friends to lovers, tsundere/sunshine

Other tropes: self acceptance, self worth, high school BL, live action yaoi, soft romance, kindness

The moment I finished binging this show I was thinking about writing about it and re-watching it. This is a sure sign that I adored a piece of media. 

This is a wonderful BL.

Truly well executed, with smooth filming and lovely acting, both of a simplistic style that felt slightly more Korean than it did Japanese. It reminded me a little bit of Seven Days and a little bit of Takara and Amagi, and since these are my two favorite high school JBLs obviously I was bound to adore ICRY.

But what it reminded me of more than anything was Cherry Blossoms After Winter. Odd for JBL and KBL to be so closely linked. Like CBAW show, ICRY is classic live action yaoi.

Like the MOST classic of CLASSIC. There is even a “seme looses control to desire” scene which leads to dub con. There is an abject apology after but still - you’ve been warned. 

The premise is: smart sporty hot (and hella gay) Yamato has a long standing crush on his silly sunshine sweetheart bestie, Kakeru. Yamato is also stiff, self isolated, shy, and has only ever really managed to get along with Kakeru. I love this kind of pining seme so damn much, it probably biased me.

Unlike most uke, Kakeru starts to slowly figure out that his best friend is in love with him by ep 2 (let the chaos bisexual identity crisis commence).

So do some of the friends around them.

The story thus revolves around Yamato trying to unsuccessfully suppress his desire, and Kakeru trying to figure out if he can return Yamato‘s affection.

This biggest barrier is actually Kakeru's feelings of inadequacy and unworthiness (when compared to Yamato). Bu this is tempered by his genuine kindness which forces him into act with integrity around his dear friend's love and strive to fix everything (even himself) to prove worthy of it - whether he can ultimately return it or not.

Kakeru's struggles are pitted against Yamato‘s repressed need that keeps bubbling over and figuratively (sometimes literally) attacking Kakeru with romantic, emotional, and physical intensity.

Quick pitch:

This classic friends-to-lovers BL is everything Japan does best. Angsty. Emo. Aching. Driven by real thirst. Yamato is deeply in love with his childhood bestie, Kakeru, and has been for ages, unable to hide his ungainly damaging high school need. He wants Kakeru in every way possible and it oozes off of the screen. Kakeru is silly and a little simple, but not frenetic or overly camp about it. He is earnest, and genuinely wants to keep Yamato in his life which means giving a romance (and gayness) a fair chance. We watch him realize his affection and what form it can take in a truly authentic way. This show was impossibly kind to both of its lead characters and I felt almost honored that I got to watch something so lovely and rare play out on my screen.

I’m not gonna lie, I dithered over whether to give this a 10/10 and nearly didn’t. But there is nothing wrong with it AS A BL.

And it's so GOOD to ALL of its characters and they are so good to each other. It's quiet and because of its goodness it will get overlooked, but I LOVED IT.

It's not one of those that BL outsiders will understand, and you must like Japan's style to enjoy it. But I'm in it. It's for me.

What am I hung up over? Even the kisses are good.

10/10

I CAN'T RECOMMEND IT HIGHLY ENOUGH

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I loved this show and hated the ending, but not for the reason you think.

This is pulled from a bit meta analysis post I put on tumblr, I'm usign this as my back up so I'll be covering lots of stuff. Historical context, language stuff, filming techniques, and finally a full review including all my issues with the ending. Here's th equick review first:

I truly loved this time travel romance. IFYLITA is an exquisite BL, from filming techniques to narrative framework (much like Until We Meet Again). Steeped in history and family drama it edges into lakorn (but no as much as To Sir With Love and with way less scenery chewing). This is an elegant and classy BL... from Thailand which normally doesn't even try for classy. The main couple (both as a pair and individuals) were excellent, particularly Bright (Yai) whose eye-work acting style is a personal favorite of mine. Pity about the ending. Oh it wasn’t that sad but it wasn’t good either. This show should easily have earned a 10 from me except that it fumbled the… erm… balls. Argh. Whatever. 9/10

Some Historical Context for I Feel You Linger In The Air - Thailand 1925-1932

I love history and so here's some info that any Thai watcher would likely know, but the rest of us might not... ready?

