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LOST IN TRANSLATION
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As the title says I will firstly, before getting into the overall drama and novel chapter 13 covering, explore what differences can be found between the native form of the text, and the Koala's version with some exemples. It's absolutly not intended to downgrade her translation, but rather to satisfy my explorative vibe and curiosity . Hope you'll enjoy this exploration too :).
For chinese version link is bellow:
http://m.xsbiquge.la/book/36337/19812272/2.html (original chinese version)
1.Chinese: 小夭想逃，可半空中，她唯一的方向只能是向下，她只能眼睁睁地看着自己和他越来越接近、越来越接近，就在她以为她会直接砸到相柳身上时，他下沉，她落入了海水中，他双手抓住了她的手，她只能被他拽向海底。
Xiaoyao wanted to run away, but in mid-air, her only direction was downward. She could only watch as she and him got closer and closer. Just when she thought she would hit Xiang Liu directly When he was on her body, he sank and she fell into the sea water. He grabbed her hand with both hands and she could only be dragged to the bottom of the sea by him.
Koala:. Xiao Yao wanted to escape but she was in the middle of falling and her only way was down. She could only watch as she got closer and closer to him, closer and closer, until she thought she would fall right on top of Xiang Liu.
Differences notable:
Descent into Desperation:
In the Chinese original, the narrative unfolds with a vividness that immerses readers into the very air Xiaoyao breathes. The description of her desire to escape, contrasted with the inevitability of her downward trajectory, creates a sense of urgency. Koala's version, while capturing the essence, places a stronger emphasis on the repeated use of "closer," intensifying the impending collision and heightening the urgency of the scene.The Chinese rendition crafts a dance in mid-air, as Xiaoyao and her mysterious counterpart draw closer. Each movement is meticulously detailed, building suspense until the unexpected twist – Xiang Liu's descent. Koala's version, by accentuating the word "closer," amplifies the imminent collision, focusing more on the tension and less on the aerial choreography. While Koala's version strategically accentuates the word "closer" to underscore the imminent collision and the emotional intensity of the scene.
2. Chinese original:
刚开始，还能感觉到因为疲惫而产生的身体酸痛，可渐渐地，一切都消失，天不是天，海也不是海，甚至感受不到自己的存在，一切都成了求生的本能，只是在一团黏稠中向前、一直向前、永不停歇地向前。
At first, she could still feel the physical pain caused by exhaustion, but gradually, everything disappeared. The sky was no longer the sky, the sea was no longer the sea, and she couldn’t even feel her own existence. Everything became the instinct of survival. Moving forward in a viscous mass, always moving forward, never stopping.
Koala's version: the sky was not the sky and the sea was not the sea. She couldn’t feel her own existence and was swimming based on her natural instinct for survival. Swimming like she was letting everything all go and just moving forward, forever moving forward.
Differences - The Echo of Instinct:
In the original Chinese, the concept of survival becomes an intrinsic part of Xiaoyao's being, propelling her forward relentlessly. The mention of a "viscous mass" implies a struggle against an unseen force. Koala's rendition maintains the essence but simplifies the description, emphasizing the instinct for survival as Xiaoyao swims forward, releasing everything in her wake.
The exclusion of "viscous mass" in Koala's version alters the texture of Xiaoyao's swim. In the original, the term implies a resistance, a thickness in the struggle for survival. Koala's portrayal, in contrast, leans toward a more streamlined interpretation, focusing on the altered perception and the instinctual forward motion without delving into the specific nature of the struggle.A viciouss Mass.
3.
Chinese Extract:
每次她游水时，侍女们都自觉地散开，帮她守着周围，以防有人冲撞了王姬。四周很安静，小夭常常游着游着就想起了娘，她曾以为她不会再思念娘，可是原来她还是会思念。而且因为被她刻意地压抑，在回到熟悉的环境后，思念来得愈发强烈，可伴随着的却是痛，只要有一分思念，就会有一分痛，只要有一分痛，就会有一分恨。
Every time she swam, the maids spread out and guarded her surroundings to prevent anyone from bumping into Wang Ji. The surroundings were very quiet, and Xiaoyao often thought of her mother while swimming. She once thought she would no longer miss her mother, but it turned out that she still missed her mother. And because she deliberately suppressed it, after returning to the familiar environment, the longing became more intense, but it was accompanied by pain. As long as there is a little missing, there will be a little pain, as long as there is a little pain, there will be a little hatred.
