This review may contain spoilers
"Overdo: 'We Take You for Granted' — A Drama That Forgot Its Viewers"
Where do I even start with Overdo?Actually, let me start by saying this: I really wanted to love this drama. I genuinely did.
With Zhang Linghe and Wang Churan as the leads, beautiful costumes, and what looked like a promising Republican-era setting, I went in expecting something emotional, dramatic, and memorable. I was ready to suffer in the best possible way.
Well... I definitely suffered. Just not in the way I expected.
The first episode started, and I was excited. Then the opening credits appeared, and I honestly had to stop for a second because I couldn't believe what I was watching.
Was this a serious historical drama, or did someone accidentally upload an unfinished AI slideshow?
The opening looked like someone collected random AI-generated images, added dramatic music, and decided, "Yes, this is good enough." The characters looked stiff, the movements were unnatural, and everything had that strange artificial feeling. I actually checked my internet connection because I thought maybe the quality had dropped.
Nope.
That was the actual opening.
And then, after people criticized it online, they replaced it with a live-action version. Which honestly made it even funnier because... wait a minute. You had the footage all along? You could have done this properly from the beginning?
So why did viewers get the AI experiment first?
Anyway, I tried to be fair. An opening doesn't make or break a drama. Maybe the actual story would save it.
Spoiler alert: it didn't.
The biggest problem with Overdo is that nothing feels believable. You're supposed to be immersed in a dangerous and chaotic Republican-era world, but the characters often look like they are filming a luxury skincare advertisement.
The best example is the airplane scene.
Yes, the airplane scene.
The ML and FL literally fall out of an airplane. Not jump. Not land safely. Fall.
And somehow they survive without a scratch.
Not a scratch.
No injuries. No dirt. No torn clothes. No messy hair. Nothing.
They fall from an airplane and land looking like they just finished a professional photoshoot.
I watched that scene again because I genuinely thought I had missed something. Maybe there was some explanation. Maybe there was a hidden parachute. Maybe something would make sense.
Nope.
They just floated down like beautiful human balloons.
At that point, I stopped questioning the logic of the drama because clearly logic had already left the building.
And this happens throughout the entire show. Characters can walk through explosions, survive dangerous situations, and fight enemies, yet somehow their hair and makeup remain absolutely perfect.
Meanwhile, I'm sitting there thinking: "Can someone please give these characters a little dirt? They are supposed to be suffering, not promoting a beauty brand."
The filters don't help either. The skin smoothing is so intense that everyone looks like porcelain dolls. The close-ups are everywhere, and after a while, it feels less like storytelling and more like the camera is personally investigating every facial expression.
Even the action scenes struggle. The slap scenes especially made me laugh because the actors are standing several feet apart, swinging at empty air, and we're expected to believe there was contact.
I've seen more realistic fights between children arguing over a toy.
The CGI and effects also don't help. There are moments where the actors look like they are floating inside a fake world instead of actually being part of the scene.
But visuals are not the only problem.
The writing is where this drama really loses me.
The story had potential. The original novel had a strong foundation, interesting characters, and enough material to create something great.
Somehow, the drama took that potential and turned it into endless emotional suffering, repetitive conflicts, and characters making decisions that change depending on what the next episode needs.
The male lead is probably the biggest victim of this. One moment he is full of anger and determined to get revenge. The next moment, one emotional scene with the female lead happens, and suddenly everything changes.
Pick a personality. Pick a direction. Please.
The characters often feel like they exist to create drama rather than because they are real people with consistent motivations.
But the biggest disappointment for me is not only the weak writing or poor direction. It is the way the final product feels like it was handled by the production team — the people responsible for the quality control, editing, visuals, sound, and overall experience.
Because at the end of the day, a drama is not only the actors. There is an entire team behind it whose job is to deliver a finished product that respects the audience.
And honestly, the final result gives the impression that viewers and fans were taken for granted.