The Historical Stage:

Burma (now Myanmar) to the west is occupied by the British. The French hold Vietnam to the east. Everyone is bickering over what would become Cambodia & Laos. China occasionally gets involved from the North (also, lots of immigrants from China at this time accounting for a large percentage of the merchant/middle class) Eventually, Japan would invade during WWII. In part, The Kingdom of Siam was kept a "neutral" party because none of the surrounding colonial powers wanted to risk offending any of the other players in the area. Siam re-negotiated sovereignty in 1920 (from USA) and in 1925 (from France & Britain). But during the time of this show (late 1929) it was back to it's customary type-rope balancing act of extreme diplomacy with the allied western colonial powers that surrounded it.

Recognizing that Thailand was never colonized (although it was invaded), it's boarders were constantly nibbled at and it was "ambassador-occupied" off and on by westerners whose military backing and exploitive business concerns simply outmatched the monarchy, especially in the technology department (as well as by reputation on the global stage at the time).

In other words, the farang in this show (James & Robert) were always gonna be both the baddies and the power players of the narrative. (Farang is the Thai word for non-Thai's of European descent, the word means guava.)

The king of Siam at the time (Vajiravudh AKA Rama VI) was initially somewhat popular but also regarded as overly extravagant since Siam had been hit by a major postwar recession in 1919. It should also be noted that King Vajiravudh had no son because he was most likely gay (which at the time did not much concern the Siamese popular opinion, except that it undermined the stability of the monarchy leaving it without an heir).

He "died suddenly" in 1925 (age 44) with the monarchy weakened and succession handed off to his younger brother.

In 1932 a small circle of the rising bourgeoisie (all of whom had studied in Europe, mostly Paris), supported by some military, seized power from the monarchy in a practically nonviolent Siamese Revolution installing a constitutional monarchy. This is mentioned in IFYLITA in the last few episodes but did not (apparently) appear in the original novel.

Siam would then go through:

dictatorship, WWII, Japanese invasion, Allied occupation, democratic elections, military junta, the Indochina wars, communist insurgency, more democracy and popularization movements, multiple coups, more junta, more monarchy,

eventually leading us to the somewhat chaotic insanity of Thai politics we have today. (Which is, frankly, a mix of monarchy, junta, democracy, egocentric popularism, and bribery.)

The Filming of I Fell You Linger in the Air

The director if this show, Tee Bundit (Hidden Agenda, Step by Step, Lovely Writer, TharnType), has never particularly impressed or offended me as a director. I would have called him simply "workmanlike" in execution: not offensive, serviceable.

So much so that I spent some time hunting for info on IFYLITA's cinematographer (who remains uncredited on MDL) because this one, of all Tee pantheon, is ultra stylish. It, frankly, felt too good for him.

Specifically, there is a repeated visual motif in intimacy scenes of either Yai or Jom being filmed from behind a screen/drape/curtain making them seem more translucent, like a ghost or spirit. While the other half of the pair is filmed with sharp clarity. In the first half of the series this is more likely to be Yai (an unknown and mysterious element), as the show progresses, it's more likely to be Jom (the person outside of place and time, destined to vanish all together). This cleverly conveys story, tension, and foreshadow (future shadow?)

Occasionally we shift over so they both become obscured and then clear again.

This stylized version of dirty framing and filters is used to foreshadow and then constantly remind us about that Jom slipped (and is slipping) through time and the disconnect that causes to his sense of reality and purpose, and to his burgeoning relationship.

For example, the scene where Yai is drunk and asleep in his bed. The first time Jom is sitting in a chair drawing him. Yai is blurry behind the screen while Jom is solid and sharp.

This filming technique combined with dirty framing is being used to give the watchers the impression of looking at something we maybe shouldn't, like we are being creepy and intruding on their private time. After all, they can see EACH OTHER clearly, it's only us who have the visual impairment.

This gives us a sense of doom and discomfort and slight sensation that we shouldn't be there. We shouldn't be watching. But ALSO that we too are outside of time, filtered by the future.

In other words his sense of displacement is being used to trigger ours visually.

It's all quite clever.

It's both beautiful and atmospheric and discomforting and touch stressful. Meaning that it is ALSO a visual vehicle to drive narrative tension. As effective as scary music, perhaps more so in this show (since I personally found the musical motifs and refrains somewhat overused.)

Linguistic corner

The word for reflection and shadow is the same in Thai.