Koala's Translation:
When she was swimming, the maids would fan out and guard the garden for her so that no one would run across the princess. It was quiet all around, and swimming made Xiao Yao think of her mom. She used to think she would never think about her mom, but in truth she still missed her a lot and merely forced herself not to think of her. Back in familiar surroundings, this missing her grew stronger and stronger, but along with it came pain. With an ounce of missing came an ounce of pain, and with an ounce of pain came an ounce of anger.
Diff=Longing, Pain
The essence of missing her mother and the subsequent intensification of that longing is consistent in both renditions. However, the Chinese extract employs the term "hatred" to describe the emotion accompanying the pain, while Koala's translation opts for "anger." This choice adds a nuanced distinction to the emotional landscape, subtly altering the reader's perception of Xiaoyao's inner turmoil.And that bring back her feeling of loneliness even though she is back with her loved ones, her family.
4 :
Chinese:
小夭觉得自己肯定是又寂寞了，她强迫着自己去想些别的事情，游水、游水……她的生命中肯定还有别的有意思的事和游水有关……小夭突然很怀念九命相柳，如果他在，只怕她不会有时间去回忆过去。可是，玟小六已经彻底消失了，以后纵使再见到相柳，只怕他也认不出她了。
Xiaoyao felt that she must be lonely again. She forced herself to think about other things, swimming, swimming... There must be other interesting things in her life related to swimming... Xiaoyao suddenly missed the Nine Headed. Liu, if he were here, I'm afraid she wouldn't have time to recall the past. However, Wen Xiaoliu had completely disappeared. Even if he saw Xiang Liu again in the future, he might not be able to recognize her.
KOALA:Swimming, swimming…..there must be other things in her life connected with swimming…..Xiao Yao suddenly missed Nine-lives Xiang Liu very much. If he was here, likely she would not have any time to think about the past. But Wen Xiao Liu was gone and even if she ran into Xiang Liu in the future, he would not recognize her anymore.
=n the KOALA version, the sentence "Xiao Yao suddenly missed Nine-lives Xiang Liu very much" is included, while in the CHINESe version, the mention of missing Xiang Liu is not explicitly stated in the same way, also And she does not miss him "very much ".She just miss him. This difference adds an emotional depth to the KOALA version, as it conveys a sense of longing and nostalgia that may not be as prominent in the CHINESe version. The inclusion of this sentiment in the KOALA version could indicate a nuanced interpretation or emphasis on the character's emotional state by the translator or adapter. This difference highlights how the choice of words and phrasing can impact the portrayal of emotions and relationships within the narrative.You see she does not really miss XL persay BUT the things she does with him .Swimming.5. Part :Jing's Silence: A Contrast in Expression
Chinese Extract:
璟的手放在膝上，紧紧地握成了拳头，一直一言不发。
Jing put her hands on her knees, clenched them tightly into fists, and remained silent.
Koala's Translation:
Jing’s hand was on his knee and it was tightly clenched into a fist as he sat there and never said a word.
=Silent Echoes: A Nuanced Difference=
In the silent moments of Jing's contemplation within the realms of Tong Hua's narrative, the subtle yet impactful differences in expression between the Chinese extract and Koala's translation shape the tone of the scene.
Neutral Silence vs. Unyielding Absence:
The Chinese extract delicately describes Jing's posture and her choice of silence without imposing a strong negative connotation. "Remained silent" suggests a more neutral, contemplative state, allowing readers to interpret Jing's silence without the forceful emphasis on the absence of speech.
On the other hand, Koala's translation introduces a more definitive note with "never said a word." This phrase carries a sense of permanence and unyielding absence, emphasizing the continuous nature of Jing's silence. The use of "never" imparts a more direct, unambiguous quality to the narrative.