It feels like Zhang Linghe's recent popularity and the support of his fanbase were treated as a guarantee that the drama would succeed automatically. Like someone pressed the "autopilot success" button and assumed viewers would watch no matter what.
But viewers are not just numbers. Fans are not guaranteed ratings. People give their time, emotions, and support to these dramas. They deserve a production team that cares about delivering quality.
Having popular actors is not an excuse to lower standards. It should be the opposite. When you have talented actors, beautiful costumes, a big budget, and an audience waiting for your project, that should push you to do better.
What makes this even more frustrating is that Overdo had everything it needed to succeed. The cast was there. The resources were there. The opportunity was there.
But instead of creating something worthy of the actors and the audience, it feels like the drama relied too heavily on popularity to carry it.
And honestly, the direction doesn't help. The drama has beautiful actors, beautiful costumes, and a big production behind it, but somehow it still feels cheap.
The cinematography becomes repetitive very quickly: close-up, close-up, emotional stare, another close-up.
After a while, I started feeling like I was watching a collection of beautiful faces instead of an actual story.
The editing is also strange. Some transitions feel random, the music is everywhere, and there are moments where several songs seem to compete for attention during one scene.
I kept wondering: did anyone watch the final version before releasing it and think, "Yes, this works"?
Because I have questions.
And then we reached the ending.
After 33 episodes of watching these characters suffer, especially the male lead, the drama gives us an open ending.
An open ending.
After everything.
I didn't spend all those hours just to receive a giant question mark as a conclusion.
It felt like reading a 500-page novel and reaching the last page only to find a note saying: "Now imagine what happened."
No. I already imagined enough during the previous 33 episodes.
So here I am, 33 hours of my life later, with only one achievement unlocked:
I watched the leads fall from an airplane and land looking better than I do after a full night's sleep.
I wanted to love Overdo. I really did.
The cast had potential, the production had the resources, and the story had the foundation.
That's what makes it even more disappointing.
This wasn't a drama that had no chance. This was a drama that had everything it needed and somehow managed to waste it.
The actors tried. The visuals were pretty. The costumes were gorgeous.
But a beautiful package doesn't matter if there is nothing satisfying inside.
Thank you, Overdo, for teaching me an important lesson:
Sometimes the biggest plot twist is realizing the drama itself was the disaster.
ALWAYS REMEMBER: To the production team
The audience is not your safety net.
Fans are not something you can take for granted.
They are the reason your drama exists, your actors shine, and your success is possible.
Treat them with respect, because eventually they will stop giving you theirs.
Was this review helpful to you?
Pretty to Look At, Painful to Watch
I usually try to find something positive in every drama I watch, and I almost never drop a series because I always hope it'll get better. Unfortunately, The Eternal Fragrance never did.I kept telling myself, "Maybe the next episode will finally pull everything together." It never happened.
The story is surprisingly weak. It's slow, repetitive, and emotionally empty. Instead of getting invested in the characters, I found myself checking how much time was left in each episode. There were moments that were clearly meant to be emotional, but they had no impact because I never felt connected to what was happening.
My biggest problem, though, was Ju Jing Yi.
I know she has a lot of fans, but for me she's one of those actresses who plays every role exactly the same way. The same facial expressions. The same voice. The same mannerisms. No matter what character she's supposed to be playing, I never see the character—I only see Ju Jing Yi.
"Ju Jing Yi's performance was one of the biggest problems for me. She came across as too childlike for a role that required maturity and emotional depth. Her acting felt repetitive, bland, and flat, and I never truly believed the character she was trying to portray."
For me, she simply doesn't suit this type of adult role. She has a very youthful appearance and her acting style often comes across as overly cute and childlike, which completely clashes with the emotional weight this character was supposed to carry. Every dramatic scene felt flat because I just couldn't connect with her performance.
Another big problem for me was the lack of chemistry between Ju Jingyi and Song Weilong. Their relationship never felt natural or convincing, and I never really believed their connection. The emotional moments that were supposed to feel powerful ended up feeling flat because the spark between them just wasn't there.
