Plot-hole solved page 773 with some help. LOL. Almost no one understood, even the experts. We have to work together and dig deep. Most of the fans are lost, so people just enjoy the show without understand it.
It's like that since beginning, I'm so tired. Even if episode 11 to 14 are better, it's just not enough, and highlight even more how episode 1 to 10 are garbage. Worst storytelling/narration I never see in a drama. Main plot is just what we see now. 1 to 10 was step-up with mostly boring informative fillers, not a story. The writer had the ending and dragged all before, and made it unecessarly complicated so we don't see it's dragging and filler. No limit about what needed for that, hundred of useless characters and situations you can't remember so it's so many and throwed in all direction into splitted scene without narrative link. But it's as much boring and more tiring. Damn, It's just Goblin hidden under a pile of falsy complicated mudane. Sorry for the langage, I writed directly into english instead of translate, and my english isnt good.
I can't answer it here, too long. Go on soompi forum TKEM page 771. My pseudo there is WEnchanteur. I analyse 2 potential plot-hole. But it also give some explanations you need about time travel process.
You're right. Someone said me that too on soompi. I was unable to understand, my translation gave me something else about a pasta food instead of a fish, LOL! Anyway, it was unclear, I didnt remember this code-phrase. Hidden in a short scene already forgetten. A short flashback could have helped. Every drama do that, and with even more clearer things you already remember.
This could have been a great drama if they let the romance happen as the events between the ML and FL path intertwined…
I don't think she's Helpless. She's just becoming prodigiously incompetent. 4th Dan Girl suddenly stabbed two meters away without moving by a clearly identified enemy. I bet soon Lee Lim will escape her and she'll get in trouble again because of it.
This drama is amazingggg.... I love every aspect of it from the time travelling to showing where the loophole…
Well... When you learn some basic screenwriting rules, and then you see the supposed "best" drama screenwriter do exactly the opposite. And then, without any surprise, yeah, what you get after that is so bad. Thank for showing that.
There's no plot-hole, or very little.That's not the big problem in this scenario!
I just checked your profile, it's just crazy. How did you have time to live through seeing so much drama?! :-D I'm happy to meet one of the few people who have seen the drama "Sandglass". It's really not an obvious choice, and you have to go far to get it.
There's no plot-hole, or very little.That's not the big problem in this scenario!
This is a phenomenon I have observed over the past few years. In the past, screenwriters used to write with a partial lack of vision. The dramas were broadcast while the episodes were written and filmed along the way. Since then, there is pre-production, or more elaborate scripts already written in advance (or at least completely structured in advance). It's a crazy job for screenwriters, and few have the time to do that. This is KES, the Hong sisters, and a few others. Fine pieces of architecture with lots of references, correlations. It's brilliant in that respect. It also means that the script is certainly reworked afterwards be written or that the work plan (methodology) is almost perfect. Reworking a drama script is very complicated. It's not a movie! Only, if all this doesn't enrich the storyline in an efficient way, if it's not thrilling, if it doesn't provoke intense emotions... It's just useless. An empty intellectual cathedral. I've never tried this kind of experiment, but I still admire this professionalism, which is beyond my competence. I just know that the script has to be very well prepared, structured, it can take months. But that anyway, at some point, it's like holding a bomb in your hands. There's a borderline point where it's untenable. (cf interviews of screenwriters who make movies and who have this problem, just for 2 hours of content). So we have to move on to writing. The risk is that if the structure is rigid or if the screenwriter absolutely wants to insert all his/her ideas, it risks being contradictory with the storytelling. I have the impression that this is what happens with TKEM. If the screenwriter focuses on storytelling first, there is no need to insert so many fine and detailed elements. Anyway, it will all come along the way. It's almost magical! Deep psychological correlations and content are intrinsic to human beings and do not need to be conceptualized. It comes by itself. And if the screenwriter really wants to incorporate that, he has to manage to do it during the action, not by dispatching it in an endless set-up and scattered scenes. That, it's the easy way out.
1 
It may be published, but in Korean, so it's unreadable...
Almost no one understood, even the experts.
We have to work together and dig deep.
Most of the fans are lost, so people just enjoy the show without understand it.
Sorry for the langage, I writed directly into english instead of translate, and my english isnt good.
Go on soompi forum TKEM page 771. My pseudo there is WEnchanteur.
I analyse 2 potential plot-hole.
But it also give some explanations you need about time travel process.
Anyway, it was unclear, I didnt remember this code-phrase. Hidden in a short scene already forgetten. A short flashback could have helped. Every drama do that, and with even more clearer things you already remember.
She's just becoming prodigiously incompetent.
4th Dan Girl suddenly stabbed two meters away without moving by a clearly identified enemy.
I bet soon Lee Lim will escape her and she'll get in trouble again because of it.
I'm happy to meet one of the few people who have seen the drama "Sandglass". It's really not an obvious choice, and you have to go far to get it.
In the past, screenwriters used to write with a partial lack of vision.
The dramas were broadcast while the episodes were written and filmed along the way.
Since then, there is pre-production, or more elaborate scripts already written in advance (or at least completely structured in advance).
It's a crazy job for screenwriters, and few have the time to do that.
This is KES, the Hong sisters, and a few others.
Fine pieces of architecture with lots of references, correlations. It's brilliant in that respect. It also means that the script is certainly reworked afterwards be written or that the work plan (methodology) is almost perfect. Reworking a drama script is very complicated. It's not a movie!
Only, if all this doesn't enrich the storyline in an efficient way, if it's not thrilling, if it doesn't provoke intense emotions... It's just useless.
An empty intellectual cathedral.
I've never tried this kind of experiment, but I still admire this professionalism, which is beyond my competence.
I just know that the script has to be very well prepared, structured, it can take months. But that anyway, at some point, it's like holding a bomb in your hands. There's a borderline point where it's untenable. (cf interviews of screenwriters who make movies and who have this problem, just for 2 hours of content). So we have to move on to writing.
The risk is that if the structure is rigid or if the screenwriter absolutely wants to insert all his/her ideas, it risks being contradictory with the storytelling. I have the impression that this is what happens with TKEM.
If the screenwriter focuses on storytelling first, there is no need to insert so many fine and detailed elements. Anyway, it will all come along the way. It's almost magical! Deep psychological correlations and content are intrinsic to human beings and do not need to be conceptualized. It comes by itself. And if the screenwriter really wants to incorporate that, he has to manage to do it during the action, not by dispatching it in an endless set-up and scattered scenes. That, it's the easy way out.
This drama already has a special place in my ass.
(sorry, I couldn't help myself. LOL!)
Nice !!! ^^
So beautiful !!! And so deserved (for the screenwriter I mean).
That's not the big problem in this scenario!