The Power of Negative Emphasis:
Koala's choice to emphasize the absence of speech with "never said a word" adds a layer of intensity to Jing's silence. The negative connotation implies a deliberate choice to refrain from speaking, potentially highlighting the weight or significance of the unspoken moment.
Subtle Contemplation vs. Unspoken Intensity:
The Chinese version leans towards a more subtle portrayal of Jing's contemplation, allowing readers to perceive the silence as a reflective pause. Koala's translation, with its direct emphasis on the lack of speech, injects a sense of intensity into the scene, hinting at the potential gravity or significance of Jing's unspoken thoughts.
6.
CHINESE:
小夭一觉刚睡醒，正在吃东西，听到侍从禀奏说“十七在龙骨狱外相候”，小夭有些欣喜又有些烦恼还有些紧张，说不清究竟是什么滋味。
Xiaoyao had just woken up and was eating when he heard the attendant reported that "Seventeen is waiting for you outside the Dragon Bone Prison." Xiaoyao was a little happy, a little worried, and a little nervous, and couldn't explain what it was like.
KOALA: Zhuan Xu had a servant deliver the news that “Shi Qi is waiting for you outside the dragon bone prison”. Xiao Yao felt happiness mixed with nervousness, it was a feeling she couldn’t fully understand.
Difference- Awakening Emotions: A Dance of Nuances
=The Unraveling of Emotions: A Subtle Contrast.
In the delicate moments of Xiaoyao's awakening within the realms of "Lost You Forever," the distinction in the portrayal of emotions between the Chinese extract and Koala's translation paints a nuanced picture of Xiaoyao's inner world.
Subtle Shades of Emotion:
The Chinese extract employs the phrases "a little happy, a little worried, and a little nervous" to convey Xiaoyao's emotional state. This subtle blending of emotions suggests a delicate dance of feelings, allowing readers to sense the complexity without overtly defining each sentiment. The use of "a little" imparts a sense of moderation, leaving room for interpretation.
Direct Expression of Mixed Feelings:
Koala's translation, in contrast, presents Xiaoyao's emotions more directly by stating, "Xiao Yao felt happiness mixed with nervousness." This explicit articulation leaves less room for interpretation and directly communicates the blend of emotions. The phrase "it was a feeling she couldn’t fully understand" sounds like a statement.
7.
Whispers of Movement: A Dance of Details
Chinese Extract:
在这里等她的是叶十七。
小夭心里的那些恼怒渐渐地消失了，只余了喜悦和紧张。
小夭越发放轻了脚步，悄悄地走近他。
Waiting for her here is Ye Shiqi.The anger in Xiaoyao's heart gradually disappeared, leaving only joy and nervousness.
Xiaoyao walked softer and lighter, approaching him quietly.
Koala's Translation:
The person waiting for her was Ye Shi Qi. Xiao Yao felt all her frustration slowly disappear until all that was left was joy and nervousness.
Xiao Yao walked quietly towards him.
=Subtle Nuances in Movement=
In the dance of Xiaoyao's approach, the difference between the Chinese extract and Koala's translation lies in the specific details that shape the portrayal of her movement.
Chinese Passage: Sensory Richness:
The original Chinese version delicately crafts the image of Xiaoyao's approach by stating that she "walked softer and lighter." This nuanced description appeals to the senses, conveying a sense of delicacy and grace in her steps. The emphasis on the softness and lightness adds a layer of subtlety and imagery to the scene, inviting readers to envision the manner in which she is walking.
Koala's Translation: Streamlined Simplicity:
Koala's translation simplifies the description to "walked quietly." This portrayal provides a more straightforward depiction of her movement, focusing on the general sound without specific emphasis on the softer and lighter aspects of her steps. While still effective in conveying a sense of quietness, it doesn't delve into the nuanced details present in the original Chinese passage.
8.
