Rabbil
This review may contain spoilers
A comedy that was more than a comedy
I picked this show because it broke the kdrama tradition of being 16 episodes ninety minutes long. It was a rather swift show but one that nonetheless delivered a deeply moving story.
The story of two mentally troubled people living next door to each other with all the comedic encounters set the tone early for what our lead pair - and the town they lived in - were like. Lee Min-Kyung suffered from OCD and an extreme anxiety that meant she had difficulty trusting anything and anyone. Hwi-oh's anger issues was what landed him in therapy and the way these two interacted early on *through* their mental illness was done really well; this is a comedy show but it didn't insult people's mental illness. It was funny without being disrespectful.
As the story progresses, the comedy becomes less prominent and you understand why it has to: the backstories of both Min-Kyung and Hwi-oh make it difficult for the show to remain completely light-hearted, especially where it concerns the abuse Min-Kyung went through. As the show progresses, her ordeal tells a good story of what it is like for women in abusive relationships, the fear of trusting again. Her relationship with Hwi-oh was done organically, built over a gradual trust sprung from his genuine decency and devotion to keeping her safe and happy. The way they first kissed sort of alluded to that; she is totally fine sleeping with him around because she trusts him. Because he listens to her, because he believes her.
Which is what this show is really all about. It's about Min-Kyung needing someone to believe her, to give her that feeling of safety and reassurance her ex-partner took from her. Throughout the show she struggles for that, but finds it in Hwi-oh. We see the importance of why believing her is better than not. The show tells a good message there; sometimes in a relationship, what's not important is whether your partner is right or not but whether they think you believe them or not.
Hwi-oh in turn finds something in his life he can now lose, and it puts him always on the verge of erupting, of reverting. She thinks she's broken him, but the beauty of the show is how they both subliminally helped each other grow and heal a lot, but the final part of the recovery needed to be done by themselves.
The last episode was a little rushed in that some of the subplots seemed wrapped up too quickly - maybe that's the drawback of being a short series, but I enjoyed this show a lot. It was sold by the terrific acting, particularly on Oh Yeon-Seo's part. I feel like this is a feel-good show I can return to a lot and still enjoy it.
The story of two mentally troubled people living next door to each other with all the comedic encounters set the tone early for what our lead pair - and the town they lived in - were like. Lee Min-Kyung suffered from OCD and an extreme anxiety that meant she had difficulty trusting anything and anyone. Hwi-oh's anger issues was what landed him in therapy and the way these two interacted early on *through* their mental illness was done really well; this is a comedy show but it didn't insult people's mental illness. It was funny without being disrespectful.
As the story progresses, the comedy becomes less prominent and you understand why it has to: the backstories of both Min-Kyung and Hwi-oh make it difficult for the show to remain completely light-hearted, especially where it concerns the abuse Min-Kyung went through. As the show progresses, her ordeal tells a good story of what it is like for women in abusive relationships, the fear of trusting again. Her relationship with Hwi-oh was done organically, built over a gradual trust sprung from his genuine decency and devotion to keeping her safe and happy. The way they first kissed sort of alluded to that; she is totally fine sleeping with him around because she trusts him. Because he listens to her, because he believes her.
Which is what this show is really all about. It's about Min-Kyung needing someone to believe her, to give her that feeling of safety and reassurance her ex-partner took from her. Throughout the show she struggles for that, but finds it in Hwi-oh. We see the importance of why believing her is better than not. The show tells a good message there; sometimes in a relationship, what's not important is whether your partner is right or not but whether they think you believe them or not.
Hwi-oh in turn finds something in his life he can now lose, and it puts him always on the verge of erupting, of reverting. She thinks she's broken him, but the beauty of the show is how they both subliminally helped each other grow and heal a lot, but the final part of the recovery needed to be done by themselves.
The last episode was a little rushed in that some of the subplots seemed wrapped up too quickly - maybe that's the drawback of being a short series, but I enjoyed this show a lot. It was sold by the terrific acting, particularly on Oh Yeon-Seo's part. I feel like this is a feel-good show I can return to a lot and still enjoy it.
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