Note on the por/phor/phô honorific in Thai

I have not encountered it before in BL. I am indebted to @embraceyourfandom for the following information;

Phô is a paternal honorific, luang phô is used for respected monks. It basically means father. And is oft seen as male honorific for village elders. It's also used as a male prefix in the names of several occupations like:

พ่อครัว phô khrua (khrúa= kitchen -> chef) พ่อค้า phô khá (khá= trade -> merchant) พ่อมด phô mót (mót= person of occult knowledge -> wizard) พ่อบ้าน phô bân (bân =house -> butler) - most relevant

So, Yai's use is probubly foreshadowing that Jom will be a butler for his house, and is primitively referring to him with this title.

All that said, phô can also be used by a "man who is older/higher on hierarchy to refer to a younger/lower on hierarchy man with intimacy and/or affection."

I think all this has to do with Jom's demonstration of education. Yai figured out early on that one of the reasons Jom doesn't belong and cannot fit in with the servants is that he is more educated than a peasant (of this time period), which for Yai adds up to him being originally from a higher status and possibly wealthy family, especially since Jom speaks English and has travelled (he has a non-northern accent).

There is very little Thai middle class at the beginning of the 1920s since trade is being dominated/dictated by the West, or Chinese merchant operations, and Siam is a monarchy. So for a nationalize Thai citizen educated means military, landed gentry with trade operations (like Yai), royal/political/diplomatic connections, or... none of the above. This changes, especially in the south, throughout this decade (as it did in other parts of the world). So there is a rising bourgeoisie going on in the background but it's not that obvious in Chang Mai at this time.

What Jom's educated lack of status means to Yai is that Jom's family either got wiped out or politically disenfranchised possibly as part of the 1912 attempted coups (or even WWI)? This would be mystifying for Yai because Jom doesn't act like he comes from a military family at all. So his background and status is very confusing for Yai, but Yai does know one thing...

Jom is NOT lower class by the standards of Yai's temporal worldview and existence.

For a young man to be educated and yet entirely alone is very dangerous and suspicious. Also, let's be clear, Jom doesn't look or act like a laborer. He red flags "cultured" all over the place.

Yai is paternalistic and caring towards Jom out the gate because Yai has a big ol'crush but also because he recognizes "his own" is trying to survive while isolated and scared.

Yai wants to rescue Jom. Yai is an ineffectual 20 year old gay intellectual. But poor thing sure tries.

Let's Talk About How I Felt About I Feel You Linger in the Air

The historical aspect was great.

I adore historical romances and we almost never get them in BL. I was always gonna be biased towards this show. (As indeed I am towards Nobleman Ryu's Wedding, Tinted with You, and To Sir With Love.) Aside from some classic Thai BL production issues (less than normal, this is very high production value for Thailand) and my issues around the sound track and repetitive repriens (which frankly were more noticeable because I binged the last half) I have no complaints on that score (heh heh).

The surrounding support cast were all quite good and we even got us some lesbians!

The emotional and narrative tensions were excellent.

Any issues I had with pacing came from focus on characters that didn't interest me, but probubly did interest others. I wasn’t wild or particularly interested in the family drama or the side characters/couples, but they were necessary to make this a fully fleshed story with historical context and to give Yai much needed characterization. Also this use of a ensemble cast is very close to Thailand's lakorn heart, even thought this one had way less scenery chewing ludicrous soapy drama (thank heavens).

I was delighted that external threat, stressors, and conflict drove this plot. That's refreshing in BL.

I have no arguments with the chemistry and kisses and sex scenes were tasteful and lovely, occasionally even heart-wrenching, and it's nice to see Thailand especially use physical intimacy to drive plot, and not the other way around.

I love historicals partly because every tiny touch can have such lingering significance, they're very elegant in their chaste physicality. This show didn't need to move into higher heat, but I'm grateful it did because even that was very well done. Thai BLs can often feel clumsy around intimacy, but not this one.

The final sex scene before Jom and Yai separate forever utilizes the ubiquitous director's-favorite-romantic-moments-flashbacks (required of all Asian romance dramas) but with acceleration and tension driven by the noises of sex, which I've never seen/heard done before. In other words: climax of sex = climax of the romance story, I see what you did there, Tee. Clever. Very clever. Bit on the nose… erm… on the… well you know what I mean.

Like all Thai BLs this wasn’t perfect, but for me this is as close as Thai BL gets to high quality romance and that’s what I want the most from my drama watching experience (if not necessarily my Thai BL experience).