Intrigue: A Dance of Details and Tone
Chinese Extract:
相柳的手好似无意地搭在她肩上，手指轻扫着她的脖颈，循循善诱地说：“你说过的话里还有哪些是假的？不如今日一次坦白了，我不会杀你的。”
Xiang Liu's hand seemed to be accidentally placed on her shoulder, his fingers brushed her neck, and he said seductively: "Which of the things you said are false? Why don't you confess it once today? I won't kill you."
Koala's Translation:
Xiang Liu’s hand seemed to casually rest on her shoulder and his finger passed by her neck, and he softly said “What else have you lied about? Why don’t you come clean all together today. I won’t kill you.”
=Subtle Variations in Intention and Tone=
In the intricate dance of Xiang Liu's interaction with the character, the differences between the Chinese extract and Koala's translation emerge in the details and the tone of the scene.
Chinese Passage- Intention and Seduction:
The original Chinese version weaves a detailed tapestry of Xiang Liu's actions, suggesting intention and seduction with the phrases "seemed to be accidentally placed" and "his fingers brushed her neck." The addition of "seductively" emphasizes the sensuality of his words, portraying a deliberate and potentially manipulative approach. This nuanced depiction accentuates the emotional and psychological impact of the scene.
Koala's Translation- Simplified Yet Softened:
Koala's translation simplifies the description, presenting Xiang Liu's actions in a more straightforward manner with "seemed to casually rest" and "his finger passed by her neck." The tone of his words is softened to "softly said," and the seductive element is less explicitly conveyed compared to the original Chinese version. This simplification offers a clearer portrayal while retaining a sense of intrigue, with no more the "manipulative" word...
THE END.
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Global Analysis of Chapter 13 Novel and Drama ep.19
Title: "The Peach Blossom Beauty, Blooming in Glory"
Part 1:
Setting and Atmosphere:
The chapter begins by setting the scene in Cheng En Palace, creating an atmosphere of routine and order. The description of the servants addressing Xiao Yao as "Princess" adds an air of familiarity, hinting at her established presence in the palace. The efficient running of Cheng En Palace underlines the Grand Emperor's control and authority.
Character Dynamics:
Xiao Yao's admiration for her father's ability to manage the intricacies within the palace showcases her appreciation for his leadership. Zhuan Xu's busy schedule establish nighttime visits and a deeper connection between father and daughter.
Symbolism of Swimming:
The act of swimming becomes a symbolic activity for Xiao Yao, providing a moment of reflection. The quietness of the garden and the presence of guards emphasize her isolation despite being in a vast palace. Swimming also becomes a trigger for memories of her mother, adding an emotional layer to the narrative.
Internal Conflict and Coping Mechanism:
Xiao Yao's inner turmoil and loneliness surface as she contemplates her mother's absence. The emotional conflict is palpable as she tries to suppress her feelings, resorting to swimming and diverting her thoughts. The mention of pain and hate suggests deeper unresolved emotions.
Symbolic Transformation of Trauma:
The mirror's role in Xiao Liu's life is explored as a symbolic continuation of coping mechanisms developed during captivity. It becomes a means of transforming traumatic symbols from the past, empowering Xiao Liu through mockery and defiance. The irreverent depiction in the mirror serves as a narrative of triumph over past traumas.
As Xiao Yao deals with the memory of her mom, the narrative hints at the complexity of her emotions. The act of swimming, her attempts to force herself not to think about her mother, and the increasing feelings of missing her all contribute to a sense of emotional turmoil. The pain, anger, and loneliness that accompany these thoughts indicate that Xiao Yao's coping mechanisms, while providing temporary relief, may not fully address the depth of her emotional struggles.
The irreverent depiction in the mirror, involving Xiang Liu, become a source of amusement and defiance. However, they also serve as a distraction from the more profound emotional challenges she faces, such as missing her mom and dealing with the loneliness that creeps in.
The Gorilla mirror serves as a tool for Xiao Yao to navigate her complex emotions, allowing her to channel her feelings into a form of playfulness and defiance rather than confronting their full weight.
