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  • Last Online: 25 minutes ago
  • Gender: Female
  • Location: Brussels, Belgium 🌍
  • Contribution Points: 31 LV1
  • Birthday: January 04
  • Roles: VIP
  • Join Date: January 30, 2023
  • Awards Received: Finger Heart Award12 Flower Award29 Coin Gift Award3 Comment of Comfort Award1 Sassy Tomato1 Reply Hugger3 Soulmate Screamer1
Replying to Dominican huaren May 7, 2026
Wondering the same, it's a good drama it deserves a better rating :(
Maybe because of its pace (too slow for many viewers, apparently) and the fact that the main actor was involved in a prostitution scandal and is now "cancelled" ? 🤷🏻‍♀️
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Replying to KellyFlower May 7, 2026
I've only seen 11 off this list, but I have a lot of them on my PTW list.I loved - Summerdaze & I Told Sunset…
Hey ! Hope you're doing well.
I finally watched "To My Star" from your suggestions' list. I quite enjoyed it "but" I preferred (LOVED, to be exact) its 2nd season. Thx for the rec ! 🙏🏻
Btw, More Than Words & Journey To The Shore are still on my PTW list 😉

Have you watched any good BLs recently ? Or discovered other great dramas ?
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Replying to Kitty chim May 7, 2026
Title Step for You
https://youtu.be/KcTOnkp0flA
No more available 😔
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Morgane May 2, 2026
Your comment about "We Best Love" 2nd season is so on point. I gave it a 6/10 😑
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Replying to On Cloud Nine May 2, 2026
Replying to deleted comment
Could you please use the Spoiler Tag for your comment as you're openly mentioning a MAJOR plot twist of the drama for people who haven't watched this show yet ?
Thank you for your understanding !
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Replying to FCAR5879 May 2, 2026
September 29, 2024 (11:29 PM)☑️On Cloud Nine (8/10)Meen Nattakrit Hamontri as Tiew(June 16, 1997)Rossi…
Hi! Just a small friendly note — your comment actually reveals several major plot elements (the identity twist, the afterlife reveal, and the relationship dynamics). These aren’t just light hints; they give away core twists that the drama builds its mystery around, so it’s a bit like revealing the entire puzzle to someone who hasn’t watched it yet.
Would you mind putting that part under a spoiler tag? It helps keep the experience intact for new viewers. Thank you so much for your understanding!
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Berd Apr 30, 2026
Great Voting List !
You could now add her latest shows (Confidence Queen, Siren's Kiss...) 😉
PS: Ton profil est trop chou !💝
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Replying to Ayumi Yoshida Apr 28, 2026
Title In Between
I honestly can’t stand the way Gao Peng acts when he’s with He Zhi Nan — both before and after his change.…
I hope that I am not offending you by suggesting that you should maybe use the 'Spoiler Tag' for your comment.
Lots of people haven't watched this show yet and your (character-dynamic) feedback is a bit "emotionally spoilery"; not in a plot‑revealing way (as it doesn’t mention major events, twists or outcomes) but it does reveal how a key relationship evolves emotionally, which some viewers who prefer going in blind to character arcs would count this as a spoiler.

Same for your "Scene Description" comment just here below...
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On The Murky Stream Apr 7, 2026
Without spoiling it, is the ending "open" or hinting towards a 2nd season ? Or does it have a definitive conclusion ?
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Replying to Deulama4U Apr 1, 2026
I am not sure it’s a good news. I don’t want kdrama to be become like us tv, procedurals with 55 seasons.…
I do agree with you about the romance part (not all dramas need romance). Not all great chemistry between MLs need to be developped into a romance.

On the other hand, I am delighted with this possible 2nd season.
As you said, it didn't really need another season but I found the first one so interesting, well executed and talentedly played that I would love to see the same/most characters (developping their sidestories or new stories) again.

Even if we feel a certain Western influence, I don’t think we will ever see Korean series with endless extended seasons. This is still KOREAN television, so I'm not that worried.
I understand the concern. Netflix influences certain projects (to answer its Western audience), but it doesn’t control the Asian market: local broadcasters, screenwriters, and the Korean audience remain the dominant forces. K‑dramas are evolving, but they’re not becoming Westernized — they’re adapting while keeping their narrative DNA intact.

Furthermore, South Korean dramas are not just cultural products: they are a strategic sector supported by the state, a form of national soft power, and an economic model that works precisely because it differs from Western formats.
Korean broadcasters (tvN, JTBC, SBS, MBC, ENA…) have every reason to preserve their narrative identity.
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