It's a shame because Song Weilong has shown before that he can create great chemistry with the right co-star, but here the pairing simply didn't work for me.
This role needed a woman who could make me believe she had lived through love, pain, sacrifice, and heartbreak. Instead, I kept feeling like I was watching someone trying to act mature without ever quite convincing me. Her performance felt too childish for the role, and because of that I couldn't take many of the serious scenes seriously. Every time she cried or was supposed to deliver an emotional moment, I just felt... nothing.
Then there's Song Weilong.
Honestly, this is the part that frustrated me the most. Because I know he can do better. I've watched his other works, and I know he has the ability to carry a character when he's given the right material. His recent drama "Love for You" is a good reminder of that. Watching him there, you can clearly see the difference when an actor is working with a stronger script and a role that actually allows him to show his emotions.
That's why I keep asking myself: why does he continue choosing projects like this? "The Eternal Fragrance" isn't the first time I've felt this way. I had the exact same feeling while watching "Youthful Glory," where the problems ( bland and childlike) with the female lead, Bao Shang En, also made it difficult for the drama to reach its full potential.
It's honestly frustrating as a viewer to watch an actor with potential being placed in dramas that don't help him grow or showcase what he can really do. These roles don't make him look bad because of his acting—they make him look weaker because the overall projects don't give him enough to work with.
Someone watching only this drama might easily think Song Weilong is just an average actor, but that's not the impression I have after seeing his better performances. I just hope he becomes more careful with his future choices because he has the talent, and I would really like to see him in productions that actually allow him to shine instead of making viewers wonder why he accepted the role in the first place.
The music was just... there. I finished the drama and honestly can't remember a single piece of it. It never added anything memorable to the experience.
Would I watch this again?
Not a chance.
The beautiful costumes and cinematography aren't enough to save a drama when the story is dull, the emotional moments don't land, and the lead performance never convinces. I finished it only because I hate leaving dramas unfinished. If I had been watching it alone instead of trying to give it every possible chance, I probably would have dropped it halfway through.
I know many people enjoyed this drama, and that's perfectly fine. It just wasn't for me. I walked away feeling that it had all the ingredients for something memorable, but none of the heart to make it worth remembering.
Was this review helpful to you?
When a Female Lead Ruins the Entire Drama
I went into this drama with high expectations, but it turned out to be one of the most frustrating viewing experiences I’ve had in a long time—and the female lead is the main reason why.Her character comes across as nothing more than a spoiled, immature brat. Instead of depth, strength, or emotional complexity, we get childish behavior, exaggerated expressions, and a performance that feels completely out of place in an adult drama. Honestly, it’s a disgrace to female roles. Women in dramas can be powerful, layered, and compelling—this portrayal is the exact opposite.
It’s hard to understand how such a strong, charismatic actor like Song Wei Long was paired with someone so bland and childlike. The mismatch is jarring. There is absolutely zero chemistry between them. Watching their scenes feels uncomfortable, almost like they belong in completely different shows. At times, it genuinely feels like an adult interacting with a child.
Because of this, the entire story collapses. There’s no emotional tension, no engagement, nothing that makes you care. I found myself constantly fast-forwarding just to get through episodes.
In fact, I gave up completely at episode 18—I simply couldn’t take it anymore.
I actually feel bad for Song Wei Long, because he’s a talented actor and deserves far better than this. As for the female lead—this kind of role might work in a children’s story, but it absolutely does not belong in a serious, adult drama.
Final note:
The rating of 1 I gave in the acting category is directed solely at the female lead. It does not reflect the performance of the rest of the cast—especially Song Wei Long, who delivers a solid and professional performance despite the weak dynamic. Unfortunately, her portrayal is so poor and out of place that it completely overshadows everything else and drags the overall acting score down to that level.
Was this review helpful to you?