In essence, while the irreverent depictions in the mirror offer a narrative of triumph over certain traumas, they concurrently serve as a diversion from the deeper emotional issues Xiao Yao grapples with, providing her a temporary reprieve from the complexities of her internal struggles. The story suggests that Xiao Yao's journey involves not only confronting external challenges but also navigating the intricate landscape of her own emotions and memories.
Full mirror analysis: https://mydramalist.com/discussions/lost-you-forever/122337-tong-hua-s-xiaojing-drama-novel-exploration-x1f49c?page=3
Father-Daughter Interaction:
The first part of chapter 13 concludes with a poignant interaction between Xiao Yao and the Grand Emperor. The father's curiosity about the mirror, Xiao Yao's candid honesty, and their shared understanding contribute to the portrayal of a complex yet meaningful father-daughter relationship.His heart clench each time he sees Xiao Yao as she reminds him very much her mother.
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Analysis of Part 2:
Setting and Atmosphere:
This part of the chapter shifts to Ying Province in Five Gods Mountain, a place filled with guests from various regions. The atmosphere is lively with preparations for the upcoming proclamation ceremony of the Eldest Princess. The description of Ying Province's inns, restaurants, and vibrant surroundings contributes to the festive mood.
Character Dynamics and Relationships:
Zhuan Xu's revelation of his true identity to Feng Long, Xing Yue, Jing, and Yi Yang adds a layer of complexity to their relationships. Feng Long's nonchalant response and Xing Yue's inner joy highlight the different reactions among friends. Yi Yang's acknowledgment of her past actions and Zhuan Xu's subsequent forgiveness further solidify their camaraderie.
Symbolism of Peach Blossom Gown:
The ceremonial gown for Xiao Yao becomes a symbol of both anticipation and discomfort. The elaborate description of the gown, adorned with peach blossoms, emphasizes its visual impact. However, Xiao Yao's physical discomfort and the Grand Emperor's rejection of the outfit add an interesting contrast, hinting at the tension between tradition and personal comfort.
Foreshadowing and Intrigue:
The intrigue surrounding Xiao Yao's mysterious past, her mother's identity, and the anticipation of the proclamation ceremony build a sense of anticipation. The guests' discussions about the Eldest Princess and the potential benefits of marrying her foreshadow future developments and add a layer of mystery to Xiao Yao's character.
Zhuan Xu's Evasiveness:
Zhuan Xu's reluctance to describe Xiao Yao's appearance to his friends adds an air of mystery to her character. His comparison of different flowers suggests that Xiao Yao possesses a unique and incomparable beauty. This choice to keep her description vague adds intrigue and sets the stage for the eventual reveal.
Than he look directly upon Tushan Jing:
Jing's Unspoken Turmoil:
Jing's silent reaction to the discussion, and to Zhuan Xu stare- about Xiao Yao's appearance hints at inner turmoil. His clenched fist suggests a mix of emotions, related to his past interactions with Xiao Yao and his feelings towards her. This subtle detail adds depth to Jing's character and highlight he is unease.
This silent moment is taking place while they are playing chess. Both CX and Jing make purposly a wrong moove. Fenglong can only notice:
Cultural Contrasts:
The discussion about different culinary practices between Gao Xing and the Middle Plains highlights the cultural diversity within the world Tong Hua has created. It serves as a subtle reminder of the various regions and their unique customs, enriching the narrative with world-building elements.
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Analysis of Part 3:
The Eldest Princess
Ceremony and Symbolism:
The chapter opens with the proclamation ceremony for Xiao Yao at the summit of Five Gods Mountain. The elaborate description of the ceremonial attire, the peach blossom forest design, and the grandeur of the setting convey the significance of this event. The use of symbols such as peach blossoms and the steps of the altar enhances the overall atmosphere, emphasizing the importance of the ceremony.
Xiao Yao's Inner Struggle:
Xiao Yao's internal struggle to represent Gao Xing with dignity despite her carefree personality adds depth to her character. The juxtaposition of her casual demeanor and the solemnity of the ceremony creates a tension that reflects her inner conflict. This duality in her character is well-crafted, highlighting the complexity of Xiao Yao's role as the Eldest Princess.
