This review may contain spoilers
Perfect blend of Rom-com and mystery (Magic of old kdramas)
Oh My Ghost follows Na Bong-Sun, a shy culinary assistant, whose body gets possessed by Soon-Ae — a virginal ghost desperate to resolve her unfinished earthly desires before crossing over. Her target: Kang Sun-Woo, a fierce celebrity chef who works alongside Bong-Sun.
At first it seems like Chef Kang only notices Bong-Sun once the ghost possesses her, which feels like a bait-and-switch. But as the arc develops, it becomes clear that Soon-Ae was a catalyst, not a replacement. The chef was falling toward the real Bong-Sun all along; the ghost just pulled him close enough to see her.
The show handles its thornier dynamics better than expected. Chef Kang's discomfort with Soon-Ae's advances is shown clearly and treated as the correct response — there is no moment where his resistance crumbles simply because she is persistent enough. The possession scenes are uncomfortable to watch, and intentionally so. That discomfort is the point: it establishes Soon-Ae as reckless and desperate, not charming. The show does not ask you to root for the pursuit.
Park Bo-Young carries the show on her shoulders, playing two distinct personalities within one body with remarkable precision. Her physical comedy as Soon-Ae is delightful, and her restraint as Bong-Sun is genuinely moving. I loved the chefs' as well there comedy was something I looked forward to. The police officer's acting was something that stole the whole show though.
The series was a bit drag, and became skipable at some points, but still this drama has its charm to bring you back and wait till the finale and it's ultimate reveal.
At first it seems like Chef Kang only notices Bong-Sun once the ghost possesses her, which feels like a bait-and-switch. But as the arc develops, it becomes clear that Soon-Ae was a catalyst, not a replacement. The chef was falling toward the real Bong-Sun all along; the ghost just pulled him close enough to see her.
The show handles its thornier dynamics better than expected. Chef Kang's discomfort with Soon-Ae's advances is shown clearly and treated as the correct response — there is no moment where his resistance crumbles simply because she is persistent enough. The possession scenes are uncomfortable to watch, and intentionally so. That discomfort is the point: it establishes Soon-Ae as reckless and desperate, not charming. The show does not ask you to root for the pursuit.
Park Bo-Young carries the show on her shoulders, playing two distinct personalities within one body with remarkable precision. Her physical comedy as Soon-Ae is delightful, and her restraint as Bong-Sun is genuinely moving. I loved the chefs' as well there comedy was something I looked forward to. The police officer's acting was something that stole the whole show though.
The series was a bit drag, and became skipable at some points, but still this drama has its charm to bring you back and wait till the finale and it's ultimate reveal.
Was this review helpful to you?