But... and you knew the but was coming didn't you?

I absolutely hated the ending.

It wasn't sad, don't worry, but it also wasn't good. SPOILERS HERE ON OUT

There is a long drawn out separations sequence and then Jom returns to the present, drowning from a car accident. Jom is "rescued" by an moustachioed iteration of Yai from the distant past (who we met once before) and then wakes in hospital. Some time later, Jom returns to the house in Chang Mai where Yai turns up and they reunite.
The end.

There is a stinger featuring Jom once more hurled back in time, only further, meeting the warrior mustache Yai once more.

Okay, that's all I knew and all I saw.

Confused? So was I.

If this had been a regular time travel romance: Yai would have been the EMT or doctor attending Jom when he woke up and their "this time period" romance would commence. With either shared memories, or not.

Had this been set up for audience comprehension in line with the original novel, we should have had flashbacks from both Present Yai (he's not the same one, as it turns out) and deep-past Moustache Yai interwoven throughout the series. Preferably with some focus on Present Yai's quest for reunion with Present Jom AND Present Yai's own experience with visions and memory of his past lives.

A full explanation of the ending is here. This explanation of the 3 different Yais makes me like our ending more. But I shouldn't need to read Cliff's notes from some random y-novel reading fan on Tumblr to understand what's going on in a series!

There is supposedly a special happening with Jom + Present Yai.

There was unquestionably a failure in adaptation in the finale of this show.

As a fan and watcher, what I actually felt was deeply confused and hurt.

I also felt that this was a disingenuous un-earned throw away happy ending, since I had no idea who this new Present Yai was and no investment in his character. I simply didn't believe he was the same Yai (Bright is too good an actor, he was clearly a different older personality).

So the fact remains that past Yai, our Yai, the 20 year old boy we grew to understand and love, is abandoned in the past to suffer alone for the rest of his life. And THAT is an unhappy ending for one half of my beloved pair. Yes Jom gets a new Yai in the present day, but it's not the same Yai. They have no developed relationship, and Jom is doomed to leave even this new Yai and slide into the past once more. That's barely even happy for now for Jom's character.

As a result of my deep sadness for 20-year-old Yai in particular, I'm not going to be able to rewatch this show. The whole thing was rendered not just confusing but the opposite of comforting by the final 15 minutes. I'm tempted to dock it two whole points - one for the ending and the other for the lack of rewatch potential.

But the first 11.5 eps were SO GOOD.

This is one of the only times where I am actually hoping for a second season, while simultaneously being wary of the screen writing and production team's capacity to give us a satisfying one.

Industry wise? I honestly don't think we can hope too hard for a full season 2. This was an expensive show with flawed/limited distribution and little sponsorship. I don't see how they'll get funding for a second season. Unless we see this show up on like Netflix or Viki, I urge you not to hope too hard and be disappointed.

In all honestly?

I started typing up this blog post thinking Thailand was finally, after 5 years, going to earn another 10/10 from me but I just can't in good conscious give it that. It's been days and I'm still upset about that last episode.

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I don't know what's going on but I liked it

Korea decided to remake, of all possible Thai BLs, Why RU? And that is exactly what we got: a short form, clean & pretty, uneven chemistry, slightly confusing, all the same tropes KBL that kind of cliff-noted the original but with none of the heat or complex relationship dynamics. I just … what world is this? Because it is BOTH bizarro land, and EXACTLY what I expected.

SaifahZon (no matter what country) are probably the softest enemies to lovers ever put on screen. Yes they are very cute, and I like them better than the original. However, no one can out do ZeeSaint for the count down kiss on the rooftop.

All in all, I liked this remake/parody/annotate/whatever a lot but I’d love to know what somebody thought who hadn’t seen the original.

How do I rate something like that? In the end I have to go back to simple questions: did I like it, would I rewatch it, and would I recommend it? Yes. Probably. And probably not. What the actual hell? 8/10 

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Timeslip, paranormal romance, JittiRain strikes again

Adapted from a JittiRain y-novel (author of 2gether & Vice Versa) this was a “rewrite the past to fix the future” PNR.

It featured a wooden Krist and revelatory Gawin (I was never a fan until this show), some good rep of things like queer struggles with rights to partner’s medical and life decisions, but awkward chemistry. It certainly wasn’t as bad as I expected.

