In a world filled with uncertainty about the future, Moe Sakuraba lives by the motto of enjoying the present. Choosing not to pursue stable employment, she spends her days indulging in her desires through excessive eating, late nights out, sleeping in, and impulsive shopping without worrying about what lies ahead. What allows her to live so freely is her own “offsetting technique,” a personal philosophy inspired by accounting practices. Believing that any reckless behavior can be balanced out as long as it is properly “offset,” Moe continues to live life on her own terms. (Source: Japanese = TV Tokyo || Translation = MyDramaList) Edit Translation
- English
- Русский
- Français
- Español
- Native Title: わたしの相殺日記
- Also Known As: Watashi no Sosai Nikki , Watashi no Sousai Nikki
- Director: Abera Hidenobu, Matsuura Takeshi, Miyamori Remi
- Screenwriter: Taguchi Yoshihiro
- Genres: Life, Drama
Cast & Credits
-
![Ano in My Offset Diary Japanese Drama(2026)]( "Ano in My Offset Diary Japanese Drama(2026)")
AnoSakuraba MoeMain Role -
![Kubozuka Airu in My Offset Diary Japanese Drama(2026)]( "Kubozuka Airu in My Offset Diary Japanese Drama(2026)")
Kubozuka AiruSakuraba RitsuSupport Role -
![Yumecchi in My Offset Diary Japanese Drama(2026)]( "Yumecchi in My Offset Diary Japanese Drama(2026)")
YumecchiShokoSupport Role -
![Yuui Ryoko in My Offset Diary Japanese Drama(2026)]( "Yuui Ryoko in My Offset Diary Japanese Drama(2026)")
Yuui RyokoSFSupport Role -
![Takenaka Naoto in My Offset Diary Japanese Drama(2026)]( "Takenaka Naoto in My Offset Diary Japanese Drama(2026)")
Takenaka NaotoTadokoro ShinjiSupport Role
Photos
Reviews
Virtually perfect television
I absolutely loved this, it is excellently produced, directed, and filmed, and the script is and totally believeable. dialogue particularly naturalistic. Ano is just adorable and makes her part completely plausible and believable, a seemingly daffy young woman with an iron will beneath her charm. Japanese tv has a particular way with dramas like this which are apparently not about anything but are nevertheless gripping and totally watchable (see HIRAYASUMI and THE MAKANAI, for example). This sort of thing simply could not be made in the UK, where there seems a demand for 'conflict' in anything to the expense of character and reality. Just finished watching it and I am sure I will watch it again, more than once, in the years to come.Was this review helpful to you?
Recommendations
There have been no recommendations submitted. Be the first and add one.