Jing and Zhuan Xu reaction:
Both Zhuan Xu and Jing are experiencing a mix of emotions upon seeing Xiao Yao's true face for the first time. Zhuan Xu appears to be slightly angry without understanding the reason for his anger, while Jing is overwhelmed by a sense of awe transforming into unease, as if he's struggling to find something to hold onto. This suggests a complex emotional reaction to the revelation of XY true appearance, possibly indicating a mixture of surprise, confusion, and perhaps even a hint of fear or uncertainty.
Ru So's Reaction and Ah Nian's Actions:
Ru So's anger and frustration upon discovering the ruined ceremonial gown showcase the tension arising from Ah Nian's actions. Ah Nian's disruptive behavior, revealed through her sabotage, adds a layer of conflict to the narrative. The strained relationship between the sisters becomes more palpable as Xiao Yao navigates the consequences of Ah Nian's antics.
Father-Daughter Dynamic:
The conversation between Xiao Yao and the Grand Emperor sheds light on their relationship. The Grand Emperor's insights into Ah Nian's feelings and his concerns for the sisters' bond add emotional depth to his character. Xiao Yao's commitment to resolving the issues with Ah Nian reflects her sense of responsibility as the older sister.
Foreshadowing and Intrigue:
Jing's request to meet Xiao Yao outside the dragon bone prison introduces an element of anticipation. Jing's choice of location and his decision to wait for her contribute to the sense of mystery surrounding their relationship. This development raises questions about Jing's intentions and the potential impact on their dynamic.
Xiao Yao's Transformation:
Xiao Yao's transformation for the meeting with Shi Qi showcases her willingness to present herself in a different light.She want to be pretty. The maids' reactions and the choice of a more elaborate outfit highlight the external changes in Xiao Yao's appearance. This shift in her presentation adds an intriguing layer to her encounter with Shi Qi.
Emotional Complexity:
The emotions conveyed in the chapter range from Xiao Yao's nervousness and joy to the Grand Emperor's genuine concerns. The narrative skillfully navigates the emotional landscape, providing readers with a nuanced understanding of the characters' feelings and motivations.
In summary, Part 3 of Chapter 13 focuses on the proclamation ceremony, the aftermath of Ah Nian's actions, and the anticipation surrounding Xiao Yao's meeting with Shi Qi. The chapter effectively weaves together elements of ceremony, symbolism, interpersonal dynamics, and emotional complexity.
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Part 4:
Plot Summary:
Xiao Yao have attended the introsation ceremony where she became the center of attention , wearing an outfit even more exquisite than the one destroyed by Ah Nian.
Ah Nian, frustrated, wants to ruin Xiao Yao's celebration but restrains herself due to her mother's presence.Feeling displaced since Xiao Yao's return, Ah Nian leaves the Palace and ends up on a small island in the middle of the ocean...
Xiang Liu,appears, having been attracted by the discussions about Gao Xing Eldest Princess (Xiao Yao).
Xiang Liu suggests to Ah Nian that she can torment Xiao Yao without killing her, offering his assistance.
Ah Nian agrees to this plan, and Xiang Liu gives her a clam shell to lure Xiao Yao to the ocean for the torment.
Xiao Yao encounters Ah Nian, who tricks her into falling off a cliff on XL suggestion.
Xiang Liu torments Xiao Yao underwater, but it's evident he has no intention of killing her.
Despite the pressure and nearing unconsciousness, Xiao Yao refuses to kiss Xiang Liu and choose to rather loses consciousness and die. Xiang Liu resurfaces with the unconscious Xiao Yao and revives her.
Character Dynamics:
Ah Nian's frustration and jealousy towards Xiao Yao intensify.
Xiang Liu's manipulative and mysterious nature is highlighted be it with Ah Nian or Xiao Yao.
Xiao Yao's complicated relationship with Xiang Liu is further explored, showcasing her determination and refusal to succumb to his advances.
