Rebecca ZH
Zhao Lusi carries this show
Cdramas always have this problem whereby the ending is such a mess. That aside, Leo Wu and Zhao Lusi (and many other side characters) were very good in this one. I started watching this to fill the huge hole Alchemy of Souls Part 1 left in me (Mu Deok ðŸ˜ðŸ˜ðŸ˜) and Zhao Lusi's hilarious and lively Shaosheng and Leo Wu's taciturn and competent General Ling Zisheng (he has the most expressive eyes) left me a bit obsessed and I binged it in 3 days.
Part 1 focuses on the troubled mother and daughter relationship between Shaosheng and her badass and tough mother. Part 2 focuses on court intrigue as Shaosheng settles into life in the palace.
As much as Shaosheng and Zisheng's storyline is romantic, sweet, heartbreaking, (frustrating), and poignant, equally as moving and precious to me is Shaosheng's relationships with the mother figures in her life, and the complex and quiet background triad of the Emperor, Consort Yue and Empress Xuan. Empress Xuan's love for Shaosheng and Shaosheng's joy in this newfound nurturing mother-mentor figure is so touching. Shaosheng blossoms in this relationship, learning to understand her complicated relationship with her own prickly and harsh mother a lot more. The complex triad of the Emperor, Empress Xuan and Consort Yue is as fascinating and subtle as any main romance. There is jealousy and resentment, but mainly there is camaraderie, companionship, and love. (Also I love Consort Yue).
I enjoy complex character dramas and I liked that most characters are finely drawn, with complexity and nuance. Shaosheng is her own worst enemy in relationships and constantly acts out; Ling Zisheng is not much better and compartmentalizes the different parts of his personality. Both live under the long-reaching arm of childhood trauma. Somehow two damaged people come together to form a healthy (codependent?) love lol.
Poor scriptwriting is still obvious (and becomes more obvious the closer we get to the finale lol) and characters started acting stupid and the plot starts to flipflop between ridiculous exaggeration or melodrama lol.
Anyway, this was not bad and I'm quite sold on Leo Wu's performance (was kinda meh about his character in The Long Ballad). Zhao Lusi continues to bring that special liveliness to her roles.
Part 1 focuses on the troubled mother and daughter relationship between Shaosheng and her badass and tough mother. Part 2 focuses on court intrigue as Shaosheng settles into life in the palace.
As much as Shaosheng and Zisheng's storyline is romantic, sweet, heartbreaking, (frustrating), and poignant, equally as moving and precious to me is Shaosheng's relationships with the mother figures in her life, and the complex and quiet background triad of the Emperor, Consort Yue and Empress Xuan. Empress Xuan's love for Shaosheng and Shaosheng's joy in this newfound nurturing mother-mentor figure is so touching. Shaosheng blossoms in this relationship, learning to understand her complicated relationship with her own prickly and harsh mother a lot more. The complex triad of the Emperor, Empress Xuan and Consort Yue is as fascinating and subtle as any main romance. There is jealousy and resentment, but mainly there is camaraderie, companionship, and love. (Also I love Consort Yue).
I enjoy complex character dramas and I liked that most characters are finely drawn, with complexity and nuance. Shaosheng is her own worst enemy in relationships and constantly acts out; Ling Zisheng is not much better and compartmentalizes the different parts of his personality. Both live under the long-reaching arm of childhood trauma. Somehow two damaged people come together to form a healthy (codependent?) love lol.
Poor scriptwriting is still obvious (and becomes more obvious the closer we get to the finale lol) and characters started acting stupid and the plot starts to flipflop between ridiculous exaggeration or melodrama lol.
Anyway, this was not bad and I'm quite sold on Leo Wu's performance (was kinda meh about his character in The Long Ballad). Zhao Lusi continues to bring that special liveliness to her roles.
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