With Jittirain, one of her main characters is going to be a manipulative liar or extremely unlikeable or both. In this case: unlikeable.

As a result I didn’t particularly enjoy this show, but with Gawin’s performance and some appealing side characters, like Max, I also didn’t hate it.

A rollercoaster of content & characterization packaged in a meh narrative sausage casing left me feeling unmoved but fine. It was fine. I was fine with it.

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Is there truth to the soulmates trope?

This BL takes to task the fated mates trope and what it means to have love chained intimately to predestination. This show is about how faith in destiny before choice diminishes the authenticity of emotion, relationships, and connection.

This is a high concept to examine through the lens of a BL.

By activating + examining the soulmates trope this show is challenging a foundation of romance: the idea that there is one person meant to be your one romantic partner all your life. This means that we, as viewers, spend much of the show worried about it having a happy ending, and that’s the source of both its brilliance and tension: would the narrative have the strength to truly challenge its own romantic core?

But, ultimately, all this elevated complexity was executed in a somewhat shaky and clumsy manner with the narrative derailing into some serious pacing issues and characters manipulated by miscommunication.

However, with good chemistry and decent acting all around, plus some excellent high heat and representation of consent and a few other rare tropes, this one has to (like it’s sibling show My Ride) earn a high rating for me. I LIKE high concept. I like that we got something rare for BL. I enjoyed it even as it made me think, so despite its flaws.

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gay office romance, boss/employee, queer authenticity, external pressures

This was Thailand’s answer to The New Employee, and everything I loved about that show I loved about this one. This was an office romance between stern boss and sweet subordinate that felt more authentic to an office environment and queer life than previous Thai BLs of this ilk. And that authenticity added tension to the narrative and character development (how novel). Now that might be because it has western source material, or it might be because it is actually kind of old-fashioned (it’s been years since I worked as an office grunt, so don't know if the workplace is still like how they depicted it). I also really enjoyed the brothers’ relationship, and kinda wished they hadn’t attempted to give said brother his own side BL. That one flaw made it a 9/10 for me but I still really enjoyed this one.

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Hyung romance, puppy/cat pairing

Most of this country-set BL had me feral for the beautiful broken city boy and his hot young farmer. Hyung romance, puppy/cat pairing, open frankness meets jaded reserve, language play, water hose frolicking, only one bed, just all my favorite tropes. This show was basically a light-weight Restart After Come Back Home and I’m not even slightly mad about that.

But (and you knew there was a “but” coming) something about the cringe of the final 2 eps and the impermanence of the ending (both of which highlight the fact that ultimately these 2 are I’ll-suited: too different and too far apart) left me with the feeling that they probably won’t last as a couple. However, in this case, rare for me, I forgive it this finale for my love of the rest.

I did dither a lot though, it’s not an 8 but not a 9 either. Better than Love Mate (8/10) not as good as The New Employee (9/10) but in the end I’m value adding up for the premise and the cast, which earned it a 9/10.

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I loved it, but not as a BL.

This is a true lakorn with scenery chewing performances, especially from the mother characters.

It is a Thai tellenovella + Gone With the Wind but gay.

I loved it: A glorious central brother relationship (the best, made me cry), het romances, class divide + gay *gasp* main romance, the campy drama of it all. Arranged marriage, rebellion, cut sleeves, dramatic death with curses and regrets, beautiful if inaccurate costumes, secrets unraveling, cover ups, sparkle murder, sex herbs, coils within coils including snakes and death by glitter (is anything gayer on this earth?). It’s a WILD ride.

It’s not BL. It’s not a romance, it’s a family drama Thorn Birds style but it does end happy for our gay boys.

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FWB to lovers

Office frienamies transition a flaming hot one night stand into a f-buddy relationship, that is essentially built on a puppy/cat dynamic (and kinks into it at one point). Our puppy is loyal, smitten, and protective with endlessly worshipful eyes, while our cat is snarky, prickly, and deeply damaged (ALL THE TRIGGERS). I have been waiting for James to hold down (or be held down in) a BL for years! I like that there’s a dark underbelly (*snicker*) of trauma to this one, it has a slightly a Japanese feel which suits mature characters and an office setting. King’s yearning worried eyes are glorious. Poor thing, he totally adores this beautiful broken fragile boy and doesn’t know how to capture his attention. I admit Net was the one I worried about with this pair. James was always gonna be great. It turns out, I didn’t have to worry. I love it when high heat is used to serve the characters and the narrative, as well as us fans. (In other words, take away the sexualized part of this relationship and the whole story would fall apart.)