Themes:
The theme of rivalry and jealousy between female characters (Ah Nian and Xiao Yao) is prominent.
Xiang Liu's role as a manipulative and unpredictable force adds an element of suspense and danger.
Foreshadowing:
Xiang Liu's request for Xiao Yao to continue making poisons for him hint on future interactions and complications.
Overall Analysis:
Part 4 intensifies the rivalry between Ah Nian and Xiao Yao, adding a layer of complexity with Xiang Liu's involvement. The underwater torment scene highlights the power dynamics and Xiao Yao's resilience. The story continues to blend elements of fantasy, intrigue, and character dynamics.
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Global conclusion :
In these four parts, the narrative unfolds with Princess Xiao Yao returning to the Palace, where her presence creates a stir. It show the concern of a father for his daughter, set the dragon bone appointment with Jing, and question Zhuan Xu's role in the unfolding story.
Amidst the intricate dynamics between characters, an unexpected alliance forms between Ah Nian and Xiang Liu. The manipulative nature of Xiang Liu and the emotional conflicts within Ah Nian add layers of complexity to the story.
Few interesting parts will be further developped later in this chapter/drama exploration.
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Drama Ep.19 - added scenery
Before Xiao Yao's ceremony, the drama show us a scene between her Cang Xuan (Zhuan Xu):
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(to be continued :) !...)
continueSymbolika1:
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Added scene 2:
The other added scene is Zhuan Xu (again! :D) spying to the ongoing beauty treatement of Xiao Yao as she prepare herself with great care for her appointement with Jing. 
=>
As her beauty set up continue...a little sad music is played for CX....
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(To be continued !)
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Detailed Literary Analysis with Quotes, Symbols, and Textual Analysis of Chapter 13:
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Part1:
*******Army vs Household.
Ch.13-Extract:
“Xiao Yao was impressed with her dad, it was easier to control an army than the details within the house. How much power and oversight did he have that Cheng En Palace was efficiently running through and through.”
This quote highlights Xiao Yao's admiration for her father's ability to govern and manage Cheng En Palace effectively. It also emphasizes her recognition of the complexity and challenges inherent in household management compared to military leadership.
Symbols:
Household Affairs vs. Military Control:
The comparison between controlling an army and managing household affairs serves as a symbolic contrast between external and internal governance. Controlling an army represents external power and authority, while managing household affairs symbolizes internal organization and administration.
Household affairs symbolize the intricate details and complexities of domestic life, including interpersonal relationships, logistics, and resource allocation. This contrasts with military control, which often involves more straightforward strategies and hierarchical structures.
Textual Analysis:
Xiao Yao's reflection on her father's governance style provides insight into her own interests and perspectives. While she acknowledges the importance and effectiveness of military control, her admiration for her father's ability to manage household affairs suggests her affinity for internal governance and organization.
The phrase "impressed with her dad" indicates Xiao Yao's respect and admiration for her father's leadership skills. It underscores the influence her father has on her worldview and aspirations.
By questioning how much power and oversight her father has to ensure the efficient running of Cheng En Palace, Xiao Yao demonstrates her curiosity and analytical mindset. She is not only impressed by her father's capabilities but also seeks to understand the mechanisms behind his success.
In conclusion, this part of the passage offers insights into Xiao Yao's admiration for her father and her interest in governance and administration. Through symbolic contrast and introspective reflection, the text deepens our understanding of Xiao Yao's character and her relationship with her father.
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Part2 - Swimming and pain.
Missing mother:
Text Extract:
When she was swimming, the maids would would fan out and guard the garden for her so that no one would run across the princess. It was quiet all around and swimming made Xiao Yao think of her mom. She used to think she would never think about her mom, but in truth she still missed her a lot and merely forced herself not to think of her. Back in familiar surroundings, this missing her grew stronger and stronger but along with it came pain. With an ounce of missing came an ounce of pain, and with an ounce of pain came an ounce of anger.
