1
AudienceofOne
This drama is pure crack.
There's a certain type of show that, for all its crazy Makjang flaws, you just CAN'T. STOP. WATCHING.
Yes, there's a Candy and a crazy second female lead and a perfect second male lead for you to have SML syndrome over. Chaebol scheming and a company to fight over like it's still the Joseon era.
Every trope under the sun and then a few more to tide you over: Amnesia, Trucks of Doom, Noble Idiocy, Evil Stepmothers, Asshole Male Lead cured by the Power of Love.
But, but, but... it's just so cracktastic you can't stop watching. Even when the show is extended and it's a good 8 episodes too long, you keep pressing play on the next episode. Even when whole episodes go by with people having the same conversations over and over and endlessly crying for no good reason, you don't drop it. You can't.
THE PLOT
When Ko Eun Sung (Han Hyo Joo) is thrown into the street with her autistic brother, she is taken in by self-made businesswoman Jang Sook Ja (Ban Hyo Jung). The Chairwoman sees herself in the younger woman and eventually throws her entitled family for a loop when she leaves the younger woman all her assets, including her company.
Yes, it's a standard Cinderella plotline with her and the Prince, Seon Woo Hwan (played by Lee Seung Gi, apparently a perpetually geriatric toddler) having the requisite number of misunderstandings and near misses before settling into the inevitable pining, sexless true love.
THE ENDING
The Shining Inheritance mentioned in the title is not just the money everyone starts fighting over once Grandma changes her will. What the older woman is bequeathing is not her money but her vision for the company she founded. It's this lesson about what's important in life that underpins the show's overly-strong moral message.
The show's moralising, especially in the back half, is definitely its weakest part. And it doesn't help that far too long is spent on a second female lead who needed to stop crying and monologuing and just get a damn life. But there's no need to spend too much time thinking about deeper messages when you can't stop watching because of how addictive the whole guilty pleasure is.
Crack is crack.
There's a certain type of show that, for all its crazy Makjang flaws, you just CAN'T. STOP. WATCHING.
Yes, there's a Candy and a crazy second female lead and a perfect second male lead for you to have SML syndrome over. Chaebol scheming and a company to fight over like it's still the Joseon era.
Every trope under the sun and then a few more to tide you over: Amnesia, Trucks of Doom, Noble Idiocy, Evil Stepmothers, Asshole Male Lead cured by the Power of Love.
But, but, but... it's just so cracktastic you can't stop watching. Even when the show is extended and it's a good 8 episodes too long, you keep pressing play on the next episode. Even when whole episodes go by with people having the same conversations over and over and endlessly crying for no good reason, you don't drop it. You can't.
THE PLOT
When Ko Eun Sung (Han Hyo Joo) is thrown into the street with her autistic brother, she is taken in by self-made businesswoman Jang Sook Ja (Ban Hyo Jung). The Chairwoman sees herself in the younger woman and eventually throws her entitled family for a loop when she leaves the younger woman all her assets, including her company.
Yes, it's a standard Cinderella plotline with her and the Prince, Seon Woo Hwan (played by Lee Seung Gi, apparently a perpetually geriatric toddler) having the requisite number of misunderstandings and near misses before settling into the inevitable pining, sexless true love.
THE ENDING
The Shining Inheritance mentioned in the title is not just the money everyone starts fighting over once Grandma changes her will. What the older woman is bequeathing is not her money but her vision for the company she founded. It's this lesson about what's important in life that underpins the show's overly-strong moral message.
The show's moralising, especially in the back half, is definitely its weakest part. And it doesn't help that far too long is spent on a second female lead who needed to stop crying and monologuing and just get a damn life. But there's no need to spend too much time thinking about deeper messages when you can't stop watching because of how addictive the whole guilty pleasure is.
Crack is crack.
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