So in the end, NetJames did give lovely high-heat with excellent chemistry and tuned-in performances of surprising depth, unfortunately the story ultimately failed them. Had the show had the strength of its convictions and kept to a tighter, darker, harsher 8 eps it would have been the first high heat to earn 10/10 from me, but once they fussed with it, it dropped to a solid 8/10.

Could have been great but they overworked it. Still if high heat is your thing, this one will not let you down.

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Secrecy, betrayal, earnestness, age gap

A boy who just lost his job due to faked corruption charges accidentally discovers his ex-boss's favorite artist, now a recluse. His ex-manager offers him his job back if he can convince the artist to rejoin society. Instead, they fall in love. Gongchan (maknae of B1A4) carried this show (which I don’t expect from the idol element).

He was luminous with extraordinarily expressive eyes. That said, he had weak chemistry with his co-lead. But everything else was quietly queerly KBL pristine and beautifully executed, even the conflict. I’m not sure on rewatchability for me, and it didn’t whip me into a verbal frenzy the way some KBLs do but it’s still a solid enjoyable show. Bummer about the limited distribution.

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Office romance, second chance, cozy BL

I loved this little gem of a show. This is my ideal BL: a classic second chance meets office romance of two nerds in love with a workplace reunion and good kisses. I’ve been waiting for KBL to give us this for a long time. I enjoyed every aspect from the casting to the very simple premise to the quietly smooth execution. Sure it’s very low stakes, but that makes it high domesticity and extremely warm and gentle. This is a warm fuzzy blanket of a story. The thing it reminded me of most was To My Star.

Do we call this cozy BL? Why not? This one is going to live in my rewatch pile, I can tell already, and you know what’s best about it? Every single episode is in that pile. There’s no skipping with this one, it might be good natured and calmly sweet but it’s tight and the pacing is excellent, so that it perfectly suited KBL’s short-length tendencies. I cannot recommend this one highly enough.

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slice of life, struggles, other side of the tracks romance, great side dishes

I enjoyed this complicated little show, even though it’s spectacularly messy gay with lots of shrapnel and authentic pain (normally not my style).

I thought EarthMix turned in their most compelling performance to date, yes better than Thousand Stars.

But it was GeminiFourth who stole my heart. What a wonderful side romance that was!

That said, the most interesting central relationship was that of Jim & Li Ming, their father-son angst mixed with evident affection made me tear up. This was more slice of life than it was BL, but it ended happily so I’m not mad at it.

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kink components, established relationship, cohabitation, miscommunication, celebrity romance

These two have such a great DS dynamic. Only Hira would apologize for banging and wanting to bang his own bf, but do it anyway. Talk about a service top with a humiliation fetish. Sheesh. The masochism is strong with this one. (Since I do not deal with humiliation fetishists well, the cringe factor got to me a little.) Still, pouty jealous Kiyoi is the cutest. [One flaw: The photographer dude should have been played by Kenta. Just a little joke.]

All in all, this second season didn’t blow me away the way the first season did, it was quieter and more uniform in its narrative and messaging - thus more predictable.

The basic relationship misunderstanding remained the same as Season 1 - all about value and self worth and how that’s assessed. The result is a performance that is a dialogue between imposter syndrome and a parasocial relationship. If these two only had the language and framework of BDSM to understand each other than they would, but they don’t so the story is us watching them suffer for it. But that’s part of the fun. Part of their fun too, I think, as if the fighting and misunderstanding is just another one of their many kinks.

An engaging and solid second installment, that was so consistent, I’m ended up keeping the rating consistent too.

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love triangle, trigger warnings all round, just a mess of a "show"

A Make It Right meets Degrassi Jr BL short form soap opera with no real ending, featuring chaos boys, chaos script, chaos everything. I would like it known that my sexual identity is chili henceforth. (My pronouns are MaxTul & sometimes Phi.) Look, this is an absurd show. We got BDSM 101, a lesson on how to use a condom properly AND and example of why the closet is both necessary and damaging? I mean I applaud their educational endeavors but BL: The After School Special? Really, that’s what we signed up for? In the end a total mess (they too young to call it a hot mess). I don’t know what it was and neither did it.

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