The passage emphasizes Xiao Yao's unexpected longing for her mother while swimming. Despite her initial belief that she could suppress her emotions, the act of swimming brings forth memories and feelings of missing her mother. This suggests that her emotions are more complex and deeply rooted than she initially thought.
The water element, often associated with maternal figures and emotions, serves as a catalyst for Xiao Yao's thoughts of her mother. Water symbolizes the subconscious mind, emotions, and nurturing qualities, which are all aspects associated with maternal figures. Thus, the act of swimming becomes a conduit for Xiao Yao's subconscious longing for her mother.
Forced herself to think of other things:
The mention of Xiao Yao forcing herself to think of other things highlights her attempt to avoid confronting her feelings of loss and longing. This suggests a coping mechanism employed by Xiao Yao to deal with her emotional pain.
The juxtaposition of Xiao Yao's attempt to distract herself from her feelings about her mother with her eventual inability to do so underscores the depth of her emotions and the significance of her relationship with her mother.
Escapism and Xiang Liu:
The word "forced" before Xiao Yao thinks of Xiang Liu indeed suggests a sense of escapism or avoidance from confronting her emotions. While swimming reminds Xiao Yao of her mother and brings forth feelings of longing and pain, her thoughts about Xiang Liu may serve as a distraction or a way to shift her focus away from her maternal longing.
The contrast between Xiao Yao's emotions regarding her mother and her thoughts about Xiang Liu further highlights the complexity of her emotional landscape and the different coping mechanisms she employs to navigate it.
In summary, this passage illuminates the depth of Xiao Yao's emotions, particularly her longing for her mother, and the intricate ways in which she attempts to cope with her feelings. The water element serves as a powerful symbol that connects Xiao Yao to her maternal longing, while her thoughts about Xiang Liu reflect her attempts to escape or distract herself from her emotional pain.
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****Let's delve deeper into the literary analysis of the passage:
Quotes:
“It was quiet all around and swimming made Xiao Yao think of her mom. She used to think she would never think about her mom, but in truth she still missed her a lot and merely forced herself not to think of her. Forced herself to think of other things. Swimming....”
This quote captures Xiao Yao's unexpected emotional response while swimming. It highlights her initial attempt to suppress thoughts of her mother, only to find herself overwhelmed by memories and feelings of longing. The repetition of the phrase "forced herself" underscores the internal struggle she experiences in trying to control her emotions.
Symbols:
Water:
Water serves as a powerful symbol in this passage, representing both the subconscious mind and maternal connections. The act of swimming immerses Xiao Yao in water, triggering memories and emotions associated with her mother. Water's fluidity reflects the fluid nature of Xiao Yao's emotions, which she initially tries to contain but ultimately cannot control.
Motherhood:
Xiao Yao's thoughts of her mother while swimming highlight the maternal bond and its enduring impact on her. The quietness of the surroundings and the reflective nature of water evoke a sense of maternal presence, emphasizing Xiao Yao's longing for her mother's comfort and guidance.
Textual Analysis:
The passage skillfully portrays Xiao Yao's internal conflict and emotional vulnerability. Despite her efforts to suppress her feelings, the act of swimming serves as a catalyst for her subconscious longing for her mother. This suggests that certain environments or activities can evoke deeply buried emotions, even when one attempts to avoid them.
The phrase "forced herself" emphasizes Xiao Yao's struggle to maintain emotional composure. This repetition highlights the tension between her desire to avoid confronting her feelings and the inevitability of their resurfacing. It also underscores the complexity of grief and the inability to fully control one's emotions.
The juxtaposition of Xiao Yao's thoughts of her mother with her subsequent thoughts of Xiang Liu provides insight into her coping mechanisms. While swimming initially brings forth feelings of maternal longing, her thoughts of Xiang Liu serve as a temporary distraction or means of escape from her emotional pain. This contrast highlights the multifaceted nature of grief and the different ways individuals cope with loss.
In conclusion, this passage offers a poignant exploration of Xiao Yao's internal struggle with grief and longing for her mom. Through powerful symbolism and evocative language, the text illuminates the complexities of emotional suppression and the enduring impact of maternal connections.@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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