it not I don't like it, it just this type of plots tires me now. they are too predictable, and simple copy paste wuth 1-2 twist doen differently but the samething. I hope she bounce back with a bangger project, I would consume Camilla love blooms type series any time.
It is disgusting to see how many people are planning, scheming and plotting against a women, a harmless person for no reason whatsoever, evilness and money has no boundaries.
this kind of love I don't want it, LQ is no better than anyone around FanFan, he behaves the way he wants, he wants to be sweet, he is kind, otherwise he acts as he pleases, he looks down on him, just used him for his sexual desire, and when he was engaged to that man? and last I saw he was roaming with a girl not a boy, but in EP they mentioned he broke with LWX and LQ said he is no wearing ring...WTH is this...the only thing that keeps me going forward is acting of these poeple...plus the lives of two leads and the 360 change in the dynamic of their personalities.
In series it is XF that is submissive and LQ is tsuandre, but in real life lol Ning Jia doesn't get to say a word in front of Guang Ye...this change is very appealing, as in TV you get frustrated watching such a doormat character, then in reality you enjoy his alpa power....
The tragedy isn't that he betrayed the man he loves. The tragedy is that every word he says afterward is true.
He never wanted to hurt him. He loves him more than himself. I don't doubt any of that.
But love doesn't erase betrayal, and regret doesn't rewrite choices.
Whether he did it for his country, duty, or a cause greater than himself is another debate. The fact remains: when the moment came, he chose to use the person he claimed to love the most as a means to an end.
That is why every confession now feels painfully hollow. Genuine? Yes. Sincere? Probably. But also tragically shallow, because love loses its weight the moment it asks the beloved to unknowingly pay the price for someone else's ideals.
Ongsa sang the OST so beautifully he should be full time singer, doing concerts and all.
p.s. I know many people know, but people who don't should know that it was all real and all the events that is shown in toppling absolute monarchy to semi is known as 1932 Siamese Revolution and they used the events as what happened in real life.
All I know is that whoever greenlit this project was either extremely wealthy, had limitless creative freedom, or genuinely believed in telling LGBTQ stories. A plot like this could easily have been wrapped up in eight episodes—or fewer. Yet the creators poured an extraordinary amount of time, money, and artistic craftsmanship into something that most traditional television wouldn't dare finance.
I'm not criticizing that choice. If anything, I respect it. My only observation is that the visual language, the cinematography, production design, and camerawork, is often far more compelling than the narrative itself. At times, it feels less like a story driving the performances and more like the performers being given complete artistic freedom to exist in front of the camera, with the plot simply following them afterward.
I don't think Fluke is the problem at all. I actually liked him with Ohm. My comment is specifically about this pairing. Chemistry and visual compatibility change from partner to partner, so disliking one ship doesn't mean the actor shouldn't have one.
I can only speak for myself, not "everyone." I liked Fluke with Ohm. I simply don't think this pairing works for me. One casting criticism shouldn't be twisted into a judgment of someone's entire career.
is it because you are homophobic and don't want to ship an openly gay actor?
If your first instinct is to label someone instead of addressing what they actually said, you've already left the conversation. I judge performances and casting, not people's identities.
so is it, that she think both ML-SML is in love and she want to protect that secret only to find out it is not true and they fall for her and then it is either ML, or SML??? is that the plot, the secret is that she think they are gay and lovers....why it is always a fucking GIRL or FEMALE FAN fanning their idols as YAOYI, dumb plot, clickbait plot...
I knew that once script is finished, they will never let her co-direct with him, and ML will fight for her and they will all look down on her, that is just stupid stuff, why she has to suffer so much...ML daddy issues and now him being back in her life brings just misery...
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this series is filled with so many understated gestures and non verbal communication that sometimes beauty that holds altogether starts shaking!
In series it is XF that is submissive and LQ is tsuandre, but in real life lol Ning Jia doesn't get to say a word in front of Guang Ye...this change is very appealing, as in TV you get frustrated watching such a doormat character, then in reality you enjoy his alpa power....
He never wanted to hurt him. He loves him more than himself. I don't doubt any of that.
But love doesn't erase betrayal, and regret doesn't rewrite choices.
Whether he did it for his country, duty, or a cause greater than himself is another debate. The fact remains: when the moment came, he chose to use the person he claimed to love the most as a means to an end.
That is why every confession now feels painfully hollow. Genuine? Yes. Sincere? Probably. But also tragically shallow, because love loses its weight the moment it asks the beloved to unknowingly pay the price for someone else's ideals.
Ongsa sang the OST so beautifully he should be full time singer, doing concerts and all.
p.s. I know many people know, but people who don't should know that it was all real and all the events that is shown in toppling absolute monarchy to semi is known as 1932 Siamese Revolution and they used the events as what happened in real life.
I'm not criticizing that choice. If anything, I respect it. My only observation is that the visual language, the cinematography, production design, and camerawork, is often far more compelling than the narrative itself. At times, it feels less like a story driving the performances and more like the performers being given complete artistic freedom to exist in front of the camera, with the plot simply following them afterward.